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1426
« on: December 13, 2007, 07:05 »
Consider any uploaded files as an investment in the future - we value them all but are trying to balance out all aspects of the business as we get this thing rolling. Somebody must be doing something right at Zymmetrical since I got ( to my surprise) a 10$ sale from just 4 photos uploaded as a test last September. Finally somebody who got his marketing right in "MidStock". Me guesses that ZM found an unserved audience of buyers that are willing to pay more than 1$ per shot if it's the right one and they only need a few now and then ( SS's subscription being too expensive for them). For now I personally consider ZM as a promising investment. No rush. Take it easy guys, but the clock is always ticking in Stockland. Just curious, will ZM be accepting postal DVD's as a way of submission? Could save bandwidth in case one has 500+ shots.
1427
« on: December 13, 2007, 05:41 »
I find LO is easier, just one click after uploading. How do you do that with FP? I have to go through every image I have uploaded. If it is 100 images, it takes a lot longer. True. That's because LO has no real options for price and license type. You just get the site's settings. Note that the FP site remembers price and license type in one session. It just takes one click then. The MRF section on the other hand in FP is better: you can attach several MRFs to one shot. If I'm not mistaken, on LO you have to Photoshop 2 or more releases together for a group shot. LO is still ahead of FP for me, is it your extra efforts with FP that have made the difference? I guess so, through Flickr. I uploaded a guitar series on Flickr ( with proper tagging of course, and entering it in appropriate group pools - important!) and right after that on FP. They were rejected by SS ("this is not stock") and accepted on DT only 6 days later. Yet I got a full-size (10 MP) download of it on FP the next day. The 4.8$ I got for it would have taken 16 downloads on SS. It doesn't have to do with the FP search engine coz I just looked and I'm nowhere on the first 5 pages with "guitar acoustic". I found Flickr to be a very sneaky tool to override the RF sites search engine preferences ;-) Don't forget that Yahoo Images features Flickr with full embedded tags, unlike Google Images. Read this interesting post on Paul Melcher's blog about that. I have put a link in my signature here. That might help a bit. There must be some buyers who are paying more for my photos on other sites and I am receiving less. If they all signed up to Featurepics we would all get a better deal. They don't have to sign up I guess, since FP allows on the spot sales from non-designers that don't know about MS. That's why I feel my FP promo and sales aren't competitive with my DT and SS sales, and I'm not cheating on SS and DT, which both are great and the real earners... till now.
1428
« on: December 13, 2007, 03:17 »
I think professional designers should look there, as they will have photos that are not on the micro sites. I am starting to upload to sites that sell for higher prices and FP are one site on the list. Idem dito. FP is not really a MS site, not really RM. It's all-in-one. You mould it into what you want, without the hassle to set up your own site.
1429
« on: December 13, 2007, 03:10 »
Very, very slow. I have one sale a month, on average, with 488 RF photos. I'm almost halfway to my first payout now. Since my previous post, I got 2 more sales at FP. Maybe it's part of the mystery why some sell better at peculiar sites and some at others. Anyways, FP is as easy to upload as LO, and for me, FP sells and LO didn't. Consider taking a Flickr account (free if less than 200 pics) and link your (watermarked!) shots to FP. I have positive indications I sold on FP by my Flickr account.
1430
« on: December 13, 2007, 02:43 »
I am guessing it would take a few days for the thumbnail database to be updated... Yap. I quit too and it takes about a week. The confirmation email too.
1431
« on: December 13, 2007, 02:33 »
I like Bigstock. It was the first agency I started selling through. Almost all my images get accepted, and it is my 4th best earner. That says it all and it's exactly the same for me. It was my very first site to submit, and I always get very friendly replies there. Sales are not the top of the bill, around rank #4-5 or so, but they are stable and reliable. They had some glitches now and then in the past, but most were addressed. Last but not least, they are run by an entrepreneur couple, not by some huge anonymous company. Just call it a soft spot of mine. Sure it's very worthwhile to upload to BigStock!
1432
« on: December 13, 2007, 00:41 »
ShuttersTime.
