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Messages - SNP
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1101
« on: December 01, 2010, 12:43 »
the argument that there is still any separation between higher class shooters and microstock contributors is a lame duck. iStock is full of pro shooters these days (as I'm sure some of the other agencies are). my husband is a mathematician. so what.
1102
« on: December 01, 2010, 12:40 »
@shady:
mostly agree. however, I think Agency prices (in general) are justifiable (in general) because of the inspection standards that files are required to meet in order to be included in Agency. and that's the context of this discussion. Agency files are not all great. some are real head-scratchers just like some Vetta, but it's also the beginning stage of image absorption into the Agency collection. like Vetta, they'll overturn some of the acceptance/rejections into the collection in future to ensure the overall quality criteria are met (as advertised to buyers).
bottom line, buyers decide what works by buying. but it would be a fairly poor business model and recipe for disaster if iStock were truly trying to screw over buyers by offering sub-standard products at higher prices just for the sake of it. that argument in here is simply wishful thinking.
1103
« on: December 01, 2010, 11:51 »
@ shady: IMO, it doesn't matter how many miles you travelled to shoot the image. the quality of the end result is what matters. your comment only makes sense if those miles travelled added aesthetic value to your shot somehow, but of course they don't.
@ cathy: this isn't a schoolyard. you don't get a pat on the back and the same loot bag as all the other kids for shooting with crap equipment. I would also suggest that there is a strong relationship between the attitude of professionally ambitious photographers and their choice of equipment. that doesn't mean everyone needs to be shooting with $10K cameras....but to suggest that a buyer should pay the same for a point and shoot image versus something shot on a pro camera with pro glass is ridiculous. if it were that easy, none of us would have bothered upgrading our equipment. instead I'd be spending those thousands hiring pro models and sets and shooting it all on my iphone.
1104
« on: December 01, 2010, 01:22 »
Yes I also have a friend who has an uncle who knows... absolutely nothing about running a microstock site.
You don't need to buy the unsustainable crap. It's pretty simple. The more the site grows over time the less the profit margin. Could they have gone on for 50 years with the old model. Probably. But if I owned a business, ran the numbers, and saw my profit margin dropping year over year, I'd make some changes. They wanted to make changes, and they did. It sucks for a lot of people being on the receiving end of the changes, but hey, that's business.
As far as them making a nice profit on people with poor performance, I doubt it. There's a breakeven level and the people who are taking severe commission cuts are probably close to it or below it.
again, bang on. I'm pretty sure I've disagreed with you in the past on some things, but this week you're full of the wisdom Paulie ;-)
1105
« on: December 01, 2010, 01:20 »
Not untill now have I had the time to sort of browse the Agency collection and I understand why the Admin and supplyers got so uptight. Man, this is such a piece of serious crap its unbelievable, its the same old plastic, dead-pale codswhallop people as we saw the first year in the Micro business, BAD photography as well.
How can anybody with any self-esteam even want to show they got this for sale? its an insult, a mega insult to buyers, clients, even contributors.
While they may not have gotten the collections right, they got the idea right. Prices need to go up overall and especially for premium content.
Why should a group of models shot with a $5K 24MP DSLR be the same price as a brick wall shot with a $100 2MP pocket camera?
A few years ago a buyer would have paid a few hundred or a few thousand dollars for a lot of those shots.
It's an insult to talented contributors to keep charging peanuts for their excellent work.
The problem is that I don't think IS knows where the line is between premium and average content. They'll continue experimenting until they find it. At least somebody is trying.
some great points Paulie
1106
« on: December 01, 2010, 01:18 »
@SNP
Why not?
Well, (takes deep breath) because while periodicals are not wiling to pay much of anything for editorial imagery (the stuff they use to illustrate the stories on the inside), the cover is a different story altogether. The cover is what moves magazines off the shelf at the newsstands and that is worth more than a measly cut of an anemic extended license.
I'm glad you are happy that you got twenty free issues of the magazine and have a tear sheet for your portfolio. Sorry to say that the mention on the inside cover is practically next to worthless except for bragging rights. It's highly doubtful that you will get further jobs from that.
Your attitude tells me that you don't yet make a living with your imagery and are probably very young. I expect that your tune will change ten years or so down the road.
