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Author Topic: Vector Artist wannabes!  (Read 28190 times)

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ironarrow

« on: January 19, 2009, 00:44 »
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Do you really believe you will become a real good selling vector artist?

Yes, that is right: if you are a good vector artist you can make good money in microstock. But only if you already are a vector artists who is capable of making money even without microstock. It is not like money is there for taking so let's do vectors and take it :)

I am a vector artist and it took me 25 years to get to the point I am. Not to mention non-stop drawing + a big love for creating illustrations day and night even without getting a penny. Sometimes drawing all night long just for fun.

When I see "clever" wannabes I can't stop but have a cheeky smile on my face.

You call it whatever you want but honestly I want your goodness. Instead of wasting your time on something that you are not good at, why don't you focus on your photos where you are good.

My word is only for wannabes. Anyway, deep deep inside, everybody knows him/herself. If you do not belong to the wannabe category please keep working harder and harder to become an even better vector artist.

But if you are a wannabe, please don't waste your time with elementary drawings which my 6 year old nephew can do with a little bit of illustrator knowledge.

Or if you accept you are a wannabe but still believe you can transform yourself into salvador dali please ignore me. I didn't post this at all. Please go ahead and become the next Van Gogh or something like that:)
« Last Edit: January 19, 2009, 00:46 by ironarrow »


« Reply #1 on: January 19, 2009, 01:22 »
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??????????
I like to draw for almost 25 years too, and how I do it it's up to me.
I tried digital illustrations/vectors but it's way different than hand drawing you can't compare those two things it's
way different...............................................and I like both

« Reply #2 on: January 19, 2009, 02:55 »
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...
« Last Edit: January 19, 2009, 03:12 by tilo »

« Reply #3 on: January 19, 2009, 03:11 »
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...please don't waste your time with elementary drawings which my 6 year old nephew can do with a little bit of illustrator knowledge.
Hey, there could be a niche!

abimages

« Reply #4 on: January 19, 2009, 05:04 »
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By the same token I see a lot of vector artists 'dabbling' with cameras. Going by your logic is that not the same?

« Reply #5 on: January 19, 2009, 05:38 »
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Why don't you stick to drawing and let posting to someone else  ;D

anyway, I think everyone can do whatever he wants to, the buyers decide if the image is good enough or not.  Besides, isn't that the point of micro's ?  Becoming better a long the way ?

« Reply #6 on: January 19, 2009, 09:10 »
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My illustrations are very simple, very basic and I had fun making them.  A couple of them are among my best-sellers, even getting ELs.  I was lucky, but I am happy with the results even if I don't intend to be a graphics artist.  I don't intend to be a full-time photographer either, so...

Regards,
Adelaide

ironarrow

« Reply #7 on: January 19, 2009, 09:47 »
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??????????
I like to draw for almost 25 years too, and how I do it it's up to me.
I tried digital illustrations/vectors but it's way different than hand drawing you can't compare those two things it's
way different...............................................and I like both

I said everybody knows it deep inside. If you really believe you are not a wannabe then why do you get offended. I don't want to offend anyone, It is just my opinion. If you don't agree, you smile and forget about it.. ;)

« Reply #8 on: January 19, 2009, 10:09 »
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Isn't everyone a "wannabe" at first?

ironarrow

« Reply #9 on: January 19, 2009, 10:09 »
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By the same token I see a lot of vector artists 'dabbling' with cameras. Going by your logic is that not the same?

Well I see some photographers who are good at vectors. My hat is off to them. My word is not for them.

My word is for mickey mouse illustrators. Most vector artists you are talking about already have a strong art education which includes photography as well. And they are approved by the industry standard Istockphoto! Aren't they?

Wannabes I am talking about are gonna need pure luck to get accepted at istockphoto. Just look at the numbers: SS has 135.000 something contributors, IS has 21.000 which is 6 and a half times less than SS:) You get the idea!

SS has no standards at vectors at all. I can draw a line and magic, it is accepted. Does that make me good? No, it makes SS a low standard vector site. Anyway, only the good ones sell. I am not worrying about the competition mickey mouse illustrators will bring! I am purely a good guy who doesn't want them to waste their free time with useless stuff.

I don't do photos at the moment.  Since I do believe my strength is vectors but back in school when I was 20, I did get photography training for 6 months. And I am a cinema graduate from University which was 4 years. So I actually have a real training at photography and lighting and still not doing it. I might be better than many photographers who knows. But for the time being I stick with vectors.

How many of these wannabes can say that they have a training of that caliber? How many of them can say they were drawing 10 hours a day 5 years ago when there was no microstock. Deep inside they know they weren't drawing at all and the reason they draw now is purely for getting the extra pennies.

Ahh, and love they have for illustrations and drawings  :D I have never heard anyone who doesn't like art. Does that mean anybody can do it?

At least I can claim I have had a camera for 15 years now and still don't do photos for microstock. I take things seriously and I am not gonna take tomato photos. If I do decide to do it one day it will be professionally done in a studio. And it will be to bring something that is not already up there.

ironarrow

« Reply #10 on: January 19, 2009, 10:11 »
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My illustrations are very simple, very basic and I had fun making them.  A couple of them are among my best-sellers, even getting ELs.  I was lucky, but I am happy with the results even if I don't intend to be a graphics artist.  I don't intend to be a full-time photographer either, so...

Regards,
Adelaide

You got a few sales, right! Imagine if they were really good.  :)

ironarrow

« Reply #11 on: January 19, 2009, 10:22 »
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Isn't everyone a "wannabe" at first?

I was a wannabe when I was 4. I was saying I want to do comics and cartoons and I professionally did it. I am no longer a wannabe. But I do believe I will never get to a point where I say "Oh, ok, I am done now, I am good now" because it is all about improving.

All I am saying is: it is too late at their age to decide that they want to be vector artists. It is exactly the same as trying to become a great tennis player or a gymnast after the age of 30.

And don't give me examples about vector artists taking photos  ;D You know it is not the same. Anybody with a great camera can take photos and get accepted to any site. But not anybody with Adobe illustrator can draw. Don't tell me you don't know the difference.

