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Author Topic: Fotolia D-Day (Deactivation Day) - May,1  (Read 308317 times)

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« Reply #625 on: May 03, 2014, 10:47 »
+20
The people to contact and inform about what Oleg Tsheltzoff and his DPC site are doing, are the Advertising and Design Agency's, who use the content.

Deleting and Opting out is not enough the people who buy the content should be informed, they are creatives like us, they wont be happy about exploiting other creatives.

The quickest way to inform them, is through the Advertising and Design Press.

This would stop Oleg Tsheltzoff and his DPC site selling the content.

I don't think you'll be able to convince ad agencies to stop buying there. It's a cheap deal for customers, so why should they care about our commissions? You need to inform contributors. Without contributors, there will be no (or less) content, and then customers will stay away as well.
Convincing advertising and design agencies is a good idea because if they stop buying that hits Dollar Photo Club, and if they buy more it hits the contributers who are going to see an increase in 25 cents commissions.

This is a Win Win for US the contributors, as all those who get these low commission are going to start to ask some serious questions and be altered to this problem.

It really needs a big push to publicize this to the Advertising and Design Press to get the message out their - which ever way the agencies jump as a whole it will be a win.

The quicker the better.

Seriously? Big business doesn't care. It just wants cheap and Oleg thingy knows that. You go round agencies and tell them that they are going to hurt artists by getting the cheapest deal on the market and they will be queuing to sign up. Business isn't full of nice people. Take it from someone who's seen an oil industry chief exec boast to a central banker about getting Nepalese workers to take $200 a month.

The message to business/agencies needs to be that all the best images have fled from DPC because it is such a rubbish return for artists that only the dross is left. If they want anything half-decent they need to go up-market.

That is the strategy that iStock used so effectively in promoting its exclusives as providing the best imagery on the net. And you know what - true or not - it worked.


H2O

    This user is banned.
« Reply #626 on: May 03, 2014, 11:06 »
-3
The people to contact and inform about what Oleg Tsheltzoff and his DPC site are doing, are the Advertising and Design Agency's, who use the content.

Deleting and Opting out is not enough the people who buy the content should be informed, they are creatives like us, they wont be happy about exploiting other creatives.

The quickest way to inform them, is through the Advertising and Design Press.

This would stop Oleg Tsheltzoff and his DPC site selling the content.

I don't think you'll be able to convince ad agencies to stop buying there. It's a cheap deal for customers, so why should they care about our commissions? You need to inform contributors. Without contributors, there will be no (or less) content, and then customers will stay away as well.
Convincing advertising and design agencies is a good idea because if they stop buying that hits Dollar Photo Club, and if they buy more it hits the contributers who are going to see an increase in 25 cents commissions.

This is a Win Win for US the contributors, as all those who get these low commission are going to start to ask some serious questions and be altered to this problem.

It really needs a big push to publicize this to the Advertising and Design Press to get the message out their - which ever way the agencies jump as a whole it will be a win.

The quicker the better.

Seriously? Big business doesn't care. It just wants cheap and Oleg thingy knows that. You go round agencies and tell them that they are going to hurt artists by getting the cheapest deal on the market and they will be queuing to sign up. Business isn't full of nice people. Take it from someone who's seen an oil industry chief exec boast to a central banker about getting Nepalese workers to take $200 a month.

The message to business/agencies needs to be that all the best images have fled from DPC because it is such a rubbish return for artists that only the dross is left. If they want anything half-decent they need to go up-market.

That is the strategy that iStock used so effectively in promoting its exclusives as providing the best imagery on the net. And you know what - true or not - it worked.


I agree with you about Big Business doesn't care.

All I'm saying is inform the Advertising and Design Media if Agencies do sign up to Dollar Photo Club all the contributors will soon get the message and quit.

Its called shooting yourself in the foot and Oleg (not very clever) thingy doesn't know that.

