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Author Topic: Lots of rants about random stuff (was: More Getty content on iStock)  (Read 63157 times)

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« Reply #75 on: June 09, 2011, 05:40 »
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For a long time I've had the feeling they wanted to increase profits short term (by cutting commissions) to make the site look attractive to potential buyers ("look at this chart how our profits have skyrocketed over the past year") - But it seems more and more likely they want to kill the site (and microstock altogether) and get buyers back to Getty. I'm really confused and right now I've no idea how this is going to end. Aren't they aware of the alternatives, such as Shutterstock, Dreamstime and Fotolia ? Maybe they're only interested in buyers willing to pay macro-prices and the rest, the "poor" micro-buyers who switch to other sites, are "good riddance" anyway ?

I don't think they're trying to kill Istock. I do think they're trying to shuffle pricing and define pricing tiers to prevent Getty buyers from defecting to Istock. Some micro contributors are now producing such high value imagery that it's eroding the value at Getty.

If Getty has a good selling image for $200 and on IS a somewhat similar one is $20, why would a buyer get it from Getty? So, increase the price on IS by adding it to Vetta/Agency.

A few years ago micro buyers were getting Buicks for the price of a Chevy. They're now able to get a Rolls Royce for the price of a Buick.

I get your point and agree, but what's their long term plan?
Apparently everything is falling down at IS - they're losing buyers and seem to be doing nothing about it, so in my eyes the case is either
1. This is actually working for them despite of contributor frustrations
or
2. This is part of their plan to get rid of the small buyers (supported by the recent unsatisfied buyer who was told "too bad" or something like that when complaining in the iStock forums)
or
3. They were seeking to boost profits temporarily for a sale, but bad management has now ruined that plan.

Surely they must know that the current situation at IS is unsustainable, or at least will be, long term ? Which originally lead me to believe they were planning to sell the site. The problem is that if this continues, soon they won't have a product to sell  ???


PaulieWalnuts

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« Reply #76 on: June 09, 2011, 06:06 »
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For a long time I've had the feeling they wanted to increase profits short term (by cutting commissions) to make the site look attractive to potential buyers ("look at this chart how our profits have skyrocketed over the past year") - But it seems more and more likely they want to kill the site (and microstock altogether) and get buyers back to Getty. I'm really confused and right now I've no idea how this is going to end. Aren't they aware of the alternatives, such as Shutterstock, Dreamstime and Fotolia ? Maybe they're only interested in buyers willing to pay macro-prices and the rest, the "poor" micro-buyers who switch to other sites, are "good riddance" anyway ?
I don't think they're trying to kill Istock. I do think they're trying to shuffle pricing and define pricing tiers to prevent Getty buyers from defecting to Istock. Some micro contributors are now producing such high value imagery that it's eroding the value at Getty.

If Getty has a good selling image for $200 and on IS a somewhat similar one is $20, why would a buyer get it from Getty? So, increase the price on IS by adding it to Vetta/Agency.

A few years ago micro buyers were getting Buicks for the price of a Chevy. They're now able to get a Rolls Royce for the price of a Buick.
I get your point and agree, but what's their long term plan?
Apparently everything is falling down at IS - they're losing buyers and seem to be doing nothing about it, so in my eyes the case is either
1. This is actually working for them despite of contributor frustrations
or
2. This is part of their plan to get rid of the small buyers (supported by the recent unsatisfied buyer who was told "too bad" or something like that when complaining in the iStock forums)
or
3. They were seeking to boost profits temporarily for a sale, but bad management has now ruined that plan.

Surely they must know that the current situation at IS is unsustainable, or at least will be, long term ? Which originally lead me to believe they were planning to sell the site. The problem is that if this continues, soon they won't have a product to sell  ???

Is it falling down? I think people are only focusing on the perceived number of buyers and website traffic as indicators of progress.

IS is probably mostly looking at revenue and profits which I don't think any of us have access to.

It's entirely possible that they could be losing buyers, losing traffic, and still be making more revenue and higher profits. Are they? Who knows.

