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Author Topic: iStock has got so bad I now owe THEM money  (Read 18385 times)

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« on: September 29, 2014, 14:39 »
+18
I can't believe this day has come, but sales are so low for me that I now owe iStock money.

I've gone from $3000 dollars a week to $0 but I'm not allowed to discuss it on the iStock site.

Please excuse me whilst I tear my hair out in public here instead.

This is either the work of a genius at iStock to completely kill off all sales for Exclusives or the worst thought through plan ever. I can't decide which.


Mark Windom Photography

« Reply #1 on: September 29, 2014, 14:56 »
+2
$3,000/week to zero?  Consistently? 

You've got a great looking portfolio....there are some alternatives out there, one in particular, that you may want to give a try....

« Reply #2 on: September 29, 2014, 15:07 »
+9
.....
This is either the work of a genius at iStock to completely kill off all sales for Exclusives or the worst thought through plan ever. I can't decide which.

I doubt there are that many geniuses at iStock... or maybe their genius lies in double-think and marketing-speak
which probably tends to the second option...

For my part, I fail to see the logic of endangering ANY revenue stream (first XS, then S what next?) ... I just wonder how the apologists for the new system justified this?  {maybe some crap like 'we dont need bottom-feeding bloggers, lets concentrate on leveraging multiple sales of 'real' image-buyers' or some such drivel} . 

What especially galls me is the tripe that gets spouted by the iStock staff in the forums - e.g. 'buyers will continue to download the image size that is appropriate for their needs' - This condescending and erroneous twaddle just displays a contempt for the intelligence and experience f the contributors...

Back on track - I think you do an injustice to the iStock geniuses, when you say it is the 'worst thought through' plan ever - do you really think they cant come up with something worse?  History would indicate otherwise ...

And please do retain some hair - it may be a cold winter...

« Reply #3 on: September 29, 2014, 15:18 »
0
$3000 a week to $0? Are you sure there isn't some kind of reporting glitch with your account? That just doesn't seem right, even with all their stupidity.

« Reply #4 on: September 29, 2014, 15:20 »
0
$3000 a week to $0? Are you sure there isn't some kind of reporting glitch with your account? That just doesn't seem right, even with all their stupidity.
I agree, open a support ticket.  I've never had a $3000 week (well maybe if you counted GI sales) but I've had a decent number of downloads the last week.  Much more than 0 that's for sure.

« Reply #5 on: September 29, 2014, 15:45 »
+1
I mean over a period of time, not instantly. Though it feels a bit like it.

« Reply #6 on: September 29, 2014, 15:54 »
0
I can't believe this day has come, but sales are so low for me that I now owe iStock money.

I've gone from $3000 dollars a week to $0 but I'm not allowed to discuss it on the iStock site.

Please excuse me whilst I tear my hair out in public here instead.

This is either the work of a genius at iStock to completely kill off all sales for Exclusives or the worst thought through plan ever. I can't decide which.


So in the heyday you made $3k a week and given a period of time (years) you make peanuts a week. Is that what you are saying?  :o :o

« Reply #7 on: September 29, 2014, 16:20 »
+1
I can't believe this day has come, but sales are so low for me that I now owe iStock money.

I've gone from $3000 dollars a week to $0 but I'm not allowed to discuss it on the iStock site.

Please excuse me whilst I tear my hair out in public here instead.

This is either the work of a genius at iStock to completely kill off all sales for Exclusives or the worst thought through plan ever. I can't decide which.

So in the heyday you made $3k a week and given a period of time (years) you make peanuts a week. Is that what you are saying?  :o :o

Yes.

I realise that was slightly unique because of the time and growth of the industry, but you'd think I'd still make enough now given I work continuously to earn enough to pay off refunds.

Downloads have gone from 150+ a day to just a handful or less.

Presumably those Exclusives still reporting good sales are people photographers where the saturation level has not quite drowned them because of the higher demand.

« Reply #8 on: September 29, 2014, 16:23 »
+7
Try to stay positive, at least now you can drop exclusivity without any second thoughts.  I'm sure a lot of your images would make it onto Stocksy if you choose that route.  Whatever you decide, good luck.

« Reply #9 on: September 29, 2014, 16:26 »
+11
So what are you planning to do?

I spent 3 years as an exclusive and decided that the Sept. 2010 changes were not sustainable for me, as an exclusive, and reverted to independence. Since then a number of exclusives have "talked" with me about the issues of leaving exclusivity and many had such large golden handcuffs that they felt they couldn't walk away.

Of late, even some who were still hanging on in the hope that something would turn around are beginning finally to take steps to leave. It's a truly wretched situation, but I honestly don't know why anyone would still believe that things will turn around in the short run.

Which leaves exclusives with two unpleasant alternatives - stay and accept whatever comes or do the work to get established on other sites as an independent. I guess a third would be to leave microstock completely.

You have a large proven portfolio that will sell wherever you choose to make it available. Perhaps we need a half way house for recovering exclusives? :)

I don't mean to make light of the decision to drop the crown, but what's holding you back?

