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Author Topic: Photos from Gettyimages direct to Thinkstock - ouch  (Read 26829 times)

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grp_photo

« on: April 01, 2011, 15:31 »
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Gettyimages forces their contributors to sign a new creative contributor agreement that allows them to move your RF-Content from Gettyimages direct to Thinkstock. Moving files from Stockxpert to Thinkstock was already not acceptable - but this one!!! :o :o :o :o :o :o
Best one the new contract also allows Getty to move RM-Content to RF. So first they move your RM to RF and the to Thinksuck wow can't get worse than this. Certainly Thinkstock is the worst site I can think of.


LSD72

  • My Bologna has a first name...
« Reply #1 on: April 01, 2011, 15:33 »
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I wonder how the Getty People are taking it?

« Reply #2 on: April 01, 2011, 15:38 »
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April Fool, eh?!

lisafx

« Reply #3 on: April 01, 2011, 15:42 »
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April Fool, eh?!

Why do I keep getting suckered by these?  :)

grp_photo

« Reply #4 on: April 01, 2011, 15:48 »
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Actually it is not :-( I wish it was received it today but again it is certainly genuine: "We are excited to invite you to be one of the first to sign our new Getty Images Contributor Agreement." well I'm not that excited :-(

« Reply #5 on: April 01, 2011, 15:50 »
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No, it's definitely in the contract.  They have the right to move whatever they want to either sub site.  They are offering $.40 per download at the sub sites.

« Reply #6 on: April 01, 2011, 16:01 »
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The Getty Photographers are not happy.

What surprised me that they are not sharing any content with istock. I mean, they already put the agency collection on istock, I would have thought if they are moving "downstream" that istock would be the next stop.

But from what I read from the non exclusives the duality of shutterstock and non subsctription sites works as long as it is not done on the same site.

I signed the contract, but I dont have many images on Getty anyway.

I have most of my istock images in the PP program and I am not seeing a drop in downloads that I can in any way relate to the programm. In the beginning I only opted non sellers in, then gradually added most files. The images sell, but the sales pattern is not the same as on istock. I have some images that sell really well there that are not moving on istock at all.

As long as Thinkstock is kept on a different site, I feel fine with it. I hope they dont merge it with istock.

lisafx

« Reply #7 on: April 01, 2011, 16:04 »
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No, it's definitely in the contract.  They have the right to move whatever they want to either sub site.  They are offering $.40 per download at the sub sites.

So more than IS exclusives get?  It's still low, especially for people used to trad pricing, but why less than IS diamond exclusive?  

Wonder how long before Istock members are forced to participate in PP?  Maybe that $.03 bump was the spoon full of sugar to help the medicine go down (to paraphrase Mary Poppins)?  
« Last Edit: April 01, 2011, 16:05 by lisafx »

« Reply #8 on: April 01, 2011, 16:11 »
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With the new raise, IS exclusives get $.38-$.46.

« Reply #9 on: April 01, 2011, 16:15 »
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Anybody exclusive Gold and above gets more than the Getty photographers.

I do wonder if they will continue to allow us to opt in our files manually or opt out completely.

Thinkstock seems to be a very important project.

« Reply #10 on: April 01, 2011, 16:45 »
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I don't see this as good news at all.

I've been expecting IS to force all exclusives into the PP at some point, and as I've said many times I think the partner program is part of the program to drive our royalties to a maximum of 20%. We get no RC for sales at sites other than IS and although Getty was marketing Thinkstock as if all the IS content was there already (which it wasn't), once all the IS exclusive content is available at Thinkstock, why would anyone buy at IS any more?

You can buy credit packs at Thinkstock. If you buy a subscription there you get 25% off at Getty (I think that offer's still good).  IS exclusives get a pittance (compared to what we'd get for a sale at IS).

The fact that different images sell has to do with differences in default sort order and such, much more so than this myth of a different market or different buyers.

I loathe the RC system, but while it's our ticket to next year's royalties, we should be alert to all efforts by Getty to move sales to places that don't give us RCs for sales.

I realize this isn't yet a move to change things for IS exclusives, but if they're doing this for Getty photographers, why wouldn't they to IS exclusives?

« Reply #11 on: April 01, 2011, 16:47 »
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I posted a you tube video with Mr. Klein advising the music industry to embrace cannibalism like he had with his agencies on other thread here a couple weeks ago.

Here's a thought:
If  Thinkstock cannibalizes sales at Istock to the extent that it eventually forces Black Diamonds and Diamonds to drop exclusivity, will it tilt the seesaw of power into the contributor's favor? 

Also, just to be clear, I think that different market talk is pure BS. They sure don't view Shutterstock as a different market.

lisafx

« Reply #12 on: April 01, 2011, 16:54 »
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With the new raise, IS exclusives get $.38-$.46.

I missed that.  Thanks.

lisafx

« Reply #13 on: April 01, 2011, 16:56 »
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I realize this isn't yet a move to change things for IS exclusives, but if they're doing this for Getty photographers, why wouldn't they to IS exclusives?

And to IS non-exclusives.  Looks like the writing is on the wall for the opt-out of the PP. 

Could this signal they are gradually fazing Istock out altogether, by making all the content redundant?

« Reply #14 on: April 01, 2011, 17:53 »
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Well, if subscriptions are what all buyers want, why is istock still around??

Why didnt all the buyers go to shutterstock? A long time ago?

I find it hard to believe that Getty/istock are planning to direct all their buyers to Thinkstock.

Anyway, to each his own.  I respect everyone who wants to opt out and hope they just keep the system that istock has just the way it is now. I also have some images that I will probably not want to opt in.

RacePhoto

« Reply #15 on: April 01, 2011, 18:23 »
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With the new raise, IS exclusives get $.38-$.46.

