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Topics - spike

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1
Recently there was a livestream with Mat Hayward and Terry White (https://www.behance.net/videos/eb2dab18-ad9b-4535-a64e-127037055b8e/New-Creative-Cloud-features-for-Adobe-Stock-Contributors-with-Mat-Hayward-and-Terry-White) where it was revealed that customers have a certain number of "credits" they can spend on generative fill features. Namely, they called this "fast lane", which puts your request in a separate queue and you get your output in 10-15 seconds. Otherwise, you go into the other lane, which is slower, and which could take a lot longer to do the generative fill.

When customers used up their credits, they can buy new ones, and use it to put their requests in the "fast lane". Now - I might be biased, but it seems pretty obvious with me that a part of this revenue should be shared with us - the contributors who helped train the underlying model. Yes - we got that one-time payment to use our assets to create the model, but that is separate from continuously reaping the rewards of our work, and not sharing any revenue with us. So, I think a percfentage of the revenue should be shared with us.

I asked Mat about that in the topic about the livestream (https://www.microstockgroup.com/fotolia-com/adobe-stock-livestream-today-with-mat-hayward-and-terry-white/msg594091/#msg594091), but although the questions posed after mine were anwered, mine was ignored. I'm no mind reader, but it's probably because there isn't any revenue to share with us.

Do you think that we, the contributors whose content trained their model, should be fairly compensated for the continuous revenue that Adobe will get from selling these (but not limited to!) fast lane credits? Is a one-time payment enough to keep you quiet? Or will you raise your voices only when AI completely takes over and you lose the entierty of your revenue? Let me know in the comments <3

2
I've come across multiple videos on youtube, instagram and tiktok of people using Photoshop's generative fill to create content and then make merch with that content and sell it. This is clearly against Adobe's guidelines for generative fill, which are outlined here: https://www.adobe.com/legal/licenses-terms/adobe-gen-ai-user-guidelines.html

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4. No Commercial Use
While generative AI features are in beta, all generated output is for personal use only and cannot be used commercially.

Yet, people are still doing it. I feel like Adobe has covered themselves - they clearly state what is permitted and what is not - so is it up to us, the contributors, to find all content that has been created with the help of generative fill, and then sue? That seems impossible. So people just use the firefly model, the model built on our high quality stock imagery, and we are not compensated for it. This is clearly unfair.

My suggestion would be for Adobe to remove the generative fill from beta in Photoshop, since people are clearly misusing it, and there is no reasonable way to determine if someone has used generative fill or not. They can re-enable generative fill once we, the artists, are fairly compensated for training their underlying model, and commercial use can be allowed. This situation where Adobe is just like "yeah plz don't use for commercial use" but with no way to control for that, it's just not cutting it, to put it bluntly.

I suggest to organize and petition Adobe to remove generative fill from Photoshop beta until we are compensated, since our work is exploited by others who are in breach of Adobe's guidelines for non-commercial use. There is no reasonable way for us, the contributors, to know if any piece of content has been created with the help of generative fill or not, so this is something that is in Adobe's domain.

3
Not asking for tax advice, just to share experiences.

For example, since J-1 is a non-immigrant visa, I still believe we are legally treated as US residents for tax purposes (resident alien), but I'm not sure if stock agencies will continue to keep withholding 30% of our sales, and if we need to fill the W-9 or the W-8BEN?

Has anyone been in such a situation?

(of course I'll talk to a tax professional when I finally move)

4
General Stock Discussion / Moving to the U.S.; tax questions
« on: September 20, 2020, 14:39 »
I'll be moving to the U.S. soon (got a job there), and I have some rather simple questions in regards to taxation of microstock income. I will talk to a tax specialist there as well of course, but I thought to prepare as much as I can before I depart. So;

1. In which category does one report microstock-based earnings?
2. What's the rough tax rate? I know this might depends on the state (mine will be MD), so are there online calculators to give an estimate? If one earns $3000 per month, how much can he expect to keep after the IRS takes their part?
3. Is there anything particular I need to keep an eye out on when reporting income from microstock?

