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300 MB for a 20 second 4K clip is tiny, your bit rate off a phone is probably so low that you end up with banding and macroblocking from hell. Are you sure that you want to compress your clips any further...?
Quote from: Benozaur on July 12, 2016, 07:09300 MB for a 20 second 4K clip is tiny, your bit rate off a phone is probably so low that you end up with banding and macroblocking from hell. Are you sure that you want to compress your clips any further...?Right!I have hard time keeping my 4K clips under 2GB (although most of mine have an average of ~40s)
Quote from: Zero Talent on July 12, 2016, 07:43Quote from: Benozaur on July 12, 2016, 07:09300 MB for a 20 second 4K clip is tiny, your bit rate off a phone is probably so low that you end up with banding and macroblocking from hell. Are you sure that you want to compress your clips any further...?Right!I have hard time keeping my 4K clips under 2GB (although most of mine have an average of ~40s)You must me shooting/editing in ProRes
Quote from: Irina Anosova on July 12, 2016, 07:54Quote from: Zero Talent on July 12, 2016, 07:43Quote from: Benozaur on July 12, 2016, 07:09300 MB for a 20 second 4K clip is tiny, your bit rate off a phone is probably so low that you end up with banding and macroblocking from hell. Are you sure that you want to compress your clips any further...?Right!I have hard time keeping my 4K clips under 2GB (although most of mine have an average of ~40s)You must me shooting/editing in ProRes No, 4K is made @ H264, max quality.ProRes or PhotoJPEG would give me 7-8GB for the same clip length, at max quality.
Quote from: Zero Talent on July 12, 2016, 07:57Quote from: Irina Anosova on July 12, 2016, 07:54Quote from: Zero Talent on July 12, 2016, 07:43Quote from: Benozaur on July 12, 2016, 07:09300 MB for a 20 second 4K clip is tiny, your bit rate off a phone is probably so low that you end up with banding and macroblocking from hell. Are you sure that you want to compress your clips any further...?Right!I have hard time keeping my 4K clips under 2GB (although most of mine have an average of ~40s)You must me shooting/editing in ProRes No, 4K is made @ H264, max quality.ProRes or PhotoJPEG would give me 7-8GB for the same clip length, at max quality.That big will never be accepted by all stock sites... I wondered if the same clip in ProRes looks more attractive to potential buyer since many buy for future color correction to fit in their project.
Wow, that's crazy. Thats almost the size of a full movie on those rental discs. Guess i should be happy with my 300MB files then
Quote from: izzikiorage on July 12, 2016, 08:24Wow, that's crazy. Thats almost the size of a full movie on those rental discs. Guess i should be happy with my 300MB files thenAs far as I know file size is subject of fine details quantity so you are shooting some minimalistic scene that would be OK.
Quote from: Irina Anosova on July 12, 2016, 08:20Quote from: Zero Talent on July 12, 2016, 07:57Quote from: Irina Anosova on July 12, 2016, 07:54Quote from: Zero Talent on July 12, 2016, 07:43Quote from: Benozaur on July 12, 2016, 07:09300 MB for a 20 second 4K clip is tiny, your bit rate off a phone is probably so low that you end up with banding and macroblocking from hell. Are you sure that you want to compress your clips any further...?Right!I have hard time keeping my 4K clips under 2GB (although most of mine have an average of ~40s)You must me shooting/editing in ProRes No, 4K is made @ H264, max quality.ProRes or PhotoJPEG would give me 7-8GB for the same clip length, at max quality.That big will never be accepted by all stock sites... I wondered if the same clip in ProRes looks more attractive to potential buyer since many buy for future color correction to fit in their project.I think what Zero Talent is saying is merely that if he outputs at those settings he would get that kind of file size. He's right. I do the same and I get lots of giggles. But I only set my quality to high and not max to comply with size requirements of the agencies and I get about 1.5 giggles with Pro Res. Zero Talent might also contribute to non-micro agencies who have a much wider breadth of clip freedom, or requirements, for quality. But only Mr. Talent can answer that.