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Messages - JoeClemson
101
« on: March 04, 2014, 11:35 »
Can't get the iStock website to show (UK, Chrome). Just gives me a message:
An error occurred while processing your request.
Reference #97.eb9a1645.1393950739.314eeeb
Anybody else?
102
« on: March 02, 2014, 11:33 »
I am puzzled about the monthly figures of the graph. For example, the graph shows, as I write, Shutterstock Feb-14 as 65.97. I'm fairly certain that the graph updated to show that February figure as soon as February ended. How is it possible that figures for February were available so quickly when people who contribute their sales figures to the poll don't do so until several days or more into the next month. The chart doesn't seem to change from one month end to the next, so what does that example of figure of 65.97 for Shutterstock in February actually represent and how is it obtained so soon after the month end?
103
« on: February 24, 2014, 08:48 »
Continuing the abandoned ship metaphor, are we thinking more the Marie Celeste or the Titanic? Both seem to be appropriate metaphors to me.
104
« on: November 25, 2011, 10:57 »
I'm wondering which of the major microstock stock agencies produces the best results (ie income) for UK contributors. I do a lot of travel images which are UK based and thereore tend to sell best in the UK. Has anyone found that UK buyers favour any particular agency or agencies over others?
105
« on: November 24, 2011, 16:40 »
My small portfolio is running at less than 50% of what I was expecting so far this month. I have assumed up to now that the steady decline was simply chickens coming home to roost following the relentless increasing in prices/unnecessary complexity in collections/general mis-management/low contributor and buyer morale. Howwever, this month feels far more like falling off the edge of a cliff, so I too echo the OP's question What is really going on?? Is there any chance at all somebody will tell us?
106
« on: November 24, 2011, 15:33 »
Great news - but I'm still $35 short
107
« on: November 24, 2011, 01:59 »
I've just uploaded my first set of pictures for assessment by 123RF. Three of them have been rejected for lacking a property release. Two were architectural photos of terraced houses (multiple houses, multiple owners, cloned out house numbers and other ID and copyright marks). The third was of a single bow window with no identification as to the property to which it belonged (it could be almost anywhere in the world). All the images were taken from public roads.
I was astonished that 123RF regards these as requiring a property release at all.
I was more perturbed to find that multitudes of similar phtos already in the library had no property release anyway.
I'm now deeply worried about submitting to an agency which imposes a draconian policy which goes far beyond the policies of almost all other, presumably responsible and well advised, agencies. It even goes beyond 123RF's own stated policy. If this is what I encounter on the first go What other surprises await when I submit in future?
Perhaps more to the point, do I want to submit to a site where I am not competing on a level playing field? If new submissions are being rejected under this draconian policy, they must surely delete exisitng non-compliant images too in the interest of both fairness and avoiding potential legal pitfalls.
I'm waiting for an official response to my query to Support on this matter but I suspect it's just a matter of time before I delete my few submissions and leave 123RF to whatever fate has in store
Hey JoeClemson,
Our reviewer has re-evaluated the rejected images. It's advisable to attach a Property Release on the rejected images. Based on our New Property Release Guidelines, a Property Release is required if any building exterior is the "Main Focus" of the Image.
We have made our Policy more stringent to avoid any legal issue that may arise in the future to safeguard our contributors. It's always better to be safe than sorry.
Thanks for your understanding.
Cheers, Anglee
Hello Anglee, Sorry but you needn't thank me for my understanding as you don't have it. Taking just one example I still can't see how a row of stone cottages (each individually owned) in Yorkshire comes under any ofthe categories you have linked to. Yourpolicy is going beyond your guidelines. This is your perogative but if I am to join you as a contributor I need to know that I can rely on the submission guidelines I see before me. Also, you haven't addressed at all the issue of the level playing field, given that you have numerous images already which contravne your new policy. I also find myself puzzled by how you can routinely offer failed RF submissions a movement to Editorial. The two types of image require completely different approaches to processing with minimal editing allowed to Editorial images, compared with images prepared for RF which are often edited to remove copyright and identifying marks of all kinds, as well as allowing more leeway on adjustments to lighting etc., thus disqualifying them as Editoral images. Regards. Joe
108
« on: November 23, 2011, 19:57 »
123 has one of the most stringent property release reviews - many exteriors and almost all interiors require property releases - it's explained somewhere on their site
however, with their new automatic submission as editorial, a lot of my buildings gett accepted as editorial
just make sure you check the box on the ftp submission form:
and, unlike some other sites, they recognize that editorial means more than just newsworthy
Your are right about the policy being stringent. What I am doubtful about is whether that stringency is justified. Also, there is no sign that stringency is going to be applied across existing images. I can't find anywhere in their stated policy which says or even hints that images of the kind I have described and submitted will require a property release. Shunting images which are perceived as requiring a releases by 123RF into editorial stock is something of a cop-out. I wouldn't expect any of the images which I have submitted as RF, and 123rf have rejected, to sell terribly well as editorial stock. I'd rather take my chances and sell them as RF elsewhere. Thanks for your response but it still leaves a lot of questions unanswered.
109
« on: November 23, 2011, 19:05 »
I've just uploaded my first set of pictures for assessment by 123RF. Three of them have been rejected for lacking a property release. Two were architectural photos of terraced houses (multiple houses, multiple owners, cloned out house numbers and other ID and copyright marks). The third was of a single bow window with no identification as to the property to which it belonged (it could be almost anywhere in the world). All the images were taken from public roads.