I have a friend who took no photos whatsoever apart from family and holiday photos of his own before. He is not a photography lover. He just bought a camera because I told him he can try and take photos and sell them on micros. He did it and got accepted to IS at the first try because the camera he bought was pretty  good. Costs about $3000 to get into IS as a photographer. ;)
« Last Edit: January 19, 2009, 10:28 by ironarrow »

« Reply #12 on: January 19, 2009, 10:31 »
0
??????????
I like to draw for almost 25 years too, and how I do it it's up to me.
I tried digital illustrations/vectors but it's way different than hand drawing you can't compare those two things it's
way different...............................................and I like both

I said everybody knows it deep inside. If you really believe you are not a wannabe then why do you get offended. I don't want to offend anyone, It is just my opinion. If you don't agree, you smile and forget about it.. ;)
Im not offended .I just pointing out that hand drawing and vector-illustations are way different from each other you cant compare it with each other.................So if you like me hand draw for 25 years or more it doesnt mean right away that your also able to do vectors-illustration the same as hand draw . You might have the same ideas but to put it to paper or PC is different at least for me...... :o ;D :o :o

ironarrow

« Reply #13 on: January 19, 2009, 10:33 »
0
??????????
I like to draw for almost 25 years too, and how I do it it's up to me.
I tried digital illustrations/vectors but it's way different than hand drawing you can't compare those two things it's
way different...............................................and I like both

I said everybody knows it deep inside. If you really believe you are not a wannabe then why do you get offended. I don't want to offend anyone, It is just my opinion. If you don't agree, you smile and forget about it.. ;)
Im not offended .I just pointing out that hand drawing and vector-illustations are way different from each other you cant compare it with each other.................So if you like me hand draw for 25 years or more it doesnt mean right away that your also able to do vectors-illustration the same as hand draw . You might have the same ideas but to put it to paper or PC is different at least for me...... :o ;D :o :o

If you have really been drawing on paper for that long I can help you get better at vectors.. IF you do want my advice..

« Reply #14 on: January 19, 2009, 10:41 »
0
??????????
I like to draw for almost 25 years too, and how I do it it's up to me.
I tried digital illustrations/vectors but it's way different than hand drawing you can't compare those two things it's
way different...............................................and I like both

I said everybody knows it deep inside. If you really believe you are not a wannabe then why do you get offended. I don't want to offend anyone, It is just my opinion. If you don't agree, you smile and forget about it.. ;)
Im not offended .I just pointing out that hand drawing and vector-illustations are way different from each other you cant compare it with each other.................So if you like me hand draw for 25 years or more it doesnt mean right away that your also able to do vectors-illustration the same as hand draw . You might have the same ideas but to put it to paper or PC is different at least for me...... :o ;D :o :o

If you have really been drawing on paper for that long I can help you get better at vectors.. IF you do want my advice..
Yes of course I would like that Im not ashamed to get some good advice. I like to draw on paper or with the PC it doesnt matter as long as Im busy with my hobbie that includes also photography. 
I hope within 2 month I go back to school and learn all about illustrator etc...........
« Last Edit: January 19, 2009, 10:48 by kaycee »

abimages

« Reply #15 on: January 19, 2009, 10:51 »
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Isn't everyone a "wannabe" at first?



I have a friend who took no photos whatsoever apart from family and holiday photos of his own before. He is not a photography lover. He just bought a camera because I told him he can try and take photos and sell them on micros. He did it and got accepted to IS at the first try because the camera he bought was pretty  good. Costs about $3000 to get into IS as a photographer. ;)

So one one hand you encourage a 'non photographer' to start working with micros. And on the other hand discourage 'non vector artists' to not even try ???

Look, you obviously feel threatened by the competition so my advice would be to stay true to yourself and stick with the day job.

Oh, and regarding your earlier post, the fact of owning a camera for 15 years does not make you a photographer...nor does the six month training you claim to have.
For over 30 years I have worked as a commercial photographer, the first six of which I was training!
Could you compete with me?....No
Am I gonna try and stop you trying?....No
Am I gonna moan when everyone gets a camera and calls themselves a photographer?....No

Theres room in Microstock for all levels, so quit worrying and get on doing your thing. 8)

« Reply #16 on: January 19, 2009, 10:54 »
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I imagine the OP is aiming at the kind of thing you see on SS, like a vector heart with "LOVE" on the middle of it, or some really bad flag illustrations, or something.  There's nothing wrong with practicing and holding back until you're really competant.


ironarrow

« Reply #17 on: January 19, 2009, 10:58 »
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Yes of course I would like that Im not ashamed to get some good advice. I like to draw on paper or with the PC it doesnt matter as long as Im busy with my hobbie that includes also photography. 

Ok then. It is actually not different doing it on a pc or on paper if you do it the right way.

1- If you don't already have it, buy a graphic tablet. You have to have the feeling of a pencil. Wacom bamboo series are fine. A6 tablet is adequate and cheap.
2- Draw on paper just like you are doing traditionally. Then scan the paper sketch and drag it to an open Illustrator file. Reduce the opacity of the scan and lock that layer. Add a new layer and just trace your sketch with illustrator tools.
3- You can trace photos too, as long as they belong to you. Remember IS is very strict about copyrights. Only trace your own sketches and photos.

It is vital that you sketch anything on paper first then draw over the scanned file in illustrator. That is the way, to get high quality results. That is why having illustrator is no enough because sketchin is still the heart of all good vectors.

Things done with automatic rotate and trace tools are so obviously simple. And will never get into IS.

If you weren't already doing them the way I explained above, your work is actually ok taking into account it has been done the wrong way.

ironarrow

« Reply #18 on: January 19, 2009, 11:10 »
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Isn't everyone a "wannabe" at first?



I have a friend who took no photos whatsoever apart from family and holiday photos of his own before. He is not a photography lover. He just bought a camera because I told him he can try and take photos and sell them on micros. He did it and got accepted to IS at the first try because the camera he bought was pretty  good. Costs about $3000 to get into IS as a photographer. ;)

So one one hand you encourage a 'non photographer' to start working with micros. And on the other hand discourage 'non vector artists' to not even try ???

Look, you obviously feel threatened by the competition so my advice would be to stay true to yourself and stick with the day job.