« Reply #10 on: September 29, 2014, 16:41 »
0
I'm going climbing in the Himalayas for a month next week so I'll try to ignore the coming calamity until I get back.

Lobo's promised to drop by later to join in the conversation.

stock-will-eat-itself

« Reply #11 on: September 29, 2014, 16:47 »
+1
For f$%%ks sake what are they doing?

With your port of 10k images you should make between $6k-$7k on SS alone, you could add another 30% by adding Dreamstime, 123RF and Fotolia (ignore the rest).

All is not lost, you'll be fine.

Chuck in 1000+ into Stocksy for good measure :-)

« Reply #12 on: September 29, 2014, 16:51 »
+6
I'm going climbing in the Himalayas for a month next week so I'll try to ignore the coming calamity until I get back.

Lobo's promised to drop by later to join in the conversation.

If it's any consolation, which I'm sure it won't be, the losses that Istock themselves are experiencing will be at least 50% more than yours. Their financials over the last couple of years must be absolutely horrendous.

« Reply #13 on: September 29, 2014, 16:56 »
+9
For clarity, as it's been intimated to me that I am misrepresenting my dilemma in my current hysteria, I am now on +$7, so I have made more than 0 this week.

« Reply #14 on: September 29, 2014, 17:50 »
0
upload to ss, you will earn 5k$ with 10000 images per mounth

« Reply #15 on: September 29, 2014, 17:51 »
+3
Curiously, I never made as much as that and I've never made as little (well, excluding April 2004, but that hardly counts).
You seem to be a victim of the "eggs in one basket" problem, highlighted long ago by those of us who sacrificed the benefits of exclusivity for the sake of not being beholden to a single managment. And if that sounds like schadenfreud, well, I guess it is.

« Reply #16 on: September 29, 2014, 18:31 »
+7
I'm going climbing in the Himalayas for a month next week so I'll try to ignore the coming calamity until I get back.

Lobo's promised to drop by later to join in the conversation.

Have a great time - I'm sure the calamity will be waiting for you upon your return :)

FWIW, $7 or $0 are statistically equal when comparing to your prior income to today, so I assume it's some attempt to mute the impact of a major, long-term contributor talking about woes.

« Reply #17 on: September 29, 2014, 18:37 »
+2
I've had a similar experience although I'm not down to $0 but I'm heading that way fast.

Maybe the programmers accidentally put in a little bit of code (glitch) that says not to display your images upfront.

« Reply #18 on: September 29, 2014, 18:53 »
+2
I think you only make these kind of dramatic moves when things are really bad. This move to top and tail the whole collection will drive the lower end market elsewhere. I suspect to make such a dramatic move means something is really wrong inside istock HQ.
« Last Edit: September 29, 2014, 21:07 by goober »

« Reply #19 on: September 29, 2014, 19:09 »
+4
It is a difficult decision. I hope you find the peace you seek in the mountains.

I just wanted to remind you, that if you are considering stocksy as one of the agencies you are interested in, their deadline for applications ends on October1st. You dont lose anything by applying, they anyway seem to take quite a while to get back to people.

Otherwise, the next application date is some time next year, perhaps April, like this year.

It would be great if istock could turn things around, but their track record of the last years is just against them. And this time they managed to upset many customers as well.

I dont know how much you can earn as an indie, but to work with several agencies and not be so dependent on whatever goes on at just istock has given me great peace of mind. The other agencies are all not perfect and they all have their own dramas and issues. But it is unlikely they will all upset you on the same day.

For peace of mind going indie was the best decision for me.

And you can still send exclusive images to Getty if you want. Or any of the other agencies that offer exclusive images.


Mark Windom Photography

« Reply #20 on: September 29, 2014, 19:46 »
+8
For peace of mind going indie was the best decision for me.

And for me.

« Reply #21 on: September 29, 2014, 22:59 »
+9
upload to ss, you will earn 5k$ with 10000 images per mounth

I doubt that most people with 10k images are making 5k/month on SS, or 6-7k, as said by stock-will-eat-itself.  Maybe there are a few, but can anyone back that up?   

I have over 5k images there and do well but hardly ever 3k/month even in better years. 

People are making life decisions.  They need realistic numbers. 
« Last Edit: September 29, 2014, 23:02 by PixelBytes »

« Reply #22 on: September 30, 2014, 00:29 »
+6
upload to ss, you will earn 5k$ with 10000 images per mounth

I doubt that most people with 10k images are making 5k/month on SS, or 6-7k, as said by stock-will-eat-itself.  Maybe there are a few, but can anyone back that up?   

I have over 5k images there and do well but hardly ever 3k/month even in better years. 

People are making life decisions.  They need realistic numbers.


Finally one "normal" post with realistic numbers.
 

