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Messages - PeterChigmaroff
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1301
« on: June 09, 2009, 14:18 »
But I am curious, isn't part of the deal with micro photographers that they are able to produce similar quality images for less than the pros were doing it? For example most micro shooters I know use either friends/family as models, or else inexpensive aspiring models who will work for free or cheap for pics to add to their portfolios.
Same with locations, travel, etc. As RT pointed out, lots of people can get great "travel" shots, depending on where they live, without going more than 10 miles or so from their houses.
And with all the info online about building a home studio, most people can manage to put one together very cheaply, and some of them are quite elaborate.
I am not denying there are some things that might require more of an investment and those need to be adequately compensated. But I think we have all discovered with micro that excellent quality images can be created in many, many areas without breaking the bank to produce them.
It's not really a question of being a micro photographer but rather a photographer supplying the micro market. My only attempt in this thread is to perhaps expand people's ideas of what the market is and where they want to fit in. Friends and family are fine but they are only good for so long, as are locations. At some point you have to spend more to make a certain quality of image, the question becomes can you get make enough money from it.
1302
« on: June 09, 2009, 09:28 »
A few random thoughts here. How many of you are willing to spend $2500 to $5000 for a shoot and place it on the micros? $2500 buys a bare bones shoot for 6 hours with a half dozen models. Nothing fancy. The problem with the market is nothing was ever done to price images differently based on production costs. Perhaps micro photographers who are at the top end of the tiers in the various agencies can do this but a lower level photographers would find it hard to re-coupe his investment. These images are the bread and butter of most agencies and I don't know if the market will stop demanding them.
1303
« on: June 08, 2009, 21:00 »
But of course you can also rake in thousands of $$$ for a single RM sale. I'd assume though that those sales mostly appear for really, really ambitious and famous photographers that have connections, reputation and most likely a studio etc.
A lot of what you said I agree with except the above quote. I am anything but famous, not that ambitious (perhaps more patient) and have few connections. However I still see a lot of good sales come through. Had a $1700 sales today for a rather mundane image that would have been rejected for all the usual reasons if submitted to micro. A good image but not great, however it filled a niche for a customer that wanted something less used. An old image I might add, something like 15 years old.
1304
« on: June 08, 2009, 17:10 »
PS: There are many agencies around, the key is: who sells?
Bingo! My small forays into macro have been very disappointing. Micro sales, and yes royalties per month, far outweigh anything I have gotten from macro.
Maybe I haven't given it enough of a shot, but to be honest, when I read the articles that circulate about how much the average macro shooter is making I am not a big envious.
I think that macro agencies take a much bigger commitment than most people are willing to give. Some macro agencies are not that good and others, exactly like micro, have to be worked a certain way to make any money from them. I don't know how many times I've read here how someone dipped their little toe into the macro waters, sold nothing or weren't accepted and wrote it off as a waste of time. I guess it was a waste of time if that's the entire level of commitment you want to give it. It really does take a lot of work to get accepted and then more work to get a portfolio large enough to make consistent sales.
1305
« on: June 08, 2009, 15:30 »
Simple Question (or maybe not). I've been around for awhile now and have been relatively successful in the micros, being with as many as 9 at one time ( now down to 6). I've been published magazines, books, and have been doing well marketing and selling direct. Early on in my micro 'career' I sent materials to Jupiter and Getty.. I was basically told by them both... they liked the work, but of course, it was too small, come back when I was shooting larger files. I've been shooting with my 5D Mk II for a while now and feel comfortable with the results and am now considering the macro market.
Simple question for my photog brothers and sisters that are with macro agencies... your opinions, observations, pro/cons.... etc
Getty, Jupiter, Corbis... who are you with, would you change if you started over?
I am for the most part landscape, nature.
Any thoughts & advice would be appreciated. =tom
I think it's best to consider both sides of the fence. The ones who tout only one part of the equation generally lose out. Nothing is exact but to say micro only or macro only is kinda dumb.
1306
« on: June 08, 2009, 13:48 »
Put them up as L rather than RM on Alamy.
1307
« on: June 07, 2009, 19:28 »
Your ad on this site is incorrect. Not Comission but Commission unless I'm missing something.
1308
« on: June 07, 2009, 10:20 »
Stock Shooter,
You have the right attitude, never give up. I still keep a file of rejection letters I've received from agencies over the years. Many many of them. As opportunities present themselves there is a good chance you'll be there to benefit. I've found that in the assignment business half the trick is knocking on the clients door just as they are thinking of a project.
1309
« on: June 06, 2009, 20:42 »
I'm not too sure who you would have to be to actually get a contract from one of the big 2 trad agencies these days. I can say unequivocally that there are many awesome images offered on micro that would, even today, make way more if offered for sale in a good trad agency than on micro. I can also say with near equal certainty that these images would never have a chance of being represented there. Too bad for everyone.
1310
« on: June 02, 2009, 13:13 »
I think the real benefits are in the 3rd party liability coverage in case someone trips on your tripod leg or something
1311
« on: June 01, 2009, 13:28 »
"Is setting up a foreign office really worth while to appease some contributors? Is that why other micros set up foreign offices? I doubt it." <- Zeus, you're missing the point. Setting up foreign offices provides other benefits like lower taxes, possible local grants, etc. Appeased contributors is loooooow on the list. Foresight....higher. 