« Reply #627 on: May 03, 2014, 11:19 »
+19
dpc, dp or getty does not matter but it will be the next agency come with suppressed prices. We need to make us independent of agencies. We have to build networks without agencies.
« Last Edit: May 03, 2014, 11:36 by R2D2 »

EmberMike

« Reply #628 on: May 03, 2014, 12:13 »
+29

I just read that GDUSA article. And then promptly deleted 1/3 of my portfolio. Opting out of DPC isn't enough. This company has zero regard for artists, and I am having a hard time trusting them as a distributor of my work. Not just with DPC, but in all regards.

I'm really sick of this marketing double-speak and sales pitch, where we're supposed to get on board with this just because they tell us this is a good thing. And I'm still really bothered that they sent Mat in here to act like joe-average-contributor and try to sell us on DPC, only to see Mat leave in a huff when he was forced to admit his connection with Fotolia and blamed it all on us and the hostility of this forum.

The list of reasons not to trust Fotolia is getting longer by the day.

Beppe Grillo

« Reply #629 on: May 03, 2014, 12:17 »
+4

[]
The list of reasons not to trust Fotolia is getting longer by the day.
The list of reasons to trust them is surely a lot shorter

EmberMike

« Reply #630 on: May 03, 2014, 12:27 »
+9

You know, in a way I have to applaud Fotolia and the genius of DPC. I'm sure plenty of people have had the idea before to launch a dollar image stock collection before, but the problem was always "How would we get people to contribute images for $1 sales and subscription royalties?" Well, Fotolia figured it out.

A few weeks ago I said that APIs and partner programs were the biggest threat to this business from an artist/contributor standpoint. Today, I can honestly say that I think DPC is the biggest threat. Just look at what customers are saying about DPC on Twitter:

Quote
I feel like I did a pretty thorough search for stock photos & I have to say, I'm impressed w/@DollarPhotoClub! $10/month, $1/image


Quote
Checking out @DollarPhotoClub. Tired of paying a bundle for a single image.

Quote
@DollarPhotoClub Finally a no-nonsense photo stock website! Thank you! Bye bye shutterstock! #photography #webdesign

« Reply #631 on: May 03, 2014, 12:40 »
+12
Opted out all 4,917 photos from DPC, will watch closely..

« Reply #632 on: May 03, 2014, 12:44 »
+7
27,927,829

27,926,036

Still dropping

27 923 968
images on fotolia.com as of now

« Reply #633 on: May 03, 2014, 13:10 »
+2
On the other hand, theres is something terribly unfair for the other agencies in this scheme. Let's see: DPC won't sell as --for example-- SS sells, because clients will tend to buy just the images they need (that's not really a subs program, as we all know. In a true subs program clients end downloading 3x what they need). It s is possible to finance the cheapest photo shooting with the returns that this DPC scheme will provide? The answer is clearly no. Actually, that should condemn DPC to lose contributors, professional contributors and their better images, and have to work with photos of pizzas and chessboards by amateurs or week-end photographers, or people images with an not so sleek array of photographers's couples and brothers in law as models. But many photographer's will think: "So what? I sell too at SS, IS, DT and other sites: that will finance the shootings, DPC income is a plus" (at least until they see a decrease in their other agencies more profitable income). So, DPC couln't exist without the other agencies. If the other agencies allow this, they will be indirectly supporting DPC.

lisafx

« Reply #634 on: May 03, 2014, 13:51 »
+2
I'm still really bothered that they sent Mat in here to act like joe-average-contributor and try to sell us on DPC, only to see Mat leave in a huff when he was forced to admit his connection with Fotolia and blamed it all on us and the hostility of this forum.


Not to argue with the rest of your post, but can I just point out one thing about Mat?  He has an extensive portfolio as a microstock artist that is spread across all the same sites as the rest of us, and I am sure he relies on the income from it, in addition to whatever Fotolia pays him. 

I don't know if it is commonly known, but there are a number of micro sites that will close your account if they find out you work for another agency. 

I didn't know this until I was asked to be a reviewer at one site, and during my probationary period, I was contacted by several others who knew somehow that I was reviewing for this one site, and I was told that I would be thrown off some very lucrative sites if I continued "working for" this site I was reviewing for. It didn't even matter that I was an independent contractor and not an employee.   I had to stop reviewing before the probationary period was up because I needed the micro income more. 