I was astonished that 123RF regards these as requiring a property release at all.
I was more perturbed to find that multitudes of similar phtos already in the library had no property release anyway.
I'm now deeply worried about submitting to an agency which imposes a draconian policy which goes far beyond the policies of almost all other, presumably responsible and well advised, agencies. It even goes beyond 123RF's own stated policy. If this is what I encounter on the first go What other surprises await when I submit in future?
Perhaps more to the point, do I want to submit to a site where I am not competing on a level playing field? If new submissions are being rejected under this draconian policy, they must surely delete exisitng non-compliant images too in the interest of both fairness and avoiding potential legal pitfalls.
I'm waiting for an official response to my query to Support on this matter but I suspect it's just a matter of time before I delete my few submissions and leave 123RF to whatever fate has in store
110
« on: November 17, 2011, 13:36 »
^ I definitely think all data is useful to some degree. IMO, it just isn't evidence of a trend as you've suggested. there are too many variables within individual portfolios first of all. I have more files than some contributors who are Black Diamond for example. and it has taken me four years to just about hit 25K. whereas some of our peers have long surpassed me with fewer files. that's the nature of the game. but there is a base level that needs to be met before any meaningful extrapolation can be done on sales data. I saw that within my own portfolio and dl rate.
Having a large portfolio and a large number of downloads very effectively smooths out the bumps in demand and provides a more releaible body of data from which to analyse trends. Even so, I would contend that my portfolio, which has produced consistent sales patterns for several years, can give a meaningful indication. Downloads shouldn't just drop off a cliff to pretty well nothing if the only factor at stake is the statistical probability of making a sale given the portfolio size etc. What I am experiencing falls well outside what is statistically probable, even allowing for the relatvely small data sample. Hence I am wondering if something has been changed either intentionally or unitentionally, which affects portfolios like mine disproportionately. If so, is it permanent or temporary? Is it accidental or deliberate? Do iStock want to discourage part time contributors with generalised imagery in favour of professionals? I don't know the answer to any of these questions, but I hope others will share their expeiences so I/we can get a feel of what is happening and make a decision on how to proceed. I'm grateful for the responses so far, but emulating the bigger guns isn't an option for me and I would be pleased to hear from others with modest portfolios (whether or not their experience is the same as mine).
111
« on: November 17, 2011, 11:04 »
I'm wondering if I'm just suffering the effects of 'sales having tanked big time' or if there is something else going on. Are iStock telling me to pack my bags and go?
I am exclusive to iStock but not very prolific with 2679 photo and video downloads over some 5 years as a contributor. However the income I receive is very important and more than just a bonus to me.
I would normally expect to earn around $50 to $100 in a week on 10 to 15 downloads. In the past eight days I have had just one download worth a pitiful 72 cents. No amount of sales variation due to ebb and flow, satistical anomaly or even a world-wide economic crisis is going to cause such a massive, sudden change in sales pattern over such a short period (by comparison the first week in November was normal for me and typical of recent times at IS).
Someone, somewhere seems to have pressed a button turning off my sales and presumably, for others like me.
Discussion on the iStock forums seems very muted overall and I know this topic would be killed immediqately, but I really would like to know if I am alone in this experience.
I would have posted a new thread rather than digress on this one, but I have to make a posting somewhere before I'm allowed to start a new thread and this one seemed the most relevant.
Joe: Not sure the hate-istock thread/forum is the best place for this. But perhaps if you added a portfolio link to your profile you could get some constructive criticism. Without seeing it, my guess is that your portfolio is pretty small and depends a lot on the sales of a few older photos. Also normal fluctuations in sales happen all the time, a lot of Christmas purchasing is going on right now and maybe you don't have any Christmas images? I can only speculate. I can speak for me though that my sales are way up right now. In fact Tuesday was my highest download day ever, so there are plenty of buyers out there. I do have a large portfolio though. Hope that helps.
Many thanks f or your reply. You can see my iStock port easily by visiting the site as my member name is the same as the name I use here. There are 940 videos and 740 photos with a wide range of topics so I'm used to a steady trickle of sales with little seasonal variation. I have only one image that has ever sold in any quantity so the effect if that slowing down is modest. The 8 day (getting on towards 9 days) drought is unprecedented for me since I had a very small portfolio in 2007.
112
« on: November 17, 2011, 07:23 »
I'm wondering if I'm just suffering the effects of 'sales having tanked big time' or if there is something else going on. Are iStock telling me to pack my bags and go?
I am exclusive to iStock but not very prolific with 2679 photo and video downloads over some 5 years as a contributor. However the income I receive is very important and more than just a bonus to me.
I would normally expect to earn around $50 to $100 in a week on 10 to 15 downloads. In the past eight days I have had just one download worth a pitiful 72 cents. No amount of sales variation due to ebb and flow, satistical anomaly or even a world-wide economic crisis is going to cause such a massive, sudden change in sales pattern over such a short period (by comparison the first week in November was normal for me and typical of recent times at IS).
Someone, somewhere seems to have pressed a button turning off my sales and presumably, for others like me.
Discussion on the iStock forums seems very muted overall and I know this topic would be killed immediqately, but I really would like to know if I am alone in this experience.
I would have posted a new thread rather than digress on this one, but I have to make a posting somewhere before I'm allowed to start a new thread and this one seemed the most relevant.
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