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Author Topic: Is Digital Dead?  (Read 13667 times)

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WarrenPrice

« on: March 07, 2009, 18:12 »
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According to Ken Rockwell it is:
http://www.kenrockwell.com/tech/00-new-today.htm

for some time now Ken Rockwell has been berating digital.  It all started with a rant against the $8000 Nikon D3x.  I think he has a point in discussing the virtues of shooting film and having it scanned to disc.  But, I'm not so sure his is an objective view.  Is it just a rant?  What do you think?

You can also read a bit about the '09 PMA on his site.





« Reply #1 on: March 07, 2009, 18:25 »
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If he feels like that, hes welcome to use film from now on.  I dont care what he does

« Reply #2 on: March 07, 2009, 19:08 »
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I can't deny I miss my rolls of Velvia, and I was more objective when shooting film (having to save film, I studied the composition and lighting more carefully).

Regards,
Adelaide

« Reply #3 on: March 07, 2009, 19:08 »
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Again, he is a gigantic Internet tool.  All he does is make ridiculous statements.  And he doesn't even have a portfolio from what I've seen that would suggest he has a clue how to use any of these things.

I'm just wondering how people continue to take him seriously.  In a time when Joe Cornish and other large format landscape photographers are considering the move to medium format digital backs, you have a photography hack (who tries to guilt you into 'donating' to him on his website because he has hungry mouths to feed) who just writes crap on a blog so that people talk about him.

And by the way, I think Joe Cornish is way better.  Times a million.

EDIT:  There was an article on the luminous-landscape a while back where a contributor wrote in and talked about how digital has approached and possibly surpassed the film era.  Michael Reichmann may be just as controversial, but he makes very good points and he has posted some very wonderful shots using digital. 

Film is great for nostalgia, but nothing is going to change the fact that digital is still going to get better and better and Ken Rockwell will still be a big laughingstock of the online photography world.
« Last Edit: March 07, 2009, 19:14 by ichiro17 »

« Reply #4 on: March 07, 2009, 19:17 »
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One example of film:   I was on trip to Norway a few years back and took a few rolls on a professional snowboarder jumping a giantic jump. The guy pulls a trick he never done before, and ask me to send him the stuff if I got it.    Back home the developing company destroys twelv rolls for me. including the important one. Oops!!!   I dont miss that time.   

« Reply #5 on: March 07, 2009, 19:28 »
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I never lost a single roll of film, not even a frame, in processing or whatever.  It is a risk, of course, as well as a failure of the memory disk is possible.

Noodles

« Reply #6 on: March 07, 2009, 19:32 »
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One example of film:   I was on trip to Norway a few years back and took a few rolls on a professional snowboarder jumping a giantic jump. The guy pulls a trick he never done before, and ask me to send him the stuff if I got it.    Back home the developing company destroys twelv rolls for me. including the important one. Oops!!!   I dont miss that time.   

Bad luck but digital data can get corrupt etc. so not a good point really.

To be honest I like both - horses for courses. He doesn't actually say digital is dead though he obviously doesn't like it much - his conclusion was "Digital is best for what and how most people shoot, but for the whacky stuff I shoot out in the field, I prefer film."

I use to work in reprographics and drum scan 5x4 film transparencies in oil and let me tell you I have never seen digital replicate that kind of quality, yet!  Unfortunately there is a whole digital generation of photogs coming through who wouldn't even know the difference - they only compare digital with digital.


« Reply #7 on: March 07, 2009, 19:49 »
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Your right,  its a risk whatever you do.   A bit more safe with Digital Id say though.   

Its to bad drum scanning is so expensive. I have tons of film Id like digital.   How much do you pay?

vonkara

« Reply #8 on: March 07, 2009, 20:01 »
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Right Rockwell haven't any portfolio "from what i've heard".. I don't know much I don't read him. He seem to be what the worst troll on diverse forums are, in a blogger humanoide body. I can't understand why people give him credibility actually  ???

« Reply #9 on: March 07, 2009, 20:10 »
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He seem to be what the worst troll on diverse forums are, in a blogger humanoide body. I can't understand why people give him credibility actually  ???

He doesn't care. He probably lives of the ads on the site. I know a guy with a much lower pagerank and he told me that all ad schemes together made him 8,000 euro in 2008. The moment you click on any link to his site from wherever, he gets cents. The only thing he has to do is post controversial things so people get curious about it.

« Reply #10 on: March 07, 2009, 20:12 »
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Unfortunately there is a whole digital generation of photogs coming through who wouldn't even know the difference - they only compare digital with digital.