Let me just review my notes and someone can correct me if I'm wrong. ThinkStock pays this for RF sub downloads...

StockXpert people get 25c
IS people get 28c
Getty people will get 40c
IS Exclusive will get 38-46 cents.

I know some people don't like the StockXpert deal, but considering what they accepted on StockXpert, (in my case the only agency of the top eight that took many of the small first year images from me) the age of materials (nothing new in a year from StockXpert) and the sizes, I suppose it was a fair start. But if they are going to pay 28c an image for IS and 40c for Getty, why not just pay everyone the same and make it something reasonable like 35c a download and average it out based on what the buyers buy, not the original source of the collection? Getty owns about 80% of the ThinkStock collection, outright!

All these different levels and prices and many times, the same people from different sources, is just a mess.

PaulieWalnuts

  • We Have Exciting News For You
« Reply #16 on: April 01, 2011, 18:24 »
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It almost seems to be more steps toward establishing clear lines on tiered pricing to eliminate the questioning "why would I pay $150 for that image on Getty if it's $10 on micro"? Well, move it to micro. Images that have higher perceived value will get moved to RM.

The problem is this forced approach is only going to give us worse terms and happen more frequently. I said a while back something like this was coming.


« Reply #17 on: April 01, 2011, 18:39 »
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It does seem sort of like a grand evil scheme to get everyone and everything to 20% or less.
I don't trust them at all, and I hope their Getty providers take them to task for this.

« Reply #18 on: April 01, 2011, 18:43 »
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April Fool, eh?!
Nope, It's the real McCoy.

« Reply #19 on: April 01, 2011, 18:45 »
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Images that have higher perceived value will get moved to RM.

You might be right, I have no idea. But RM would be more costly to operate wouldn't it - since it more often requires staff involvement ? Isn't the trend towards self service ?

lisafx

« Reply #20 on: April 01, 2011, 18:48 »
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Well, if subscriptions are what all buyers want, why is istock still around??

That's a very good question.  TS offers image packs too, which are the equivalent of PPD.   How long will Istock still be around?


Why didnt all the buyers go to shutterstock? A long time ago?


Istock wasn't deliberately sending them there?  Unlike TS?

Also, until the last year or so, SS didn't offer PPD.  Now, if the independents reporting in the March thread here are an indication, a lot of Istock buyers HAVE gone to Shutterstock.
« Last Edit: April 01, 2011, 18:50 by lisafx »

« Reply #21 on: April 01, 2011, 18:51 »
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With the new raise, IS exclusives get $.38-$.46.

I am a little confused.  the getty pricing relates to CANISTERS?  I keep seeing postings here refering to diamond and gold level commissions, but I thought that the RC level was what counts now not the color of your canister? 

sorry.. I feel like a total nooob.

« Reply #22 on: April 01, 2011, 18:53 »
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istock uses RC levels. We just still think in canisters. I am a diamond canister with 35% under the new system. So I feel like I dropped back down to gold :-(

And definately we are all watching how the subscription sites do. But isnt subscription now being offered on many stock sites? How does this affect downloads? As a buyer I would never go to a subscription site, unless I really needed at least 100-200 images a month.

Please excuse my ignorance, I am just a simple istock exclusive...
« Last Edit: April 01, 2011, 18:57 by cobalt »

lisafx

« Reply #23 on: April 01, 2011, 19:04 »
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And definately we are all watching how the subscription sites do. But isnt subscription now being offered on many stock sites? How does this affect downloads? As a buyer I would never go to a subscription site, unless I really needed at least 100-200 images a month.

Please excuse my ignorance, I am just a simple istock exclusive...

No problem.  Happy to shine some light :)

There really aren't any sites (that I know of and I'm on 12) that are only subscription sites.  The PPD sites sell subscriptions now, and the subscription sites sell PPD.  So buyers can go to pretty much any microstock site (except arguably Istock) and get either a subscription or pay-per-download images.  That includes Thinkstock, if you count the image packs.  

So with Istock content either being duplicated on Getty or Thinkstock, Istock begins to seem redundant.  

ETA:  The sites that used to be PPD and now offer subs have seen a steady growth in number of subs sales and a steady decline in the number of PPD.  So not all buyers want subs, but a lot will take it if offered.  And unfortunately those are the high volume buyers with the deep pockets. 
« Last Edit: April 01, 2011, 19:06 by lisafx »

« Reply #24 on: April 01, 2011, 19:09 »
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istock has a subscription program, but I see very few sales through it. Definetely hasnt affected my downloads.

Istock is not a small company, it has over 400 employees, tons of traffic, active forum etc...I sincerly doubt there are any plans to close it, seriously. It just wouldnt make sense.

getty has all kinds of different outlets - jupiterimages, punchstock, thinkstock, photos.com and also sublicenses the content all over the globe.

I dont know where all the differences are, but it must serve some purpose.

My images in the pp program are in at least three different sites (in addition to istock).
« Last Edit: April 01, 2011, 19:10 by cobalt »

« Reply #25 on: April 01, 2011, 19:35 »
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Well, if subscriptions are what all buyers want, why is istock still around??

Why didnt all the buyers go to shutterstock? A long time ago?

Because there was a set of images exclusive to IS that many buyers valued. That and the patina of goodness attached to being the first and the market leader.

A lot of SS vectors are total schlock (there's some great stuff there too, granted); at one time IS was the premiere place for a great collection of higher end (more elaborate) vectors.

And Thinkstock isn't just subscriptions. IS said that's all it would be when they first talked it up, but they had the "coming soon" for image packs almost from the very beginning.

The issue is what is your competitive advantage. IS has in the past not competed on price, but used the exclusive collection as a reason to get buyers to the site. They obviously need to have a good chunk of the images that are at other sites as well so they can be a one-stop-shop for many.

