pancakes

MicrostockGroup Sponsors


Author Topic: Apple music not paying artists for 3 month trial  (Read 16026 times)

0 Members and 1 Guest are viewing this topic.

« on: June 22, 2015, 00:25 »
+4
I just read a few articles on this situation at it seemed very similar to our situation.  Taylor Swift wrote an open letter and complained about the situation in a respectful way and it looks like Apple listened.

I just found it interesting how the music industry is essentially going through the same thing.

http://gizmodo.com/apple-does-abrupt-about-face-over-unpaid-streaming-1712983639
http://taylorswift.tumblr.com/post/122071902085/to-apple-love-taylor

To summarize - for those who don't want to follow the links.
Apple is starting a music streaming service and they are offering a 3 month trial for free.  Artists were set to NOT be paid for their music that was paid for these first three months.
In response Taylor Swift refused to release her new album on iTunes in protest and wrote an open letter to Apple explaining her position (linked above)
Apple changed their mind shortly after and announced that they WILL pay artists after all for the three months they are giving away as a trial.
« Last Edit: June 22, 2015, 05:01 by leaf »


« Reply #1 on: June 22, 2015, 00:57 »
+1
Classy move by Apple (the second part of the act). And smart, too.

Anyone can guess how would the major stock agencies react in such situation?

Semmick Photo

« Reply #2 on: June 22, 2015, 01:23 »
+5
There's a big difference. Music Artists seem to be far more collective than us. They withhold content collectively we operate as individuals only interested in our own little world. I  am referring to the big guns. Factories never pull their content collectively.

« Reply #3 on: June 22, 2015, 02:30 »
+5
very good news !

Apple Music changes policy after Taylor Swift stand
http://www.bbc.com/news/entertainment-arts-33220189


"We don't ask you for free iPhones. Please don't ask us to provide you with our music for no compensation."



« Reply #4 on: June 22, 2015, 02:38 »
0
I  am referring to the big guns. Factories never pull their content collectively.

i think the lesson here is the music industry knows the score and is aware the value of free exposure on Apple Music is not worth it.

yet another blow in the face of Apple and their freeloading sycophants.

the bar has been lowered so much in the last 20 yrs that now finally it reached the bottom of the barrel : FREE !

as expected there's been a bold answer to this madness and this will set a new precedent, hopefully in the right direction.



« Reply #5 on: June 22, 2015, 03:18 »
+3
I call a PR stunt of Apple using Taylor Swift as "bait". Apple just needs to create more of a stir for their new service and a little guerilla marketing won't hurt them either.

If Apple cannot pay artist for a trial period then who can? And to assume that world class artists would take it silently is ignorant. Apple may be ruthless but not stupid.

« Reply #6 on: June 22, 2015, 04:30 »
0
If Apple cannot pay artist for a trial period then who can?

Nobody.

Apple Music and the other music streaming services have been grounded on a solid business model, even the actual market leader (Pandora) is losing millions and it's ridicolous valuation is so high just because we're in the middle of another economic bubble ... their only realistic plans is for their early investors to sell the hot cakes to the muppets at the right time just as they do with all the other failed startups.

sure, music streaming can be profitable, just as long as the artists don't get paid.

i mean, they're paying zero compared to video streaming : on Youtube you can get at least 1$ per 1000 video views ... on Pandora it's around 1$ (gross !) per 15000 streams ... this goes straight to the publisher, not to you ... your final payout is maybe around 1$ per 60-70000 streams.

after all there's a good reason if radio advertising doesn't pay as well as TV ads.

even if Pandora or Apple Music triple their subscriber fees it just doesn't pay enough to make it a profitable business, this has been debated to death since more than 15 yrs, since the time of the first web radios.









« Reply #7 on: June 22, 2015, 05:02 »
+7
There's a big difference. Music Artists seem to be far more collective than us. They withhold content collectively we operate as individuals only interested in our own little world. I  am referring to the big guns. Factories never pull their content collectively.

This wasn't a collective move by the industry.  It was a single artist saying - enough is enough and refusing to add her latest work to iTunes

« Reply #8 on: June 22, 2015, 05:20 »
+3
It was a single artist saying - enough is enough and refusing to add her latest work to iTunes

the way the news broke out in the medias looks like a typical PR stunt.

apart for rare cases, single artists can't move a finger without the OK of their music labels and their entourage and of course they've no word on how their music is being marketed.

it's probably a way for her record label to tell Apple to F off "by proxy" and to see what sticks on the wall.