And I don't think they're trying to get rid of small buyers. I also don't think they're trying to save small buyers who are leaving. As the old rule goes, I'm guessing 20% of buyers make up 80% of revenue. Most companies will focus their attention on the big spenders. If one of them threaten to leave I'd bet IS bends over backwards to get them to stay. If one of the low end of the 80%r's threatens to leave it may not be worth the effort to try to save them. Kind of like someone playing penny slots at a Casino and telling the manager that they're not coming back. The casino cares more about the guy in the VIP room dropping $100 coins a pull.

IS is really pushing Vetta and Agency. So it's either a move of desperation to boost financials, or they've figured out that they can make more money with fewer buyers.

They still seem to be placing a priority on everything that boosts financials regardless of site stability. I think that says a lot about what the plans are.

« Reply #77 on: June 09, 2011, 06:29 »
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There's some "EdStock" coming through now: http://www.istockphoto.com/search/editorial

« Reply #78 on: June 09, 2011, 06:34 »
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There's some "EdStock" coming through now: http://www.istockphoto.com/search/editorial


still not available for download...ohhhhhhhhhhh

« Reply #79 on: June 09, 2011, 09:04 »
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And people are again surprised that some of the Getty content is in direct competition to iStock contributor content. I seriously don't know why people believe anything they tell them anymore. Every time iStock opens their mouth another lie comes out. How many times do people have to be lied to before they stop believing the iStock spin?

« Reply #80 on: June 09, 2011, 09:09 »
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There's some "EdStock" coming through now: http://www.istockphoto.com/search/editorial


interesting, some of them have the blue Agency icon.  what's up with that?  does that mean some editorial has a different price point than others? 

« Reply #81 on: June 09, 2011, 09:13 »
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And people are again surprised that some of the Getty content is in direct competition to iStock contributor content. I seriously don't know why people believe anything they tell them anymore. Every time iStock opens their mouth another lie comes out. How many times do people have to be lied to before they stop believing the iStock spin?

People are OK with being lied to, apparently. As long as they are still making pennies, that's all that matters.  ::)

« Reply #82 on: June 09, 2011, 09:14 »
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There's some "EdStock" coming through now: http://www.istockphoto.com/search/editorial


interesting, some of them have the blue Agency icon.  what's up with that?  does that mean some editorial has a different price point than others? 


From admin:

"The blue icon is inaccurate and will be looked at, simple as that, no conspiracy."

« Reply #83 on: June 09, 2011, 09:38 »
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And people are again surprised that some of the Getty content is in direct competition to iStock contributor content. I seriously don't know why people believe anything they tell them anymore. Every time iStock opens their mouth another lie comes out. How many times do people have to be lied to before they stop believing the iStock spin?

People are OK with being lied to, apparently. As long as they are still making pennies, that's all that matters.  ::)

And people still believe those files are not going to get preference in the search! *cough* Agency *cough*

SNP

  • Canadian Photographer
« Reply #84 on: June 09, 2011, 10:25 »
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There's some "EdStock" coming through now: http://www.istockphoto.com/search/editorial


lots of news/reportage-style imagery so far....any cautious optimism I felt is being usurped by seeing the images coming in. beautiful editorial---and direct competition. no splitting hairs on that. it's like working on an uphill slope constantly sprayed with grease. not the most elegant analogy, but you get the point.
« Last Edit: June 09, 2011, 10:38 by SNP »

« Reply #85 on: June 09, 2011, 10:52 »
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I thought your comment in the IS thread on this was to the point - it's obvious when you look at the images that they compete with work submitted by real iStock contributors so don't insult our intelligence by pretending they don't.

A little honesty goes a long way - I'm reminded of a current US Representative who tried for a few days to say he didn't know if a picture of a man in his undies was him or not. It was really hard to believe that someone wouldn't know - how many pictures have you shot of your own underwear?

