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Author Topic: iStock has got so bad I now owe THEM money  (Read 18339 times)

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stocked

« Reply #50 on: October 01, 2014, 09:04 »
+3
I doubt you can make 60c per image per month at SS in the first two years if you start today, I actually doubt you can reach an RPI of 60c at all if you start today the days where new stuff at SS was promoted are mostly gone it's more likely your submissions get drowned by the 300.000 weekly new images!


« Reply #51 on: October 01, 2014, 09:08 »
+5
I'm around there, currently.  I had hoped for better.

« Reply #52 on: October 01, 2014, 09:54 »
0
I'm around there, currently.  I had hoped for better.

$0.60 per image per month? Just clarifying.

« Reply #53 on: October 01, 2014, 10:00 »
+2
I'm around there, currently.  I had hoped for better.

*results not typical

Dook

« Reply #54 on: October 01, 2014, 10:43 »
0
.

« Reply #55 on: October 05, 2014, 15:03 »
+7
All these RPI comparisons are completely useless for the OP.
I assume an IS-exclusive dropping exclusivity would want to upload their portfolio in a reasonably short period of time. It would make sense. And this is the problem. Their files would compete with one another. The download numbers would be divided by all the images of one subject and as a result none of the images would take off. Most of the images would be soon burried in the endless gazillions of SS images.

The trick at SS is getting to the first page, preferably to the top of the first page. Yes, it's true for most agencies, but not to the same extent as at SS.

It's much easier to achieve good results at SS when you slowly feed them and don't compete with your own images. See if one image of a subject takes off. If yes, then don't compete with it, let it accumulate download numbers and establish itself high in the search results.

If you upload hundreds or thousands images in a short period of time that is one great way to fail at SS.

IMHO the last good moment to join SS was around 2011 or 2012.
My RPI used to be around $1, now it is lower.

It used to be fairly easy to reach the first page, now it's no longer the case with over 300.000 images added every week.
Do the OP a favor and don't compare established ports with portfolios of newcomers to SS, no matter how good they are.
« Last Edit: October 05, 2014, 15:51 by Realist »

Hobostocker

    This user is banned.
« Reply #56 on: October 07, 2014, 02:04 »
0
Please excuse me whilst I tear my hair out in public here instead.

if all else fails dump your portfolio on Alamy and see what sticks.

jokes apart, you've a great port, can't believe it's selling peanuts !
i'm sure you can do well in any RM agency and of course on SS.


Hobostocker

    This user is banned.
« Reply #57 on: October 07, 2014, 02:10 »
0

The whole RPI/RPD discussion is fine and all, but in the context of this discussion, it's kind of pointless, no? The OP is making almost nothing as an iStock exclusive. It doesn't matter what the average RPD at SS is, it's still better than nothing.

actually it's the RPD being pointless if you don't make any donwloads ...

the RPI is just a generic catch-all performance indicator.

in this case i think he's getting a raw deal because there's an incredible oversupply of travel images now.
either that or IS is particularly bad for Travel.

the only way to know is to upload in other agencies and see the difference.


Uncle Pete

« Reply #58 on: October 08, 2014, 09:44 »
+1
Most statistics are useless if read wrong and applied improperly. RPD tells us, how much we will get paid WHEN a file is downloaded. It has nothing to do with overall performance of the agency or expected monthly income. It's just what they pay.

Good example would be, comparing RPD for DP vs 123RF or DP vs SS or DP vs IS. But a poor use would be, looking at SS vs Alamy.  ???

RPI only measures one persons results and their content is nothing like anyone else, in most cases. You pointed out Travel, someone else might do food, another Girls on the Beach, me photos of sexy cars. (had to add that one) How can I compare my RPI to someone who shoots models in a studio? It's worlds apart.

Asking to transfer someone else's RPI into some indication of ones own preformance is like asking, "How many photos do I need to make $1000 a month."