« Reply #9 on: June 22, 2015, 05:31 »
0
Apple may be ruthless but not stupid.

the music industry is in dire straits.

- paid downloads on iTunes etc are declining year on year.
- streaming is booming but is unprofitable.
- selling physical CDs is a thing of the past
- piracy and freeloading are now openly tolerated if we think about Youtube
- most of the mainstream music is stuck in a limbo since 20 yrs
- EDM in the USA is the "new Disco" and will soon crash and burn

matter of fact, i was recently listening to hard to find old tunes and guess what, i found 99% of them on Youtube, often with very good quality and i also found bootlegs and video from the same artists that i've never heard of .. all stuff that is probably not even on sale.

on top of this there are musicophiles forums specialized in obscure artists, providing tons of links and free stuff.

i was also searching for a bunch of Jimi Hendrix song, i ended up finding a lot more than that and just out of curiosity i grabbed a whopping 30GB torrent with his entire discography including cover scans and super rare tracks that you can't find in any online store since they've probably never been published .. suffice to say all the tracks are in FLAC format (lossless) and sound as good as the original CDs, a few have been remastered by hendrix fans.

now, what's next ? a single reason i should pay for anything ... i don't know .. at this point everything is going to change big time but how are the artists supposed to make even a tiny profit, who knows.




Semmick Photo

« Reply #10 on: June 22, 2015, 05:35 »
+1
There's a big difference. Music Artists seem to be far more collective than us. They withhold content collectively we operate as individuals only interested in our own little world. I  am referring to the big guns. Factories never pull their content collectively.


This wasn't a collective move by the industry.  It was a single artist saying - enough is enough and refusing to add her latest work to iTunes


There have been articles mentioning a collective action.

http://www.digitalmusicnews.com/permalink/2015/06/15/breaking-apple-facing-massive-withdrawal-from-independent-artists-labels

taken from http://www.microstockgroup.com/ranting-off-topic/apple-killing-the-music-business-again-a-warning-for-photo-stockers-!/

Semmick Photo

« Reply #11 on: June 22, 2015, 05:41 »
0
There's a big difference. Music Artists seem to be far more collective than us. They withhold content collectively we operate as individuals only interested in our own little world. I  am referring to the big guns. Factories never pull their content collectively.

This wasn't a collective move by the industry.  It was a single artist saying - enough is enough and refusing to add her latest work to iTunes
  Here from Apple self

https://twitter.com/cue/status/612824947342229504

It wasnt just one artist

PaulieWalnuts

  • We Have Exciting News For You
« Reply #12 on: June 22, 2015, 06:37 »
+2
I think it's good that this problem is finally hitting the general public. Gene Simmons also has some pretty harsh but accurate criticism about free media.

http://loudwire.com/kiss-gene-simmons-i-blame-fans-lack-of-rock-stars/


« Reply #13 on: June 22, 2015, 07:03 »
0
...
matter of fact, i was recently listening to hard to find old tunes and guess what, i found 99% of them on Youtube, often with very good quality and i also found bootlegs and video from the same artists that i've never heard of .. all stuff that is probably not even on sale
....

I was always wondering how that works. How can "other" people upload songs of famous artists to Youtube and get away with that?

I once filmed a university graduation and when I wanted to publish it, Youtube refused it because during the closing ceremony they played a famous song in the background.

So I have no clue how all these different versions of famous songs were even possible to be uploaded to Youtube in the first place?

Does anyone know how this is possible?

« Reply #14 on: June 22, 2015, 07:07 »
+5
I think if the single largest contributor to microstock went to an agency and said enough is enough, something might change. So far, that hasn't happened. That single largest contributor made a deal to benefit him/herself and forgot about the rest of the contributors. And if even one or two more of the largest contributors joined in, something might have changed. I guess we will never know now.

Good for Taylor Swift and the others standing up for themselves. Even if it was a publicity stunt.
« Last Edit: June 22, 2015, 07:10 by cathyslife »

« Reply #15 on: June 22, 2015, 08:18 »
0
I think it's good that this problem is finally hitting the general public. Gene Simmons also has some pretty harsh but accurate criticism about free media.

http://loudwire.com/kiss-gene-simmons-i-blame-fans-lack-of-rock-stars/


he's 100% right but nobody will lose sleep over the missed opportunity of the next Elvis or Lady Gaga .. and i certainly won't miss a mediocre band like the KISS ...

if the whole star system ceases to exist it will be only a good thing for music.

there's a lot of good music coming from indie artists today, you just need the time to find out and it's never been easier for unknown artists with talent to publish online and to make themselves known to a small bunch of fans ... no middlemen, no BS.