I also miss my rolls of velvia, or perhaps I should say I enjoy them a lot less often.

I can't possibly accept that digital has had its day, sure you pay 1000's for a camera that takes photos that are either as good or not quite as good as their 35mm counterparts used to be. digital is NEEDED for microstock, travel/editorial and it also allows me way more creativity and the chance to grab shots that i would not have 'wasted film on'. But my D200 drives me mad sometimes, its focus is 'funny', the metering is nothing like as good as my F90 was, it has battery and battery terminal problems. the F90 was and still is impeccable, the D200 and other recent nikon digitals I have played with are 'ordinary' and somewhat clunky, yet i still use the D200 more than the F90 and if I'd never owned a different camera would probably think the D200 was good(!). I've talked to another photographer who was pretty similar feelings

when I do get the film out it's for going places that it's just not practical to take the digital with batteries and cards, cold, wet and remote places without power and the option of carrying lots of extra kit... 1 or 2 lenses and polorizers, fresh batteries in the camera and some rolls of film, no wires, no chargers, no laptops, no sensor cleaning kit. i always love getting the film processed, i never seem to love downloading from the memory card anything like as much.

It's also getting harder to get slide film developed, and it's all getting more expensive, back before 2005 if you took 1000 images a year there was a genuine case for buying a film camera (better results and cheaper per frame when you considered the overall cost) not any more, film has gotten pricey

« Reply #11 on: March 07, 2009, 20:19 »
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Film has a different 'feel' from digital. Not better, not worse... different.

The only real downside I can see is that digital does not have the same sort of cost per frame that film has.
Hence we now have hard drives full of our digital diarrhea. Really, how may keepers from a shoot of 400 frames are there?

I love the look of Velvia for some things and used to shoot ASA 25 black and white for the exceptional fine grain it had. But I don't miss darkroom fumes or the expense of all that chemistry.

Anyway, time marches on and digital can only get better with time.
It may not be able to surpass an 8X10 piece of film quite yet, but few ever shot that way to begin with.

My father was a photographer and an optical engineer. If he were to be alive today he would be ecstatic about all he could now do in the digital darkroom.

vonkara

« Reply #12 on: March 07, 2009, 20:21 »
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He seem to be what the worst troll on diverse forums are, in a blogger humanoide body. I can't understand why people give him credibility actually  ???

He doesn't care. He probably lives of the ads on the site. I know a guy with a much lower pagerank and he told me that all ad schemes together made him 8,000 euro in 2008. The moment you click on any link to his site from wherever, he gets cents. The only thing he has to do is post controversial things so people get curious about it.
That explain it. I never click on adds though. Maybe Mr Rockwell achieved to attract the kind of people who clicks on the adds with those posts
« Last Edit: March 07, 2009, 20:23 by Vonkara »

WarrenPrice

« Reply #13 on: March 07, 2009, 20:38 »
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Film has a different 'feel' from digital. Not better, not worse... different.

.

Yes.  I think that is my feeling as well.  There was a long gap between my film days and learning digital.  I learned a lot from reading Ken Rockwell's column.  I won't question his expertise ... just his frequently changing opinions.  He can't seem to make up his mind.

I sold all my film equipment.  I don't regret it ... except I wish I still had my Mamiya C330.   :'( 
There is a perverse tendency to set my digital camera to "continuous." that I need to avoid.  Where I was getting 30 out of 36 good images on TriX, I now have no idea how to measure efficiency.  I do miss film ... but not the hassle.

And, as a motorsports journalist, I could not compete with the speed of delivery were I trying to work with film. 

I also don't begrudge Ken Rockwell his money making ads.  It is no more shameful than selling an image for 30 cents.   :o


« Reply #14 on: March 07, 2009, 20:49 »
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I imagine the motor car too, is just a passing fad.

WarrenPrice

« Reply #15 on: March 07, 2009, 20:53 »
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I imagine the motor car too, is just a passing fad.