5
I tried to make this as short a possible, but game theory needs some simple explanations. Just stick until the end, it will make sense.

There's a game in game theory called prisoner's dilemma. In short, two members of a criminal gang (Alice and Bob) are arrested and imprisoned. Each prisoner is in solitary confinement with no means of communicating with the other. The prosecutors lack sufficient evidence to convict the pair on the principal charge, but they have enough to convict both on a lesser charge. Simultaneously, the prosecutors offer each prisoner a bargain. Each prisoner is given the opportunity either to betray the other by testifying that the other committed the crime, or to cooperate with the other by remaining silent. The possible outcomes are:

If Alice and Bob each betray the other, each of them serves two years in prison
If Alice betrays Bob but Bob remains silent, Alice will be set free and Bob will serve three years in prison
If Alice remains silent but Bob betrays Alice, Alice will serve three years in prison and Bob will be set free
If Alice and Bob both remain silent, both of them will serve only one year in prison (on the lesser charge).



It is assumed that both prisoners understand the nature of the game, have no loyalty to each other, and will have no opportunity for retribution or reward outside the game. Regardless of what the other decides, each prisoner gets a higher reward by betraying the other ("defecting"). The reasoning involves an argument by dilemma: Bob will either cooperate or defect. If Bob cooperates, Alice should defect, because going free is better than serving 1 year. If Bob defects, Alice should also defect, because serving 2 years is better than serving 3. So either way, Alice should defect. Parallel reasoning will show that Bob should defect.

We, the contributors, are Alice and Bob.

We can choose to either "cooperate" (deactivate portfolios) or "defect" (do nothing). If we cooperate - yes, we will lose some income, but if we defect - it's us who will get off scot-free and reap the benefits. While all the other contributors (Bob) deactivate their portfolios, we can actually profit by leaving ours on. Hence, the rational way to play this game is to actually do nothing. People at Shutterstock know this. This is what leads to the tragedy of the commons. This is why it's so easy to lose.

However, this is not just one instance of the prisoner's dilemma. There are other stock agencies that will see what Shutterstock has done and how we reacted. This can become the new norm. Hence, this is the iterated prisoner's dilemma, where cooperation plays a much more important role.

Without getting into all the details about game theory, stable equilibria and all that academic stuff, the important part is here - by not deactivating your portfolio for a week you are boosting your own sales for a week. That's true. At the very least - you're not incurring any penalty to yourself. BUT - this action has a chance of succeeding if and only if we are able to cooperate, "not snitch of each other" and collectively suffer the consequences of a one-week-long deactivation. By not deactivating, you are also increasing the chance that, in 6-12 months, you income starts to drop considerably, not just because of shutterstock - but because other agencies WILL follow. While it might be in your short-term interest to do nothing, it is actually in your long-term interest to cooperate.

So, please, if you are able to, deactivate.

If I can do it, after $150,000+ earned in more than 10 years, you probably can as well.



We have only one chance at this. Don't let it go to waste. Cooperate. We can all be "one year in the prison" for the collective good.

6
The form is here: https://forms.gle/YqpTCREUodA4iTz98

It's completely anonymous and even I can't see any of your details. (the form is hosted on Google Forms)

Like the subject of this thread and the description of the form say - this is to determine what our collective demands are and to see how much bargaining power we have.

Please share it so that people who don't frequent this forum can fill it out as soon as possible. We need to act quickly.

Thanks!

7
I live in a non-treaty country and EVERY video sale has an $14.15 amount withheld. I thought that's just the way it works, despite the fact that all other agencies apply the withholding tax only if the buyer is from the US.

Then I go and check my images sales earnings on the same agency (storyblocks) and some images have tax withheld from them ($1.15), but some have $0.00 (aka no withholding tax applied)!

What is up with that? I would have understood if they applied the withholding tax to all sales (which they don't because they haven't applied to some of my image sales) or if they just applied to US sales (which they don't, as otherwise some video sales wouldn't have $14.15 withholding tax associated with them).