I do this full-time, I also work as an editorial photographer for 'real' money on images I neither own the rights to, nor have the ability to continue selling. Either way, one image sold on istock OR as a custom shoot typically garners me a few cents to up to a few thousand dollars. the main point I made, which you didn't address and which makes a huge amount of difference, is that I keep the rights and continue to sell the image. it's not like once it was on TIME, it's off the market. they do not gain exclusive use of that image on their cover. as for thinking I'm young, thank you ;-) I am still young, though my niece and nephew think 36 is old. ETA: despite disagreeing, I've had a look at your website nosaya...beautiful photographs.
1107
« on: November 30, 2010, 19:46 »
SJLOCKE:
So, trying to raise prices to a mid level is bad... Micro pricing is bad... What's the answer?
I think the answer is fair pricing for better images (Vetta), fair commission for the contributors AND a better licensing model. A national magazine (Time) should not be able to get away with running a cover image and only paying a few pennies + extended license. Neither should a national or multi- national be able to put a model's image on a multi- million dollar product (Shampoo for instance) and only have to pay a few dollars + extended license. That is just highway robbery.
why not? my image was used on the cover of TIME. I got an extended license, my name credited inside the cover of TIME, TIME sent me 20 copies of the cover without being asked, I can include TIME Magazine cover in my portfolio, and--most importantly--I still get to sell the image they used and continue to make money on it. I don't feel jilted at all by TIME Magazine purchasing my image via iStock. The Agency images are good images overall IMO. Like Vetta, there is some crap in there that I can't believe made it in. But overall it's a fairly good collection of purely great stock imagery. Kind of a sure thing collection. My concern is that iStock is looking through gold-coloured glasses after the success of Vetta. only time will tell if they're pushing the envelope right off the table. But as things stand, buyers are buying the higher priced files. Higher prices are good for us (exclusives). I've certainly enjoyed my income growth as an exclusive.
1108
« on: November 22, 2010, 17:54 »
Maybe he has come to the conclusion that teaching other photographers how to compete with him is not a wise long term strategy? 
lol...exactly
1109
« on: November 22, 2010, 17:46 »
@Lisa: jumping on the bandwagon is easy. staying on the bandwagon, producing despite an ever-growing pool of competitor's images, and rolling with some fairly large punches takes more than a little bit of effort.
Ah. Thanks for explaining that to me. Personally, I wouldn't know. 
I think it's a fair system to attempt to reward contributors working hard and producing sales. new or old contributors and those of us in the middle. And just so we're clear - if you are not exclusive at IS, you will NOT be rewarded at all. You WILL be having your commissions lowered, in spite of how much work you are putting in or how many sales you generate. The target of over 1.4 million RC's is pretty much impossible to hit in a year, even for top sellers.
I know you don't need it pointed out to you. it's more for the benefit of people in here who don't know. a few points in this thread suggest that iStock is intentionally railroading exclusives by * in newbies. they are certainly railroading non-exclusives...no argument. I don't think anyone would ever accuse you of not working hard, I think you know that wasn't my point ;-)
1110
« on: November 20, 2010, 00:56 »
@ Caz: I agree with most of what you said, though I think Sean's point is an improvement on yours. don't undersell the importance of having been part of the growth and success of the company.
@Lisa: jumping on the bandwagon is easy. staying on the bandwagon, producing despite an ever-growing pool of competitor's images, and rolling with some fairly large punches takes more than a little bit of effort. I think it's a fair system to attempt to reward contributors working hard and producing sales. new or old contributors and those of us in the middle.
I think the royalty levels are unfair. but unless my royalties are 100%, I think I'll always find them less than what I'd like to be receiving...I'm already past my RC requirement to stay at my current royalty. but I won't get my raise when I hit diamond soon.
1111
« on: November 18, 2010, 00:53 »
Maybe this is their strategy - get rid of the old, expensive exclusives, and replace them with new exclusives who start out with lower expectations. Could be that there are so many of us, that contributors are being regarded as a nearly unlimited resource, making it easy to adopt an 'out with the old, in with the new' policy. Sort of a new twist on the Age Discrimination theme.
In time, we're all replaceable. The trick will be if they can find enough talented, hardworking newbies who want to bust their but for 20% max. If the only group chortling about how much money they made are the executives, they may be out of luck - tales from happy contributors of how much money you can make in this great business will be what draws in new players. Happy contributors are a bit thin on the ground these days.
I don't think this is a real-world scenario. I'd guess the percentage of new contributors in microstock with staying power--let alone staying and evolving power--is very low. We already know that the serious contributors make up just about 1-2K contributors on iStock. The rest are one or two images here and there contributors. To suggest they're trying to replace the old expensive guns with all the new recruits who don't know any better, I don't think that's realistic.
