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Author Topic: Best noise reduction program  (Read 14373 times)

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aly

« on: December 11, 2013, 01:16 »
0
I use PS reduce noise sometimes but is there any others out there any one recommends?Thanks.


« Reply #1 on: December 11, 2013, 01:57 »
+1
If you get the exposure right and don't overprocess you should very rarely need noise reduction. When you do need it, PS is fine, especially using it in Camera Raw.

We regularly shoot at 800-1600 ISO without needing NR.

« Reply #2 on: December 11, 2013, 03:17 »
+2
I occasionally use Imagenomic Noiseware to smooth noisy night skies. I think it does a better job than PS or Lightroom noise reduction, mainly due to the large range of controls and presets.

« Reply #3 on: December 11, 2013, 03:31 »
0
I just bought Topaz DeNoise.  I'm really happy with the results. They offer free 30 days trial. I got mine at discounted price on Black Friday sales.

Beppe Grillo

« Reply #4 on: December 11, 2013, 04:51 »
0
I use Noiseware (Imagenomic).
Once you have understood how to manage well the settings it is really very powerful and gives very good results.

« Reply #5 on: December 11, 2013, 05:08 »
0
I regularly shoot with a 7D, and definitely need noise reduction. The best choice in my case is Topaz Denoise ( PS plugin )

« Reply #6 on: December 11, 2013, 06:24 »
0
Another vote for Topaz DeNoise

« Reply #7 on: December 11, 2013, 06:39 »
0
I use Neat Image when really necessary, but as Travelling-light says, it's best to try and avoid noise reduction if at all possible.  Seems to work well, but I've no experience with anything else.

When I do use it though, I use it very sparingly and on a separate layer, with a mask so only the bits needing it are visible, like in the sky or whatever.

Beppe Grillo

« Reply #8 on: December 11, 2013, 06:49 »
0
It is not easy to say which one is better between DeNoise and Noiseware.
They surely both do a good job.

Personally I tend to prefer Noiseware because it is faster (and when you have series of images to denoise it is not negligible) and I find that it has a better enhance of details/contrast.

But probably the use experience with one of the other has a great importance in our appreciations.

AYA

« Reply #9 on: December 11, 2013, 09:58 »
+1
I use Dfine2 from Nik software and I'm really happy with it. I never use the noise reduction at 100% as it starts to look fake and affect sharpness so my technique is to reduce contrast noise correction to 50% and color noise to 80%. They have a trial :http://www.google.com/nikcollection/

hope it helps!

« Reply #10 on: December 11, 2013, 10:17 »
0
If you get the exposure right and don't overprocess you should very rarely need noise reduction. When you do need it, PS is fine, especially using it in Camera Raw.

We regularly shoot at 800-1600 ISO without needing NR.

Regularly at 800-1600 ISO ?? For stock?
Can You let us know which camera do You have?

« Reply #11 on: December 11, 2013, 10:35 »
+2
I used neat image when I started with a nikon d 50.
After upgrading, I dont use anti noise software anymore.
If I find noise in a picture I use selective blur (gaussian 1 pix) and evt resizing.

Exposure is important, so is a tripod.








« Reply #12 on: December 11, 2013, 12:15 »
0
I used Neat image years ago and liked it, however iStock did not, I was overdoing it I can now see in hindsight.  I then started using gauzian blur in Elements selectively and it worked very well on skies, also passed inspection at IS.  Lately I have used Lightroom selectively.  I must add that I don't shoot "noisy" photos for stock very often, just for my own fun so I can do what I like. 

« Reply #13 on: December 11, 2013, 12:15 »
0
.
« Last Edit: May 12, 2014, 00:15 by Audi 5000 »

« Reply #14 on: December 11, 2013, 12:35 »
+1

Regularly at 800-1600 ISO ?? For stock?
Can You let us know which camera do You have?

Yes, for stock. Not for the micros, though, that sort of work mostly goes to Alamy or Age.

The 5D2 is OK at 800 and the Panasonic GH2 can manage 1600 on the right subject. The main thing is to avoid having to open shadows. Blue skies can be a problem on the Canon, and a little NR on just the red channel can be helpful.

« Reply #15 on: December 11, 2013, 12:45 »
0
I rarely need to use noise reduction but, when I do, I use Lightroom. I'm surprised there has been only one minor mention of it so far.

