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Author Topic: Agency Collection Now Showing up on IStock  (Read 50138 times)

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grp_photo

« Reply #150 on: September 16, 2010, 15:46 »
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It's easy to pick bad examples but even than it is still a matter of taste.




Taste.  Yep.

It is actually very "stockish" but certainly only usable for the German-speaking market. The Germans, Swiss and Austrians are rich - let them pay big bucks ;-).


It's not about taste or whether it is stockish. the fact is that the picture would never be normally accepted into the collection. If any of us uploaded it. it would be rejected.

This is actually a good thing. Price the standard mainstream microstock-image low but charge more for less mainstream images. Istock doesn't have the reviewers to do this job (they are more dedicated to technical stuff, maybe there are a few exceptions but not much). But why do you insist to remain in the microstock-market everyone can apply at f-stop images to become a contributor!


« Reply #151 on: September 16, 2010, 16:13 »
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It's easy to pick bad examples but even than it is still a matter of taste.




Taste.  Yep.

It is actually very "stockish" but certainly only usable for the German-speaking market. The Germans, Swiss and Austrians are rich - let them pay big bucks ;-).


It's not about taste or whether it is stockish. the fact is that the picture would never be normally accepted into the collection. If any of us uploaded it. it would be rejected.


It wouldn't be accepted into a "microstock" collection which clearly the Agency Collection isn't and just as clearly it has been accepted into the collection and with great astonishment, they didn't ask microstock photographers about it.

« Reply #152 on: September 16, 2010, 16:27 »
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So maybe that's why macro agencies are falling. They have lots of old and overpriced stuff and they think they are superior to micros :-)

Based on your own personal experience? This is what drives me nuts. Why wouldn't you try and pull micro prices up rather than complain macro is overpriced?

lisafx

« Reply #153 on: September 16, 2010, 16:43 »
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Based on your own personal experience? This is what drives me nuts. Why wouldn't you try and pull micro prices up rather than complain macro is overpriced?

Personally, I am all for higher prices, as long as photographers get their fair share. 
But I do think Istock risks chasing buyers away if the quality of the content doesn't measure up to the price being asked. 

« Reply #154 on: September 16, 2010, 16:48 »
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Based on your own personal experience? This is what drives me nuts. Why wouldn't you try and pull micro prices up rather than complain macro is overpriced?

Personally, I am all for higher prices, as long as photographers get their fair share. 
But I do think Istock risks chasing buyers away if the quality of the content doesn't measure up to the price being asked. 

Lisa,

I couldn't agree more about the return to photographer.  I don't think the golden goose is being choked by this move for higher prices.

« Reply #155 on: September 16, 2010, 16:48 »
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So maybe that's why macro agencies are falling. They have lots of old and overpriced stuff and they think they are superior to micros :-)

Based on your own personal experience? This is what drives me nuts. Why wouldn't you try and pull micro prices up rather than complain macro is overpriced?

Based on what I saw in this thread :-) The micro seems to have higher quality.

On the other subject, micro prices would not go up significantly until all micro agencies stop competing on price which may happen when there is fewer of them and no other type of competition (like macro, midstock) exists.  It may never happen and something else will be invented.

« Reply #156 on: September 16, 2010, 16:57 »
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The micro seems to have higher quality.

You'll find plenty of exceptions but I think in general this isn't true. Micro probably has better technical quality but as I have often argued, who really cares?


On the other subject, micro prices would not go up significantly until all micro agencies stop competing on price which may happen when there is fewer of them and no other type of competition (like macro, midstock) exists.  It may never happen and something else will be invented.
But haven't they in fact gone up lots already over the past few years? Why not more?  An an agency that can supply great images is far more valuable to most buyers than saving 50 cents on a download.


« Reply #157 on: September 16, 2010, 16:59 »
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Zeus, I totally get what you are saying about different types of pictures, quality in the eyes of the beholder etc and so on. The microstock pics are too uniform, and the variety of macro is still needed. But honestly, that toilet sign and some of those christmas photos; those are not good. I don't understand how anybody can disagree on that.

« Reply #158 on: September 16, 2010, 17:22 »
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Zeus, I totally get what you are saying about different types of pictures, quality in the eyes of the beholder etc and so on. The microstock pics are too uniform, and the variety of macro is still needed. But honestly, that toilet sign and some of those christmas photos; those are not good. I don't understand how anybody can disagree on that.

Well some of them might be a little bit of a stretch for sure but until you have seen all the sales that Getty has seen you can't say. Honestly, there are some pretty weird images that sell. Too weird to comprehend sometime. Micro images are often very pretty but pretty is not all that is needed. Pretty outsells the weird, no doubt but in a few billion dollar industry that still leaves lots of money for the off beat.  And in macro it doesn't have to sell often to make it worth while. So belittle  all you want to but at your peril or maybe at least loss of opportunity.