Oh, and regarding your earlier post, the fact of owning a camera for 15 years does not make you a photographer...nor does the six month training you claim to have.
For over 30 years I have worked as a commercial photographer, the first six of which I was training!
Could you compete with me?....No
Am I gonna try and stop you trying?....No
Am I gonna moan when everyone gets a camera and calls themselves a photographer?....No

Theres room in Microstock for all levels, so quit worrying and get on doing your thing. 8)

Well, I am not worrying  :D I don't have a day job.. That is how well I do as a vector artist..

Why do you ignore my point about tennis players or gymnasts? Can you become a successfull  gymnast or a tennis player? No!

Don't tell me sports is different  ;D If sports is different, then vector drawing and photography is different too. If you have been in photohraphy for 30 years you sure know better than me that stock photography is not art :) And I can encourage anyone buying a $3000 camera if they can afford it easily.

I will never encourage people to waste 10 hours a day for nothing. At least taking a good landscape photo can be done in 1/10 of a second:) Doing an equally good vector will take much more time.
« Last Edit: January 19, 2009, 11:17 by ironarrow »

« Reply #19 on: January 19, 2009, 11:12 »
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Yes of course I would like that Im not ashamed to get some good advice. I like to draw on paper or with the PC it doesnt matter as long as Im busy with my hobbie that includes also photography. 

Ok then. It is actually not different doing it on a pc or on paper if you do it the right way.

1- If you don't already have it, buy a graphic tablet. You have to have the feeling of a pencil. Wacom bamboo series are fine. A6 tablet is adequate and cheap.
2- Draw on paper just like you are doing traditionally. Then scan the paper sketch and drag it to an open Illustrator file. Reduce the opacity of the scan and lock that layer. Add a new layer and just trace your sketch with illustrator tools.
3- You can trace photos too, as long as they belong to you. Remember IS is very strict about copyrights. Only trace your own sketches and photos.

It is vital that you sketch anything on paper first then draw over the scanned file in illustrator. That is the way, to get high quality results. That is why having illustrator is no enough because sketchin is still the heart of all good vectors.

Things done with automatic rotate and trace tools are so obviously simple. And will never get into IS.

If you weren't already doing them the way I explained above, your work is actually ok taking into account it has been done the wrong way.
Have done what you mention (have no wacom but a Genius)
But I missing is the effects you now like a real pencil, softness, hardness, greys ,blacks, smudge with the finger etc.........
I know you could this also in illustrator but its hard to work easy with the progam and getting the same effects.
So I decided to  get a whole different style with vectors-illustrations .
But if you have more advice please let me know.If you want you could check my SS account (see my profile) over there I have some recent vectors I made, I know they are simple but feel free to judge my work.......      

ironarrow

« Reply #20 on: January 19, 2009, 11:14 »
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Look, you obviously feel threatened by the competition so my advice would be to stay true to yourself and stick with the day job.

If I felt threatened the tiny bit I would not have given kaycee what I believe are some really good advices..

« Reply #21 on: January 19, 2009, 11:19 »
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Yes of course I would like that Im not ashamed to get some good advice. I like to draw on paper or with the PC it doesnt matter as long as Im busy with my hobbie that includes also photography. 


Ok then. It is actually not different doing it on a pc or on paper if you do it the right way.

1- If you don't already have it, buy a graphic tablet. You have to have the feeling of a pencil. Wacom bamboo series are fine. A6 tablet is adequate and cheap.
2- Draw on paper just like you are doing traditionally. Then scan the paper sketch and drag it to an open Illustrator file. Reduce the opacity of the scan and lock that layer. Add a new layer and just trace your sketch with illustrator tools.
3- You can trace photos too, as long as they belong to you. Remember IS is very strict about copyrights. Only trace your own sketches and photos.

It is vital that you sketch anything on paper first then draw over the scanned file in illustrator. That is the way, to get high quality results. That is why having illustrator is no enough because sketchin is still the heart of all good vectors.

Things done with automatic rotate and trace tools are so obviously simple. And will never get into IS.

If you weren't already doing them the way I explained above, your work is actually ok taking into account it has been done the wrong way.



I just use the pen tool and trace photos; that's how I got into iStockphoto as a vector illustrator. I may try one of these graphic tablets for kicks, though.

Example:


ironarrow

« Reply #22 on: January 19, 2009, 11:26 »
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Have done what you mention (have no wacom but a Genius)
But I missing is the effects you now like a real pencil, softness, hardness, greys ,blacks, smudge with the finger etc.........
I know you could this also in illustrator but its hard to work easy with the progam and getting the same effects.
So I decided to  get a whole different style with vectors-illustrations .
But if you have more advice please let me know.If you want you could check my SS account (see my profile) over there I have some recent vectors I made, I know they are simple but feel free to judge my work.......      

I did have a look at them. Here is what I thought:

1- Do not use gradients without purpose. Do not use them at all, just to use them. Remember they are there to add your images some depth pr realism. They should be used right.
2- Study other people's work, look at best sellers. Work harder on your skethces. Make sure your sketch is great before you start working on illustrator. Believe it or not a good sketch is %90 of the job.
3- The effects you want to get can only be achieved by gradient mesh tool. If you have got the PM I sent you, go to those websites and make sure you have got a good training at illustrator.

« Reply #23 on: January 19, 2009, 11:32 »
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ironarrow, i'd love to see some examples of the master. can you provide a link to your own portfolio?

« Reply #24 on: January 19, 2009, 11:34 »
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Have done what you mention (have no wacom but a Genius)
But I missing is the effects you now like a real pencil, softness, hardness, greys ,blacks, smudge with the finger etc.........
I know you could this also in illustrator but its hard to work easy with the progam and getting the same effects.
So I decided to  get a whole different style with vectors-illustrations .
But if you have more advice please let me know.If you want you could check my SS account (see my profile) over there I have some recent vectors I made, I know they are simple but feel free to judge my work.......      

I did have a look at them. Here is what I thought:

1- Do not use gradients without purpose. Do not use them at all, just to use them. Remember they are there to add your images some depth pr realism. They should be used right.
2- Study other people's work, look at best sellers. Work harder on your skethces. Make sure your sketch is great before you start working on illustrator. Believe it or not a good sketch is %90 of the job.
3- The effects you want to get can only be achieved by gradient mesh tool. If you have got the PM I sent you, go to those websites and make sure you have got a good training at illustrator.
Thanks

bittersweet

« Reply #25 on: January 19, 2009, 11:35 »
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It is vital that you sketch anything on paper first then draw over the scanned file in illustrator. That is the way, to get high quality results. That is why having illustrator is no enough because sketchin is still the heart of all good vectors.