« Reply #16 on: December 11, 2013, 14:14 »
0
When I shoot with my D700 I don't need noise reduction but if I'm out at night and hand-holding with my D5100 or Coolpix P7000 (a point and shoot that shoots RAW), sometimes I need it and I've found that in most cases the Nik Dfine filter works best as long as I throttle it back from 100%.

Noise reduction in LR works well too though since I'm shooting with Nikons I find that the Nik filters seem to work a bit better, especially if I'm dealing with skies. I keep sharpening and NR at 0 in LR and in camera, and find that if a photo needs NR it's best to do that first in Define, followed by a slight tweak on a luminosity layer with Nik RAW pre-sharpener.

I use a tripod often but if I'm walking around somewhere at night, I don't always have one along, and as I tend to carry one of my lighter cameras rather than my heavy D700 if I'll be out for hours, I know I'll need to do a little post to deal with nighttime noise.

I used to add the Nik polarizing filters to my skies to make them even bluer, but found that upped the noise substantially as does any graduated filter used in post, so I've gone back to using them on camera. Getting it right from the start is always best, but the huge ISO range of today's cameras gives you a chance to shoot so much even under less than ideal situations, and when the situation is less than ideal, finding good NR software can really save the day.

I know this is a bit off-topic, but I love all the Nik filters, some of which I've been using since 2007 along with Nikon NX2 - which was my go-to software until Google sent me the Nik filters for PS. If you haven't tried out the Nik filters I'd definitely suggest you check them out. I think the entire range can be purchased now for $150.  Color Efex Pro and Silver Efex Pro are both really fun to work with and give you some amazing options.
« Last Edit: December 11, 2013, 14:23 by wordplanet »


« Reply #17 on: January 18, 2014, 19:31 »
0
Topaz DeNoise

« Reply #18 on: January 19, 2014, 06:13 »
0
I never shoot more than iso 400 on X-E2 and 5D3. It's a waste of time and energy for "mass production stuff" like stock photography. I do carry Gorilla pod though. Takes a bit more time to shoot saves a lot of time on post.

If you ever need NR LR is already good especially with masking built in now.

Harvepino

« Reply #19 on: January 19, 2014, 07:39 »
0
+1 for Topaz DeNoise

« Reply #20 on: January 19, 2014, 11:25 »
+1
Dfine from NIK Software, beacause they have this really good U-Point technology, so I can reduce noise exactly where it is necessary (if it is ever necessary).

Goofy

« Reply #21 on: January 19, 2014, 11:51 »
0
It's called a tripod and ISO 100 setting- now noise is gone  ;)


ShadySue

  • There is a crack in everything
« Reply #22 on: January 19, 2014, 11:52 »
+1
It's called a tripod and ISO 100 setting- now noise is gone  ;)
Try telling that to any moving subject.

« Reply #23 on: January 19, 2014, 12:39 »
0
It's called a tripod and ISO 100 setting- now noise is gone  ;)
Try telling that to any moving subject.

Or an indoor setting with low light and Security that won't let you bring a tripod in.

I use Neat Image, but that's because I made my choice when there were fewer options than there are now.  Don't know what I'd choose if I was making the decision now.

ShadySue

  • There is a crack in everything
« Reply #24 on: January 19, 2014, 13:12 »
0
I use ACR. As it meets my needs, I haven't tried anything that would cost even more money.

KB

« Reply #25 on: January 19, 2014, 14:59 »
0
Like disorderly, I started with Neat Image back when there were not many other choices (and it was the clear choice at that time).

But I didn't like their upgrade policy at all. There were new versions (with a "discount" for current owners) for new versions of Windows, 64-bit versions, major upgrades, etc. Just got tired of having to pay so many times just to keep using their software.

A few years back I switched to Topaz' DeNoise, with free upgrades. It seems to work at least as well as Neat Image, and I appreciate and applaud that kind of upgrade policy.

« Reply #26 on: January 19, 2014, 15:03 »
+3
I'm using Dfine from Nik as well. Works very good, very easy to use selectively (e.g. only on the sky).

I often shoot with ISO up to 1600 or even 3200. And yes, they do get accepted at stock sites. When shooting wildlife you often shoot in rather low light conditions and still want a very short exposure time due to long lenses and movement of your subject. No way around high ISO, but with today's cameras that works pretty well.


« Reply #27 on: January 19, 2014, 17:53 »
-6
Not applicable
Meaning, not relevant.