1112
« on: September 30, 2010, 19:47 »
thank you...
1113
« on: September 30, 2010, 00:29 »
best places to sell Editorial RM?
1114
« on: September 29, 2010, 15:11 »
Jeez, I take one HALF day off from keeping up with this ongoing train wreck and I feel like I am completely in the dark.
Apparently Joyze posted some updates? Would anyone be willing to break down the changes (if any) for me?
Yes, you would all be well within your rights to tell me to ferret it out for myself, in that massive forum thread, or elsewhere. But I hope someone will take pity on me and at least post a link to where I can find out any new, relevant information.
Thanks in advance 
changes are all updated in here http://www.istockphoto.com/forum_messages.php?threadid=253532&page=1
1115
« on: September 29, 2010, 11:45 »
This says as much as anyone needs to know about any argument you will put forth: "I don't do it, unless its convenient for me, regardless of impact to others".
thankfully - anyone who knows me in real life would attest that this is precisely opposite to who I am. I prioritize volunteer work, social work and helping other people in all areas of my life. but these forums are not real life. anyways, I digress. I don't have the stomach for posting on MSG clearly. I never do very well over here. I think I'll crawl back into my comfy armchair and just read again as I have for the last year.
1116
« on: September 29, 2010, 10:45 »
the friendly neighbourhood naysayers
You seem to be missing the fact that *you* are the naysayer in this neighborhood.
lol, actually, that's true....:-D I had to laugh... FWIW, iStock and I have had a number of disagreements. I usually take them straight to contributor relations, and they deal with it or they don't.if you really 'know' me...and you were to actually take the time to go back and review my history with iStock...you'd see there are plenty of issues I'm not on board with. but I do respect iStock staff immensely, and I think they know their sh*t. I think a lot of people over here feel otherwise because they've had bad experiences getting work accepted, or because you're independents, and you have a legitimate gripe with iStock, especially with the latest royalty drop for independents. I think you are being screwed, which I've said since it was announced. I'm not opted into the partner program, I think TS etc., is a joke. since the announcement about Agency and Vetta results being tied together...I'm very worried that at some point the partner program will not be optional. they've gone back on their word about Vetta price increases, not much can be said about that. it's done. I take those concerns straight to admin/contributor relations. when I post here, it's simply because so much of what is reported is inaccurate. that has been perverted into I'm a cheerleader for iStock. whatever, I'm not going to fight that....it will just make me look defensive. but it's not accurate. as for the corporate shill BS....David, keep justifying your position....I would be too if I'd made the error in judgment I believe you have. and now you're acting like some martyr/hippie for photographer's rights. give me a break.
1117
« on: September 29, 2010, 10:02 »
Several of you replied to my recent post, saying in effect that istock appears to be simply too incompetent in their decisions to be evolving in an intelligent and productive way. There may be something in that 
It's certainly possible that they are screwing this up. In my previous experience as an employee of large companies I saw this happen several times, and there is one major cause of this. Once a company reaches a certain size and complexity the average employee can no longer hear what the customers and suppliers are saying. Instead they only hear the noise of their internal organization. Survival and career growth in a large company depend on satisfying the bureaucracy and especially the management, whereas if you stick up for the customer or supplier you are branded by the powers that be as "not a team player".
This tends to happen in companies which have a dominant market position, because for a while they will be shielded from the consequences of their incompetence. Customers and suppliers will keep dealing with them for some time after things go bad, for lack of alternatives. By the time management notice that the company is stumbling badly it is often too late. Even recognizing the problem clearly does no good if there is too much internal corporate inertia to turn the ship around. Recognizing mistakes requires one to admit having made the mistake, losing face and taking a blow to one's *internal* *corporate* reputation.
Now that I review this in my mind and look back at the last three weeks of shock, anger, confusion and frustration, I see some evidence that this is going on at Getty/IS. For one thing, if IS represents only a relatively small part of Getty then the consequences of screwing up IS will not be as noticeable to Getty management as they would have been to the management of IS alone if they were still an independent company. They can point to overall company results or to overall industry trends or economic factors and make excuses while the ship sinks and some other smaller and more nimble company passes them. "The ship isn't listing because of a hole in its side, it's just that all those damned passengers raced over to one side to look at the iceberg." LOL
This is all just speculation of course ... now if you'll excuse me I have some images to send to scout 
I agreed with your earlier post, I thought it was a concise and balanced perspective. but this one.....you've gone down the same road as the friendly neighbourhood naysayers--. your 'facts' aren't facts at all and your comments are skewed to kowtow to the point of view of the majority here. you seem to have quite a bit of business sense, so it's disappointing to see your latest post.