Tough choice to be honest. SS and DT are so different and me thinks they attract different customers, and are not competitive to each other. IS gives me bad vibes. I'd hate to leave BigStock, so... no.
Some choices in life are impossible to make.
1433
« on: December 12, 2007, 05:12 »
So I don't think the professional designers are going to search for images there. They maybe can think it's a waste of time because of the surprise they can meet whit the price setting. That's all very true in general, but consider this. FP lets the photographer free as to price and sales model. As they acknowledged themselves, they don't do much marketing outside the web. That's why they can deliver 70% to the photog. It means you have to use FP in your personal promotion strategy coz they won't do it for you like other much more streamlined sites with only 20-40% for the photog. I use FP as the engine for my own site (they allow hotlinking and offer some nice easy snippets to put in the code of your site), and for my Flickr promo account. Whenever you do a personal promo like that, it's best to point to your FP portfolio, (1) because you get most $, and (2) because they allow purchases-on-the-spot. Let's say, by the occasional buyer. The seasoned designer will not use FP I guess because he has a (subscription) account with the major agencies. That's why I feel FP is not really competitive with conventional microstock. I'm in for it long-term. It's actually midstock (or at least you can use it like that) avant la LO lettre and without the hyphe. Sales? I'm on my way to second payout. About 8 times as much as on my canceled LO account and the payout limit is 50$. Both LO and FP started around the same time, a year ago. Somehow, FP must be doing something right.
1434
« on: December 12, 2007, 04:49 »
There's a real risk that SS long-term is over-saturating its own market. Those who have had subscriptions for a number of years, build their own picture archives, so a subscription will, after a certain amount of time, be less interesting. One of the reasons for the high earnings at SS, is just that: customers download images that they may need in the future, as long as they have quotas left to do so. That's why it's important to keep uploading new material to SS. At least, that's the theory. When I look at this month's downloads, I just observe very old shots download well too, and the most recent are there, but it's a minority.
1435
« on: December 11, 2007, 21:16 »
The same occurs with over whites, and to be honest, I never checked that before. Below is the edge of a small red Chili pepper over white (RGB 255,255,255) in a food shot at 200%, in Photoshop CS3, the white selected by magic wand tolerance 0, no anti-aliasing, not contiguous. The left clip is the 16-bit TIFF, the right clip is the 8-bit jpg saved in top jpg quality 12, and converted to 8-bit right before saving: I do all my image processing in PS at 16-bit, and I start from RAW. Clips are 200%.  Part of the jpg compression algorithm uses dithering around edges, and that is what we might see here. Good work from the reviewers, I never thought about that. I think it's simply unavoidable using the jpg compression algorithm. Pretty obnoxious for designers though if they have to redo the isolation. Maybe include the clipping path in the images? I never understood how to do it, but it's more laziness since there seem to be a few tutorials online. To photogs that use clipping paths: where can a good tutorial be found, and does the clipping path also contains this kind of compression artifacts?
1436
« on: December 09, 2007, 18:34 »
The scenario that a buyer will shop for the same picture at several sites and then chose the subscription site is possible, but me thinks not that is common, - since a designer is under time pressure, - and if he finds the right shot for 4$ he won't be inclined to lose 5 mins to find the same shot at 1$ elsewhere. The gain of 3$ is marginal in the total cost (and the cost of his time) of the project.
I'm more worried about a customer buying a shot for let's say 10$ at BigStock, then finds later by coincidence that the same shot is for sale at CanStockPhoto for 1$. He might feel a fool and the negative vibes will come down on the head of the photog.
I tend to believe that it is the wrong strategy for a photog to upload the same shot at midstock or 5$+ sites, and also at subscription sites for 1$. A compromise could be to upload only 4 or 6MP versions to (predominantly) subscription sites, and 10MP full resolution at midstock or regular sites. In this case DT poses a problem, since subscription sales are (at least for me) not 50% of the total yet.
Once again (as I posted a while ago at LO), the goals of the sites and the individual photogs are partly the same, but partly also different. A site want to maximize profit for all ports trusted to them and there might be collateral damage for individual photogs. The photog has to have his own strategy to maximize his personal income.