Things done with automatic rotate and trace tools are so obviously simple. And will never get into IS.

I understand your point completely, though I can also understand why it's easy for some to miss. At istock forums alone, we are always getting posts like "Hi! I decided to submit vectors so I bought a copy of (insert any software title here). Can you tell me what to do?" or "Hi! I see the top sellers are always vectors so I want to submit some. I got a bootleg copy of Illustrator from my friend so I'm all set! Cross your fingers for me!"

There is a ton of information that one must know in order to become a photographer. It is possible to learn this information from a book. Having an artistic eye and good intuition about what makes good stock will be very helpful tools, but many people have become successful just copying the good ideas of others.

If you purchase a copy of Illustrator, it doesn't make you an illustrator. It will not teach you how to draw if you do not already know how to draw. It will give you the tools to draw in a different medium, but there are important basic skills that you need in order to create work that will be suitable at istock. (And before people start pointing fingers at all the lame icon sets and swirly backgrounds... I know, I know... but those did not get them ACCEPTED. Once you are accepted, the standards are different for what is actually added to the collection.) People with natural artistic abilities have usually spent years developing these skills in one way or another. People whose artistic abilities have yet not been discovered or developed are going to have a harder time and a longer learning curve. Some of these are the ones who get frustrated when istock rejects their first efforts, and the ones who post about how "stupid" istock is for rejecting their images that sell so great on the other sites.

My first advice to anyone who wants to submit vectors is to first spend some time learning how to draw on paper. Putting in the time and work will be more than worth it in the end. If someone is going to take the time to learn a vector program, why not set their goals a little higher than the low bar set by the crappiest collection?

So while I understand the point being made here, I would not tell someone to just give up if they are a "wannabe" but I would tell them that they should not expect to have it all handed to them on a silver platter just because they can manage to do the bare minimum and get it accepted somewhere. As with most things in life, greater opportunities will unfold for those who put in the greater effort.

There's nothing wrong with practicing and holding back until you're really competant.

This is pretty much what I'm trying to say.  :D
« Last Edit: January 19, 2009, 11:41 by whatalife »

ironarrow

« Reply #26 on: January 19, 2009, 11:44 »
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ironarrow, i'd love to see some examples of the master. can you provide a link to your own portfolio?

Sure I will do that.. I will reveal my port as soon as I get into Top 500 earners of all times.. I expect it will be done some time this year.. I want to keep it private until that time.. I have been in this business for 1 year and a half, it takes a while to catch up to the guys who has been doing it for much longer but I should be there this year..

I promise to reveal it at that point.. Not yet btw.. I might just delete this account at that point and get in here with my username that I use at stock agencies.. Thanks..


ironarrow

« Reply #27 on: January 19, 2009, 11:56 »
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It is vital that you sketch anything on paper first then draw over the scanned file in illustrator. That is the way, to get high quality results. That is why having illustrator is no enough because sketchin is still the heart of all good vectors.

Things done with automatic rotate and trace tools are so obviously simple. And will never get into IS.

I understand your point completely, though I can also understand why it's easy for some to miss. At istock forums alone, we are always getting posts like "Hi! I decided to submit vectors so I bought a copy of (insert any software title here). Can you tell me what to do?" or "Hi! I see the top sellers are always vectors so I want to submit some. I got a bootleg copy of Illustrator from my friend so I'm all set! Cross your fingers for me!"

There is a ton of information that one must know in order to become a photographer. It is possible to learn this information from a book. Having an artistic eye and good intuition about what makes good stock will be very helpful tools, but many people have become successful just copying the good ideas of others.

If you purchase a copy of Illustrator, it doesn't make you an illustrator. It will not teach you how to draw if you do not already know how to draw. It will give you the tools to draw in a different medium, but there are important basic skills that you need in order to create work that will be suitable at istock. (And before people start pointing fingers at all the lame icon sets and swirly backgrounds... I know, I know... but those did not get them ACCEPTED. Once you are accepted, the standards are different for what is actually added to the collection.) People with natural artistic abilities have usually spent years developing these skills in one way or another. People whose artistic abilities have yet not been discovered or developed are going to have a harder time and a longer learning curve. Some of these are the ones who get frustrated when istock rejects their first efforts, and the ones who post about how "stupid" istock is for rejecting their images that sell so great on the other sites.

My first advice to anyone who wants to submit vectors is to first spend some time learning how to draw on paper. Putting in the time and work will be more than worth it in the end. If someone is going to take the time to learn a vector program, why not set their goals a little higher than the low bar set by the crappiest collection?

So while I understand the point being made here, I would not tell someone to just give up if they are a "wannabe" but I would tell them that they should not expect to have it all handed to them on a silver platter just because they can manage to do the bare minimum and get it accepted somewhere. As with most things in life, greater opportunities will unfold for those who put in the greater effort.

There's nothing wrong with practicing and holding back until you're really competant.

This is pretty much what I'm trying to say.  :D


What a life:) What a post ;D This is exactly what I am saying.. Sorry, I am not understood perfectly by everyone but this is my style of putting the ideas through.. I can be real rough at times.. I just do a little exaggeration when I am trying to make my point.. By all means they can practice, I am just trying to say it will take years and years.. Wannabes should keep practising as long as they believe they can stand practising for a long time without any return until they are really good.

