MicrostockGroup

I'll take a stab at some of these.

The insect: Looks like on board flash was used. Bad/harsh shadow behind the bug. Hot spots from the flash on the insect itself.

The narrow ally: Blown out sky, no detail. Legible writing on the lamp and archway. Possible copyright problems.

Night lit street scene: Recognizable automobiles. A real no, no in RF stock.

I would say lack of variety and stock orientation. Property or model releases are not needed/used por evaluation. Even artifacting etc is not important at this stage.

Thanks for the advice.  I didn't worry too much about lighting in the second set of photos because the original critique was for composition or subject matter.  Therefore I didn't worry about highlights.

Regarding the alley, the version I submitted did not have the hotel name in view.  I PS'd that out, so no copyright problems.  The other writing 'zur traube' is generic German and not a proper name.  

I didn't think about the car in the night scene at all.  That's definitely something I need to remember in the future.  I was worried more on the buildings in view (most of which are U.S. Government buildings and do not require a release).  

Is it preferable to use horizontally-oriented images in stock?  

I have one tip.  You can spend time looking at the 'best selling' images on the big stock sites, but it gets depressing; tons of hokey model shots, business metaphors and generic vectors.  Those are the big money makers, but we can't all do them, for various reasons.

An alternative tactic is to start regularly skimming forums - not just this one, but contributor forums on the stock sites.  Watch for posts from contributors who seem to know the game and who say they're making some sales; then check out their portfolios, look for ideas for subjects you could do well yourself - that aren't the cliche best-sellers but will make some sales.   As time goes by you may find a niche or two. 

These agencies are getting real picky about all this stuff. Big Stock Photo is not as strict as some of the other Big 6 but here is the list they recently submitted to their contributors...it covers alot of things and keep in mind iStock is alot stricter

http://www.bigstockphoto.com/paca/

Thanks,

I read over these rules when I went through the initial code of regulations, and to me this particular provision seemed about as clear as mud.  The reason is that istock policy restricts a lot of subject matter that U.S. law does not.  Now, I don't blame them for being paranoid about releases, especially when every country has it's own copyright laws (the E.U. has some particularly zany copyright laws).  I am an attorney familiar with United States intellectual property laws, so I didn't think that istock would go so far beyond what the law requires as far as releases. 

One thing I could not find on their website was: which legal jurisdiction is iStock in?  I know they are based in Canada, so do they apply the I.P. laws of Canada, or does the law of the situs govern (the location where the photo was taken)?   For example the first of my six photos is a 14th-century Franciscan Monastery in Croatia.  I can't for the life of me think of any reason why any intellectual property right would last 600 years...  Or am I mistaken?

The Assyrian sculpture is I think in the British Museum - who do not allow commercial photography (I recently saw reference in the istock forums to a whole bunch  of British museum images being deactivated after the museum contacted istock.) While copyright/intellectual property over these ancient statues is dodgy, the museums etc can control what you do while you are on their premises - and if they don't allow commercial photography then you really need to abide by that, and most stock sites (if they recognise the images) will abide by the museum's wishes. Legally you might be able to argue that as they didn't have a large neon sign by the front door saying that commercial photography is not allowed, they can't imply it into the entry conditions as you can only find out by asking - but  it's going to be expensive to prove one way or another in court, as it's not cut and dried.  So istock generally won't allow statuary, obvious museum  shots etc unless the photographer provides a property release or some information that demonstrates it's in the public domain. (statuary in a public place over 100 years old is usually OK. Stuff obviously in a museum without a property release probably won't be, no matter how old it is).

Legally in most jurisdictions (US, UK, Australia, I don't know about continental Europe, parts of which do have rights to privacy which may apply), photographs of buildings taken from the public road are fair game.  However the owners of many well known buildings (eg the Sydney Opera house, London Eye) have over-active lawyers - and it's just not worth taking them on in an international court case that could cost thousands to prove the point that they are idiots, when at best you might earn a few hundred dollars for the image. Istock has an intellectual property wiki which details some of the objects/places that are problematic. Legally most of them haven't a leg to stand on (I'm told. I'm not a lawyer but I have a tame intellectual property specialist on hand).

As far as the photos are concerned they are looking (as I understand it - it's a while since I applied) for a variety of photos. I used an isolated on white still life, a landscape and a human figure (as far as I can recall). Make sure you show that you understand basic stock requirements -the application stuff doesn't require releases, but you don't want to do anything that clearly won't be acceptable; make sure it's low ISO and noise free, lighting that's istock acceptable - no on camera flash (even ring flashes for macro tend to have too harsh shadows unless you are careful), avoid images with either blocked out harsh shadows or clipped bright highlights.

Good luck!


 

Because they look like museum shots rather than statues in a public place, I'd be wary of submitting them. And for application I'd not submit more than one. The bronze has distracting highlights on out of focus areas - that's a real no no for istock - I'd had more lighting rejections for this than anything else there!. The marble is better exposed, but it's not really commercial stock

Thanks.  What I find utterly ridiculous about the policies of places like the British Museum is that a good proportion of the items in the museum are the fruit of conquest.  Essentially, sculptures like the Assyrian bas-relief are stolen works and most likely belong in a museum in Baghdad.   Personally I think that such works belong to humanity as a whole.  I believe the 21st century will see the repatriation of a large number of objects to their places of origin.  The Elgin Marbles are a fine example:  there is a very very good chance that they will be leaving the British Museum within the next five years.

I find all of the legal issues surrounding antiquities to be really interesting.  My undergrad education is in Anthropology and History but I'm also an attorney, so I love to tear into issues like this.  However, I hate how litiiguous our society has become and the fact that I.P. law has arguably grown to be much more pervasive than the Framers of the Constitution envisioned when they established copyright laws 'to promote the useful arts and sciences.'

These agencies alot of times make up the rules as they go.  Were you able to get to the BigStockPhoto site link I posted. They have a very long list of do's and don'ts where stock is concerned. You do have a good eye....but you have to think advertising as far as stock is concerned because those are the kind of buyers that are out  there

you will also need to round this out with either a food shot, an isolation shot or a people shot, but definitely only one travel shot. some people have shown their really gorgeous travel photos but was not able to pass muster with all three.

Thanks, I did read through the list.   I was amazed to see that photos of Uluru (Ayer's Rock) are prohibited for 'religious' reasons. 

I will definitely consider the audience for stock images when I submit my next batch.