ShadySue

  • There is a crack in everything
« Reply #159 on: September 16, 2010, 17:57 »
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Based on your own personal experience? This is what drives me nuts. Why wouldn't you try and pull micro prices up rather than complain macro is overpriced?

Personally, I am all for higher prices, as long as photographers get their fair share. 
But I do think Istock risks chasing buyers away if the quality of the content doesn't measure up to the price being asked. 
Hey, hold on, Lisa.
I'm banking on my rejects getting put into the Agency collection.

« Reply #160 on: September 16, 2010, 18:03 »
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So belittle  all you want to but at your peril or maybe at least loss of opportunity.

This is ironically enough the exact advice that macros needed to heed before micros started destroying them.

« Reply #161 on: September 16, 2010, 18:15 »
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So belittle  all you want to but at your peril or maybe at least loss of opportunity.

This is ironically enough the exact advice that macros needed to heed before micros started destroying them.

Touche, What goes around, comes around.

« Reply #162 on: September 16, 2010, 20:59 »
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So belittle  all you want to but at your peril or maybe at least loss of opportunity.

This is ironically enough the exact advice that macros needed to heed before micros started destroying them.

Touche, What goes around, comes around.

It's never going to come around if they're charging 20x the price for it.

« Reply #163 on: September 16, 2010, 21:05 »
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Hi All,

I'd like to make a few quick comments, and clear up a few misconceptions:

1. I think the quality of microstock has vastly improved over the last few years (since I made the comments I made in the "About the Image" article).  Please don't assume that I would make the same argument today (ah, the Internet!).

2. fStop currently represents 70+ photographers from around the world, and the images aren't mine, nor do I own the company.

and,

3. Somebody wrote, "fStop's site has a pile of really run of the mill, unexciting, easy to produce images for $49 to $435. Old, tired-looking, over priced - and those are the good ones (i.e. not the toilet door)."

Which, if you actually take a good, hard look at our collection, I don't think you'll agreed is accurate.

Here are links to a few recent fStop favorites.  I think they are anything but "run of the mill," "unexciting," or "easy to produce," from my perspective. Of course you are welcome to disagree:

newbielink:http://www.fstopimages.com/highlights/pages/000114002.htm [nonactive]
newbielink:http://www.fstopimages.com/highlights/pages/000001.htm [nonactive]
newbielink:http://www.fstopimages.com/highlights/pages/7319002.htm [nonactive]

I can't think of a single RF collection that is flawless, and it's important to keep in mind that sometimes people need very different kinds of images for very different projects.  Some styles work really well in some cases, but not at all in others.

« Reply #164 on: September 16, 2010, 21:21 »
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Thanks for taking the time to come in here and discuss this with us.  I think you were mainly caught up as a victim in this whole debacle with the rejected images moving through the iStock queue and into your portfolio.  It was stunning to see something like the toilet door photo as a representation of what we were told would be some of the best imagery available.  I know this isn't your fault, and there were many higher quality images that were in your portfolio that were obviously more difficult to come by (lab environments, etc).

Much of the outrage was due to these first samples of the 'Agency' collection being photos many of us would not have even submitted because we knew they would not pass iStock inspection standards.  It was handled poorly by iStock, and you/fStop bore the brunt of the ill will.

The samples you provided here are quite good.  Thank you for showing us some of the work that is more along the lines of what we envisioned when iStock told us we'd be seeing a collection on par with Vetta.

Edit: By the way, the aerial airplane image is my favorite of the three.  Excellent.
« Last Edit: September 16, 2010, 21:25 by dgilder »

SNP

  • Canadian Photographer
« Reply #165 on: September 16, 2010, 21:41 »
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Hi All,

I'd like to make a few quick comments, and clear up a few misconceptions:

1. I think the quality of microstock has vastly improved over the last few years (since I made the comments I made in the "About the Image" article).  Please don't assume that I would make the same argument today (ah, the Internet!).

2. fStop currently represents 70+ photographers from around the world, and the images aren't mine, nor do I own the company.

and,

3. Somebody wrote, "fStop's site has a pile of really run of the mill, unexciting, easy to produce images for $49 to $435. Old, tired-looking, over priced - and those are the good ones (i.e. not the toilet door)."

Which, if you actually take a good, hard look at our collection, I don't think you'll agreed is accurate.