Perhaps in the future it might be a good idea for agency employees who are also micro contributors to join under a different name, and get the agency badge from Leaf, but remain anonymous as to who they are as contributors. 

« Reply #635 on: May 03, 2014, 14:21 »
+23
Mat's portfolios on other agencies notwithstanding, he has been a vocal cheerleader for Fotolia for a long time now.  I've been known to stand up for Shutterstock and a few other agencies against what I felt were unfair attacks, but Mat's posts felt more and more like those of an employee rather than those of an external advocate.  And that includes claims which I believed were false and which have turned out to be so.  As a mere supplier, he wouldn't be the first to make inaccurate assertions based on his own beliefs about an agency.  I don't know if there was a quid pro quo for his support for Fotolia or what led to their bringing him on board as an employee, but for me at least, his strained credibility is now in tatters.  I will not trust a word he says, nor can I trust anything he ever says.  And that would go for any representative of a company who doesn't divulge that connection.

« Reply #636 on: May 03, 2014, 14:41 »
+6

I don't know if it is commonly known, but there are a number of micro sites that will close your account if they find out you work for another agency. 

I didn't know this until I was asked to be a reviewer at one site, and during my probationary period, I was contacted by several others who knew somehow that I was reviewing for this one site, and I was told that I would be thrown off some very lucrative sites if I continued "working for" this site I was reviewing for. It didn't even matter that I was an independent contractor and not an employee.   I had to stop reviewing before the probationary period was up because I needed the micro income more. 

Perhaps in the future it might be a good idea for agency employees who are also micro contributors to join under a different name, and get the agency badge from Leaf, but remain anonymous as to who they are as contributors.

Since I went indie I have been contacted by several agencies to work for them as either an image reviewer or community builder. I have always declined even if some projects sounded very interesting. I know that some agencies will consider you as "working for the enemy/competition" even if you are just checking releases and looking for sensor spots.

For me it is important to stay independent. If I ever was going to be on any agency payroll, I would probably withdraw my portfolio from others or at least I would contact them in advance to avoid misunderstandings.

Back on topic. what I think we have been seeing this year is more and more agencies using their apis to transfer our content to other sites where they set up new business models that we never agreed to. Deposit with their 30 dollar 30 cent api deals, getty who are building an advertising network on the back of very high quality contributor content for free and DPC that offers content that was sent to Fotolia in a new unlimited  1 dollar plan. If they had just opened a new agency and asked for content, they could only be offering the lower value files that the low value agencies are able to attract.

We really need to keep our networking skills very sharp and favor the agencies that communicate at eye level and run their business with longterm vision.

I wish Fotolia had invested their energy and money into improving their main site. There is a lot that can be done to make Fotolia itself more attractive.
« Last Edit: May 03, 2014, 14:43 by cobalt »

« Reply #637 on: May 03, 2014, 15:01 »
+26
In some ways an expropriation of our content takes place. It is important that the Fotolia D-day was not the final, but the beginning of a movement of the contributors worldwide.

EmberMike

« Reply #638 on: May 03, 2014, 15:50 »
+12
...I don't know if it is commonly known, but there are a number of micro sites that will close your account if they find out you work for another agency... 

...Perhaps in the future it might be a good idea for agency employees who are also micro contributors to join under a different name, and get the agency badge from Leaf, but remain anonymous as to who they are as contributors.

I'm sure that's a common issue. And maybe Mat did have good reasons for trying to keep his employment a secret. But he crossed the line when he began publicly supporting a Fotolia product. It's not like he was commenting on a Shutterstock product or something from some other company. He was specifically commenting on (and defending) a controversial new product from the company who cuts his paychecks. And doing so while hiding his employment with Fotolia. That's wrong.

Not sure I'd be a fan of anonymous agency representatives in here, either. I think if someone wants to be an agency representative, they need to be that and accept the sacrifices they need to make to hold the job.

« Reply #639 on: May 03, 2014, 19:43 »
+8
Opted out of DPC. Not because I think it will hurt them or that I have a high quality portfolio. I just don't approve of their business "ethics". I'm sure they'll find plenty contributors, some better than me, who will provide content. I don't care. I won't.