I don't want to throw accusations which are unsubstantiated, but this seems like they might be tricking contributors and keeping the withholding tax amount even though they shouldn't, as they should just keep if for the US-based sales.

Anyone know what's up?

8
Check it out: https://research.googleblog.com/2017/08/making-visible-watermarks-more-effective.html

Quote
However, in On The Effectiveness Of Visible Watermarks recently presented at the 2017 Computer Vision and Pattern Recognition Conference (CVPR 2017), we show that a computer algorithm can get past this protection and remove watermarks automatically, giving users unobstructed access to the clean images the watermarks are intended to protect.

Quote
The vulnerability of current watermarking techniques lies in the consistency in watermarks across image collections. Therefore, to counter it, we need to introduce inconsistencies when embedding the watermark in each image.

This might be the reason that shutterstock is not included in the post, as they implemented variations in their watermarking procedure, as well as contributor names. At least in regards to watermarking, shutterstock seems to be ahead of other agencies.

However, the researchers say that this might be only a temporary measure, as methods might be developed which circumvent this problem:

Quote
While we cannot guarantee that there will not be a way to break such randomized watermarking schemes in the future, we believe (and our experiments show) that randomization will make watermarked collection attacks fundamentally more difficult. We hope that these findings will be helpful for the photography and stock image communities.

So if there is a time to push the agencies to decrease BOTH the size of watermarked images AND add variations in the watermarking procedure, it's immediately. I advise you to write to agency representatives to solve this issue asap. The agencies which will keep large previews with no variations in the watermarking procedure will lose my contributions, as I'll just assume that's a vulnerability that'll make my whole portfolio available for free (in a limited resolution, but still) to anyone. And that's a no-go for me.

9
General - Stock Video / ROI on video
« on: May 04, 2017, 13:57 »
I'm trying to decide if it'd be worth it to step up my video game and the most important thing is ROI.

I currently don't have good gear to do video and I'm thinking of buying the GH5 with the metabones adapter and maybe some video lights (if I need anything else, let me know). Let's say all the equipment will be 3500-4000 USD and that I need to pay the person shooting, color correcting and grading the videos (let's say 600 USD per month), what do you think how much we need to produce in order to make this a profitable venture?

We'll be able to shoot/edit 8hrs each day, so that should give us a lot of time to create a lot of clips, but there's only so much you can do indoors and without models, so there'll be additional costs.

What I'm looking for are the opinions of people who have attempted something similar or have more experience with selling video. Is this a dumb idea that will never pay off, or it could?

Thanks!

10
I searched "shutterstock" on youtube and found this gem: https://www.youtube.com/watch?v=D03SazcKDqI

Apparently, you can download any image you want. High res, no watermark, all free.

I didn't notify shutterstock yet (time constraints, just posting this here for info), but if someone wants to, it'd be good if they fixed this hack.

11
Did anyone try to create an offshore company in one of the tax havens (such as Belize or Isle of Man, or maybe even Panama) for the purposes of microstock? Would that even work?

I mean, we get paid as individuals on stock agencies, right? So all the money the company makes has to first "land" on a personal account, correct? Most of the agencies ask for your ID etc. I'm not sure how microstock factories do it. But my understanding is that if it's a personal account, then it has to be taxed, and even if you transfer it later to an account of a company in Belize, you're still taxed because you received the money. The question is - can the money go directly to the account of the company? Then it would work?

I don't think that giving away 50% of my earnings is really "fair" (I already give more than that to the agency), so I'm looking into other options.

12
I understand this is a complex issue which is also affected by your situation (are you employed, married, etc.), but I'd like to see the estimate of what percentage you pay due to taxation.

In my case, tax is pretty bad, and (in my microstock earnings bracket) accounts for roughly 45% of "lost revenue". I mean, for each 1000 USD that I make on microstock, I need to pay around 450 USD for taxes.

That's crazy, and I'm actually thinking of relocating due to that. I'm in the EU.

What's your situation, what chunk of your microstock income do taxes eat?