1118
« on: September 28, 2010, 21:42 »
^ great post...agree with just about everything you wrote. JJ has just posted a note about Agency....I don't know. I think our brand is being given some steroids....not necessarily a bad thing. I think work will be rewarded and it's clear they want contributors all under the Getty umbrella. I'm fine with being branded if it brings in more business and allows me to grow as an artist. but it is such a worry to have everything riding on one agency. guess that's nothing new, but the latest shake up was a big one. I'm still getting used to it.
1119
« on: September 28, 2010, 21:16 »
you're welcome, lol. I think we all did that once when the new site rolled out...
1120
« on: September 28, 2010, 21:02 »
Why can't you write properly? You describe yourself as a 'professional author' (my arse) and yet you don't seem to understand the basic rules of capitalisation, sentence construction or grammar that might actually make your messages comprehensible. Are you pretending to be young and trendy, just f*cking lazy or are you simply plain stupid?
I wasn't going to reply. But, you're constantly maligning me with unprovoked, unprofessional and uncalled-for attacks. can I simply ask that you just ignore me and be done with it? I'm here to legitimately talk with my peers, I presume same as you. I'm not here for any other reason. whatever it is that you dislike about me, which I think we can all agree is EVERYTHING, that's your prerogative. I disagree with so much that you write in these forums. you constantly embellish the negative, you are dogmatic in your hatred of iStock and you go after anyone who disagrees with you. I'm simply a photographer. I'm also a writer. not an editor, a writer. thank goodness for good editors, in forums I write as though I'm speaking...I think that's a common approach to forum posting. when you have nothing legitimate to attack me with, you attack my grammar? come on, really? are you that little a man? press ignore, it's easy. then you don't have to see any more of my stupid, incomprehensible drivel.
1121
« on: September 28, 2010, 20:54 »
the site is larger, you may need to scroll across (awful design in that regard) to see the last columns on the 'my uploads' page
1122
« on: September 28, 2010, 20:48 »
Crowd is out, elite is in.
I think you're partly correct. it is too early to refer to that as regrettable. I'd modify your comment--crowd is out, and exclusive means something else now. take it or leave it.
1123
« on: September 28, 2010, 20:26 »
My Uploads is still available using the 'suitcase' icon on the black bar at the bottom of the page. once in 'My Uploads', click on 'Last DL' to sort by...last download
1124
« on: September 28, 2010, 20:22 »
I would shoot with my 35 MM, f/2...it is by far my favourite lens
1125
« on: September 28, 2010, 20:18 »
For those who did not see this. http://www.istockphoto.com/forum_messages.php?threadid=257202&page=3
JJRD said "Over the course of the past 2 weeks, kkthompson & I have put our own asses on the line many, many times over for this community of artists... and we'll do it again and again every single time that we feel it necessary."
Sounds to me like JJRD is saying the whole thing is a Getty or H&F idea and that he and KK have fought on our behalf to minimize the damage. But why "past 2 weeks", after the announcement? Seems like this would have been planned for much longer then that, so the fighting with Getty/H&F would have been months ago.
So if the asses were on the line for something else, what would that be? Turning off the forums?
He also said "Let me add the following, however: if one day I do not believe in iStockphoto anymore, I will be out of here in a snap. Faster than a speeding bullet. It is not the case at the very moment. I still believe in this place, just as on day one. I am in it for the long haul & for the well being of the entire community."
His point about "not the case at the very moment" seems to suggest that he has had his own doubts, or that he fears that he may in the future.
I admit that I read it that way too. which is too bad. but I don't think it is the time to jump ship. if JJ ever leaves, that won't be an immediate signal to me to leave. even if the community aspect were to dissolve or become more of a corporate culture, I wouldn't necessarily leave. perhaps the community is no longer as realistic given the size of the contributor base now. I also think that the loudest of the teamster brigade communicating their demands as contributors have handicapped us all. ironically it seems to have resulted in TPTB losing tolerance for the community voices hurtling rotten vegetables at them. why would any company allow that? I know it sounds selfish, but I simply want sales to be the focus, happy customers and predictable and adequate compensation according to what I believe is adequate. I think the days of the iStock watercooler are coming to an end.
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