All this movement of exclusive IS content elsewhere is slowly eroding the primary reason people went to IS. Perhaps in the future the only exclusive (sort of) content will be Vetta & Agency (but those can be had at Getty, photos.com, etc. etc. as well).

I understand the notion of "to each his own" but exclusives who are selling their work at places other than IS are having an impact on all exclusives, not just on themselves. It's killing the goose that laid the golden egg, but people get blinded by the shine off the gold...

« Reply #26 on: April 01, 2011, 19:49 »
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..or they simply dont see the grave danger as others.

I do think that istock has extremely high quality content, but I attribute that to the very diligent inspection process.

There are many extremely talented non exclusives and also high quality "stock factories". With all stock sites now having millions of images, I am afraid there is so much duplication of images that our exclusive content is being devalued. There simply is a complete oversupply of images on all the sites.

I know people who unfortunately buy elsewhere, not because they dont like our exclusive images on istock, but because they feel the other sites are cheaper and have similar images on offer. They do like Vetta and occasionaly come back to us for that, but otherwise...and they didnt go to a subscription site either.

So personally I think it is an oversimplification to say it is because the exclusive content is on thinkstock, that some exclusives are losing sales.

In the end everyone has to make his own decisions and follow his own business plan.

Personally, i see the real challenge in carving out a very unique style and maybe diversifying images to an additional site like Getty where downloads are invisible. I might also explore a little the shrinking world of RM.

All stock sites will soon have 20 million images or more. That is a much bigger problem then having exclusive content on Thinkstock IMO.
« Last Edit: April 01, 2011, 19:54 by cobalt »


« Reply #27 on: April 01, 2011, 19:53 »
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I see that failure to sign terminates the relationship.  Hasn't done anything for me.  Seems like a great time to get out of Getty.

« Reply #28 on: April 01, 2011, 20:07 »
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Pretty soon the geniuses at Getty will run out of photographers to con.

traveler1116

« Reply #29 on: April 01, 2011, 22:20 »
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Does this mean that IS Vetta images are now available on the partner program as well?

microstockphoto.co.uk

« Reply #30 on: April 02, 2011, 05:57 »
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I sincerly doubt there are any plans to close it, seriously. It just wouldnt make sense.

Do you believe things don't happen just because they don't make sense? C'mon, this is microstock  ;D

« Reply #31 on: April 02, 2011, 06:31 »
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Does this mean that IS Vetta images are now available on the partner program as well?

No, it had better not, since the Agency and Vetta collections on Getty do not require a contract with Getty.

ShadySue

  • There is a crack in everything
« Reply #32 on: April 02, 2011, 06:45 »
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Does this mean that IS Vetta images are now available on the partner program as well?

No, it had better not, since the Agency and Vetta collections on Getty do not require a contract with Getty.
Does that then mean they could do what they liked without even making us 'agree' or pull the files?

« Reply #33 on: April 05, 2011, 12:21 »
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I've been reading the Getty contributor forum discussions about this contract change and there are a lot of unhappy folks. Couple of things I noted

1) The rate schedule for Getty contributors strong-armed into Thinkstock sales pays less than gold and up exclusives at IS make (40 cents for subscriptions which is what the 30%/silver royalty rate pays for IS)

2) Unsold RM images can be sold at RF at Getty's discretion after 3 years without a sale. Contributors may not remove their images if they don't like it and they can't opt out. The moderator is trying to make the argument that very few people want to opt out but also that it would be an untenable situation for Getty to have to remove images if contributors requested it.

3) The forced move to RF applies even to Photographer's Choice images - ones that contributors paid to place

4) Getty's trying to be all encouraging and understanding in their moderator's attitude, but they aren't interested in changing anything based on contributor feedback. I can't imagine why they started forums at all (they said it was because of the positive experiences with Flickr, whatever that means). Moderator: "...it is each contributors choice to accept or decline the business terms." Unhappy contributor: "...Yes, of course. I don't think anyone is unclear on that point. But please forgive us for noticing the slap in the face with Getty's "all or nothing" approach. Many of us are uncomfortable with a few points in the new contract and for good reason. Rather than give contributors some simple options on how and where their work is sold, Getty prefers to lose a certain percentage of contributors and their images. ..."

5) Sean got his whatsit whapped (gently) by the moderator who initially said how great it was to have someone from microstock participating in the discussions and then told him to stop talking about all the gnarly issues raised by this new agreement as he wasn't sticking to the topic at hand. Moderator: "Sean, I am asking again that you please stay on the topic of contributor topics only. The IP team, workflow and agreements are not part of this section of the site or forum, or a vast majority of our forum members' business. On top of that, the information you are posting about this initiative is inaccurate and speculative so it is really just confusing things and drawing attention away from the issues at hand." Wouldn't want to inform the masses - they might get restless.

Really feels like velvet glove/iron fist.

SNP

  • Canadian Photographer
« Reply #34 on: April 05, 2011, 12:30 »
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Does this mean that IS Vetta images are now available on the partner program as well?

No, it had better not, since the Agency and Vetta collections on Getty do not require a contract with Getty.

I'm worried that this will in fact be happening, if it isn't already. as part of our iStock agreement. they seem absolutely determined to mirror content, everywhere. the more that happens, the more it seems like this will be the new normal. though Jasmin, I would argue that was by design and not due to buying habits. I believe if they had protected the brand from day one, we wouldn't be here now. Buyers want good images, and they want reputable image sources. I think those two factors precede price consideration--at least in the demographic(s) that typically buy at iStock/Getty.

now I think it's all about getting Getty content everywhere. so I see everything going eventually, including Vetta/Agency files. I bet they'll be on TS soon and I also bet that opting into the PP will cease to be optional for any content we have on iStock/Getty.