« Reply #16 on: June 22, 2015, 08:23 »
+1

So I have no clue how all these different versions of famous songs were even possible to be uploaded to Youtube in the first place?

and that's nothing, try searching any movies pre-1990 on youtube, there's so many of them, full version, some even 3 hrs long ! quality is hit or miss but you can watch it for free and nobody is complaining, only the recent movies are removed, it seems that anything at least 20 yrs old is OK and won't be taken down.





« Reply #18 on: June 22, 2015, 09:36 »
0
I was always wondering how that works. How can "other" people upload songs of famous artists to Youtube and get away with that?

I once filmed a university graduation and when I wanted to publish it, Youtube refused it because during the closing ceremony they played a famous song in the background.

So I have no clue how all these different versions of famous songs were even possible to be uploaded to Youtube in the first place?

Does anyone know how this is possible?


http://techcrunch.com/2014/12/08/youtube-now-tells-you-how-copyrighted-music-will-affect-your-video-before-you-upload-it/

« Reply #19 on: June 22, 2015, 10:10 »
0
http://techcrunch.com/2014/12/08/youtube-now-tells-you-how-copyrighted-music-will-affect-your-video-before-you-upload-it/


not anymore, i guess  ... here take a look for instance ... HD-quality dvd-rips of Rambo 1/2/3/4 full lenght :

https://www.youtube.com/results?search_query=rambo+full+movie

or use the query "full movie" for many other films, there's pretty much anything, also mainstream stuff up to 2003 like the Matrix saga.

Google is the leader in piracy and they make billions out of it as 90% of the sh-it on Youtube is illegal.

by the way, another interesting article on this topic from the Copyright Alliance :
http://copyrightalliance.org/content/piracy_profit-youtubes_dirty_secret




« Reply #20 on: June 22, 2015, 10:48 »
0
I was always wondering how that works. How can "other" people upload songs of famous artists to Youtube and get away with that?

I once filmed a university graduation and when I wanted to publish it, Youtube refused it because during the closing ceremony they played a famous song in the background.

So I have no clue how all these different versions of famous songs were even possible to be uploaded to Youtube in the first place?

Does anyone know how this is possible?


http://techcrunch.com/2014/12/08/youtube-now-tells-you-how-copyrighted-music-will-affect-your-video-before-you-upload-it/


Thanks Jo Ann for the link!

ruxpriencdiam

    This user is banned.
  • Location. Third stone from the sun
« Reply #21 on: June 22, 2015, 11:35 »
0
But that single artist alone is worth Billions not to mention marketing and advertising.

What single Micro shooter is worth billions to any micro company?

Yuri aside.

Not to forget to mention that the music industry is completely different then Micro is by miles.

The music industry will back their artists with everything they have, what micro site is willing to do that for one contributor?

None.

There's a big difference. Music Artists seem to be far more collective than us. They withhold content collectively we operate as individuals only interested in our own little world. I  am referring to the big guns. Factories never pull their content collectively.

This wasn't a collective move by the industry.  It was a single artist saying - enough is enough and refusing to add her latest work to iTunes

Semmick Photo

« Reply #22 on: June 22, 2015, 12:03 »
0
But that single artist alone is worth Billions not to mention marketing and advertising.

What single Micro shooter is worth billions to any micro company?

Yuri aside.

Not to forget to mention that the music industry is completely different then Micro is by miles.

The music industry will back their artists with everything they have, what micro site is willing to do that for one contributor?

None.

There's a big difference. Music Artists seem to be far more collective than us. They withhold content collectively we operate as individuals only interested in our own little world. I  am referring to the big guns. Factories never pull their content collectively.

This wasn't a collective move by the industry.  It was a single artist saying - enough is enough and refusing to add her latest work to iTunes
billions? Lol

ruxpriencdiam

    This user is banned.
  • Location. Third stone from the sun
« Reply #23 on: June 22, 2015, 12:34 »
0
 Yeah Ron a little math might come in handy!