You should not spend time on noise reduction.
It is far better to get noisefree exposures, and that is possible with modern cameras, or turn your viewfinder at something else.
« Last Edit: January 19, 2014, 17:56 by JPSDK »

« Reply #28 on: January 19, 2014, 18:22 »
+3
Don't agree. Sometimes noise is unavoidable. In summer, when the camera is warm, for example. Even long exposure may cause noise.

ShadySue

  • There is a crack in everything
« Reply #29 on: January 19, 2014, 18:30 »
+7
Not applicable
Meaning, not relevant.

You should not spend time on noise reduction.
It is far better to get noisefree exposures, and that is possible with modern cameras, or turn your viewfinder at something else.
Sorry, you shoot what you like and let me shoot what I like.
If that needs 1/1600th sec or faster, and I need 1600 or faster ISO, what is it to you if I use, or don't use, NR?
I'll send my time the way I choose.
(You are equally free to do as you wish.)

« Reply #30 on: January 20, 2014, 08:41 »
0
I use ACR. As it meets my needs, I haven't tried anything that would cost even more money.

Same here.

« Reply #31 on: January 20, 2014, 09:23 »
-2
Not applicable
Meaning, not relevant.

You should not spend time on noise reduction.
It is far better to get noisefree exposures, and that is possible with modern cameras, or turn your viewfinder at something else.
Sorry, you shoot what you like and let me shoot what I like.
If that needs 1/1600th sec or faster, and I need 1600 or faster ISO, what is it to you if I use, or don't use, NR?

He said in that case you should turn your wievfinder at something else. I shoot stock mostly at 100 ISO, and very rarely over 400 ISO.

I use a combination of the things below:
- correct exposure (this is important) with raw, as light as possible without blowing out the highlights too much
- Large apertures (2-ish)
- Image stabilisator
- Studio strobes
- Using tripod (when long exposures cause noise, I just stack a few images to get rid of it)
- Shooting when there is light (not trying to shoot moving objects/people on murky winter days)
- resizing the image smaller if too much noise

etc. etc.

ShadySue

  • There is a crack in everything
« Reply #32 on: January 20, 2014, 09:36 »
+4
Not applicable
Meaning, not relevant.

You should not spend time on noise reduction.
It is far better to get noisefree exposures, and that is possible with modern cameras, or turn your viewfinder at something else.
Sorry, you shoot what you like and let me shoot what I like.
If that needs 1/1600th sec or faster, and I need 1600 or faster ISO, what is it to you if I use, or don't use, NR?

He said in that case you should turn your wievfinder at something else. I shoot stock mostly at 100 ISO, and very rarely over 400 ISO.

What right does he have to dictate what I shoot?
If I want to shoot small birds in flight, African Painted Hunting Dogs play-fighting, or other moving subjects, that's my choice, not his or yours.

Ron

« Reply #33 on: January 20, 2014, 09:41 »
+5
Not applicable
Meaning, not relevant.

You should not spend time on noise reduction.
It is far better to get noisefree exposures, and that is possible with modern cameras, or turn your viewfinder at something else.
Sorry, you shoot what you like and let me shoot what I like.
If that needs 1/1600th sec or faster, and I need 1600 or faster ISO, what is it to you if I use, or don't use, NR?

He said in that case you should turn your wievfinder at something else. I shoot stock mostly at 100 ISO, and very rarely over 400 ISO.

I use a combination of the things below:
- correct exposure (this is important) with raw, as light as possible without blowing out the highlights too much
- Large apertures (2-ish)
- Image stabilisator
- Studio strobes
- Using tripod (when long exposures cause noise, I just stack a few images to get rid of it)
- Shooting when there is light (not trying to shoot moving objects/people on murky winter days)
- resizing the image smaller if too much noise

etc. etc.
How do you light up a lion at 300 meters with strobes? Or a bird in flight using a long exposure?

How can you even compare studio photography with wild life photography?

« Reply #34 on: January 20, 2014, 10:05 »
-3
I didnt mean to stir people up, I was just a bit blunt, as I have a tendency to.
Of course people can photograph what they want.
But maybe it doesnt pay, for stock.
Birds? Shutterspeed? Strobes and lions. OK.