Given that we were going to see the images, what is the point of talking about them in terms that the images themselves will belie? I looked for celebrities in there, but haven't seen any yet :)

« Reply #86 on: June 09, 2011, 11:23 »
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Well I did see one with the Indian PM  ;D

lisafx

« Reply #87 on: June 09, 2011, 13:19 »
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And people are again surprised that some of the Getty content is in direct competition to iStock contributor content. I seriously don't know why people believe anything they tell them anymore. Every time iStock opens their mouth another lie comes out. How many times do people have to be lied to before they stop believing the iStock spin?

Truly shocking that anyone could continue to believe anything Getty/Istock tells them.  

On the subject of editorial permissions, seems there is conflicting information here in this thread.  I don't shoot it so haven't investigated it.  Can someone link to any credible outside resource, other than Getty, which explains what, if any, permissions are required?

FWIW, my recollection from my youth, when my family owned, edited, and published a local newspaper, was that photographers would need press passes to get into certain events and venues.  Without press passes they wouldn't have ACCESS to these situations.  But my understanding is that there is no restriction, in the US, on what can be PUBLISHED, for editorial purposes, regardless of the access or permissions the photog had at the time when they took the picture.  So if Joe Blow is a guest at the Oscars, and manages to snap a cellphone pic of Angelina Jolie tripping on the red carpet, he can sell that to a tabloid and not be violating any laws.  He may not be asked back to the Oscars, but that's an entirely different issue.  

Someone correct me if the above understanding is wrong.  If my father or grandfather were still around to answer, I would ask them.  But unless you have some (objective non-getty) source you can point to that backs up your assertions, don't expect me to take your word for it ;)  
« Last Edit: June 09, 2011, 13:45 by lisafx »

traveler1116

« Reply #88 on: June 09, 2011, 13:30 »
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I think the law is different for every country with France being one of the most restrictive. 

SNP

  • Canadian Photographer
« Reply #89 on: June 09, 2011, 13:58 »
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And people are again surprised that some of the Getty content is in direct competition to iStock contributor content. I seriously don't know why people believe anything they tell them anymore. Every time iStock opens their mouth another lie comes out. How many times do people have to be lied to before they stop believing the iStock spin?

Truly shocking that anyone could continue to believe anything Getty/Istock tells them.  

On the subject of editorial permissions, seems there is conflicting information here in this thread.  I don't shoot it so haven't investigated it.  Can someone link to any credible outside resource, other than Getty, which explains what, if any, permissions are required?

FWIW, my recollection from my youth, when my family owned, edited, and published a local newspaper, was that photographers would need press passes to get into certain events and venues.  Without press passes they wouldn't have ACCESS to these situations.  But my understanding is that there is no restriction, in the US, on what can be PUBLISHED, for editorial purposes, regardless of the access or permissions the photog had at the time when they took the picture.  So if Joe Blow is a guest at the Oscars, and manages to snap a cellphone pic of Angelina Jolie tripping on the red carpet, he can sell that to a tabloid and not be violating any laws.  He may not be asked back to the Oscars, but that's an entirely different issue.  

Someone correct me if the above understanding is wrong.  If my father or grandfather were still around to answer, I would ask them.  But unless you have some (objective non-getty) source you can point to that backs up your assertions, don't expect me to take your word for it ;)  

it definitely differs by country, and we're bound by the laws within countries. anytime you take an editorial shot, it's best to get as much released as possible to avoid future issues. obviously much of what we shoot isn't released, but as such we take the risk as photographers of litigation if we misrepresent, or simply shoot a subject that does not wish to be photographed or published. the documentation that we're discussing in here is within the context of supplying editorial images to an agency. obviously agencies prefer content that will not result in litigation.

but effectively you're correct in that anyone can basically shoot anything they want---with consequences. if you want to sell it through a reputable agency, or maintain a good reputation as a journalist---obviously permissions, releases, and ethical behaviour are all good criteria to work from.