If they have 10 years to spare they should not hesitate but practise.. But I am doing them a big GOOD by saying "If you were expecting to do great vectors in a short time, that is not the way it is"..... So, If indeed you expect to create best selling vectors in 6 months, give up.. Honestly:)
« Last Edit: January 19, 2009, 12:07 by ironarrow »

« Reply #28 on: January 19, 2009, 12:10 »
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Oh, deep inside I'm a musician... so, I should quit photography?  :-[ but I love both  :-[ and I am just learning to make illustrations because I like it a lot and I think I can do it.
No kidding ironarrow. I understand you, but I like the attitude of Whatalife more. Anyway, I think we should let reviewers decide what is too simple for microstock and what is not. Our buyers are sometimes people who don't know how to change some illustrations color, no to mention more complicated things. I know some people that has been asked of buyers to draw the same illustration in other color.
The point is, we all don't have to be great artists to make some money selling vectors. There are very few singers in this world that I really love to listen, but I don't think all the rest should quit singing, because there is a great percent of people that won't hear flaws in their singing and they will buy their records. Some of those bad singers made world career by singing and selling their records.

ironarrow

« Reply #29 on: January 19, 2009, 12:27 »
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Oh, deep inside I'm a musician... so, I should quit photography?  :-[ but I love both  :-[ and I am just learning to make illustrations because I like it a lot and I think I can do it.
No kidding ironarrow. I understand you, but I like the attitude of Whatalife more. Anyway, I think we should let reviewers decide what is too simple for microstock and what is not. Our buyers are sometimes people who don't know how to change some illustrations color, no to mention more complicated things. I know some people that has been asked of buyers to draw the same illustration in other color.
The point is, we all don't have to be great artists to make some money selling vectors. There are very few singers in this world that I really love to listen, but I don't think all the rest should quit singing, because there is a great percent of people that won't hear flaws in their singing and they will buy their records. Some of those bad singers made world career by singing and selling their records.

Whitechild, I didn't point at you even if my attitude is bad  ;) But you did get offended a little so I guess you consider yourself a wannabe.  ;)

If your expectation in life is to become one of those singers on the side, you can. What I am saying there are believers who think they will become the greatest thing since the sliced bread without having the talent and without putting the necessary effort in it. My word is to them and They are whom I say should quit trying.

If you like to draw for fun, who can stop you :)  Do it all day long. I respect everyone's choices. I am just trying to be good by saying if your photos are better why not invest the time in photos instead of wasting it for vectors?

« Reply #30 on: January 19, 2009, 13:48 »
0
Michal Jackson is poor singer...by the way

« Reply #31 on: January 19, 2009, 13:54 »
0
This type of post is called trolling, one posts controversial messages and gets tons of responses. I think it worked it this case :-)

http://en.wikipedia.org/wiki/Internet_troll

« Reply #32 on: January 19, 2009, 14:33 »
0
Btw, when talking about vector stock, are we talking in terms of art, or illustrations aimed to sell well, therefore strictly within the boundaries of so called "suitable for stock" variations?

ironarrow

« Reply #33 on: January 19, 2009, 15:06 »
0
Btw, when talking about vector stock, are we talking in terms of art, or illustrations aimed to sell well, therefore strictly within the boundaries of so called "suitable for stock" variations?

Aimed to sell or not! Regardless what it is for, we are talking about quality.

Sjlocke mentioned it in his post. He sums it up real good. Like 'whatalife' said, buying adobe illustrator doesn't make you an artist. It is only the tool.

Someone thinking those good illustrations are done by very good "adobe illustrator" knowledge are mistaken. It is like saying "I will buy a tennis racket and next year I will win the wimbledon" :)

An expensive tennis racket only works in the hands of the likes of Federer and Nadal. Not in my hands for sure. I will not become anywhere near a tennis player by buying a racket. But people somehow think "X software" does all the job and all people do is "to know" how to use it.

I could have become a very good tennis player if not great only If I put my life into it just like Federer did. Only if I was playing tennis since the age of 7 or something like that. It is too late for me just like it is too late for some to become an illustrator.

Yes with enough practice I believe people can do anything and I respect that. I never limit people and everybody is capable of doing anything under right circumstances. I would love to become a great gymnast that is for sure but I am way too old for that. B4 I know it I will be dead half way through my efforts.

I should have gotten the racket when I was 7  ;)

ironarrow

« Reply #34 on: January 19, 2009, 15:10 »
0
Michal Jackson is poor singer...by the way

Whitechild, I am not underrating any human being. I honestly believe in right hands and under right circumstances you could have become anything you want. But sometimes it is too late.

You could have become a great singer, actor, anything... but it would have been unfair if you become any of those without putting your life into it. btw Michael Jackson was amazing at what he was doing.  :)
« Last Edit: January 19, 2009, 15:14 by ironarrow »

« Reply #35 on: January 19, 2009, 15:23 »
0
Well, maybe we can agree that the quality of photos that sell differs a lot from the quality of vectors that sell. At least at IS, where acceptance of photos depends mostly on a technical quality, no matter if you're uploading whole bunches of business people and whatsoever isolated on white (that get accepted, of course, and sell very well).

« Reply #36 on: January 19, 2009, 15:33 »
0
Bottom line, no one out there has the right to tell any person what he/she can or cannot do. Really, it is not our concern if a photographer wants to create illustrations and upload them as vectors. It actually makes good business sense to be versatile and competent in as many areas as possible.
« Last Edit: January 19, 2009, 15:37 by epantha »


« Reply #37 on: January 19, 2009, 15:41 »
0
I imagine the OP is aiming at the kind of thing you see on SS, like a vector heart with "LOVE" on the middle of it, or some really bad flag illustrations, or something.  There's nothing wrong with practicing and holding back until you're really competant.


Some of my impressive creations that sell well, even with ELs, at DT, FT, StockXpert and BigStock.  The first was created with Canvas, then I moved to AI.


and a few more ellaborate ones:


Regards,
Adelaide

ironarrow

« Reply #38 on: January 19, 2009, 15:43 »
0
Well, maybe we can agree that the quality of photos that sell differs a lot from the quality of vectors that sell. At least at IS, where acceptance of photos depends mostly on a technical quality, no matter if you're uploading whole bunches of business people and whatsoever isolated on white (that get accepted, of course, and sell very well).

Vector of the week at IS almost never sells but it is usually amazing art. How can I dare to call it wannabe? You know what I am talking about.

Getting accepted at IS is some kind of a quality meter. It doesn't matter if you do icons or pure art. You will never get into IS doing icons.You need to prove that you are able to do some art. Once you prove it you are in. I have icons in my port that sell well But I got rejected at first because that is not what they want to see. They wanted to see If I can do something more artistic. I did it and the mission was done. After you are in, you can do as many icons and backgrounds as you like, as long as they are good.