« Reply #35 on: April 05, 2011, 13:00 »
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Ive been following the getty forum as well and concur that I am a little suprised why they have a forum if they are not intending to have a real dialogue with the contributors. Dialogue, in the sense that the contract then gets amended or a solution that works is found. To just tell people: this is the contract take it or leave...

And those comments directed at Sean...I dont know I am sometimes puzzled at the attitude towards us "microstockers". I am sure Sean makes a lot more money than most people on the Gettyforum and thus has an enormous amount of experience. He also has a brilliant business mind, that is why we all voted for him to represent us in the conference call.  

The moderator herself is really doing the very best she can and has been helpful in clarifying many things. It is an ungrateful position to be in, obviously she didnt draw up the contract.

The request to withdraw the files if they dont sell as RM is a very reasonable one. I dont think members should be forced into a licensing model they are not interested in. If an image doesnt sell within three years and then an editor decides the image would do better as RF, I dot understand why they cant send their members an email with a link for the images that are going to be moved. Then let the member click on each image to decide if they approve or if they want the image taken down. This is the year 2011, for modern software it cant be difficult to set up a system for that.

Right now the only solution is to not sign the contract and leave Getty. I fully understand that many photographers are beginning to think that this is the real intention. Too many files, too many photographers. But from a business perspective it doesnt make sense.

Why lose the photographers, if all it needs is a little software tweak?
« Last Edit: April 05, 2011, 13:09 by cobalt »

« Reply #36 on: April 05, 2011, 13:18 »
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5) Sean got his whatsit whapped (gently) by the moderator who initially said how great it was to have someone from microstock participating in the discussions and then told him to stop talking about all the gnarly issues raised by this new agreement as he wasn't sticking to the topic at hand. Moderator: "Sean, I am asking again that you please stay on the topic of contributor topics only. The IP team, workflow and agreements are not part of this section of the site or forum, or a vast majority of our forum members' business. On top of that, the information you are posting about this initiative is inaccurate and speculative so it is really just confusing things and drawing attention away from the issues at hand." Wouldn't want to inform the masses - they might get restless.

Really feels like velvet glove/iron fist.

Yeah, I don't think she lik-ee me mucho.  At least we got some insight into Agency-behind-the-scenes.


« Reply #37 on: April 05, 2011, 13:25 »
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You will always be our hero Sean ;-)

SNP

  • Canadian Photographer
« Reply #38 on: April 05, 2011, 13:31 »
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Ive been following the getty forum as well and concur that I am a little suprised why they have a forum if they are not intending to have a real dialogue with the contributors. Dialogue, in the sense that the contract then gets amended or a solution that works is found. To just tell people: this is the contract take it or leave...

And those comments directed at Sean...I dont know I am sometimes puzzled at the attitude towards us "microstockers". I am sure Sean makes a lot more money than most people on the Gettyforum and thus has an enormous amount of experience. He also has a brilliant business mind, that is why we all voted for him to represent us in the conference call.  

The moderator herself is really doing the very best she can and has been helpful in clarifying many things. It is an ungrateful position to be in, obviously she didnt draw up the contract.

The request to withdraw the files if they dont sell as RM is a very reasonable one. I dont think members should be forced into a licensing model they are not interested in. If an image doesnt sell within three years and then an editor decides the image would do better as RF, I dot understand why they cant send their members an email with a link for the images that are going to be moved. Then let the member click on each image to decide if they approve or if they want the image taken down. This is the year 2011, for modern software it cant be difficult to set up a system for that.

Right now the only solution is to not sign the contract and leave Getty. I fully understand that many photographers are beginning to think that this is the real intention. Too many files, too many photographers. But from a business perspective it doesnt make sense.

Why lose the photographers, if all it needs is a little software tweak?

so true...totally agree. and Sean is a hero. seriously Sean. you've done a lot to help lead us through changes over the years. hope you know how much we appreciate it. I'm an artist first, the business end isn't always a clear path so your input has almost always helped me to understand the issues and the industry.

« Reply #39 on: April 05, 2011, 13:45 »
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I see that failure to sign terminates the relationship.  Hasn't done anything for me.  Seems like a great time to get out of Getty.

okay.. apparently me either.  considering that I emailed istockgetty on Jan 5 with the request to terminate my istock-Getty contract and received a reply from istockgetty representative that said "consider this email confirmation of your termination."  I emailed them again to ask if there was a waiting period so that I could being uploading my content elsewhere.  No response until I asked again about 3 weeks later:

on Jan 31, my images still appeared on Getty.   so again I asked what was the hold up - is there a waiting period like the 30days on istock. I was told that getty could take up to 60 days, afterwhich I was free to do whatever I wished with my imags.

over the weekend I received the email inviting me to sign this new contract.  I thought "what the heck, I terminated with them on Jan 5."  I hadn't paid much attention, but noted on the calendar that it is now well passed the 60 day mark so looked up my port on Gettyimages.com and what do you know.. they are all still there and I have $30 in my Getty earnings account. 

Of course I have not signed the new agreement - I have no desire to get into that mess but I did email istockgetty yet AGAIN to basically ask "what?!"  of course I was nice about it but it's starting to irritate me and I feel like my small portfolio of images on Getty are being held hostage.  Although, I pretty much think my end of the contract has been met and I can do what I want with my images since their 60days is clearly up.

lagereek

« Reply #40 on: April 05, 2011, 14:09 »
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I realize this isn't yet a move to change things for IS exclusives, but if they're doing this for Getty photographers, why wouldn't they to IS exclusives?

And to IS non-exclusives.  Looks like the writing is on the wall for the opt-out of the PP. 

Could this signal they are gradually fazing Istock out altogether, by making all the content redundant?