lisafx

« Reply #90 on: June 09, 2011, 13:59 »
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it definitely differs by country, and we're bound by the laws within countries. anytime you take an editorial shot, it's best to get as much released as possible to avoid future issues. obviously much of what we shoot isn't released, but as such we take the risk as photographers of litigation if we misrepresent, or simply shoot a subject that does not wish to be photographed or published. the documentation that we're discussing in here is within the context of supplying editorial images to an agency. obviously agencies prefer content that will not result in litigation.

but effectively you're correct in that anyone can basically shoot anything they want---with consequences. if you want to sell it through a reputable agency, or maintain a good reputation as a journalist---obviously permissions, releases, and ethical behaviour are all good criteria to work from.

Sorry Stacey, I still don't see a link.  Where are you getting this from? 

« Reply #91 on: June 09, 2011, 14:04 »
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It is the buyer's responsibility to use content appropriately, assuming you didn't generally violate rules of privacy.  Lots of people would prefer not to be photographed.  That doesn't make them off limits within the US.  My understanding is along the lines of Lisa's, at least in the US.  If you can shoot it without violating rights of privacy, you should be good to go for editorial.

« Reply #92 on: June 09, 2011, 14:04 »
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That's my understanding, too, Lisa. There may be laws about privacy, decency and national security, but apart from that, editorial is not constrained by any need for permission to print an image because of the person or location in it. You do not need a release for images of children - look at the famous Vietnam photo of a naked young girl fleeing napalm bombing... can we see the parental release for that, please?

In practical terms, publications may not want to spoil their relationship with organisations or individuals by covering events without going through the organiser's prescribed channels but that's a matter of mutual convenience.

However, I'm not sure how a stock agency stands. The agency is selling the likeness for commercial profit (as is the photographer) which might create some legal vulnerabilities. It's not quite the same as the newspaper publishing for the public good.

It's nonsense to say that retaining a good reputation as a journalist has anything to do with getting permissions and releases. Journalists never mess about with model or property releases, those are for commercial photographers.

lisafx

« Reply #93 on: June 09, 2011, 14:07 »
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Thanks Sean, and Balderick for weighing in.  It's a relief to know my memory is still functioning properly :)

SNP

  • Canadian Photographer
« Reply #94 on: June 09, 2011, 14:15 »
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It is the buyer's responsibility to use content appropriately, assuming you didn't generally violate rules of privacy.  Lots of people would prefer not to be photographed.  That doesn't make them off limits within the US.  My understanding is along the lines of Lisa's, at least in the US.  If you can shoot it without violating rights of privacy, you should be good to go for editorial.

@ Lisa: that was from my head...no link...lol. that's my experience in editorial.

@ Sean: you're correct, absolutely. the problem is that there are always potential consequences to shooting things or people that do not wish to be photographed. that's why--where possible--releases are a good idea IF possible. you're talking about two different definitions of editorial. editorial = unreleased, news/product-related imagery....sure. editorial sold through agencies = as much permission as possible, where possible, IF possible. I think the message they're trying to get across is that knowledge about what you're shooting inevitably improves the image/series you're documenting.

@ Baldrick: it isn't nonsense at all. and I'm not referring to model releases or commercial releases. a simple conversation after the shot to discuss the person and situation, IF possible can suffice. a name from the subject. I certainly don't approach editorial subjects beforehand as a personal rule as I don't wish to influence the content of the image.
« Last Edit: June 09, 2011, 14:19 by SNP »

velocicarpo

« Reply #95 on: June 09, 2011, 14:18 »
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And people are again surprised that some of the Getty content is in direct competition to iStock contributor content. I seriously don't know why people believe anything they tell them anymore. Every time iStock opens their mouth another lie comes out. How many times do people have to be lied to before they stop believing the iStock spin?

+1. I am simply surprised that there are still people out there who sell or buy at a company like istock. There are even People out there who stay exclusive with a company that has proven to be not trustworthy...

As a buyer, I left istock since two years since there had been simply cheaper versions with fairer conditions to the contributor.
Why talk so much about it (as a buyer). Just leave and thats it. No need to get crazy as a buyer.