« Reply #23 on: September 30, 2014, 06:25 »
0
upload to ss, you will earn 5k$ with 10000 images per mounth

I doubt that most people with 10k images are making 5k/month on SS, or 6-7k, as said by stock-will-eat-itself.  Maybe there are a few, but can anyone back that up?   

I have over 5k images there and do well but hardly ever 3k/month even in better years. 

People are making life decisions.  They need realistic numbers. 

I don't feel Cesar's numbers are too far off.  They also agree with yours

he said 10K images for $5K or 50 cents/image online
You said 5k images for hardly ever over $3K (or 2.5K) which is also 50 cents/image online.

Perhaps you were arguing that you can't scale up from 5K images to 10K images and expect the same $/image.. but I think you can.

« Reply #24 on: September 30, 2014, 08:53 »
0
upload to ss, you will earn 5k$ with 10000 images per mounth

I doubt that most people with 10k images are making 5k/month on SS, or 6-7k, as said by stock-will-eat-itself.  Maybe there are a few, but can anyone back that up?   

I have over 5k images there and do well but hardly ever 3k/month even in better years. 

People are making life decisions.  They need realistic numbers. 

I don't feel Cesar's numbers are too far off.  They also agree with yours

he said 10K images for $5K or 50 cents/image online
You said 5k images for hardly ever over $3K (or 2.5K) which is also 50 cents/image online.

Perhaps you were arguing that you can't scale up from 5K images to 10K images and expect the same $/image.. but I think you can.
The average image on SS sells about .28 times per month (probably slightly less the next time the numbers are updated, collection size is growing faster than sales).  So an average portfolio of 10,000 images would have 2,800 sales in a month.  I think average RPD for people at the highest level is around 75 cents.  That comes to around $2,100 per month.

« Reply #25 on: September 30, 2014, 09:37 »
+3
upload to ss, you will earn 5k$ with 10000 images per mounth

I doubt that most people with 10k images are making 5k/month on SS, or 6-7k, as said by stock-will-eat-itself.  Maybe there are a few, but can anyone back that up?   

I have over 5k images there and do well but hardly ever 3k/month even in better years. 

People are making life decisions.  They need realistic numbers. 

I don't feel Cesar's numbers are too far off.  They also agree with yours

he said 10K images for $5K or 50 cents/image online
You said 5k images for hardly ever over $3K (or 2.5K) which is also 50 cents/image online.

Perhaps you were arguing that you can't scale up from 5K images to 10K images and expect the same $/image.. but I think you can.
The average image on SS sells about .28 times per month (probably slightly less the next time the numbers are updated, collection size is growing faster than sales).  So an average portfolio of 10,000 images would have 2,800 sales in a month.  I think average RPD for people at the highest level is around 75 cents.  That comes to around $2,100 per month.

I'd agree with your maths however Fotovoyager is significantly better than an 'average' contributor. Based on our relative sales at IS I'd expect his portfolio to generate about $3K per month at SS (once the highest level has been attained) and maybe another $2K per month at IS (as an independent), DT and FT together.

« Reply #26 on: September 30, 2014, 09:48 »
+1
Your Shutterstock RPD estimate is way off. Mine (and I'm just average but paid at the highest level) is in the .90 to $1 range

« Reply #27 on: September 30, 2014, 09:49 »
+4
Your Shutterstock RPD estimate is way off. Mine (and I'm just average but paid at the highest level) is in the .90 to $1 range
That's higher than anyone else I've seen report on here.  Gostwyck didn't even argue with that RPD.  From SS the average RPD is reported at 70 cents.

« Reply #28 on: September 30, 2014, 09:55 »
+5
Your Shutterstock RPD estimate is way off. Mine (and I'm just average but paid at the highest level) is in the .90 to $1 range
That's higher than anyone else I've seen report on here.  Gostwyck didn't even argue with that RPD.  From SS the average RPD is reported at 70 cents.

My RPD is at 70c this month with fairly good volume and earnings. It's not something I monitor regularly but I don't think I have ever known RPD to go much higher than 80c.

« Reply #29 on: September 30, 2014, 09:55 »
+4
Mine is $.84 this month.

stocked

« Reply #30 on: September 30, 2014, 09:59 »
+2
My RPD for September is 0.80 and my all-time RPD (10 years) is 0.57

« Reply #31 on: September 30, 2014, 10:13 »
+5
If i calculated an all-time RPD it would start in 2004 with subs at 20 cents each, which wouldn't really help anyone uploading today figure out what to expect.

This month (the day's not over yet, but...) my RPD is $1.00077; last month it was 96 cents.