Here are links to a few recent fStop favorites.  I think they are anything but "run of the mill," "unexciting," or "easy to produce," from my perspective. Of course you are welcome to disagree:

http://www.fstopimages.com/highlights/pages/000114002.htm
http://www.fstopimages.com/highlights/pages/000001.htm
http://www.fstopimages.com/highlights/pages/7319002.htm

I can't think of a single RF collection that is flawless, and it's important to keep in mind that sometimes people need very different kinds of images for very different projects.  Some styles work really well in some cases, but not at all in others.


good to know that the Agency Collection will not consist of factory produced images.... ::)

« Reply #166 on: September 16, 2010, 21:45 »
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Well, 'Agency' collection kind of implies it will have content from agencies of more than one person.

Not my problem though, in a couple more weeks I don't have to deal with iStock anymore.

Hey, maybe I should talk to Derick about submitting to fStop... ;)

« Reply #167 on: September 16, 2010, 21:53 »
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dgilder wrote: "By the way, the aerial airplane image is my favorite of the three.  Excellent."

Yeah, Stephan Zirwes is one of my favorite fStop photographers - he shoots almost exclusively from helicopters, and it's always exciting when he submits new images:

newbielink:http://www.fstopimages.com/collections/showcoll.php?id=617 [nonactive]

BTW: I know our site sucks for casual viewing - we'd always been more of a production/curation company than a direct-sales company.

« Reply #168 on: September 16, 2010, 22:38 »
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It's never going to come around if they're charging 20x the price for it.

Do you believe this because they will be selling the images next to ones that cost less or that 20x the going rate at micro is too much to ask someone to pay?

« Reply #169 on: September 17, 2010, 00:11 »
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Those are good images (much better than the toilet door) but compared to stuff we have in our vetta collection they won't make the cut... take a look for example at some dogs -

http://www.istockphoto.com/stock-photo-9967483-cocker-spaniel.php
http://www.istockphoto.com/stock-photo-6695621-dog.php
http://www.istockphoto.com/stock-photo-1654313-close-up-of-boston-terrier-dog-lying-on-couch.php

Can you justify why the agency dog costs 5x more than the vetta dogs?

SNP

  • Canadian Photographer
« Reply #170 on: September 17, 2010, 00:43 »
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^ there isn't a valid justification. higher prices are fine when it is justified, but slapping higher prices on substandard to avergae files to dupe buyers and increase profits...no thanks.

Microbius

« Reply #171 on: September 17, 2010, 03:20 »
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Those are good images (much better than the toilet door) but compared to stuff we have in our vetta collection they won't make the cut... take a look for example at some dogs -

http://www.istockphoto.com/stock-photo-9967483-cocker-spaniel.php
http://www.istockphoto.com/stock-photo-6695621-dog.php
http://www.istockphoto.com/stock-photo-1654313-close-up-of-boston-terrier-dog-lying-on-couch.php

Can you justify why the agency dog costs 5x more than the vetta dogs?


If you look at IStock in isolation the justification is obvious, there is a pretty consistent samey Vetta look, if you want something different you have to pay more for it. The dog image from fstop is just as good, it just doesn't conform to IStocks particular "look". It looks more natural.
If you look at the market as a whole, there isn't a justification. Buyers who want something different should just go elsewhere and pay less.
So I guess maybe buyers not knowing any better? inertia?

« Reply #172 on: September 17, 2010, 04:40 »
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1. I think the quality of microstock has vastly improved over the last few years (since I made the comments I made in the "About the Image" article).  Please don't assume that I would make the same argument today (ah, the Internet!).
Thanks very much for stopping by Derick and also for 'clarifying' your thoughts on microstock today. Must admit I did find your 2007 statement infuriating __ especially in relation to the Agency images sent to Istock!

In the spirit of co-operation and solidarity are you able to enlighten us as to what commissions your agency will be paid on sales at Istock? Also, in your understanding, how does the 'exclusive' bit apply if they are also being sold elsewhere? Feel free to PM me if you'd prefer not to go public with this info.

As you are probably aware this battle with Istock began with them attempting to bully contributors into enforced reductions in commissions __ down to as little as 15% for non-exclusive contributors. The more information we can share amongst ourselves the stronger the hand we have. Cheers.

« Reply #173 on: September 17, 2010, 06:14 »
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Sorry but i cant find any agency image on istock, and the ones linked here are no longer there.

EDITED TO ADD THIS:
searching on the istock foru,m i saw this posted by an admin.

1. Apologies for this maelstrom.

2. At this very moment & due to a technical glitch, both accepted and rejected files are showing up as active files in Agency.

3. Until this glitch is addressed and fixed, all ingestion into Agency has been paused.

Thank you so very much for your understanding.

Guess that images shown here as crapy actually were rejected files??
« Last Edit: September 17, 2010, 06:25 by arquiplay77 »

« Reply #174 on: September 17, 2010, 06:45 »
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^^^Probably but there have been so many mistakes made recently, you would hope they would get this right.


 

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