SNP

  • Canadian Photographer
« Reply #96 on: June 09, 2011, 14:23 »
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and Baldrick, ref: your example about the Vietnamese girl. the girl's family was interviewed in fact, Ut (the photographer) was staying nearby the village where it was shot during the napalm drop. in fact I believe it was he who after the shot took the girl to the military hospital for treatment, along with other children. I'd say that's getting involved and understanding your story.

lisafx

« Reply #97 on: June 09, 2011, 14:31 »
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A fairly exhaustive Google search hasn't turned up a concise set of definitions.  

It seems, according to someone I know in the publishing industry, that my (and Sean's and Balderick's) understanding is essentially correct.  Editorial usages don't require releases.  Individual agency requirements are something else entirely.  

My personal opinion -  having to get a bunch of releases and other permissions defeats the purpose of shooting editorial.  If I can get all the necessary releases, I might as well sell the images commercially and maximize their sales potential.  

Getty's restrictive rules, over and above what is legally required for editorial, strike me more as an attempt to shut istock/microstock photographers out of a lucrative niche.  It reeks of protectionism.  The same kind of elitism that pushed most of us toward microstock in the first place.  But that's JMHO.
« Last Edit: June 09, 2011, 14:35 by lisafx »

SNP

  • Canadian Photographer
« Reply #98 on: June 09, 2011, 14:38 »
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A fairly exhaustive Google search hasn't turned up a concise set of definitions.  

It seems, according to someone I know in the publishing industry, that my (and Sean's and Balderick's) understanding is essentially correct.  Editorial usages don't require releases.  Individual agency requirements are something else entirely.  

My personal opinion -  having to get a bunch of releases and other permissions defeats the purpose of shooting editorial.  If I can get all the necessary releases, I might as well sell the images commercially and maximize their sales potential.  

Lisa - I don't think you have interpreted what I said correctly. in any case, to each his own. FWIW, yes, editorial means no releases if it needs to be said that simply. but as much information as possible is valuable and valued by agencies/publications and I'm not sure why your friend in publishing would suggest otherwise. I don't release most of my editorial images....but when it comes to shooting people or story series--I do try to get information. and FYI, this was also a very big focus in London as per the Getty Images editorial seminars we attended. it has also been my experience with publications I work with.

everyone worries about liability and about misrepresenting a subject. I'm not sure why people who don't shoot editorial or have little interest in it are arguing about what constitutes editorial.

ETA: and I guess we should be clear that we're talking about journalistic editorial/celebrity etc. (and accreditation at events constitutes permission). not product editorial or say fashion editorial, which is generally staged.
« Last Edit: June 09, 2011, 14:49 by SNP »

« Reply #99 on: June 09, 2011, 14:49 »
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A fairly exhaustive Google search hasn't turned up a concise set of definitions.  

It seems, according to someone I know in the publishing industry, that my (and Sean's and Balderick's) understanding is essentially correct.  Editorial usages don't require releases.  Individual agency requirements are something else entirely.  

My personal opinion -  having to get a bunch of releases and other permissions defeats the purpose of shooting editorial.  If I can get all the necessary releases, I might as well sell the images commercially and maximize their sales potential.  

Getty's restrictive rules, over and above what is legally required for editorial, strike me more as an attempt to shut istock/microstock photographers out of a lucrative niche.  It reeks of protectionism.  The same kind of elitism that pushed most of us toward microstock in the first place.  But that's JMHO.

Exactly.

After you asked the question, I did a google search and found a couple of articles relating to shooting editorial and they basically said the same as you. They weren't written by any "authority", but I'm not sure there is any such animal. I also looked in my GAG Pricing Handbook and Guidelines, but nothing appeared there.

I have submitted a few editorial images to two sites that included the faces of people. The only restriction for me uploading was getting the dates, subjects, locations, etc. all absolutely correct and in the format the site required. Other than that, I understand it as you do.


 

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