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Author Topic: If you could only shoot micro with one lens, which would it be?  (Read 33171 times)

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« Reply #100 on: November 15, 2011, 05:07 »
0
Much of what you pay for these days has nothing to do with the optics. You are paying for AF motors and stabilisation technology on top of the glass. Nor is the age of an optical formula is necessarily an indication of its quality, particularly with prime lenses (there are some classics from the 60s and 70s that can still hold their own today's glass). Zooms are a slightly different story but I doubt if the best zoom from 10 years ago produces visibly inferior images to the best zoom today. You also get product variation within certain tolerances.


« Reply #101 on: November 15, 2011, 07:50 »
0
Much of what you pay for these days has nothing to do with the optics. You are paying for AF motors and stabilisation technology on top of the glass. Nor is the age of an optical formula is necessarily an indication of its quality, particularly with prime lenses (there are some classics from the 60s and 70s that can still hold their own today's glass). Zooms are a slightly different story but I doubt if the best zoom from 10 years ago produces visibly inferior images to the best zoom today. You also get product variation within certain tolerances.

I'm sure you are correct. I understand the wider availability and relatively cheap cost of zoom lens today is almost entirely down to advances in the manufacturing processes. It's not 'better glass' but, as you say, more or less the same glass with autofocus and stabilisation manufactured cheaply for today's mass-market.

« Reply #102 on: May 21, 2012, 13:53 »
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I really can't decide between 18-70 kit lens and prime 50. although one o fmy best-sellers was shot with fisheye :-)

drugal

    This user is banned.
« Reply #103 on: May 21, 2012, 14:56 »
0
100 / 2.8 macro (canon). can't think of anything more bang / buck.


 

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