Yes!  thats the plan! the entire plan, slowly and gradually facing out IS. This is the Getty game since 1992. Photographers at the Getty RM, might not be happy but really, what option do they have?
Actually Im surprised its taken them this long to start.

lisafx

« Reply #41 on: April 05, 2011, 14:32 »
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2) Unsold RM images can be sold at RF at Getty's discretion after 3 years without a sale. Contributors may not remove their images if they don't like it and they can't opt out. The moderator is trying to make the argument that very few people want to opt out but also that it would be an untenable situation for Getty to have to remove images if contributors requested it.

3) The forced move to RF applies even to Photographer's Choice images - ones that contributors paid to place


Unbelievable!!  Really F-king unbelievable.  How can Getty refuse to let people opt their images out or to REMOVE them?  Did all Getty photographers transfer copyright Getty all of a sudden?  So what are their options?  Decline to sign right now and pull all their images or else be enslaved at Getty for eternity?  

Do they have the option to terminate their contract at some future point, if the decide they don't like selling formerly RM images for .40?  

I knew Getty was bad.  And I knew this was going to get ugly, but Getty has exceeded my worst imaginings about how ruthless and unethical they could be.  

I await their next move at Istock, but I am pretty sure it will have the subtlety of a chainsaw.  

ETA:  I know that the popular opinion here is that SAA was completely ineffective, but I can't help wondering at the coincidence of Getty pulling this scorched earth stuff within weeks of SAA announcing their closing. 
« Last Edit: April 05, 2011, 14:35 by lisafx »

« Reply #42 on: April 05, 2011, 14:52 »
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Classic 'corporatization' of small acquisitions: set to work churning up their business models, re-pricing and re-bundling everything, endlessly, all the while blabbering about synergy, until nothing works anymore.  Then lose interest and walk away.

The importance Getty seems to be attaching to Thinkstock is probably proportional to whatever they paid for it - i.e. the "sunk cost fallacy".

« Reply #43 on: April 05, 2011, 15:02 »
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2) Unsold RM images can be sold at RF at Getty's discretion after 3 years without a sale. Contributors may not remove their images if they don't like it and they can't opt out. The moderator is trying to make the argument that very few people want to opt out but also that it would be an untenable situation for Getty to have to remove images if contributors requested it.

3) The forced move to RF applies even to Photographer's Choice images - ones that contributors paid to place


Unbelievable!!  Really F-king unbelievable.  How can Getty refuse to let people opt their images out or to REMOVE them?  Did all Getty photographers transfer copyright Getty all of a sudden?  So what are their options?  Decline to sign right now and pull all their images or else be enslaved at Getty for eternity?  

Do they have the option to terminate their contract at some future point, if the decide they don't like selling formerly RM images for .40?  

I knew Getty was bad.  And I knew this was going to get ugly, but Getty has exceeded my worst imaginings about how ruthless and unethical they could be.  

I await their next move at Istock, but I am pretty sure it will have the subtlety of a chainsaw.  

ETA:  I know that the popular opinion here is that SAA was completely ineffective, but I can't help wondering at the coincidence of Getty pulling this scorched earth stuff within weeks of SAA announcing their closing. 
If they can do that to Getty contributors, I wonder if they will make it so we can't opt out of thinkstock from istock and our images can't be removed?  And we wont even get $0.40.  Can Getty contributors usually delete their images when they want or is it like some of the microstock sites, where we are locked in for a period of time?

lagereek

« Reply #44 on: April 05, 2011, 15:09 »
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Yup!  and remember this is just digital pics we are talking about, can you imagine this mob if it was Oil or Diamonds?

« Reply #45 on: April 05, 2011, 15:58 »
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Unbelievable!!  Really F-king unbelievable.  How can Getty refuse to let people opt their images out or to REMOVE them?  Did all Getty photographers transfer copyright Getty all of a sudden?  So what are their options?  Decline to sign right now and pull all their images or else be enslaved at Getty for eternity?  

This strikes me an act of desperation and muddled, irrational behaviour from an organisation being pulled in different directions. The only clear business objective they appear to share is being as greedy as they think they can get away with __ with both customers and contributors. Worse, it's not even working for them.

Different components of the Getty Group are in direct commercial competition with each other, essentially selling largely the same product but at wildly different price-points. It's a total mess IMHO. It makes me wonder if revenues are falling and the fat cats at H&F are shouting nasty things down the phone to their Getty servants.

These are not the cool moves of a confident and successful business but instead appear to be knee-jerk reactions to a situation that they don't have control of.

lisafx

« Reply #46 on: April 05, 2011, 16:10 »
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Can Getty contributors usually delete their images when they want or is it like some of the microstock sites, where we are locked in for a period of time?

I'd like to know the answer to that one too.


These are not the cool moves of a confident and successful business but instead appear to be knee-jerk reactions to a situation that they don't have control of.

Yes, you are right.  They resemble nothing so much as a chicken running around with its head cut off.  Every day a new initiative to compensate for the last colossal screw up (which started as the last new "initiative")  ::)


« Reply #47 on: April 05, 2011, 16:38 »
0
I am math literate, but not very well schooled in the slight of hand practiced in the financial markets. I came upon this article from last November about some game Hellman & Friedman played to "pay themselves $500 million" in connection with their Getty acquisition.

Here is a definition of dividend recapitalization. And here is an explanatory article (that guy with bundles of cash has got to be a stock image!).

If I understand this right, H&F wanted some return from all the money they sank into Getty and borrowed to get it. Here is a WSJ blog about the subject (though not about H&F specifically) from September 2010, referring to this as a "partial exit" for the financial firms.

If someone out there gets all this stuff, perhaps they could shed some light for us, but it appears to me that the outright theft of cash from contributors announced by IS last September could be part of H&F squeezing Getty (and thus IS) for cash because they couldn't cash out (i.e. sell).

One of the article notes that it's good news if your company is subject to one of these dividend recaps as it's only the companies the finance folks are sure will sell for more later that these are done for.