The answer to all of these is What are the photos? not how many, not RPD and not RPI.



actually it's the RPD being pointless if you don't make any donwloads ...

the RPI is just a generic catch-all performance indicator.

in this case i think he's getting a raw deal because there's an incredible oversupply of travel images now.
either that or IS is particularly bad for Travel.

the only way to know is to upload in other agencies and see the difference.

Hobostocker

    This user is banned.
« Reply #59 on: October 08, 2014, 22:56 »
0

The answer to all of these is What are the photos? not how many, not RPD and not RPI.


exactly.

i never see discussions about specific categories of images, like lifestyle, business, travel.

travel is just not selling much compared to business or conceptual.
how much less ? we don't know ... it could be even 10 times less, especially for travel images of places and locations that are not much in demand and there's plenty of them.

1000 pics of London will probably outsell 10000 pics of Papua New Guinea and by a long shot !
« Last Edit: October 08, 2014, 23:06 by Hobostocker »

« Reply #60 on: October 09, 2014, 04:24 »
+1

The answer to all of these is What are the photos? not how many, not RPD and not RPI.


exactly.

i never see discussions about specific categories of images, like lifestyle, business, travel.

travel is just not selling much compared to business or conceptual.
how much less ? we don't know ... it could be even 10 times less, especially for travel images of places and locations that are not much in demand and there's plenty of them.

1000 pics of London will probably outsell 10000 pics of Papua New Guinea and by a long shot !

Yeah, but in reality SS has 152,000 pictures of London and fewer than 2,000 (a lot fewer once all the postage stamps and computer-generated flags are discounted) of Papua New Guinea.  So if 200 pictures of London sell for every one of PNG then the return per file will be similar. Some very small and very popular places (e.g. Venice and Oia on Santorini) as so swamped with near identical images of iconic scenes that it is purely pot-luck (or search-placement luck) whether you will ever be able to sell anything from there.

Hobostocker

    This user is banned.
« Reply #61 on: October 09, 2014, 05:33 »
+1
Yeah, but in reality SS has 152,000 pictures of London and fewer than 2,000 (a lot fewer once all the postage stamps and computer-generated flags are discounted) of Papua New Guinea.  So if 200 pictures of London sell for every one of PNG then the return per file will be similar. Some very small and very popular places (e.g. Venice and Oia on Santorini) as so swamped with near identical images of iconic scenes that it is purely pot-luck (or search-placement luck) whether you will ever be able to sell anything from there.

and that's just for SS.
on Alamy there are 15000 photos of Papua, 1.3 millions for London, and 3.5 millions for UK (that's 5% of their whole archive).

i've no magic recipe for the oversaturation in Travel.

ultimately buyers will probably stick with new uploads or a mix of new and old, nobody is going to browse more than 10 pages with 50 thumbnails each, soon the search placement will become the biggest factor even for "long tail" search keywords.



Justanotherphotographer

« Reply #62 on: October 09, 2014, 06:23 »
+1
I wish I had a clue about how bad my IS sales are now. My stats page stopped updating a while ago, just times out. Bunch of clowns.

« Reply #63 on: October 09, 2014, 06:40 »
+2
I wish I had a clue about how bad my IS sales are now. My stats page stopped updating a while ago, just times out. Bunch of clowns.

I'm glad I'm not the only one with time-out troubles. It's getting so bad that it can take more than a day for me to get through to the payment page when I need to (not too often, unfortunately). Of course, all the failed attempts will just increase the congestion on their servers.

« Reply #64 on: October 09, 2014, 06:47 »
+1
and that's just for SS.
on Alamy there are 15000 photos of Papua, 1.3 millions for London, and 3.5 millions for UK

So the ratio of roughly 200 London pics for one Papua pic holds on both Alamy and SS.  I've always felt that "low commercial value" is a bit of a red-herring, because people don't shoot so much of it, so it benefits by having less competition. There are some LCV niches with so little stuff in them that a buyer can easily browse everything there - and if you have the best shot it will pick up most of the sales for that subject.

