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Author Topic: Are we really doing it right??  (Read 12756 times)

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« Reply #25 on: November 20, 2010, 03:52 »
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^^^That's the other reason why I give lots of sites a chance.  If we all waited until they proved themselves, they wouldn't have a big enough collection to attract the buyers.  How can we expect sites to be competitive without supplying them with our images?  I just don't see how that works.

There is the risk that a site wont make enough money to justify using them but by giving them a chance, that risk is reduced.  waiting on the sidelines is going to make their task much harder and we will end up with just a few sites that pay low commissions and don't have much respect for their contributors.


« Reply #26 on: November 20, 2010, 07:56 »
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There is the risk that a site wont make enough money to justify using them but by giving them a chance, that risk is reduced.  waiting on the sidelines is going to make their task much harder and we will end up with just a few sites that pay low commissions and don't have much respect for their contributors.

The difference between 'short tail-' and 'long tail thinking'. Nobody knows what the future will bring the coming years in Microstock, but one thing is sure: when there will be one or two agencies left, the contributors will pay the price. The bigger agencies lower their prices at will. The bigger they grow, the less influence contributors will have.
No agency can start with 4 million images. Everything needs time to grow. And when contributors don't  upload to them, new agencies will have no chance to survive at all.
So supporting 'low earners' can become profitable in the future (or not, if they are not going to make it). That's the risk: wasting your time.
Nothing stands forever. Look at nature: a big tree can stand for a long time. But when a big tree falls in the wood, the smaller trees around will grow fast to take his place.
The big tree will fall one day for sure. But do you know when? And what if all your investments are in the big tree only?

It also depends on what type of portfolio you have. Some have a few bestsellers in their portfolio and the rest of their images has not so much downloads.
Then you make the best chance on the bigger agencies.
But when you have downloads over the biggest part of your images, perhaps the lower earners will be worth to invest your time in.
I am not so very experienced in micro (only a few years), so perhaps I see this wrong.
If this is so, I would be glad if someone will tell me why.

There's something I don't understand. Sometimes I read about contributors removing their images and account from an agency when they have no (or not much) sales there.
But for what reason should you do so? When a part of your portfolio is at an agency already it 'eats no bread'. Why removing it?

The question was: Are we really doing it right?
We can't know for sure. We can only look back and around and try to learn from the past, from others and from our own experience.

« Reply #27 on: November 20, 2010, 10:10 »
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The question was: Are we really doing it right?
We can't know for sure. We can only look back and around and try to learn from the past, from others and from our own experience.
But that's the problem, we can't look back. Crowd-sourcing is unique, Google is unique, the Net is unique.

Allow me to go back in time, 1985 I guess. The Net didn't exist yet. Science Fiction writers wrote about wrist communicators that would allow to send SMS messages all over the world. Ridiculous, isn't it?
The world was dominated by number-cruncher IBM with their big machines with a whopping 1MB RAM in a cooled shrine eating punchcards fed by priests in white coats that were called IT engineers. Syntax error in card 67646 and there went your night.

There comes this young company that invented minicomputers, called DEC (Digital Eqp Corp). Ken Olson, the visionary and founder stood on the steps of the Cannes convention center, telling the eager pundits (no blogs too) that in the nineties, 50% of the computers would be "networked". The pundits laughed out loud. I still remember the floodlights of the press. Why do you need a "network" to connect mainframes when hard-disks are cheaper? A 1MB disk was just 4000$.  :D

Ken didn't know (or he did) that the PC and Macintosh would be around that same year. He threw his "Vaxmate" on the market there in Cannes, just to find out that 2 years later, the IBM PC destroyed his minicomputer market by a clever OS written by a college dropout nerd called Gates. I pulled the thick yellow Ethernet cable myself through the corridors since my company didn't believe in this fad. I had to bribe the budget for the cable out of other budgets myself, but I had no personnel.

Since then, DEC is long gone and IBM and GM too. A Britt in Switzerland combined Gopher and hypertext into "http" and for a year (1991-1993?) it was the toy of rocket scientists. Little did we know. 640KB (RAM) ought to be enough for anyone, IBM declared, and they allowed Gates to write OS2/Windows, since the money was in hardware anyways. Hahahaha.

Enters Netscape 1.0, first with text-only, then with images. Those were the heydays of Compuserve dial-in for the in-crowd with their patented GIFs. It's still 1994. My 56KB modem was a marvel, and so was my phone bill. Compuserve had its own chat, personal profile and sites. They let that weird Net in later, too little and too late.