Oh Wonderful!!

« Reply #48 on: April 05, 2011, 16:50 »
0
Can Getty contributors usually delete their images when they want or is it like some of the microstock sites, where we are locked in for a period of time?

I'd like to know the answer to that one too.


These are not the cool moves of a confident and successful business but instead appear to be knee-jerk reactions to a situation that they don't have control of.

Yes, you are right.  They resemble nothing so much as a chicken running around with its head cut off.  Every day a new initiative to compensate for the last colossal screw up (which started as the last new "initiative")  ::)

see my post above.  I have not been able to get my images off of Getty, despite trying.  I first thought I'd get them removed as soon as I canceled my exclusive contract with iStock because that was how I got in there in the first place (part of that "quit your day job" thing way back when).  Now I am told my contract is canceled but my portfolio remains with no way that I can see to remove it, despite contacting them directly.

lagereek

« Reply #49 on: April 05, 2011, 16:51 »
0
I am math literate, but not very well schooled in the slight of hand practiced in the financial markets. I came upon this article from last November about some game Hellman & Friedman played to "pay themselves $500 million" in connection with their Getty acquisition.

Here is a definition of dividend recapitalization. And here is an explanatory article (that guy with bundles of cash has got to be a stock image!).

If I understand this right, H&F wanted some return from all the money they sank into Getty and borrowed to get it. Here is a WSJ blog about the subject (though not about H&F specifically) from September 2010, referring to this as a "partial exit" for the financial firms.

If someone out there gets all this stuff, perhaps they could shed some light for us, but it appears to me that the outright theft of cash from contributors announced by IS last September could be part of H&F squeezing Getty (and thus IS) for cash because they couldn't cash out (i.e. sell).

One of the article notes that it's good news if your company is subject to one of these dividend recaps as it's only the companies the finance folks are sure will sell for more later that these are done for.

Oh Wonderful!!


Yeah, really wonderful!

« Reply #50 on: April 05, 2011, 16:51 »
0
Here is a definition of dividend recapitalization. And here is an explanatory article (that guy with bundles of cash has got to be a stock image!).


This sounds an awful lot like a leveraged buyout, only one done after the fact of taking ownership.  In an LBO, you take out an enormous loan using the company to be acquired as collateral.  You get the company for virtually no cost, and the company gets to pay off the massive debt you incurred to make the purchase.  Successful, profitable companies get turned into struggling debt payment machines, and a few villains emerge with lots and lots of dollars.

Every time I see one of these, I become a little less fond of capitalism.

lisafx

« Reply #51 on: April 05, 2011, 17:00 »
0

This sounds an awful lot like a leveraged buyout, only one done after the fact of taking ownership.  In an LBO, you take out an enormous loan using the company to be acquired as collateral.  You get the company for virtually no cost, and the company gets to pay off the massive debt you incurred to make the purchase.  Successful, profitable companies get turned into struggling debt payment machines, and a few villains emerge with lots and lots of dollars.

Every time I see one of these, I become a little less fond of capitalism.

Thanks for the synopsis, Disorderly, and thanks JoAnn for the articles.  This sounds like exactly what is happening. 

Jami, I did read your story about being unable to get your images off Getty.  Really horrifying.  From what I can tell in your case, it sounds like it was their policy that you could leave, but in practical terms you are stuck because they won't delete your images.  I am still wondering if they are instituting an official policy that nobody can leave.  You know, kind of like the mafia.  :P

LSD72

  • My Bologna has a first name...
« Reply #52 on: April 05, 2011, 17:13 »
0
Sounds like a good opportunity for Corbis if they just get up and notice.

« Reply #53 on: April 05, 2011, 17:24 »
0

This sounds an awful lot like a leveraged buyout, only one done after the fact of taking ownership.  In an LBO, you take out an enormous loan using the company to be acquired as collateral.  You get the company for virtually no cost, and the company gets to pay off the massive debt you incurred to make the purchase.  Successful, profitable companies get turned into struggling debt payment machines, and a few villains emerge with lots and lots of dollars.

Every time I see one of these, I become a little less fond of capitalism.

Thanks for the synopsis, Disorderly, and thanks JoAnn for the articles.  This sounds like exactly what is happening. 

Jami, I did read your story about being unable to get your images off Getty.  Really horrifying.  From what I can tell in your case, it sounds like it was their policy that you could leave, but in practical terms you are stuck because they won't delete your images.  I am still wondering if they are instituting an official policy that nobody can leave.  You know, kind of like the mafia.  :P

yep.. I think JoAnn hit it on the head and Disorderly translated it for us all nicely.  does sound like the current operation.


wrt Getty -- yes, I think I'm at the Hotel California there - "you can check out anytime you like, but you can never leave"

« Reply #54 on: April 05, 2011, 17:25 »
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...I am still wondering if they are instituting an official policy that nobody can leave. ...

It's not that you can't leave - there are termination clauses in the agreement - but that you can't remove selected images during the term of the agreement and still keep contributing. The all-or-nothing approach.

Originally the contract I signed (but never uploaded any content under) was for 3 years with automatic one year renewals and a 60 day notice for termination. The new contract says they're reducing the termination notice on the conributor side to 90 days, so I assume for "real" Getty photographers, not iStockers, the old contract was something longer.

« Reply #55 on: April 05, 2011, 18:23 »
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JJRD just confirmed that Vetta/Agency files are not going to Thinkstock. They are mirrored on Getty, but wont go elsewhere.

« Reply #56 on: April 05, 2011, 18:24 »
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yep.. I think JoAnn hit it on the head and Disorderly translated it for us all nicely.  does sound like the current operation.


wrt Getty -- yes, I think I'm at the Hotel California there - "you can check out anytime you like, but you can never leave"

Too funny, that's exactly what I thought of too!  :)


« Reply #57 on: April 05, 2011, 18:26 »
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JJRD just confirmed that Vetta/Agency files are not going to Thinkstock. They are mirrored on Getty, but wont go elsewhere.