13
I'm wondering what kind of financial workflow do you use to keep on top of everything stock-related? Do you have an accountant or do you do everything by yourself? Do you even report (poll above)?

I need to revise my workflow, as it's becoming harder and harder to keep track when an agency has sent me a payment. Up until now, I just had a huge excel sheet with monthly earnings per agency (with portfolio size, RPI, RPD, STR, etc.), but that's not really a good solution for reporting income, as you only need to report what the agency has paid out to you, if I understood correctly. So, for example, if you have xxxx credits on FT, but don't transfer it to your PP/Skrill/..., that "income" is not "taxable", as you haven't received anything. Right?

So, how do you manage your stock income, do you use any specialized software, or have a separate excel sheet with agency payouts only? Do you even bother with that (I personally know quite a few contributors who don't report it as income at all)?

14
Adobe Stock / Becoming emerald on FT - increase prices?
« on: November 17, 2015, 12:21 »
Hi all,

So I'm steps away from becoming emerald on fotolia, and I'm wondering does the price increase happen automatically or do I have to contact support or manually change the price of all my files (no, please no)?

Another question is - when you increased your prices, did you see a drop in sales? Did you see an increase of earnings, and if so, what was the amount?

I get only about 25% of sales through credits, so I don't really think my income will skyrocket, but I'm wondering what you guys have observed, so I can compare my results!

Thanks!

15
DepositPhotos / What's the current situation with depositphotos?
« on: September 27, 2015, 20:16 »
I've been out of the loop for some time now, so I'm looking to find out if it's not ok to upload to depositphotos?

I stopped uploading there when the 3% royalty per image was discovered, was "kindly invited to upload my stuff back" and refused, so I'm wondering if they changed their ways or not?

The last that I've read is that they reduced the royalties by 10% for all and increased prices, but what about the partner program, opt-outs, and so on? Are they now considered to be a more or less fair agency (like fotolia after the launch of adobe stock), or it's still the same? Do you upload there?

Thanks.

16
Hi all,

I'm wondering what is your RPC at SS/P5/VideoBlocks.

(quick reminder: RPC is [monthly earnings]/[number of clips online].. and please, let's not discuss how "informative" this value is)

I'd share my number first, but as I have just started with 4k timelapses, my RPC is actually 0. So, maybe to gauge some averages, to see which range of values one can expect.

17
Dreamstime.com / % we get from DT subscriptions?
« on: November 12, 2014, 09:11 »
I've found this here (http://www.dreamstime.com/credits), where it seems buyer can buy an "All-at-once subscription" for 31 and get 5 images per week.

I'm wondering what's the amount that we get per image - 0.35$ or something higher?

Because if it's the former, then what's exactly the difference between this and DP(C)?

18
Shutterstock.com / Did you apply (get accepted) to OFFSET?
« on: November 03, 2014, 14:15 »
Not much to explain here.

You can apply here: https://www.offset.com/contributor/apply/success

19
I miss the old days when there were more graphs and discussions, also a lot of blogs which reported income closed (and they were very helpful to me as a beginner), so this is my thanks to them and I hope you find this useful.

I started microstock in Oct 2009, and I did quite a lot of work, but not with spectacular results. I was a student, so it was lunch money. I was fine with it. However, as I started working, I've noticed that I'd like to improve my income, so I waited until my contract expires and during the summer of 2013, decided to populate my portfolio with quick-to-make, totally generic images. However, something peculiar happened. Now, enough talk, let's see a picture. Blue bars are income, red line is portfolio size.



When I write "spam started", I really mean totally generic images. This is why I was able to increase my portfolio size so quick, and my earnings. However, these totally generic images were not alone, I also tried some more creative stuff or things that I thought would sell. So it was a mixed bag. Upon analyzing my portfolio in 2014, I've found a couple of images which stood out and amounted to most of the income. To put it in perspective: less than 1% of the images were responsible for more than 50% of my income.