The Net took the world by surprise and so did Google later. Web 2 was founded on the ruins of the first Bubble and tweets and faecesbooks destroyed fine social sites like MySpace and Friendster. Why? Myspace was fine.

Most Microstock sites are just 5 or 6 years old. They are experiments in the WWW and nothing guarantees they will stay. How can we learn from the past when there is no past? In the digital WWW age there is no IP any more. The music industry has been ruined by it and the movie industry soon. Digital is free and there is an endless supply of it. The US lawyers may sue their @ss off but the US is done and over. They're just printing money since China stopped buying US treasury shares.
China is buying Ireland and Greece, and soon Portugal. In 2012, they will surpass the US in economic power. IP ceases to exist East of Berlin. What does the West do? Insist on "human rights" when the IP elephant is all over the room.

There is no past you can learn from. This is a total different world, as the world was before 1985 and 1968 and 1945. Enjoy it while it lasts. It won't last long.  :P
« Last Edit: November 20, 2010, 10:22 by FD-regular »

« Reply #28 on: November 20, 2010, 10:18 »
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.... Enjoy it while it lasts. It won't last long.  :P

Yeah, I know, they it will last until 2012 :]]

« Reply #29 on: November 20, 2010, 12:10 »
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There is no past you can learn from. This is a total different world, as the world was before 1985 and 1968 and 1945.
Fly a bit higher and look at history from a greater distance: people are acting the same today as they did in the past and therefore history will repeat itself.
The differences are not that big.

Microstock has a short history, that's true. But as you could see lately with the commotion around the Getty/Istock greed, there's in fact nothing different from what happened in the past. People want to become rich and when they are they want to be richer and when they become richer they want power. History in a nutshell is: "I" want to be King and you must do what I tell you.

But the discussion was started about what to do in Microstock. Only uploading to the Big Four (remember that it used to be more then four not so long ago!), or also to the "lower earners".
As seen in the light of history, what should be wiser?  :D

« Reply #30 on: November 20, 2010, 13:25 »
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Allow me to go back in time, 1985 I guess.
I remember having a computer in 1985 and the internet was bulletin boards (bbs). You dialed from one computer to another. You know like in Wargames the movie.  ;D I think all your examples show a clear history lesson. When something better comes along people jump on it. Windows is better than Dos, Facebook is better than Myspace, and the internet is definitely better than dialing to a single computer. Things can change quickly, but if you keep your eyes open you can see them change and change with them. In relation to the original topic, having a presence at some of the smaller agencies can let you monitor how they are doing. Basically, observing and watching for change.

« Reply #31 on: November 20, 2010, 16:07 »
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... removed 4 posts that were just an off-topic insult exchange....

LSD72

  • My Bologna has a first name...
« Reply #32 on: November 20, 2010, 16:42 »
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I remember using the original internet. The Military version. No chat rooms or email. Using the Dot Matrix Printers.

jbarber873

« Reply #33 on: November 20, 2010, 17:02 »
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I remember using the original internet. The Military version. No chat rooms or email. Using the Dot Matrix Printers.

  I did the photos for the first IBM XT ads. There were going to be 2 in the shot on a double page spread, but one was stolen out of the messengers truck :) We had to shoot 2 shots and they put the 8x10 chromes together and made one shot, as this was the only completed model left in NYC. No one at that time thought there would be any use for these things aside from spreadsheets and databases like mailing lists. When I got my first digital camera, none of my clients would use it because they liked being able to take a chrome to the printer for color matching. But if I had not gotten into digital then, I'd have lost out on a lot of good years. You can never predict what will happen 10 years out, but the next 2 years looks pretty stable, and that's good enough. The hard part is to see change when it's coming, and embrace it. If all the big agencies turn into one, that would ultimately be great, in my opinion, because it's much easier to compete against one big supplier than dozens of smaller ones. If there was just Istock, the smartest thing they could do would be to secretly fund a competitor.

« Reply #34 on: November 22, 2010, 22:54 »
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People might think they are losing income by neglecting sites who produce a smaller percentage of that income. However, you have to evaluate your business model. Are you spending time on those smaller sites? How much time? Could you take that time and redirect towards the sites producing a higher percentage of your income? It's similar to marketing your photography in any field. Who do you want to target? Do you want to spend your time shooting for clients who will pay you $500, $800, $1000 an hour ... or do you want to spend all day goofing around for a couple hundred bucks? My moto is leave the chump change for the chumps.