Thanks to everyone for being so vocal about it, as I am sure that I would miss this if it wasn't constantly on the top of the forum.

I'm also thinking of removing my portfolio from Fotolia, will review the option carefully as soon as I find some time.

« Reply #640 on: May 03, 2014, 21:22 »
+2
Not sure if I may give links to other forums here (if not, I'll remove it at once), but I believe this post is straight to the point.

Quote
It won't be anyone's 2nd agency (or 3rd or 30th) if DPC succeeds. That's the big threat here. DPC is the new FT, that's the product they are pushing, that's where they want people to buy images. They're advertising DPC right on the FT homepage (in some markets at least).

I've deleted 1/3 of my portfolio from FT. I suspect I'll be totally gone from there shortly, as it seems pretty unlikely that FT will change course with DPC any time soon. They're pushing this thing too hard, no way they will go back on it now.

DPC is the future for FT, and by staying with FT we're just helping them fund the growth of DPC.

That's the genius of this whole thing. DPC has been thought of before, but no one could pull it off from scratch. Who would contribute images to such a thing? So instead, they build it from the existing FT collection, launch it without letting anyone know about it, and funding the growth, marketing, and future development of it on the continued income from FT until DPC outgrows FT.

That's why they even offered an opt-out. It doesn't matter if you opt-out. FT can fund the growth of DPC via FT. Opting out shrinks the DPC collection, but staying with FT still supports DPC.

The end result, if they succeed in this, is to beat everyone, including SS, and completely disrupt the market. DPC is a game-changer, folks. No doubt about it.

« Reply #641 on: May 03, 2014, 21:56 »
+2
Posting links here is fine. I added my words to Mike's

http://submit.shutterstock.com/forum/viewtopic.php?p=2679303#2679303

« Reply #642 on: May 03, 2014, 23:31 »
+3
Search: People
FT 3588726 - DPC 2884164 = 704562

Search: Food
FT 3793314 - DPC 3114815 = 678499

« Reply #643 on: May 04, 2014, 01:00 »
+4
Search: People
FT 3588726 - DPC 2884164 = 704562

Search: Food
FT 3793314 - DPC 3114815 = 678499

Thats motivation we should promote the dpc opt out louder and on more channels.
Facebook, google+, twitter, Contributor forums. We are so strange together THX TO ALL WHO MAKE THIS RESISTANCE POSSIBLE!
« Last Edit: May 04, 2014, 03:47 by R2D2 »

« Reply #644 on: May 04, 2014, 01:10 »
+3
Opt out for all subscriptions!

Ron

« Reply #645 on: May 04, 2014, 01:15 »
+6
Yesterday I checked if I had opted out of the social media promotions on FT. I suggest everyone does the same. Stop all auto posting to Twitter and Facebook. Stop promoting the hacks.


https://us.fotolia.com/Member/Modify/SocialNetworks

Beppe Grillo

« Reply #646 on: May 04, 2014, 02:53 »
0
Yesterday I checked if I had opted out of the social media promotions on FT. I suggest everyone does the same. Stop all auto posting to Twitter and Facebook. Stop promoting the hacks.


https://us.fotolia.com/Member/Modify/SocialNetworks

I had already "opted out" some time ago.
But I don't understand what is "Dropbox association"?

« Reply #647 on: May 04, 2014, 03:02 »
+22
Just opted out over 37000 photos from DPC.
For me it would be better to have ability adding some files to DPC (but some , not all). Everyone have some files with 0 sales after over 12 month. It could give oportunity to sell them with lower price.

« Reply #648 on: May 04, 2014, 06:07 »
0
For those of you checking numbers, my DPC port only shows 423 images, while I have more than 1,300 on Fotolia. A lot of my bestsellers aren't on DPC either. I don't understand why there's a difference.

« Reply #649 on: May 04, 2014, 06:19 »
0
Yesterday I checked if I had opted out of the social media promotions on FT. I suggest everyone does the same. Stop all auto posting to Twitter and Facebook. Stop promoting the hacks.


https://us.fotolia.com/Member/Modify/SocialNetworks


I never even knew that existed. It's turned off by default.

What does the DropBox feature do?


 

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