YMMV

« Reply #32 on: September 30, 2014, 10:28 »
0
i have about triple amount what you wrote.

i think i am average contributor, but i shoot only useful stuff, every photo have some sort of story


u were arguing that you can't scale up from 5K images to 10K images and expect the same $/image.. but I think you can.
The average image on SS sells about .28 times per month (probably slightly less the next time the numbers are updated, collection size is growing faster than sales).  So an average portfolio of 10,000 images would have 2,800 sales in a month.  I think average RPD for people at the highest level is around 75 cents.  That comes to around $2,100 per month.
[/quote]

« Reply #33 on: September 30, 2014, 10:46 »
0
i have about triple amount what you wrote.

i think i am average contributor, but i shoot only useful stuff, every photo have some sort of story


u were arguing that you can't scale up from 5K images to 10K images and expect the same $/image.. but I think you can.
The average image on SS sells about .28 times per month (probably slightly less the next time the numbers are updated, collection size is growing faster than sales).  So an average portfolio of 10,000 images would have 2,800 sales in a month.  I think average RPD for people at the highest level is around 75 cents.  That comes to around $2,100 per month.
[/quote]
Congrats.  The numbers I posted are for the average based on what SS reports, if you're making 3x that per image then you are doing 3x the average.
If i calculated an all-time RPD it would start in 2004 with subs at 20 cents each, which wouldn't really help anyone uploading today figure out what to expect.

This month (the day's not over yet, but...) my RPD is $1.00077; last month it was 96 cents.

YMMV
I'm talking about average RPD as of last quarter at SS.  According to what SS has released the average RPD is about 70 cents, it will be higher for some and lower for others.  I used 75 cents because that seems to be around what most long time contributors have said, maybe that should be revised up to around 80 or 85 cents so for contributors who have reached the highest level maybe you could add 10% to my monthly average numbers or for 10,000 images $2,380 would be a better guess for the average.  Not many people here are going to give their exact earnings so using the numbers SS provides, which are real, I think people get a better idea of what is reasonable to expect.

stocked

« Reply #34 on: September 30, 2014, 10:53 »
0
RPI is probably more important than RPD if you think about dropping exclusivity, the RPI for a given portfolio is pretty hard to forecast!
(with RPI I mean RPIO royalty-per-image-online)

« Reply #35 on: September 30, 2014, 10:56 »
+1
RPI is probably more important than RPD if you think about dropping exclusivity, the RPI for a given portfolio is pretty hard to forecast!
Yep hard to forecast for an individual but the average across all files and contributors is .28 dls/image at 70 cents RPD or a little less than 20 cents per file per month.

« Reply #36 on: September 30, 2014, 11:09 »
+2
RPI is probably more important than RPD if you think about dropping exclusivity, the RPI for a given portfolio is pretty hard to forecast!
(with RPI I mean RPIO royalty-per-image-online)

This is the metric I would use to judge performance too.

People whose work I know and who oeuvre is similar to mine tell me $0.60+/image/month is about right for SS.

« Reply #37 on: September 30, 2014, 11:25 »
-1
upload to ss, you will earn 5k$ with 10000 images per mounth

I doubt that most people with 10k images are making 5k/month on SS, or 6-7k, as said by stock-will-eat-itself.  Maybe there are a few, but can anyone back that up?   

I have over 5k images there and do well but hardly ever 3k/month even in better years. 

People are making life decisions.  They need realistic numbers. 

I don't feel Cesar's numbers are too far off.  They also agree with yours

he said 10K images for $5K or 50 cents/image online
You said 5k images for hardly ever over $3K (or 2.5K) which is also 50 cents/image online.

Perhaps you were arguing that you can't scale up from 5K images to 10K images and expect the same $/image.. but I think you can.

No, I am saying I DON'T make that or anywhere near that, bur RARELY  in much better years.  Threr was a short time couple years ago when i had ELs almost every day for couple of months.  That is the only way a photog is gonna see numbers like that.  Those numbers are not reachable today even with good ports except maybe very rarely.  Gostwyck's estimate of $3k per mo. For 10k  good images sounds closer to the mark.

Of course I am speaking as a photog, not video or illustration. 
« Last Edit: September 30, 2014, 11:32 by PixelBytes »

« Reply #38 on: September 30, 2014, 13:37 »
0
RPI is probably more important than RPD if you think about dropping exclusivity, the RPI for a given portfolio is pretty hard to forecast!
(with RPI I mean RPIO royalty-per-image-online)

This is the metric I would use to judge performance too.

People whose work I know and who oeuvre is similar to mine tell me $0.60+/image/month is about right for SS.

Yes, this is right, but I think only if you have a port full of high commercial value stuff.

« Last Edit: September 30, 2014, 13:42 by stockmarketer »

« Reply #39 on: September 30, 2014, 13:49 »
+5

The whole RPI/RPD discussion is fine and all, but in the context of this discussion, it's kind of pointless, no? The OP is making almost nothing as an iStock exclusive. It doesn't matter what the average RPD at SS is, it's still better than nothing.

« Reply #40 on: September 30, 2014, 14:07 »
+1

The whole RPI/RPD discussion is fine and all, but in the context of this discussion, it's kind of pointless, no? The OP is making almost nothing as an iStock exclusive. It doesn't matter what the average RPD at SS is, it's still better than nothing.

Sure, but I think what's in debate is HOW MUCH he might make by ditching the crown and uploading his port to SS.  And RPI is the tool you need to figure that. 