« Reply #35 on: November 23, 2010, 01:50 »
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But the discussion was started about what to do in Microstock. Only uploading to the Big Four (remember that it used to be more then four not so long ago!), or also to the "lower earners".
As seen in the light of history, what should be wiser?  :D
Well my only point was you can't tell in advance what business model will take off. It's merely coincidence. The best stock site - technically - has always been Canstock. Duncan had some very innovative ideas (like keyword relevance) but he had to sell the shop. As to iStock, it's clear they want to get rid of the small unsustainable contributors for now, but what will happen when the financial guys sold or dumped them? Will they go back to their roots? They have some pretty good reviewers, a loyal customer base and a lot of karma left.
If another model will take off, it won't be more of the same, but totally different. We don't know yet. What if Google takes over all shops with Google Images for a placement fee? What if Flickr realizes its potential? I don't know.

lagereek

« Reply #36 on: November 23, 2010, 02:18 »
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But the discussion was started about what to do in Microstock. Only uploading to the Big Four (remember that it used to be more then four not so long ago!), or also to the "lower earners".
As seen in the light of history, what should be wiser?  :D
Well my only point was you can't tell in advance what business model will take off. It's merely coincidence. The best stock site - technically - has always been Canstock. Duncan had some very innovative ideas (like keyword relevance) but he had to sell the shop. As to iStock, it's clear they want to get rid of the small unsustainable contributors for now, but what will happen when the financial guys sold or dumped them? Will they go back to their roots? They have some pretty good reviewers, a loyal customer base and a lot of karma left.
If another model will take off, it won't be more of the same, but totally different. We don't know yet. What if Google takes over all shops with Google Images for a placement fee? What if Flickr realizes its potential? I don't know.

Hi!

Canstock, technically best??  surely you cant mean that. Look! dont matter if its Trad-agency or Micro, an Agency is as good as its Search-engine, thats the heart of any photolibrary business. period.
The CS and DT, searches lay importance on showing series of almost identical images on premiere search-pages, showing incredible lack of variety. This is regarded as one of the most derrogative aspects in any search-engine.

« Reply #37 on: November 23, 2010, 03:44 »
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People might think they are losing income by neglecting sites who produce a smaller percentage of that income. However, you have to evaluate your business model. Are you spending time on those smaller sites? How much time? Could you take that time and redirect towards the sites producing a higher percentage of your income? It's similar to marketing your photography in any field. Who do you want to target? Do you want to spend your time shooting for clients who will pay you $500, $800, $1000 an hour ... or do you want to spend all day goofing around for a couple hundred bucks? My moto is leave the chump change for the chumps.
I don't feel like I waste any time at all on the smaller sites.  Graphic Leftovers is just FTP in the background and that's it.  Most of the sites have a few clicks to submit, I can do that in an add break while I'm watching TV.  It has never taken 1 minute away from my photography, I don't do that 24/7, sometimes it's nice to have a distraction.  Only using the top 4 or 5 sites would damage my earnings and with the way they often treat their contributors, I would soon become demoralized.

Some of the smaller sites are so much better than the old ones, I really do think the top 4 sites could have some competition in the future but there's no chance of that if we just put up with the big sites cutting commissions.  I also don't like the way the big sites have huge collections that they could easily trim down but they prefer to reject more new images than get rid of ones that are years old and much lower quality.

« Reply #38 on: November 23, 2010, 08:51 »
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I also don't like the way the big sites have huge collections that they could easily trim down but they prefer to reject more new images than get rid of ones that are years old and much lower quality.
And for the reason that they are highly placed in the search the same old images sell over and over again and the newer never will reach that status. (I wont say much lower quality by the way. Quality can be good enough. )
The smaller agencies reject images mostly only for technical reasons, not for 'enough of the same subject', too much of the same series (yes, a horizontal and a vertical one or something like that. Dreamstime is doing this even when they have none of that subject in their collection at all) and more of this kind of rejections. 
When most contributors go on to upload to them too, the smaller agencies will soon have the biggest collections of the newer material.
In that way Google search can make a difference too. When buyers find out that a lot of what they need can be found on the sites of newer agencies they never heard of before.
And who can say what will happen if buyers are going to use new programs like Spiderpic and ImageExchange and find out over and over again that the image they want only can be found at these smaller agencies?
What is needed is an easier way to buy images you want from different agencies and the agencies are working on that problem too already.
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This is a total different world, as the world was before 1985 and 1968 and 1945. Enjoy it while it lasts. It won't last long.
Will we say the same in 2020 when we look back to 2010? (Unless it only last until 2012 of course ;D)