Those are all problems that can be solved. It is just a matter of expenses. Fx it is possible to follow the curlews to their summer nesting grounds and photograph them at midday north of the polar circle, and such reduce iso and shutterspeed.
You can also catch a chick, raise it, and photograph it in a studio. Same with lions, even easier, just buy one and photograph it in good light conditions, or go to the zoo and bribe it with a head from a horse.
Everything is possible, and problems can be solved.

And here comes my point, there is always a guy, somewhere out there in the competitive field, with a lion in the backyard and a good set of strobes, and who is willing to sell the photos for 25 cents..
And thats what I meant, It does not pay back, to have to go through a lot of hazzle to get a certain picture. Noise reduction is not competitive, because if you need it, your are not at the right time and place in the competitive field.
« Last Edit: January 20, 2014, 10:09 by JPSDK »

ShadySue

  • There is a crack in everything
« Reply #35 on: January 20, 2014, 10:24 »
+3
^^
If you raise birds in the UK, they must have a close ring fitted as soon as they hatch, by law. You'd spend more time getting rid of that in post than I do in NR.

My point is that if I'm on safari shooting animals, or shooting birds in flight at home, what benefit is there in there just sitting on my HD? Sure they may not sell hundreds or even tens of times, but they'll sell exactly 0 times from my HD.

The first thing I learned about flying birds was that my previous plan of 'it's a nice clear night, so I'll get to the hide by dawn' doesn't work. If it's clear, the shadows from the wings are really ugly, so 'light overcast' is your best bet. Flash usually isn't allowed in nature reserves, not at all in Galapagos (for example) outside the small habitations.

Other people can shoot captive animals/birds in studios or backyards; that's not my choice.
« Last Edit: January 20, 2014, 10:46 by ShadySue »

« Reply #36 on: January 20, 2014, 10:38 »
0
Sue, that is passion not reason.
Im only reasoning, and say it doesnt pay.
It is true, however, that the photos ( from the passion) earn better online instead of on a disk.
And I do exactly the same, migrate photographs from my passion (butterflies) to the market via photoshop.

But competitive is it not, and even worse, because I see the agencies ( with IS in the lead) promoting really lousy butterfly pictures, and press mine backwards.
I am am also a wildlife photographer, but I have found out that wildlife rarely sells, and that it is easier to photograph birds in parks and gardens than out in the wild.



ShadySue

  • There is a crack in everything
« Reply #37 on: January 20, 2014, 10:54 »
+1
Sue, that is passion not reason.
Im only reasoning, and say it doesnt pay.
Hmmm.
I'm never going to get into the Millionaire's Club, but photos from a safari I did before I was submitting photos as stock have more than paid for the safari. Works for me. Similarly a whale-watching trip I did, though that was an iceberg which paid, not the whales.
Luckily, I'm old enough not to need to be bored.  :)
OTOH, competition is far stronger now, and especially as iStock has chosen to undercut its exclusives' files by several factors, and submerge new files in the best match if they dare to get downloads (or views, probably), these heady days are over.

KB

« Reply #38 on: January 20, 2014, 10:57 »
+5
Those are all problems that can be solved. It is just a matter of expenses. Fx it is possible to follow the curlews to their summer nesting grounds and photograph them at midday north of the polar circle, and such reduce iso and shutterspeed.

<snip>

Seems it would be a lot simpler and less expensive to simply use a NR program.  ::)

« Reply #39 on: January 20, 2014, 11:37 »
+1
Yes, indeed.
that would be far easier and less expensive.
But still it is best to stay within the competitive field and only click or photoshop when it pays back timewise.
We are talking business not passion or art.
Since we are competing against those, who do have a lion in the backyard.

The competitive edge would be found in your backyard.
For me it was swallowtails.
« Last Edit: January 20, 2014, 12:28 by JPSDK »

« Reply #40 on: January 20, 2014, 11:45 »
0
BTW.
There is also such a thing that noise is noise.
That means randomness in the image.
And random pixels are random. They can be camouflaged, but details are lost and gone.
And that is not a path to follow, if you can avoid it, it compares to repairing things with gaffa.

« Reply #41 on: January 20, 2014, 16:33 »
+1
Noiseware by Imagenomic. http://imagenomic.com/nw.aspx

Beppe Grillo

« Reply #42 on: January 20, 2014, 16:40 »
+1
^^^
I was beginning to think that I was the only one using it ;)

« Reply #43 on: January 21, 2014, 13:49 »
0
I use that one, too - selectively when needed


 

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