You can go very simple and your only target can become selling more and more. I do that, I will be honest but I have at least 20 complicated and difficult to do illustrations in my port which don't really sell but I keep doing them without any sales expectations just to satisfy myself artistically. If I do 10 images at least 2-3 of them is always just for fun. Just to make my port look nice. I don't expect them to sell but I like to have them just to show my artistic ability. and the rest is for commercial purposes. Purely done for selling good.

ironarrow

« Reply #39 on: January 19, 2009, 15:49 »
0
Bottom line, no one out there has the right to tell any person what he/she can or cannot do. Really, it is not our concern if a photographer wants to create illustrations and upload them as vectors. It actually makes good business sense to be versatile and competent in as many areas as possible.

You sound like John Locke from "LOST"  ;D

"Don't tell me what I can't do" I believe in this too. I am actually not telling anyone what they can not do. If you carefully read my first post, I do say please ignore this post if you don't think you are a wannabe, or you are a wannabe but believe you can become Van Gogh or Dali :) By all means, go for it ;)

Mine is only an opinion which no one has to agree.

helix7

« Reply #40 on: January 19, 2009, 23:35 »
0
By the same token I see a lot of vector artists 'dabbling' with cameras. Going by your logic is that not the same?

It's exactly the same. And it is exactly the reason I don't try submitting photos. I know I suck behind a camera, so I don't think of myself as capable of selling photos. And I believe the world is a better place without photos from me taking up space on the web. :)

ironarrow, I get where you're coming from, but don't expect many friendly replies to your thread. I'm not going to say I fully agree with you, but I do see some of the god-awful stuff that makes it into the SS collection and I cringe along with you.



« Reply #41 on: January 20, 2009, 00:44 »
0
By the same token I see a lot of vector artists 'dabbling' with cameras. Going by your logic is that not the same?

It's exactly the same. And it is exactly the reason I don't try submitting photos. I know I suck behind a camera, so I don't think of myself as capable of selling photos. And I believe the world is a better place without photos from me taking up space on the web. :)

ironarrow, I get where you're coming from, but don't expect many friendly replies to your thread. I'm not going to say I fully agree with you, but I do see some of the god-awful stuff that makes it into the SS collection and I cringe along with you.


For me the fractals are even more nauseating than the vectors. The same old crap over and over again, and 10 versions of the same one to boot. In addition to upping the standards for vectors on SS, probably 90% of the fractal trash should be rejected. And then there is the whining about how fractals don't sell in the forum there. Gee, do ya think?????

Full disclosure - yes I do have a good fractal program. I do play around with it. My uploads on fractals are minimal - only do it if it's something unique and colorful with good copyspace, not a dozen crappy gold flames on black in one shot.

DanP68

« Reply #42 on: January 20, 2009, 00:58 »
0
But if you are a wannabe, please don't waste your time with elementary drawings which my 6 year old nephew can do with a little bit of illustrator knowledge.

Or if you accept you are a wannabe but still believe you can transform yourself into salvador dali please ignore me. I didn't post this at all. Please go ahead and become the next Van Gogh or something like that:)


You are definitely no wannabe when it comes to being the most arrogant poster on MSG.  Please, take your cheeky vector drawings, go exclusive with IS, and stick to their forum.  You add nothing but vitriol to this forum.  In summation, shut up.

« Reply #43 on: January 20, 2009, 03:27 »
0
Given I got accepted at istock first go I assume I therefore don't count as a wannabee! (despite my lack of formal training in Art post High School or Illustrator)
Personally I think istock tends to overemphasise the  arty rather than commercial in what it finds acceptable with illustrations. S'funny it's almost the opposite of their photos where technically correct but totally non commercial and unlikely to sell images are accepted. With illustrations simple commercial technically correct stuff is more likely to get rejected as not stock rather than the  never going to sell anything arty stuff. (I have enough of the latter in my portfolio to know about it - I couldn't do a commercial icon set to save my life as I'd die of boredom first - I doodle to please myself and occasionally some one buys it. I have no illusions about being a top seller)

Microbius

« Reply #44 on: January 20, 2009, 03:58 »
0
ironarrow, i'd love to see some examples of the master. can you provide a link to your own portfolio?

Sure I will do that.. I will reveal my port as soon as I get into Top 500 earners of all times.. I expect it will be done some time this year.. I want to keep it private until that time.. I have been in this business for 1 year and a half, it takes a while to catch up to the guys who has been doing it for much longer but I should be there this year..

I promise to reveal it at that point.. Not yet btw.. I might just delete this account at that point and get in here with my username that I use at stock agencies.. Thanks..
   
The problem with this thread is that last time someone called you out you made the mistake of posting some of the (fan) art you had created in order to impress us with your skills.
How can I put this... it sucked, I mean it sucked HARD.
The fact that you have been at this for 25+ years just makes your inability to produce anything decent even more pitiable.
Now I think what you may be doing is confusing being able to read the microstock market and producing some high selling simple illustrations with having talent (i.e. being a hack for being an artist). Till you deem us worthy of seeing your portfolio I cant be sure.

Before putting down other people trying to make it in this field I suggest you at least upload some more of your work so those being lectured can assess who it is calling them wannabes.


« Reply #45 on: January 20, 2009, 08:45 »
0
The fact is, when you type "vector" into IS search form, one of most popular files are these files:
The fact is, when you type "vector" into IS search form, one of most popular files are these files:




I don't want to offend anyone, but I think these illustrations are not so complicated

bittersweet

« Reply #46 on: January 20, 2009, 09:06 »
0
I don't want to offend anyone, but I think these illustrations are not so complicated

You're right, and I think that is the point Susan was making. Similars of popular five credit files are likely not going to get you accepted at istock. They have plenty of contributors who can easily create those files. They want someone with the *ability* to create something different. Once you have been accepted, you can choose whether to submit that something different, or submit similars of the popular five credit files.

(And you didn't say anything that should offend.)

As I said before, it's well worth the effort to get approved for vectors at istock since they pay very well and have indisputably the best vector collection. However there is easy money to be made elsewhere if you don't want to put in that effort. That's a personal choice, not a moral dilemma.  ;)
« Last Edit: January 20, 2009, 09:13 by whatalife »


« Reply #47 on: January 20, 2009, 09:22 »
0
Easy folks!