« Reply #39 on: November 23, 2010, 21:57 »
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Canstock, technically best??  surely you cant mean that.
Actually I meant the contributor side of the site, years back, not the buyers side as I wasn't a buyer then.
Look! dont matter if its Trad-agency or Micro, an Agency is as good as its Search-engine, thats the heart of any photolibrary business. period.
The CS and DT, searches lay importance on showing series of almost identical images on premiere search-pages, showing incredible lack of variety. This is regarded as one of the most derrogative aspects in any search-engine.
Well that's correct, and I discovered that too. As it isn't mathematically possible to do a relevant search on databases with millions of images, buyers apparently limit themselves partly to the first pages and to visual search (the majority of my DT sales is found by N/A). If there is an image "good enough" on the first pages, a jewel hidden on page xyz will not be sold. To escape that math dilemma, many sites added biasing features like N sales, karma of contributor, N views.
That's what we all experience: the idiosyncrasies of a SE can make or break you.

I guess that sites that have the most "honest" SE like DT and CanStockPhoto will produce the most similars on a relevancy search by necessity.
Sites with a very biased SE (like the best match of IS) won't.

The reason for this is that all the keywords have equal weight. SLocke made that remark here yesterday. I wrote about that 4 years ago when DT still had 300,000 images. I won't spill the beans any more by telling some sites allow their reviewers to add a rating to an image so it will popup at a more advanced position. But still, the closer you stick to relevancy, the more you risk rows of similars.

On DT, the dilemma is solved elegantly by switching from relevancy to downloads in the SE. You get a sort of Darwinian sorting then of the "best", as proven by sales. You won't have rows of similars either then.

ShadySue

  • There is a crack in everything
« Reply #40 on: November 24, 2010, 04:11 »
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On DT, the dilemma is solved elegantly by switching from relevancy to downloads in the SE. You get a sort of Darwinian sorting then of the "best", as proven by sales. You won't have rows of similars either then.
Only partially correct. I did a few searches and found what I expected to find. On relevancy, searches were OK. On sales, not so relevant. Easy example: 'apple'. I'd imagine if someone did a search on 'apple', the apple is meant to be the most important feature in the image. With relevancy, that is more or less the case. By downloads, the apple very often isn't dominant in the photo, as it throws up the pics with the most sales which happen to have 'apple' in them as a keyword. In only two, arguably three, of the top 20 by sales is 'apple' the dominant feature. As always, it will behoove the buyer to make a stab at a more 'intelligent' search for what they want.

lagereek

« Reply #41 on: November 24, 2010, 07:01 »
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Canstock, technically best??  surely you cant mean that.
Actually I meant the contributor side of the site, years back, not the buyers side as I wasn't a buyer then.
Look! dont matter if its Trad-agency or Micro, an Agency is as good as its Search-engine, thats the heart of any photolibrary business. period.
The CS and DT, searches lay importance on showing series of almost identical images on premiere search-pages, showing incredible lack of variety. This is regarded as one of the most derrogative aspects in any search-engine.
Well that's correct, and I discovered that too. As it isn't mathematically possible to do a relevant search on databases with millions of images, buyers apparently limit themselves partly to the first pages and to visual search (the majority of my DT sales is found by N/A). If there is an image "good enough" on the first pages, a jewel hidden on page xyz will not be sold. To escape that math dilemma, many sites added biasing features like N sales, karma of contributor, N views.
That's what we all experience: the idiosyncrasies of a SE can make or break you.

I guess that sites that have the most "honest" SE like DT and CanStockPhoto will produce the most similars on a relevancy search by necessity.
Sites with a very biased SE (like the best match of IS) won't.

The reason for this is that all the keywords have equal weight. SLocke made that remark here yesterday. I wrote about that 4 years ago when DT still had 300,000 images. I won't spill the beans any more by telling some sites allow their reviewers to add a rating to an image so it will popup at a more advanced position. But still, the closer you stick to relevancy, the more you risk rows of similars.

