MicrostockGroup Sponsors


Author Topic: Reshoots  (Read 2024 times)

0 Members and 1 Guest are viewing this topic.

« on: May 28, 2014, 15:26 »
0
I shoot for commercial and industrial clients; my job is to create a high quality very appealing images. Sometimes it comes off on the first shooting, sometime it take several shoots to satisfy the client. On very difficult shoots it may be several shoots to determine the right lighting, timing, and angle. 

How many re-shoots have you done to achieve the desired results? One job big I had 5 re-shoots, it was a complex shoot involving 24 different location with very  unique viewpoints.


« Reply #1 on: June 15, 2014, 05:38 »
0
well, i only do 1 more re shoot if needed

to aviod miss understanding with client i ask for a referance to the shoot, prior shoots that have done, even if they tell me the other photographer didnt do a good job i ask to get the pictures and understand what do they expect from the new shoot

i even ask from clients to take a picture with there mobile that i can see spaces that i should work in to see what need to be done

if it's a big client with high budget few thusends, just go to a production meeting with them and bring some internet visuals to see what the client wants

if his not happy with the first shoot and i do think his right or i value his project, i would make sure 100% what he want to change

sometimes i take extra money for reshooting to cover costs

for video editing i give me clients a editing brif, and they should singed on it after they wrote it, then if they have problems i refer them to the brif they gave

Beppe Grillo

« Reply #2 on: June 15, 2014, 07:50 »
0
At first I never (never never) work without a precise brief from the agency/customer.

For important photo sessions outdoor I always spend a day of inspection before, to determine the best points of view, the best light orientation / time, etc.
Sometimes I get the chance to be accompanied by the customer or the AD from the agency.
I take some snapshot to show the different possibilities to the customer, then we have a meeting to decide together the best to do, or develop new ideas (it happens that the situation imposes itself new ideas).
For photo sessions with models and/or complex sets in studio I make some rough images to show to the customer before (using an assistant as model if it is necessary).
In this way the day of the photo session we all have clear ideas in mind and we have more time to do the work better and care about details.
And as I work generally connected to the computer (during outdoor and indoor works) the customer/agency can see the result in real time on the monitor.
In this way it is enough rare to have to redo a shooting.
But of course it can happen sometime, most of the time when the customer has not really clear ideas
« Last Edit: June 15, 2014, 07:53 by Beppe Grillo »


 

Sponsors

Mega Bundle of 5,900+ Professional Lightroom Presets

Microstock Poll Results

Sponsors