« Reply #65 on: October 09, 2014, 07:50 »
+1
I'm around there, currently.  I had hoped for better.

*results not typical.

Right. At 31 cents rpi I have my work cut out for me.  This is a significant indicator of how OD's SOD and EL help boost RPI. I don't get a lot of these.

wds

« Reply #66 on: October 09, 2014, 08:30 »
0
All these RPI comparisons are completely useless for the OP.
I assume an IS-exclusive dropping exclusivity would want to upload their portfolio in a reasonably short period of time. It would make sense. And this is the problem. Their files would compete with one another. The download numbers would be divided by all the images of one subject and as a result none of the images would take off. Most of the images would be soon burried in the endless gazillions of SS images.

The trick at SS is getting to the first page, preferably to the top of the first page. Yes, it's true for most agencies, but not to the same extent as at SS.

It's much easier to achieve good results at SS when you slowly feed them and don't compete with your own images. See if one image of a subject takes off. If yes, then don't compete with it, let it accumulate download numbers and establish itself high in the search results.

If you upload hundreds or thousands images in a short period of time that is one great way to fail at SS.

IMHO the last good moment to join SS was around 2011 or 2012.
My RPI used to be around $1, now it is lower.

It used to be fairly easy to reach the first page, now it's no longer the case with over 300.000 images added every week.
Do the OP a favor and don't compare established ports with portfolios of newcomers to SS, no matter how good they are.

Help me understand this (I am not trying to be facetious, I am seriously trying to understand). I have heard about the recommendations to "slowly feed them" so your files do not "compete with one another".
But, aren't your files competing with all the "300,000 images added every week" (not to mention the entire SS portfolio) anyway?
Isn't that a far more dominating factor than the relative handful of images if one was to upload their entire portfolio within a few weeks?

The only way it would seem to make sense to slowly upload is if SS was playing games within a given contributors portfolio based on its size and upload rate.

What am I missing?

« Reply #67 on: October 09, 2014, 10:02 »
+6
I think the point is that slow feeding may result in a steady appearance of your files at the top of the search before they disappear as they age. As a result, people may see one of your files and then be encouraged to look at others in your portfolio. If everything arrives in a single block they will all move down the search together and disappear together, so you lose the benefit of having at least something in an early search page.

Shelma1

  • stockcoalition.org
« Reply #68 on: October 09, 2014, 12:42 »
+3
I though I read somewhere that a couple of former iS exclusives had uploaded all at once and their files went nowhere. Better to do it slowly, have fresh files each week as BT has pointed out, and gather followers along the way so your new files get noticed (do followers actually get notified of new files?).
« Last Edit: October 09, 2014, 12:48 by Shelma1 »

wds

« Reply #69 on: October 09, 2014, 14:09 »
0
Still strikes me as "folklore". Without any kind of real guidelines, maybe it makes sense to upload a few thousand files over say a few months as  a compromise or safeguard.

Hobostocker

    This user is banned.
« Reply #70 on: October 09, 2014, 17:54 »
+1
and that's just for SS.
on Alamy there are 15000 photos of Papua, 1.3 millions for London, and 3.5 millions for UK

So the ratio of roughly 200 London pics for one Papua pic holds on both Alamy and SS.  I've always felt that "low commercial value" is a bit of a red-herring, because people don't shoot so much of it, so it benefits by having less competition. There are some LCV niches with so little stuff in them that a buyer can easily browse everything there - and if you have the best shot it will pick up most of the sales for that subject.

sure, but Papua is too expensive, you won't recoup the production costs and you'll probably catch malaria.

there must be little demand for it and yes, low commercial value.



Dook

« Reply #71 on: October 09, 2014, 18:16 »
+1
All these RPI comparisons are completely useless for the OP.
I assume an IS-exclusive dropping exclusivity would want to upload their portfolio in a reasonably short period of time. It would make sense. And this is the problem. Their files would compete with one another. The download numbers would be divided by all the images of one subject and as a result none of the images would take off. Most of the images would be soon burried in the endless gazillions of SS images.