If I would consider be a wannabe something, I would want to be a wannabe National Geographic photographer.  :)

Regards,
Adelaide

ironarrow

« Reply #48 on: January 20, 2009, 10:07 »
0
The problem with this thread is that last time someone called you out you made the mistake of posting some of the (fan) art you had created in order to impress us with your skills.
How can I put this... it sucked, I mean it sucked HARD.
The fact that you have been at this for 25+ years just makes your inability to produce anything decent even more pitiable.
Now I think what you may be doing is confusing being able to read the microstock market and producing some high selling simple illustrations with having talent (i.e. being a hack for being an artist). Till you deem us worthy of seeing your portfolio I cant be sure.

Before putting down other people trying to make it in this field I suggest you at least upload some more of your work so those being lectured can assess who it is calling them wannabes.



I am not sure what you are talking about? IF you are talking about the illustrations I made when I was 16 that's cool. Whatever you call it, they of course suck comparing to my work today, but they were beyond my age at the time I did them :)

I am not going to post anything recent, If I do it will be so obvious. Thank you very much! You made your point and we are cool  :D

ironarrow

« Reply #49 on: January 20, 2009, 10:13 »
0
By the same token I see a lot of vector artists 'dabbling' with cameras. Going by your logic is that not the same?

It's exactly the same. And it is exactly the reason I don't try submitting photos. I know I suck behind a camera, so I don't think of myself as capable of selling photos. And I believe the world is a better place without photos from me taking up space on the web. :)

ironarrow, I get where you're coming from, but don't expect many friendly replies to your thread. I'm not going to say I fully agree with you, but I do see some of the god-awful stuff that makes it into the SS collection and I cringe along with you.




Helix, that's the thing. We know what we are capable of. We know we are not Yuri Arcurs or Lise Gagne of microstock photography and that is why we don't take photos.

But hell yeah we could take photos If we were going to accept doing it at a standard some of the photographers do illustrations.

ironarrow

« Reply #50 on: January 20, 2009, 10:24 »
0
The fact is, when you type "vector" into IS search form, one of most popular files are these files:

I don't want to offend anyone, but I think these illustrations are not so complicated

Whitechild maybe what I will say now is going to help your IS application as an illustrator.

These will never be accepted by IS as one of the first 3 samples. The first 3 has got to be special. If you can prove that you can do it, then you are totally free to send this kind of work in.

« Reply #51 on: January 20, 2009, 12:45 »
0
The fact is, when you type "vector" into IS search form, one of most popular files are these files:

I don't want to offend anyone, but I think these illustrations are not so complicated

Whitechild maybe what I will say now is going to help your IS application as an illustrator.

These will never be accepted by IS as one of the first 3 samples. The first 3 has got to be special. If you can prove that you can do it, then you are totally free to send this kind of work in.
Of course I know that ironarrow. I didn't talk about application only. I am telling about things that sell. And application is something special of course.
You know I am pretty sure I will get in as an illustrator. I had the same problems when I was applying for photographer at SS, but I did it in the end...

ironarrow

« Reply #52 on: January 20, 2009, 12:55 »
0
The fact is, when you type "vector" into IS search form, one of most popular files are these files:

I don't want to offend anyone, but I think these illustrations are not so complicated

Whitechild maybe what I will say now is going to help your IS application as an illustrator.

These will never be accepted by IS as one of the first 3 samples. The first 3 has got to be special. If you can prove that you can do it, then you are totally free to send this kind of work in.
Of course I know that ironarrow. I didn't talk about application only. I am telling about things that sell. And application is something special of course.
You know I am pretty sure I will get in as an illustrator. I had the same problems when I was applying for photographer at SS, but I did it in the end...


My hat is off to you my friend if you are prepared for that hard work ;) Way to go!

I hope you get it but IS is much harder as you already know.

« Reply #53 on: January 20, 2009, 13:36 »
0
..... So, If indeed you expect to create best selling vectors in 6 months, give up.. Honestly:)

It's doable!

ironarrow

« Reply #54 on: January 20, 2009, 14:09 »
0
..... So, If indeed you expect to create best selling vectors in 6 months, give up.. Honestly:)

It's doable!

It is doable I agree! But not by everyone. And probably I worded it wrong! Best seller vector, doesn't always mean good vector!

As long as someone is approved by IS, I don't call them wannabes as I believe in IS approval standards (apart from some lucky exceptions that got in while it was a much smaller site)

« Reply #55 on: January 20, 2009, 14:58 »
0
Ironarrow@ If you wanna be such a mystery, why dont you just keep quiet ?   Theres plenty of Sherlock Holmes here that like to reveal your portfolio... :o
« Last Edit: January 20, 2009, 15:12 by Magnum »

« Reply #56 on: January 20, 2009, 18:35 »
0
In my language, there is a phrase, stop ironing people, meaning stop bothering or annoying everybody. It would be interesting if you would show us your vectors that are product of 25 years worth of drawing.

ironarrow, I would like to ask you a question.. Do you speak any other language except English? I'm just curious...



ironarrow

« Reply #57 on: January 20, 2009, 19:52 »
0
@ magnum
You made a very good point I believe. I will do just that I guess.

@ whitechild
If somebody wants to stay anonymous I think it is understandable. I decided I will stay anonymous for good. I might even close this account as you guys don't like anonymous comments.

This is going to be my last post on this thread.

My comments have been very honest and into face. If you don't like honesty I understand.

If I had been saying "wow, whitechild, this is amazing, you are doing the best illustrations since Leonardo Da Vinci" you wouldn't want to know my portfolio, nor would you want me to prove that I am an expert.

When people make negative but honest comments, and when they are not licking a...., basically when they are honest, they are the worst people in the world and they need to prove that they are experts, otherwise you are not going to listen to them.

As I said If I was all positive towards your illustrations you would have been like "oh, thank you" and you would walk away without needing to know my port or what languages I speak.

But when it is bad you think I only need to be an expert to say it is bad.

I am who I say I am. I am honest, I am straight. I don't lie, I don't lick a.... and for future reference I will not lick a... in the future too.

According to you only a talent like, let's say Salvador Dali can rate you and someone who is not a good illustrator can not make a comment and can not say that your illustrations are bad. Is that right?

At first, I don't see why you come to this thread while it was obvious I didn't point at anyone but just used the term "wannabe"

This proves that you so obviously know that you are a wannabe? If not, sorry but it is how it looks.

Do not be in denial. I have been honest all the way, I will keep being honest until the end.

You can pretend being Van Gogh for as long as you want  ;)

Take care and all the best. This is definitely my last post here, at least for this thread. I don't want to offend anyone else.