Telling him anything is better than nothing isn't quite as powerful as telling him he should make around $6,000 a month at SS ($.60 RPI x 10,000 pics) PLUS another $6,000 per month on all the other sites combined. 

That's IF his port is high commercial value, and judging by what he was earning at IS before they imploded, it sounds like that's the case.

« Reply #41 on: September 30, 2014, 14:14 »
+4
What happened to Lobo? I thought he was going to grace us with his presence in this discussion..?

stock-will-eat-itself

« Reply #42 on: September 30, 2014, 14:40 »
0
What happened to Lobo? I thought he was going to grace us with his presence in this discussion..?

What could he say?
We can all see what's going on with our own download numbers.

Shelma1

  • stockcoalition.org
« Reply #43 on: September 30, 2014, 14:58 »
+2
If he's making nothing at iS he's bound to earn more at SS, and probably in the multiples of thousands of $, so what's there to lose by dropping the crown?

« Reply #44 on: September 30, 2014, 15:02 »
0
If he's making nothing at iS he's bound to earn more at SS, and probably in the multiples of thousands of $, so what's there to lose by dropping the crown?
I'm going to go out on a limb and say that since he thinks he can make about $6,000 per month on SS alone but he's still exclusive at iStock then he's doing better than that.  Just a guess.

« Reply #45 on: September 30, 2014, 15:20 »
+4
I'm also an iStock exclusive. The sales keep disappearing. I'd like to hear more about what other people's RPI is at Shutterstock. I'm about 50% down on revenue from my high a few years ago. So not quite as bad as fotoVoyager. Though it has meant that I've had to cut back on production costs quite drastically, otherwise I'd be making zero profit. It does help that some of my stuff is mirrored over to Gettyimages, so the income from there is a bit of a shock absorbent from the fall in iStock sales. 

Obviously iStock reads this forum. So dear iStock, I'd like you to either mirror more exclusive content to both Gettyimages and Thinkstock. I don't care who buys my images at this point, or what they pay for it. I just want the decline in overall income to stop.

« Reply #46 on: September 30, 2014, 16:10 »
+2
I've thought for a few years now that getty is trying to get people to leave so they can go back to their "in-house" contributors.

« Reply #47 on: September 30, 2014, 16:58 »
+11
If he's making nothing at iS he's bound to earn more at SS, and probably in the multiples of thousands of $, so what's there to lose by dropping the crown?
I'm going to go out on a limb and say that since he thinks he can make about $6,000 per month on SS alone but he's still exclusive at iStock then he's doing better than that.  Just a guess.

I think the 60c per image/month expectation, at SS alone, is wildly optimistic for a portfolio composed mainly of travel images. Try 30c instead.

Also, moving to become an independent contributor is not an instantaneous process. It represents a huge amount of work, considerable risk (a leap of faith into the dark) and several months with a massively reduced income. Thousands of images have to be uploaded, key-worded differently and reviewed to several different agencies most of whom the ex-exclusive contributor has little or no previous experience of. Then the images have to be noticed by buyers and slowly move up the default sort-orders and/or the various contributor or image levels.

With a portfolio of 10K images it probably represents 6-12 months of hard graft, reduced income and uncertainty before any sort of stability is attained. When you have a family to support as well, as I know the OP does, then it is no easy decision to make.

By the sound of it though, the time has probably come. Good luck.

stock-will-eat-itself

« Reply #48 on: September 30, 2014, 17:19 »
+3
There is no easy answer for exclusives looking for a life raft.

But as a rule of thumb I'd say if your earnings dip to 50c per image per month, you'd be better off as an indy. That's with a commercial portfolio thats had some investment poured into it.

iS are treading a thin line with their top exclusives, if their RPI per month drops too much there will be no choice but to drop the crown which will strengthen SS no end.

« Reply #49 on: September 30, 2014, 18:03 »
+3
There is no easy answer for exclusives looking for a life raft.

But as a rule of thumb I'd say if your earnings dip to 50c per image per month, you'd be better off as an indy. That's with a commercial portfolio thats had some investment poured into it.

Yep __ I'd say you're assessment is spot-on for most better-than-average contributors.

stocked

« Reply #50 on: October 01, 2014, 09:04 »
+3
I doubt you can make 60c per image per month at SS in the first two years if you start today, I actually doubt you can reach an RPI of 60c at all if you start today the days where new stuff at SS was promoted are mostly gone it's more likely your submissions get drowned by the 300.000 weekly new images!

« Reply #51 on: October 01, 2014, 09:08 »
+5
I'm around there, currently.  I had hoped for better.

« Reply #52 on: October 01, 2014, 09:54 »
0
I'm around there, currently.  I had hoped for better.

$0.60 per image per month? Just clarifying.

« Reply #53 on: October 01, 2014, 10:00 »
+2
I'm around there, currently.  I had hoped for better.