Debut album released in 2006 Forbes says she is worth 200 million this year alone so how much has she made over 9 years?

Oh and lets not forget that is just her album, LP, Cassette, CD sales and concerts.

So now we have to consider products and marketing.

Taylor Swift Dolls, Toys, clothing apparel, perfumes, jewelry, hair and makeup products, food endorsements Etc.
of her goods and merchandise.

So she is easily worth Billions to an industry driven by sales and greed.

If it sells market it if it does well market another way.

You ever work in the retail business industry Ron?

Doubt it.



But that single artist alone is worth Billions not to mention marketing and advertising.

What single Micro shooter is worth billions to any micro company?

Yuri aside.

Not to forget to mention that the music industry is completely different then Micro is by miles.

The music industry will back their artists with everything they have, what micro site is willing to do that for one contributor?

None.

There's a big difference. Music Artists seem to be far more collective than us. They withhold content collectively we operate as individuals only interested in our own little world. I  am referring to the big guns. Factories never pull their content collectively.

This wasn't a collective move by the industry.  It was a single artist saying - enough is enough and refusing to add her latest work to iTunes
billions? Lol

« Reply #24 on: June 22, 2015, 12:45 »
0
But that single artist alone is worth Billions not to mention marketing and advertising.

What single Micro shooter is worth billions to any micro company?

Yuri aside.

Not to forget to mention that the music industry is completely different then Micro is by miles.

The music industry will back their artists with everything they have, what micro site is willing to do that for one contributor?

i still prefer to make 0.30$ per download on SS than 0.30$ on iTunes or Beatport, i can easily make a saleable image with little effort, but it can take days or work to make a song.

moreover, my photos will sell for a few years at least while the shelf life of a song is 2-3 months and if we talk about EDM it's 20-30 days !

micro sites will never promote a single artist, but the so called "boutique agencies" will, up to you to get the foot in the door, of course at this point they're the exception to the rule but it doesn't mean it's impossible to make a brand out of your images.

my opinion, the real problem we're facing nowadays is that people will be glad to waste 100$ on a dinner or to get drunk on friday night but they'll be literally shocked if someone asks them money for a photo or a painting or a song.

books are also the last thing they plan to buy, and what about commercial software or artsy merchandising, good luck with that.

for whatever reason, after decades of free piracy for all it's becoming now socially accepted and expected to pay nothing for anything digital apart their ISP and their 3G/4G connection.

now, should be blame and shame the users or shoud we accept that times have changed radically since the 90s ?
my feeling is the supply is NOT meeting the demand and of course it can't compete with piracy on any level.

if we look at countries where there's no enforced copyright laws and piracy is fully legal, the musicians make money only with gigs and private parties, especially with weddings, while the photographers too are big on weddings and fashion and assignment, nobody would make a dime with stock apart for wire news photographers and nobody would get rich selling CDs or t-shirts.

is this the future ? i think yes, this is what's in store for all of us basically, but stock will survive especially for news and travel but you need a huge portfolio to stay afloat ... while we discuss if 0.30$ per download is a fair price i see old ladies from eastern europe earning 8-10 euro per hour for cleaning toilets, just to give you a different perspective ... the equivalent of 20-30 downloads in just 1 hour, no matter if you're super fast at shooting saleable images, it still pays like sh-it ... what about specialized mechanical workers, 25 euro/hr ... what about lawyers, doctors, engineers, or even middle managers earning 100K/year ?

making and selling images will never make you rich, it's a lifestyle and has it's pros and cons, but all this discussion about money doesn't make any sense, even Yuri admitted he felt like selling cheap burgers considering how much he spent on production and that's true for him and true for us ... we should just keep microstock as a side hobby and focus on fine-art or other fields where our work is appreciated and paid accordingly.



 









 

Related Topics

  Subject / Started by Replies Last post
5 Replies
5419 Views
Last post November 04, 2006, 08:53
by maunger
1 Replies
2400 Views
Last post June 30, 2008, 14:17
by leaf
0 Replies
2813 Views
Last post August 31, 2012, 04:28
by keyindiagraphics01
337 Replies
40131 Views
Last post May 31, 2013, 15:17
by leaf
3 Replies
3665 Views
Last post June 05, 2014, 00:52
by amabu

Sponsors

Mega Bundle of 5,900+ Professional Lightroom Presets

Microstock Poll Results

Sponsors