In Feb 2014, I updated the niche and, no surprise here, income increased once again - you can see almost a negligible increase in my portfolio size between Feb and March, but the earnings almost doubled. It's all due to this small number of images. In May, I updated the niche again. Income rose. To compare, I started "spamming" again.  But although I increased my portfolio size by a significant amount, the earnings did not follow, or at least not as dramatically as after uploading niche content.

What's the take-away message? Shoot in a niche, don't overpopulate stock agencies with generic stuff? I don't know. It'd be easy if niches were easy to find, or if you could predict them. So that's obviously not the advice I'd be willing to take. My advice would be to check your statistics more thoroughly, even with paid solutions if necessary (there are brilliant options available), and base your shooting strategy on numbers. It worked for me.

Hope this helps!

20
I was just thinking the other day, as I submitted a lot of similar garbage to iStock and it all got rejected with quite good reasons (reviewers went through the keywords, checked if everything was really isolated, and so on), that it must take a lot of time to review images ;).

So, instead of deactivating images (work for contributors, doesn't do much against them), maybe we should just SPAM them with as many crappy images as we can. I mean, just upload all of the (non-sensitive) photos you have ever taken, keyworded with no effort and incorrectly.

It's no work for us - you just need to import the images and let the upload continue overnight(s). The upload cap is currently 999 images per week, and if a significant amount of contributors decide to spam them at the exact same time, while they don't have time to adjust and enforce the new limits, the queue will grow so long that not only that it will hurt the processing times, but they'll have to hire new reviewers and so on, making their expenses even higher. If the action is coordinated enough and a very high amount of images is submitted, this could make iStock choke.

What do you think? naive or genius? Or none of those things.

21
iStockPhoto.com / How to encrypt your password in deepmeta?
« on: August 03, 2014, 16:34 »
Hi all,

I want to outsource my iS keywording and the issue is that, to use deepmeta, one needs to have an istock account, which my collaborator does not.

On this video (https://www.youtube.com/watch?v=NLlygeZ6_TY&list=UULagW8xVqJqGYA2Ei5EVH4w) the guy is saying that he outsourced his keywording and encrypted the password, but I'm don't really understand how it's done.

Did anyone attempt this and what's the procedure?

Thanks!

22
The categories are larger (15%) because of the variation in the income, but I'm aware this doesn't "fix" the question completely.

Just take an average of all of your months in 2014 and calculate like this. :)

23
I found this a few moments ago on reddit: http://imgur.com/CqTGaDb

So I propose we do something similar for each agency and let the buyers know about the conditions contributors are in.

However, I would make the title "smarter" and write it from a buyers perspective - Where MY money goes whenever I buy a $x image. This way it's a more direct message that they are indeed doing this. Because the agency can propose any rate they want - it's a free economy. It's up to contributors to determine if we want to contribute there or not. But it's also up to the buyers - do they want to buy from an agency that has low royalty rates?

And then we put out a pie chart: 5$ agency - server upkeep and marketing, 1$ artist - researching, planning, shooting, editing, keywording, submitting.
And maybe another pie chart showing how much time it takes for the agency to do all this (10%) and the artist (90%).

It might be completely useless and it might change the mind of some buyers. Who knows. Thoughts?

24
General Stock Discussion / April '14 results
« on: May 01, 2014, 08:10 »
How was it?

For me, a drop of ~20% compared to March '14. Shutterstock accounts for 73% of earnings.

I'm still waiting for PP (and IS subscription!) results... after those, I think the gap will be around -15% compared to last month. But I'll know that in around 3 weeks. :)

Still, I like the overall trend:


25
General Stock Discussion / March '14 results
« on: April 01, 2014, 06:23 »
Hey everyone, how was your last month?

For me, a BME (and by a wide margin) of around +70% with a portfolio increase of only 5% in the last month (and around 20% compared to the previous BME).

Shutterstock killed it. No, really. 78.1% of earnings with the RPD of 0.84$.

I'm waiting for PP results, but I don't hope that they will amount to anything. But, who knows.

Also, since I've dropped BigStock and DP, I have replaced them with CanStockPhoto and PD. They are both very good substitutes - not even comparable to BigStock (manyfold increase) and better for my portfolio than DP.

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