We still have horses.   ;D

charlesknox

  • www.charlesknoxphoto.com
« Reply #16 on: March 07, 2009, 20:56 »
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I sure dont miss the 50 dollars a roll it use to cost me when i was a student.

tan510jomast

« Reply #17 on: March 07, 2009, 21:02 »
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I imagine the motor car too, is just a passing fad.
actually i think it would be awesome to ride a chariot instead of a camaro 
you can mount the camera and shoot without the windshield in its way  ;D
seriously,  i like the lack of banding that slides don't get like digital. also, you get less speck in your film format and unless you're a sloppy person, less spotting to do than digital.
defintely not as much problem with grain vs noise and fringing.
so really except for the cost of film, i think i would prefer film. i only went to digital because i couldn't afford shooting 10 rolls of films like i used to do when i was "gainfully employed" . i also had lots of promotional films given to me during my heydays as a "film photographer".
so really, for the poor, digital is definitely the way to go.
now if only someone will come up with a cheap 4 by 5 view, or a digitial version of my old old rolleiflex SLX with schempflug.
excuse me, while i put an ad in kijiji for a chariot chauffeur.  ;)

« Reply #18 on: March 07, 2009, 21:07 »
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Hence we now have hard drives full of our digital diarrhea.

Hahaha, I loved this analogy. I have a lot of this diarrhea, is there any cure? ;D  Sometimes I try slightly different adjustments and end up with a dozen images that look basically the same.

Regards,
Adelaide

« Reply #19 on: March 07, 2009, 21:55 »
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lagereek

« Reply #20 on: March 08, 2009, 02:31 »
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Rock Kenwell???  whos that?

« Reply #21 on: March 08, 2009, 02:47 »
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yesterday I was shooting water - dropping things into an aquarium to get the perfect splash. I would drop and fire the shutter and strobes the second my object hit the water. I did this 200 or more times before I got the perfect splash I needed for my project. I stopped when I got it because I could see that I got it! Then I cleaned up my kitchen. This exercise would have cost me a fortune with film, and I would have likely needed to set it up a few times when I got my film back to see that I didn't get the shot. I can think of countless examples where digital as a tool is more efficient than film. But that's just it - Digital is a tool, film is another tool. Pick the right tool for the job. You don't have to love one and hate the other. I play acoustic AND electric guitar... I don't hate one of them because the other sounds different.

« Reply #22 on: March 08, 2009, 03:43 »
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I haven't used film for years.  I spent hours trying to scan my film slides and I much prefer taking new photos with a digital camera.  Perhaps a drum scan from a 35mm slide might have more detail than a file from my 5D but it would be much more expensive.

Digital is still very new and in 5 years time battery life wont be a problem and memory cards will be huge.  I still prefer carrying around a tiny memory card and a spare battery than 20 rolls of film.

tan510jomast

« Reply #23 on: March 08, 2009, 12:36 »
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yes, sharpshot and studio have made more pluses and minuses to this topic.
we also forgot, for those who have been in photography via the various formats and media, that at one time, we had to shoot polaroids for test. now we don't.
also, the time it took us to get our works back was a problem, until we had the instant printers.
digital sort of bridge that gap where we transcend idea to image, test to actual shoot, without having to spend a lot of money .
diarrhea perharps, but at least this time, our diarrhea is not making a big hole in our pocketbook . we crap all over with backup drives and dvds which are almost insignificant in cost.
so, is digital dead?  ha!... i would say, the guy who says it is, is the great grand descendant of the fella who told Ford his stupid car will not replace the horse carrriage.
or the caveman who believed  that  fire would eventually burn out.
« Last Edit: March 08, 2009, 12:46 by tan510jomast »


digiology

« Reply #25 on: March 08, 2009, 22:19 »
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HAHA what a funny thread title.

I have had my darkroom equipment packed away for over 10 years now. I am too lazy to set it up. I am thinking of donating the equipment to a local high-school but it's hard to let go...

« Reply #26 on: March 08, 2009, 23:24 »
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One of the advantages of digital is you don't get brown fingers by poking the sheets around in the developer.  ;D

« Reply #27 on: March 09, 2009, 04:12 »
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... for some time now Ken Rockwell has been berating digital ...


He's being deliberately controversial to drive traffic to his web site. Attention-seeking, but otherwise meaningless. Did you read what he had to say about microstock a little while back?


« Reply #28 on: March 09, 2009, 06:28 »
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I do believe every beginning serios photog should shoot some film, even if they need to borrow a camera. It keeps you more honest, having to get a shot in a limited number of frames instead of being able to click away using a 8GB card.

I still on occasion get a roll of tungsten and go out shooting at night, buildings and such. Cool stuff. I don't really miss the film days though.

Ken Rockwell, I think I'll pass thank you. I prefer byThom for equipment stuff, or even Thomas Hawk to just relax and look at some cool photos.

« Reply #29 on: March 09, 2009, 10:52 »
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It's not just Rockwell, I've noticed MANY photographers who have declared they are going back to film in the last few weeks, it's kindof a quiet revolution that is going on.   Last night I read another blogger who was going back.  I would never be able to go back to film unless I transitioned into a new kind of work (what would that be I wonder?)