*results not typical

Dook

« Reply #54 on: October 01, 2014, 10:43 »
0
.

« Reply #55 on: October 05, 2014, 15:03 »
+7
All these RPI comparisons are completely useless for the OP.
I assume an IS-exclusive dropping exclusivity would want to upload their portfolio in a reasonably short period of time. It would make sense. And this is the problem. Their files would compete with one another. The download numbers would be divided by all the images of one subject and as a result none of the images would take off. Most of the images would be soon burried in the endless gazillions of SS images.

The trick at SS is getting to the first page, preferably to the top of the first page. Yes, it's true for most agencies, but not to the same extent as at SS.

It's much easier to achieve good results at SS when you slowly feed them and don't compete with your own images. See if one image of a subject takes off. If yes, then don't compete with it, let it accumulate download numbers and establish itself high in the search results.

If you upload hundreds or thousands images in a short period of time that is one great way to fail at SS.

IMHO the last good moment to join SS was around 2011 or 2012.
My RPI used to be around $1, now it is lower.

It used to be fairly easy to reach the first page, now it's no longer the case with over 300.000 images added every week.
Do the OP a favor and don't compare established ports with portfolios of newcomers to SS, no matter how good they are.
« Last Edit: October 05, 2014, 15:51 by Realist »

Hobostocker

    This user is banned.
« Reply #56 on: October 07, 2014, 02:04 »
0
Please excuse me whilst I tear my hair out in public here instead.

if all else fails dump your portfolio on Alamy and see what sticks.

jokes apart, you've a great port, can't believe it's selling peanuts !
i'm sure you can do well in any RM agency and of course on SS.


Hobostocker

    This user is banned.
« Reply #57 on: October 07, 2014, 02:10 »
0

The whole RPI/RPD discussion is fine and all, but in the context of this discussion, it's kind of pointless, no? The OP is making almost nothing as an iStock exclusive. It doesn't matter what the average RPD at SS is, it's still better than nothing.

actually it's the RPD being pointless if you don't make any donwloads ...

the RPI is just a generic catch-all performance indicator.

in this case i think he's getting a raw deal because there's an incredible oversupply of travel images now.
either that or IS is particularly bad for Travel.

the only way to know is to upload in other agencies and see the difference.


Uncle Pete

« Reply #58 on: October 08, 2014, 09:44 »
+1
Most statistics are useless if read wrong and applied improperly. RPD tells us, how much we will get paid WHEN a file is downloaded. It has nothing to do with overall performance of the agency or expected monthly income. It's just what they pay.

Good example would be, comparing RPD for DP vs 123RF or DP vs SS or DP vs IS. But a poor use would be, looking at SS vs Alamy.  ???

RPI only measures one persons results and their content is nothing like anyone else, in most cases. You pointed out Travel, someone else might do food, another Girls on the Beach, me photos of sexy cars. (had to add that one) How can I compare my RPI to someone who shoots models in a studio? It's worlds apart.

Asking to transfer someone else's RPI into some indication of ones own preformance is like asking, "How many photos do I need to make $1000 a month."

The answer to all of these is What are the photos? not how many, not RPD and not RPI.



actually it's the RPD being pointless if you don't make any donwloads ...

the RPI is just a generic catch-all performance indicator.

in this case i think he's getting a raw deal because there's an incredible oversupply of travel images now.
either that or IS is particularly bad for Travel.

the only way to know is to upload in other agencies and see the difference.

Hobostocker

    This user is banned.
« Reply #59 on: October 08, 2014, 22:56 »
0

The answer to all of these is What are the photos? not how many, not RPD and not RPI.


exactly.

i never see discussions about specific categories of images, like lifestyle, business, travel.

travel is just not selling much compared to business or conceptual.
how much less ? we don't know ... it could be even 10 times less, especially for travel images of places and locations that are not much in demand and there's plenty of them.

1000 pics of London will probably outsell 10000 pics of Papua New Guinea and by a long shot !
« Last Edit: October 08, 2014, 23:06 by Hobostocker »

« Reply #60 on: October 09, 2014, 04:24 »
+1

The answer to all of these is What are the photos? not how many, not RPD and not RPI.


exactly.

i never see discussions about specific categories of images, like lifestyle, business, travel.

travel is just not selling much compared to business or conceptual.
how much less ? we don't know ... it could be even 10 times less, especially for travel images of places and locations that are not much in demand and there's plenty of them.

1000 pics of London will probably outsell 10000 pics of Papua New Guinea and by a long shot !

Yeah, but in reality SS has 152,000 pictures of London and fewer than 2,000 (a lot fewer once all the postage stamps and computer-generated flags are discounted) of Papua New Guinea.  So if 200 pictures of London sell for every one of PNG then the return per file will be similar. Some very small and very popular places (e.g. Venice and Oia on Santorini) as so swamped with near identical images of iconic scenes that it is purely pot-luck (or search-placement luck) whether you will ever be able to sell anything from there.