You people, all of you just proved that you can only accept anonymous compliments. When it comes to criticism you basically can't take it.

If I was to impersonate you guys I would go just like this: Oh my god, I have just been criticised, who . is this guy. It is not me, It is him. It can't be me since I am the best wannabe, oups, sorry illustrator. I can't be criticised. If I am criticised It means there is something wrong with the guy who criticises me, because obviously I am so great.

Yeap, typical wannabe, always in denial, never honest to him/herself.

I criticise people because I believe harsh criticism brings the best out of them. Good luck for your future efforts.

I am done, thank you all. Now, cool off  :D
« Last Edit: January 20, 2009, 19:59 by ironarrow »

« Reply #58 on: January 20, 2009, 20:01 »
0
A painter doesn't need to be Van Gogh or Picasso to be successful. An actor doesn't need to win an Oscar to be successful.

Regards,
Adelaide

« Reply #59 on: January 20, 2009, 21:51 »
0
I think I understand what Ironarrow is trying to say, even if he's a bit rough in saying it. Lately it seems the word is "Vectors sell much better than photos." So everyone who can get their hands on vector software is trying to crank out illustrations. I have no problem with that, if you can create something that gets approved and will sell, more power to you. But I do agree that someone who has experience as an illustrator or designer will have an advantage in that they know WHAT to draw and HOW to draw it.

I only do vectors. I have dreams of being a photographer some day, but when I read the forums covering tips, critiques, etc. I realize how much I would need to know about photography before i was any good at it. So I'm not going out and spending thousands on a Nikon just yet.

I'm more than happy to post a link to my portfolio. What you'll see is a very wide variety of topics, styles, and level of complexity. Almost every one of them started as a pencil sketch of an idea. All critiques and commentary are welcome. I'll post my istock port, since it's the largest:
http://www.istockphoto.com/file_search.php?action=file&userID=1869469 [nofollow]

« Reply #60 on: January 20, 2009, 22:13 »
0
So does ironarrows taking offense to the responses to his post make him a wannabe MSG member :) :)

Vector graphics are an attractive medium for many photographers I believe.  No models, no intricate lighting set up, no post processing (albeit vector art is really just one long post process in my opinion) and the ability to create whatever they want.  I agree with what several others said in that the micro sites are the ones dictating quality.  However as also mentioned above some rather simple designs sell very well.  I think it's quite common for people who have been doing something for quite some time to think of the new comers as jumping on the band-wagon and wannabes.  It's unfortunate however that some feel compelled to brow-beat those they feel superior to. 


I'm still not sure what ironarrow was trying to accomplish , was he trying to offend, lead, or rant?  I took no offense by the post (I'm not a wannabe... horray!!!) as I know the few vectors I have done are simplistic crap.  However those vectors have ALL been accepted and ALL sell much better than most of the pictures I have.

Now if you will pardon me, I need to finish my newest vector; a series of squares in four different colors :)     

« Reply #61 on: January 21, 2009, 05:51 »
0
ironarrow, I am pretty sure you will still follow this thread for some time, even if you don't want to post here. So, I want to tell you this:
If you want to say something "very honest and into face" than you can't expect some respect if you stay anonymous. We have to see your face too, because maybe we also want to tell you something "very honest and into face". Staying anonymous you have no arguments. I don't take advices from anonymous persons.

Microbius

« Reply #62 on: January 21, 2009, 07:10 »
0

I don't think that anyone has a problem with anonymous posting in general.
It is when all a person's posts are so extremely arrogant and insulting to others.
If you want to base an online persona on how great you are at microstock compared to your peers how can you expect to get away with it without showing your work?

« Reply #63 on: January 21, 2009, 08:12 »
0
And it doesnt help that SS takes just about everything, making people think theyre goood ???

« Reply #64 on: January 21, 2009, 08:53 »
0

I don't think that anyone has a problem with anonymous posting in general.
It is when all a person's posts are so extremely arrogant and insulting to others.
If you want to base an online persona on how great you are at microstock compared to your peers how can you expect to get away with it without showing your work?


Well said Microbius. All posts from this user are like this one...

« Reply #65 on: January 21, 2009, 09:10 »
0
This type of post is called trolling, one posts controversial messages and gets tons of responses. I think it worked it this case :-)

http://en.wikipedia.org/wiki/Internet_troll


As melastmohican has said, this is a classic example of internet trolling. People should simply refrain from replying to such posts.

« Reply #66 on: January 21, 2009, 09:47 »
0
Although I also think this person sounded a little arrogant, I don't think he qualifies for being a troll!
He made some valid points, and he didn't offend somebody personally!

I agree there's a lott of crap vectors on Shutter. But being talented doesn't mean you should feel more important than those without talent.
I personally feel pity sometimes for some contributors, and I think they will never make it. But I have respect for their hard work and consistency.

Talent is gift, you cannot praise yourself for something that has bin giving to you!


« Reply #67 on: January 21, 2009, 10:03 »
0
Oh boy ....never ending story.........
@everybody...........not defending me or ironarrow or anyone else but he made a point just like all of you and if you listen very carefully to his and other who's pointing out something he's not the bad guy he is willing to help everybody who's able to listen.
At least he helped me pointing out some issues with my vectors and it's up to me if I'm willing to listen to his expertice and do something about it........... you never to old to learn .............Have a nice day   

helix7

« Reply #68 on: January 21, 2009, 10:07 »
0
...However as also mentioned above some rather simple designs sell very well.  I think it's quite common for people who have been doing something for quite some time to think of the new comers as jumping on the band-wagon and wannabes.  It's unfortunate however that some feel compelled to brow-beat those they feel superior to.

I don't think we're talking about simple designs here. Simple designs are not necessarily bad images, which I think is more the point of what ironarrow is talking about. The stuff that bothers him (I think) is the stuff that really does look like a 6-year-old kid drew it. Images with awkward gradients, stiff outlines, very rudimentary shapes, etc.

Vectors may sell better than photos, but it seems that sites like SS are too willing to overlook some quality standards in favor of getting more vectors into the collection.



« Reply #69 on: January 22, 2009, 21:06 »
0
i think it's not just reviewers solely who judge the quality of an image,
it's the buyer who'd be giving final judgement with their decision of buying or skipping the image.


 

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