Perhaps this has been discussed in the past, the need for foreign offices that is, it's just now that people have to do some leg work and in some cases pay out some money, that the complaints have set in. A foreign office is an expensive proposition, there needs to be a really good reason fro one.
1312
« on: June 01, 2009, 13:03 »
Jon's (1st version) tantrum post of threats to remove ports as well as 'this is how a business is run' .....kiiiiinda got a lot of us thinking of how capable he is as a CEO.
The issue is not that we have to fill out a W8-BEN form. The issue is: does Jon have the maturity or mental capacity to steer/maintain SS to be number one?
There's a good reason why all the big boys (and other stock sites for that matter) set up regional offices outside of the US. And from his posts, it seems he totally missed that from the beginning. Launching the news of IRS Taxation without fully understanding how it works also doesn't shine well on SS/him.
What happens when SS faces another tricky or tough situation? Can he calmly handle it or go into verbal diarrhea mode and alienate his source of income?
Now, yes, he is only human. Try using that in front of a board of directors. As a proper CEO, you're supposed to think/act at a much higher level. Not like a guy who got lucky and accidentally tripped into the role of one.
He just made other stock sites and their CEOs a lot cooler. 
Is setting up a foreign office really worth while to appease some contributors? Is that why other micros set up foreign offices? I doubt it.
1313
« on: June 01, 2009, 09:25 »
I find it humorous or more accurately perplexing, that something as simple as filling in a tax form can create such a huge furor. Last time I checked taxes were one of the few things in life that are absolute. It's unfortunate that some countries are not covered by tax treaties but I would suggest petitioning your own government to change those laws with the US. I'd like to see this sort of outrage with 25 cent downloads. As for the W-8BEN, I've filled 8 of them so far and everyone has required either an EIN or ITIN. I suggest getting both if you qualify for the EIN. Do the paper work and get on with it. That's business, at least we don't have to bribe officials to get things done.
1314
« on: May 31, 2009, 09:26 »
I think the most obvious reason, to me anyway, not to go exclusive is the inability to submit RF to other agencies, especially in the macro market. True enough that you get access to Getty RF, which it itself is a good thing but the overall disadvantages outweigh the advantages. I think that in the short term it has more advantages but as your career progresses it will bog you down, leaving is hard because of the sudden loss of income.
1315
« on: May 31, 2009, 09:13 »
Here's a cool surfing video done in slow mo, I think the camera cost $100,000
1316
« on: May 30, 2009, 16:12 »
Your right leaf, a plain plastic bag and some tape has only a few less features than the $200 model on B&H.
1317
« on: May 30, 2009, 13:53 »
I must admit I've got sympathy for those individuals living in countries that do not have an agreement with the US though.
That's for sure. It's one thing to have to jump through a hoop or two, it's another to have no choice.
1318
« on: May 30, 2009, 13:24 »
I want to do some model shooting in the rain. I have a 5DII which does not have the great seals of 1D series. I want to be able to move around freely but not damage my rig. Any suggestions?
1319
« on: May 29, 2009, 19:05 »
[ First, as you are fully aware, the Internet was created by the United States under the supervision of Nobel Peace Prize Laureate Al Gore. There would be no such thing as the Internet if it weren't for good old Al. Since the U.S. created the Internet, it is only fair that it reaps the rewards from any commerce done over the Internet. 
the internet has nothing to do with this, W-8BEN and the rest were required a long time ago. Long before the internet was the preferred method of picture buying. I'm surprised it's taken the US micros so long to twig onto this. Other countries do this too. I have to supply signed documents to a Spanish agency so they don't keep a bunch for tax on their end.
1320
« on: May 29, 2009, 11:54 »
So, has anyone got any royalties from Veer yet? Where do they show?
they don't show yet, they get sent via email at the end of the month, May 9 last month.
1321
« on: May 29, 2009, 11:01 »
Have SS said they will accept an EIN number? I can only see them asking for an ITIN number.
They really should. A company has to be able to deal with a company.
1322
« on: May 28, 2009, 15:07 »
Congrats. Which one did you get?
The M and thanks everyone for the BD congrats.
1323
« on: May 28, 2009, 11:31 »
Quote from Leaf:
If you qualify for an EIN you can get it over the phone (and the official papers will be sent in the mail) speading things up a bit. IRS number +1-215-516-6999 That is how I got my number a while back when another site needed it.
Can u explain this. It seems too easy. To get ITIN u need to do a W7 and send in together with Notarized Id. Is this something else?
When I did this I got both numbers and recall one of them needing only a simple telephone call to get. I thought the same thing. Why so easy? Who cares though.
1324
« on: May 28, 2009, 11:19 »
I had one in the time of Photoshop 4, so maybe 12 years ago? Not for a long time though.
1325
« on: May 28, 2009, 10:51 »
Got an Intuos 4 for my birthday. Just getting it sorted out for the different applications but I do find it a real treat to use.
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