On DT, the dilemma is solved elegantly by switching from relevancy to downloads in the SE. You get a sort of Darwinian sorting then of the "best", as proven by sales. You won't have rows of similars either then.


Hi!
Just for the heck of it, go to CS and search "industry worker"  in the ordinary search ( not advanced)  you see same guy, same angle, everything about 20 times and on first page, know what the fun of it all is?  none of all these have got more then 1 DL  and this is on FIRST page!!

Yep, it could be a bit more variety, couldnt it?


« Reply #42 on: November 24, 2010, 07:23 »
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Well it seems to me that once you have an image ready to upload you have done 90% of the work.  Uploading to 4 sites or uploading to 6 or even 10 doesn't increase the workload substantially even if you upload manually.  And there are a number of tools that automate the process and allow you to upload to multiple agencies almost as easily as you would upload to one.

Overhead for each additional agency after the first is really quite low so even if the return is low it is probably worth it.

c h e e r s
fred 

« Reply #43 on: November 24, 2010, 08:52 »
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Well it seems to me that once you have an image ready to upload you have done 90% of the work.

Agree. Most smaller agencies have easy submitting.
Exception is submitting at Panthermedia for example. But for me they are worth the time, I am doing well there.

microstockphoto.co.uk

« Reply #44 on: November 24, 2010, 09:40 »
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Well it seems to me that once you have an image ready to upload you have done 90% of the work.

Agree. Most smaller agencies have easy submitting.
Exception is submitting at Panthermedia for example. But for me they are worth the time, I am doing well there.

Agree with both of you. PM submission is ugly but it's worth for me as well. The only ones which are not worth some are (presumed) low sellers with difficult submitting - categories are the worst thing on such sites.

lagereek

« Reply #45 on: November 24, 2010, 10:03 »
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Since most here find all sorts of reasons for uploading to anything and everything. Can anybody think of a reason for not uploading?

« Reply #46 on: November 24, 2010, 11:22 »
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Yes, the risk that they close the doors after you've done a lot of work, like my experience was at Zymmetrical.
That's the reason why submitting only makes sense when it doesn't cost you a lot of time or when you are doing well at an agency.

But even the bigger agencies can fail when they choose the wrong course.
The bigger the ship, the difficulter (and time consuming) is the turn.

lagereek

« Reply #47 on: November 25, 2010, 02:46 »
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Yes, the risk that they close the doors after you've done a lot of work, like my experience was at Zymmetrical.
That's the reason why submitting only makes sense when it doesn't cost you a lot of time or when you are doing well at an agency.

But even the bigger agencies can fail when they choose the wrong course.
The bigger the ship, the difficulter (and time consuming) is the turn.

Youre thinking of the StockXpert case? right  but SX, was brillant and not a small agency, it was one of the big four if Im not mistaken and very well managed.
I got a feeling the smaller ones grew thanks to leftovers, when a contributor couldnt get his/her images past the editors of the big four, they threw them into one of the smaller ones.
At least thats how they got off the ground I recon.
Ofcourse if you really look at some of these smaller sites its pretty easy to see that many are in it just for a quick buck, thats it, a few years turnover and then gone. So a whole heap of independants are uploading like crazy also hoping for a quick buck but ofcourse the result is peanuts, really.
I dont know but somehow I dont get this or am I missing something?

« Reply #48 on: November 25, 2010, 04:06 »
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No, I am not thinking of StockXpert. They were not a new and they were not a small agency.
And no, I don't think that new agencies are in for a 'quick buck'.
As John Griffin from Cutcaster wrote a while ago: "I am working my butt off..."
Perhaps some of these agencies are going to make it, but it's not easy money. Not for us and not for them.

lagereek

« Reply #49 on: November 25, 2010, 06:28 »
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No, I am not thinking of StockXpert. They were not a new and they were not a small agency.
And no, I don't think that new agencies are in for a 'quick buck'.
As John Griffin from Cutcaster wrote a while ago: "I am working my butt off..."
Perhaps some of these agencies are going to make it, but it's not easy money. Not for us and not for them.

and if new small agencies arent in it for a quick buck??  they must seriously think that as a new player they can compete with the established ones? which ofcourse is impossible, so why are they in it?  for the fun of it?
I happen to know a few guys who ventured into Micro only a few years back and they were certainly in it for a quick couple of years revenue


 

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