That sounds like good news, assuming you are one of the people who still believes everything you are told by the admins.

SNP

  • Canadian Photographer
« Reply #58 on: April 05, 2011, 18:34 »
0
JJRD just confirmed that Vetta/Agency files are not going to Thinkstock. They are mirrored on Getty, but wont go elsewhere.

that's good news. I'm not a big Vetta or Agency contributor, but I'm glad to see they don't have plans for database-wide mirroring, right now anyways.

« Reply #59 on: April 05, 2011, 18:45 »
0
JJRD just confirmed that Vetta/Agency files are not going to Thinkstock. They are mirrored on Getty, but wont go elsewhere.

That sounds like good news, assuming you are one of the people who still believes everything you are told by the admins.

Well, not so long ago I used to be an admin...so, lets say I believe this statement. ;-)

OM

« Reply #60 on: April 05, 2011, 21:20 »
0

yep.. I think JoAnn hit it on the head and Disorderly translated it for us all nicely.  does sound like the current operation.


wrt Getty -- yes, I think I'm at the Hotel California there - "you can check out anytime you like, but you can never leave"

Oh, and we get to keep your credit card for a while too. :(

« Reply #61 on: April 06, 2011, 04:26 »
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Anyone heard of evostock before?  Sounds like the collective is already underway.

http://www.aphotoeditor.com/2011/04/05/new-getty-contract-met-with-apathy/#comments

PaulieWalnuts

  • We Have Exciting News For You
« Reply #62 on: April 06, 2011, 06:19 »
0
Anyone heard of evostock before?  Sounds like the collective is already underway.

http://www.aphotoeditor.com/2011/04/05/new-getty-contract-met-with-apathy/#comments


Just looked at the site and some of the Vision Statement. Like all other direct approaches it looks like a good idea but it seems they're trying to use an old declining business model to move into the future.

The design screams 1995 amateur and they're marketing to designers who are probably critical of design. Maybe not a deal killer I wouldn't use a dentist who has rotted teeth.

It's another macro good ole' boy club saying "Evostock is not open to amateurs or hobbyists". I realize that handholding amateurs isn't ideal but there are thousands of microstock contributors who could easily qualify and produce as good or better images than these pros. AND, micro contributors are also reaching a point of being fed up with being mistreated. To automatically exclude amateurs is pretty shortsighted and will hurt this group in the long run. Especially when they are trying to fight Getty and Getty is recruiting amateurs. If these people had any business savvy they would be trying to lure good amateurs away from Getty and microstock. Also, for amateurs and hobbyists stock is mostly supplemental income so they don't have much to lose and would probably be more likely to support something like this. Full timers are only concerned with paying bills and are less likely to take risks like dropping Getty and supporting this.

Quote
The key to success of any alternative to the big traditional agencies is a large number of contributing members. To create collections that can compete with the likes of Getty (say in 3-6 years) you need a lot of committed artists. So far, in my estimation artists have not been up to that test but Im keeping hope alive with Evostock.


Not real confidence inspiring. Seems to indicate after a few years the results aren't meeting the vision. Why would anyone want to commit to what seems to be a stagnant project based on hope and no marketing. The pros don't want to commit in mass and they don't want amateurs. (???)

Plus the site has some nice images but I didn't see anything much different than what's already at Getty or even micro. So why would a buyer bother to go to Evostock?

I think groups like Blend Images have the right long term approach with specialized content and even appear to be selectively open to amateurs.

« Reply #63 on: April 06, 2011, 11:24 »
0
Anyone heard of evostock before?  Sounds like the collective is already underway.

http://www.aphotoeditor.com/2011/04/05/new-getty-contract-met-with-apathy/#comments


Just for yucks I did a search for tropical beach. There were 150 or so very underwhelming images. I did a search on IS for the same phrase and there were over 56K photos, many of which were stunners. I did the same search on SS and there were over 116K photos, again with many stunners.

A search for woman office produced just 47 results, many of which were of someone SCUBA diving - spam is everywhere! At IS there were over 48K photos, the whole first page (200) of which were actually women in offices. At SS over 136K photos with all of the first page (100) non-spammed results.

If these folks are going to make a go of a site like this, they need some great content, not a lot of blather about how professional they are.

SNP

  • Canadian Photographer
« Reply #64 on: April 06, 2011, 12:02 »
0
Anyone heard of evostock before?  Sounds like the collective is already underway.

http://www.aphotoeditor.com/2011/04/05/new-getty-contract-met-with-apathy/#comments


Just for yucks I did a search for tropical beach. There were 150 or so very underwhelming images. I did a search on IS for the same phrase and there were over 56K photos, many of which were stunners. I did the same search on Shutterstock and there were over 116K photos, again with many stunners.

A search for woman office produced just 47 results, many of which were of someone SCUBA diving - spam is everywhere! At IS there were over 48K photos, the whole first page (200) of which were actually women in offices. At Shutterstock over 136K photos with all of the first page (100) non-spammed results.

If these folks are going to make a go of a site like this, they need some great content, not a lot of blather about how professional they are.


agree 100%. the site seems dated. the content is the key and they don't seem to have a lot of content to offer. I don't think any collective will ever work unless there are contributors on board who are already very important to stock agencies. doesn't matter if you have a collective of thousands if major contributors are missing from the collective, it will have little power. there are lots of trad pro groups already and they want nothing to do with microstock, which has always seemed ridiculous to me. this group seems like one of those types--a good idea that is inaccessible in terms of content and reaching out to buyers. they're nowhere in Google searches. they definitely need to optimize their site for search engines on top of everything else.