Hobostocker

    This user is banned.
« Reply #61 on: October 09, 2014, 05:33 »
+1
Yeah, but in reality SS has 152,000 pictures of London and fewer than 2,000 (a lot fewer once all the postage stamps and computer-generated flags are discounted) of Papua New Guinea.  So if 200 pictures of London sell for every one of PNG then the return per file will be similar. Some very small and very popular places (e.g. Venice and Oia on Santorini) as so swamped with near identical images of iconic scenes that it is purely pot-luck (or search-placement luck) whether you will ever be able to sell anything from there.

and that's just for SS.
on Alamy there are 15000 photos of Papua, 1.3 millions for London, and 3.5 millions for UK (that's 5% of their whole archive).

i've no magic recipe for the oversaturation in Travel.

ultimately buyers will probably stick with new uploads or a mix of new and old, nobody is going to browse more than 10 pages with 50 thumbnails each, soon the search placement will become the biggest factor even for "long tail" search keywords.



Justanotherphotographer

« Reply #62 on: October 09, 2014, 06:23 »
+1
I wish I had a clue about how bad my IS sales are now. My stats page stopped updating a while ago, just times out. Bunch of clowns.

« Reply #63 on: October 09, 2014, 06:40 »
+2
I wish I had a clue about how bad my IS sales are now. My stats page stopped updating a while ago, just times out. Bunch of clowns.

I'm glad I'm not the only one with time-out troubles. It's getting so bad that it can take more than a day for me to get through to the payment page when I need to (not too often, unfortunately). Of course, all the failed attempts will just increase the congestion on their servers.

« Reply #64 on: October 09, 2014, 06:47 »
+1
and that's just for SS.
on Alamy there are 15000 photos of Papua, 1.3 millions for London, and 3.5 millions for UK

So the ratio of roughly 200 London pics for one Papua pic holds on both Alamy and SS.  I've always felt that "low commercial value" is a bit of a red-herring, because people don't shoot so much of it, so it benefits by having less competition. There are some LCV niches with so little stuff in them that a buyer can easily browse everything there - and if you have the best shot it will pick up most of the sales for that subject.

« Reply #65 on: October 09, 2014, 07:50 »
+1
I'm around there, currently.  I had hoped for better.

*results not typical.

Right. At 31 cents rpi I have my work cut out for me.  This is a significant indicator of how OD's SOD and EL help boost RPI. I don't get a lot of these.

wds

« Reply #66 on: October 09, 2014, 08:30 »
0
All these RPI comparisons are completely useless for the OP.
I assume an IS-exclusive dropping exclusivity would want to upload their portfolio in a reasonably short period of time. It would make sense. And this is the problem. Their files would compete with one another. The download numbers would be divided by all the images of one subject and as a result none of the images would take off. Most of the images would be soon burried in the endless gazillions of SS images.

The trick at SS is getting to the first page, preferably to the top of the first page. Yes, it's true for most agencies, but not to the same extent as at SS.

It's much easier to achieve good results at SS when you slowly feed them and don't compete with your own images. See if one image of a subject takes off. If yes, then don't compete with it, let it accumulate download numbers and establish itself high in the search results.

If you upload hundreds or thousands images in a short period of time that is one great way to fail at SS.

IMHO the last good moment to join SS was around 2011 or 2012.
My RPI used to be around $1, now it is lower.

It used to be fairly easy to reach the first page, now it's no longer the case with over 300.000 images added every week.
Do the OP a favor and don't compare established ports with portfolios of newcomers to SS, no matter how good they are.

Help me understand this (I am not trying to be facetious, I am seriously trying to understand). I have heard about the recommendations to "slowly feed them" so your files do not "compete with one another".
But, aren't your files competing with all the "300,000 images added every week" (not to mention the entire SS portfolio) anyway?
Isn't that a far more dominating factor than the relative handful of images if one was to upload their entire portfolio within a few weeks?

The only way it would seem to make sense to slowly upload is if SS was playing games within a given contributors portfolio based on its size and upload rate.

What am I missing?

« Reply #67 on: October 09, 2014, 10:02 »
+6
I think the point is that slow feeding may result in a steady appearance of your files at the top of the search before they disappear as they age. As a result, people may see one of your files and then be encouraged to look at others in your portfolio. If everything arrives in a single block they will all move down the search together and disappear together, so you lose the benefit of having at least something in an early search page.

Shelma1

  • stockcoalition.org
« Reply #68 on: October 09, 2014, 12:42 »
+3
I though I read somewhere that a couple of former iS exclusives had uploaded all at once and their files went nowhere. Better to do it slowly, have fresh files each week as BT has pointed out, and gather followers along the way so your new files get noticed (do followers actually get notified of new files?).
« Last Edit: October 09, 2014, 12:48 by Shelma1 »

wds

« Reply #69 on: October 09, 2014, 14:09 »
0
Still strikes me as "folklore". Without any kind of real guidelines, maybe it makes sense to upload a few thousand files over say a few months as  a compromise or safeguard.