1.  All my work is uploaded through ROES or FTP.  Me, drive to the lab twice?  YUCK
2.  I'm too much of a chimp and addicted to that LCD
3.  I'm too cheap to burn all that film when I can knock off a hundred shots of some Redpolls in the bird feeder and only keep a couple frames.

« Reply #30 on: March 09, 2009, 11:09 »
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I enjoyed shooting slides for a long time but it has also been a long time since I did that. I love the colors on slide film and I enjoy looking at REAL slide shows. however, all of this cannot compare to what we can do with digital photography in terms of processing. I also very much like that fact that i don't have to pay for film rolls and developing! :)

If anyone has any info on good but affordable slide scanning service, please let me know. I have a lot of slides waiting to be digitized.

Thank you!

tan510jomast

« Reply #31 on: March 09, 2009, 11:39 »
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I enjoyed shooting slides for a long time but it has also been a long time since I did that. I love the colors on slide film and I enjoy looking at REAL slide shows. however, all of this cannot compare to what we can do with digital photography in terms of processing. I also very much like that fact that i don't have to pay for film rolls and developing! :)

If anyone has any info on good but affordable slide scanning service, please let me know. I have a lot of slides waiting to be digitized.

Thank you!

HP has a scanner that scans slides up to 2 1/4 by 2 1/4 . i used to scan my kodachrome and then post porcess them with PS. the scanner was not very expensive, and that was 4 years ago. i am sure HP has a better one for less money today.

vonkara

« Reply #32 on: March 09, 2009, 12:05 »
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Scanning rolls?? Really... LOL

I'm sometimes nostalgic also, but I won't go back to the toilet outside with newspapers.

RacePhoto

« Reply #33 on: March 09, 2009, 12:28 »
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Rock Kenwell???  whos that?

The guy who invented "Remote Trolling".  ;D

What he does is pick some subject. Write something absurd but marginally close to factual and waits for people to bite and discuss it. Then they come view his site to see if someone really wrote something that ridiculous. Ken labels himself as satire and humor. Most people call that an escape clause when they get caught for being full of BS and making things up.

Look it worked. There's a thread here about the million monkeys shooting stock, the million monkeys with spray and pray digital cameras, and the latest is digital is dead, which ignores all reason and logic to stretch a point and attract attention to Ken and his site.

If you have your own blog, you can remote troll and spam with impunity. This also saves him the time of going to forums and posting his ravings, because other people do it for him. The guy is a genius.

I'm sure he's a nice person and has fun with this, driving people to write about him and his site. Nice way to satisfy his need for attention and feed his ego.  :-*

Ken Rockwell, for amusement only, don't attempt this at home.

jim_h

« Reply #34 on: March 09, 2009, 13:55 »
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If a few pros are going back to film because they feel they can't get the same quality with digital - that will be temporary. Film will die once and for all, when a next generation of digital sensor technology truly surpasses it. 

« Reply #35 on: March 09, 2009, 14:27 »
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I'm sometimes nostalgic also, but I won't go back to the toilet outside with newspapers.

And without:P

vonkara

« Reply #36 on: March 09, 2009, 14:34 »
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I'm sometimes nostalgic also, but I won't go back to the toilet outside with newspapers.

And without:P
Whit leaves? That's even earlier LOL

« Reply #37 on: March 09, 2009, 14:47 »
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Scanning rolls?? Really... LOL

I'm sometimes nostalgic also, but I won't go back to the toilet outside with newspapers.

I have many memories on those slides, and if I had them in digital format, it would be a lot easier to share them and look at them more often. Also, if the scan quality is high enough, I believe I would even have some stock photos there.

WarrenPrice

« Reply #38 on: March 09, 2009, 15:59 »
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Scanning rolls?? Really... LOL

I'm sometimes nostalgic also, but I won't go back to the toilet outside with newspapers.

I have many memories on those slides, and if I had them in digital format, it would be a lot easier to share them and look at them more often. Also, if the scan quality is high enough, I believe I would even have some stock photos there.

I'm working on an assignment now using pictures from 1983.  I don't believe we even had autofocus in those days.  I know I didn't.   ;D

« Reply #39 on: March 09, 2009, 20:22 »
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:D I remember the old Leica my mom was using, no autofocus as well :) I was mostly shoting slides in the nineties, so auto focus was already there :) I still have the F70 from that time, the film cover was broken by the security people at San Francisco airport and it was on my way to vacation. Imagine being on vacation with disposable cameras only :D


 

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