« Reply #65 on: April 08, 2011, 16:34 »
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Ive been following the getty forum as well and concur that I am a little suprised why they have a forum if they are not intending to have a real dialogue with the contributors.

In general terms perhaps they prefer any debate to be taking place on a private moderated forum (which could even ultimately be deleted) instead of somewhere out there.

SNP

  • Canadian Photographer
« Reply #66 on: April 09, 2011, 09:45 »
0
it's also strange to see that Claudia seems to be the only moderator and respondent from Getty in the Getty threads. I dislike their forum format too. it's really old school.


« Reply #67 on: April 09, 2011, 09:56 »
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Yes, they seem to view it as some sort of one person moderated support system instead of a discussion forum.  Everything I post isn't necessarily directed at her.

ShadySue

  • There is a crack in everything
« Reply #68 on: April 09, 2011, 14:59 »
0
JJRD just confirmed that Vetta/Agency files are not going to Thinkstock. They are mirrored on Getty, but wont go elsewhere.
It's not that long ago that he confirmed that Disney would be sellable as editorial (can anyone find the thread?)

« Reply #69 on: April 09, 2011, 15:04 »
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JJRD just confirmed that Vetta/Agency files are not going to Thinkstock. They are mirrored on Getty, but wont go elsewhere.
It's not that long ago that he confirmed that Disney would be sellable as editorial (can anyone find the thread?)

Dare I say it? It was probably deleted. :D

PaulieWalnuts

  • We Have Exciting News For You
« Reply #70 on: April 09, 2011, 15:12 »
0
JJRD just confirmed that Vetta/Agency files are not going to Thinkstock.

I think that sentence is missing something. It should probably read:

JJRD just confirmed that Vetta/Agency files are not going to Thinkstock today

ShadySue

  • There is a crack in everything
« Reply #71 on: April 10, 2011, 04:45 »
0
JJRD just confirmed that Vetta/Agency files are not going to Thinkstock.

I think that sentence is missing something. It should probably read:

JJRD just confirmed that Vetta/Agency files are not going to Thinkstock today
Wasn't it JJRD who affirmed that the Exc+ files would get a best match boost. That never happened, even for one day.   ::)

« Reply #72 on: April 10, 2011, 06:54 »
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JJRD just confirmed that Vetta/Agency files are not going to Thinkstock. They are mirrored on Getty, but wont go elsewhere.
It's not that long ago that he confirmed that Disney would be sellable as editorial (can anyone find the thread?)

True.  That was a fail.  I'd say that was more a result of poor planning due to rushing the thing out than something insidious.

ShadySue

  • There is a crack in everything
« Reply #73 on: April 10, 2011, 08:01 »
0
JJRD just confirmed that Vetta/Agency files are not going to Thinkstock. They are mirrored on Getty, but wont go elsewhere.
It's not that long ago that he confirmed that Disney would be sellable as editorial (can anyone find the thread?)
True.  That was a fail.  I'd say that was more a result of poor planning due to rushing the thing out than something insidious.
You could be write, but 'poor planning' doesn't inspire confidence in the leadership, and even if not quiet as 'morally reprehensible' has the same net outcome.

« Reply #74 on: April 13, 2011, 23:57 »
0
The new Getty agreement has been changed to allow for an opt-out, so certain RM images can NOT be moved to RF (or Thinkstok) if the photographer so wishes. Getty Contributors should log onto the Contributors page & read the latest announcement.
This (positive) change of agreement also applies to photographers who've already signed the new contract in the past few weeks.

rubyroo

« Reply #75 on: April 14, 2011, 03:13 »
0
Well well well!

From everything I've heard I didn't think they'd give an inch on anything.  That is good to hear!

« Reply #76 on: April 14, 2011, 03:53 »
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I think Getty's top photographers are in a far stronger position to resist than microstockers are. It's utterly absurd to try to tell some of the world's most famous photographers that they have to sell their work for 40c a shot. 

I bet they were ready to pull out by the hundred and would have sued if Getty tried to hang on to any control over their work.

Interestingly, I see that over on iS, Sean Locke has said "I'm not going to lay out any ultimatums yet, but this [making TS participation compulsory] would be a bad decision for IS". Which sounds almost like the sort of observation a Mafia godfather might make to a wayward nephew.


ShadySue

  • There is a crack in everything
« Reply #77 on: April 14, 2011, 03:56 »
0
I think Getty's top photographers are in a far stronger position to resist than microstockers are. It's utterly absurd to try to tell some of the world's most famous photographers that they have to sell their work for 40c a shot.  
I bet they were ready to pull out by the hundred and would have sued if Getty tried to hang on to any control over their work.
Coinicidentally, I noticed that two big Getty names pulled out of Getty and started marketing their own images (separately) some time last year. I guess that's easily viable if you are a 'big name' that people actively seek out.
« Last Edit: April 14, 2011, 04:11 by ShadySue »

rubyroo

« Reply #78 on: April 14, 2011, 04:05 »
0
Great points Mr Trousers.  Good for them.

I saw that comment by Sean too, and was intrigued by the word 'yet'.

Mafia godfather...  :D

« Reply #79 on: April 14, 2011, 04:48 »
0
The new Getty agreement has been changed to allow for an opt-out, so certain RM images can NOT be moved to RF (or Thinkstok) if the photographer so wishes. Getty Contributors should log onto the Contributors page & read the latest announcement.
This (positive) change of agreement also applies to photographers who've already signed the new contract in the past few weeks.

This doesn't really affect me.  I have maybe 10 RM images in my whole Getty port.  I don't want them sending my RF work there either.  Regardless of if I get $5 a month from it or not.  They don't seem to understand that.

rubyroo

« Reply #80 on: April 14, 2011, 05:52 »
0
Well at least they shifted on this point.  I hope they'll shift on RF also.


 

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