Hobostocker

    This user is banned.
« Reply #70 on: October 09, 2014, 17:54 »
+1
and that's just for SS.
on Alamy there are 15000 photos of Papua, 1.3 millions for London, and 3.5 millions for UK

So the ratio of roughly 200 London pics for one Papua pic holds on both Alamy and SS.  I've always felt that "low commercial value" is a bit of a red-herring, because people don't shoot so much of it, so it benefits by having less competition. There are some LCV niches with so little stuff in them that a buyer can easily browse everything there - and if you have the best shot it will pick up most of the sales for that subject.

sure, but Papua is too expensive, you won't recoup the production costs and you'll probably catch malaria.

there must be little demand for it and yes, low commercial value.



Dook

« Reply #71 on: October 09, 2014, 18:16 »
+1
All these RPI comparisons are completely useless for the OP.
I assume an IS-exclusive dropping exclusivity would want to upload their portfolio in a reasonably short period of time. It would make sense. And this is the problem. Their files would compete with one another. The download numbers would be divided by all the images of one subject and as a result none of the images would take off. Most of the images would be soon burried in the endless gazillions of SS images.

The trick at SS is getting to the first page, preferably to the top of the first page. Yes, it's true for most agencies, but not to the same extent as at SS.

It's much easier to achieve good results at SS when you slowly feed them and don't compete with your own images. See if one image of a subject takes off. If yes, then don't compete with it, let it accumulate download numbers and establish itself high in the search results.

If you upload hundreds or thousands images in a short period of time that is one great way to fail at SS.

IMHO the last good moment to join SS was around 2011 or 2012.
My RPI used to be around $1, now it is lower.

It used to be fairly easy to reach the first page, now it's no longer the case with over 300.000 images added every week.
Do the OP a favor and don't compare established ports with portfolios of newcomers to SS, no matter how good they are.

Help me understand this (I am not trying to be facetious, I am seriously trying to understand). I have heard about the recommendations to "slowly feed them" so your files do not "compete with one another".
But, aren't your files competing with all the "300,000 images added every week" (not to mention the entire SS portfolio) anyway?
Isn't that a far more dominating factor than the relative handful of images if one was to upload their entire portfolio within a few weeks?

The only way it would seem to make sense to slowly upload is if SS was playing games within a given contributors portfolio based on its size and upload rate.

What am I missing?

Look, everyone here is just guessing. If you upload at once, your portfolio will be pushed down. The best pictures will survive (the best pictures will survive in any scenario). If you upload slowly, you lose money buy keeping your pictures on hard disc and not selling them. So, no perfect solution here.

Hobostocker

    This user is banned.
« Reply #72 on: October 09, 2014, 22:15 »
+1
The best pictures will survive (the best pictures will survive in any scenario).

as long as there is demand for it, and that's the point.

for Travel so many destinations just don't sell, no matter if the pics are beautiful, you can have 10000 great travel images and sell zero, and nobody now is going in places like somalia, sudan, lybia, sirya, ukraine, yemen, pakistan, afghanistan, iraq, etc

moreover i see a LOT of newspapers using travel images from AP/AFP/Reuters, often they're terrible snapshots but they cost nothing to them as they've subscriptions with the wire agencies.


Uncle Pete

« Reply #73 on: October 10, 2014, 21:31 »
+2
I considered a working vacation, someplace different that could fill a hole and make money. Including writing much of it off as business. Then I looked:

Easter Island Stock Photos, Illustrations, and Vector Art (2,482) - IS 1,844 - Alamy 8,913.

Probably double what the demand is and they are very well done, creative, nice images. What would set mine apart?

Why spend thousands of dollars and ten days, for what?

I might as well take weekends locally and get things that aren't over covered.


and that's just for SS.
on Alamy there are 15000 photos of Papua, 1.3 millions for London, and 3.5 millions for UK

So the ratio of roughly 200 London pics for one Papua pic holds on both Alamy and SS.  I've always felt that "low commercial value" is a bit of a red-herring, because people don't shoot so much of it, so it benefits by having less competition. There are some LCV niches with so little stuff in them that a buyer can easily browse everything there - and if you have the best shot it will pick up most of the sales for that subject.

sure, but Papua is too expensive, you won't recoup the production costs and you'll probably catch malaria.

there must be little demand for it and yes, low commercial value.

« Reply #74 on: October 10, 2014, 22:23 »
+4
I considered a working vacation, someplace different that could fill a hole and make money. Including writing much of it off as business. Then I looked:

Easter Island Stock Photos, Illustrations, and Vector Art (2,482) - IS 1,844 - Alamy 8,913.

Probably double what the demand is and they are very well done, creative, nice images. What would set mine apart?

Why spend thousands of dollars and ten days, for what?

I might as well take weekends locally and get things that aren't over covered.


If your going on holiday to a nice place anyway, then taking stock photos is a good way to write off taxes.  But not worth the expense to go just for stock. 


 

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