The trick at SS is getting to the first page, preferably to the top of the first page. Yes, it's true for most agencies, but not to the same extent as at SS.

It's much easier to achieve good results at SS when you slowly feed them and don't compete with your own images. See if one image of a subject takes off. If yes, then don't compete with it, let it accumulate download numbers and establish itself high in the search results.

If you upload hundreds or thousands images in a short period of time that is one great way to fail at SS.

IMHO the last good moment to join SS was around 2011 or 2012.
My RPI used to be around $1, now it is lower.

It used to be fairly easy to reach the first page, now it's no longer the case with over 300.000 images added every week.
Do the OP a favor and don't compare established ports with portfolios of newcomers to SS, no matter how good they are.

Help me understand this (I am not trying to be facetious, I am seriously trying to understand). I have heard about the recommendations to "slowly feed them" so your files do not "compete with one another".
But, aren't your files competing with all the "300,000 images added every week" (not to mention the entire SS portfolio) anyway?
Isn't that a far more dominating factor than the relative handful of images if one was to upload their entire portfolio within a few weeks?

The only way it would seem to make sense to slowly upload is if SS was playing games within a given contributors portfolio based on its size and upload rate.

What am I missing?

Look, everyone here is just guessing. If you upload at once, your portfolio will be pushed down. The best pictures will survive (the best pictures will survive in any scenario). If you upload slowly, you lose money buy keeping your pictures on hard disc and not selling them. So, no perfect solution here.

Hobostocker

    This user is banned.
« Reply #72 on: October 09, 2014, 22:15 »
+1
The best pictures will survive (the best pictures will survive in any scenario).

as long as there is demand for it, and that's the point.

for Travel so many destinations just don't sell, no matter if the pics are beautiful, you can have 10000 great travel images and sell zero, and nobody now is going in places like somalia, sudan, lybia, sirya, ukraine, yemen, pakistan, afghanistan, iraq, etc

moreover i see a LOT of newspapers using travel images from AP/AFP/Reuters, often they're terrible snapshots but they cost nothing to them as they've subscriptions with the wire agencies.


Uncle Pete

« Reply #73 on: October 10, 2014, 21:31 »
+2
I considered a working vacation, someplace different that could fill a hole and make money. Including writing much of it off as business. Then I looked:

Easter Island Stock Photos, Illustrations, and Vector Art (2,482) - IS 1,844 - Alamy 8,913.

Probably double what the demand is and they are very well done, creative, nice images. What would set mine apart?

Why spend thousands of dollars and ten days, for what?

I might as well take weekends locally and get things that aren't over covered.


and that's just for SS.
on Alamy there are 15000 photos of Papua, 1.3 millions for London, and 3.5 millions for UK

So the ratio of roughly 200 London pics for one Papua pic holds on both Alamy and SS.  I've always felt that "low commercial value" is a bit of a red-herring, because people don't shoot so much of it, so it benefits by having less competition. There are some LCV niches with so little stuff in them that a buyer can easily browse everything there - and if you have the best shot it will pick up most of the sales for that subject.

sure, but Papua is too expensive, you won't recoup the production costs and you'll probably catch malaria.

there must be little demand for it and yes, low commercial value.

« Reply #74 on: October 10, 2014, 22:23 »
+4
I considered a working vacation, someplace different that could fill a hole and make money. Including writing much of it off as business. Then I looked:

Easter Island Stock Photos, Illustrations, and Vector Art (2,482) - IS 1,844 - Alamy 8,913.

Probably double what the demand is and they are very well done, creative, nice images. What would set mine apart?

Why spend thousands of dollars and ten days, for what?

I might as well take weekends locally and get things that aren't over covered.


If your going on holiday to a nice place anyway, then taking stock photos is a good way to write off taxes.  But not worth the expense to go just for stock. 


 

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