I read posts here and at other forums of seasoned photogs for instance, that reserve their best shots (of a series) for RM like Alamy, and upload the lesser versions to microstock. Imagine a designer that buys a shot at Alamy for 50$, then finds later (by coincidence) that same shot is on CanStockPhoto for 0.50$. Not the sites will get a bad name, but the photog.
1437
« on: December 08, 2007, 02:52 »
Guess what. After 3 weeks of no sales at all I got a whopping 25 dollar cent from a subscription sale at full 10MP size. After 2,5 years on CanStockPhoto, payout is finally in sight. 4.5$ to go.... or 18 sales. Disclaimer: this is a sarcastic post. 25 dollarcent for 10MP, what's that? nanostock or picostock? It might be that market pressures make sites decide to go for the subscription model. That's fine for a site like SS where the sheer volume on sales makes up for the low price, so the net result for the photographer is still good. A market, however, is made up by demand and supply. I don't know about others, but for me, I rather dump my shots for free on Flickr (which I enjoy immensely) than going through the hassle of make them 100% noise-free, 100% isolated, and to categorize them, just for an occasional 0.25$ sale. This is no critique of CanStockPhoto.
1438
« on: December 06, 2007, 00:48 »
I don't bother to protest them either... hey, how can the reviewer be wrong, right? Ain't no biggie to me, one doesn't want them, another will.... I never object either. SS rejected a few shots of handmade colorful guitars as "not commercial". The full series was accepted yesterday on DT (it used to be the other way round) and one sold 3 days after upload full-size at FP for 6$. SS used to be right most of the time, and their rejects were mostly technical. They must have hired a reviewer now that thinks he knows what will sell on stock. What brings me to the philosophical thought: how the heck any reviewer can know what will sell if he is a photographer that relies on his gut feeling and on what sells in his own portfolio? That should be a content editor with a wide experience of the market. Seems to me that an experienced contributor (with his own style and with his own type of shots) knows best what will sell. Why not let the market decide, and just delete shots after 1-2 years with no downloads?
1439
« on: December 06, 2007, 00:25 »
Zero, nada, rien, nothing, wala, nichts ;-) 500 shots online. Another one bites the dust?
1440
« on: December 05, 2007, 17:00 »
Ah, I thought I was the only unlucky one that hit the "crazy reviewer". After a year of almost 100% acceptance, my last 2 batches were suddenly rejected with very odd reasons ("jaggies in the illustration when it's a photo etc...) [3 of 3 rejected, 9 of 12 rejected].
Strange is that there were shots from a series that was accepted before (and sells) without any problem. Most rejects were sortof "this is not commercial". A new reviewer?
1441
« on: December 02, 2007, 00:01 »
I got a Flickr mail of stockphotopro solliciting submissions. Anybody any experience with them?
1442
« on: November 26, 2007, 23:36 »
I was rejected the first time using all photos that had been accepted at BigStock or DT. I am currently awaiting the 30 day period before resubmitting ... Any advice? If the rejection was for noise (I bet it was since your landscape portfolio at DT is very impressive), do an additional noise reduction on the noisy parts of the shots (especially the skies). Or resize to 4MP. Then resubmit.
1443
« on: November 26, 2007, 01:23 »
I'm sorry to see you leave, too, and just wanted to say "thank you" for the nice surprise you left me this morning. :-) Will reply the PM my night, later. I love that shot for the crunchy fresh feeling with the sparkling droplets, and the tender yellows that would match an overall yellow web design very well.
1444
« on: November 26, 2007, 00:36 »
I've implemented a few tactics to place my images higher in the DT search engine Ah? Let me guess. Adding "sexy" to the tags and replace "fuselage" by "body" ;-)
1445
« on: November 26, 2007, 00:34 »
I've gotten two payouts on LO. I've only gotten one on Fotolia and I've been with them longer. Each site has its own market and customer base and things work differently on each site. Some have more success for individuals than others. That's very true and my feeling is also it has to do with the parameters of the search engine. I don't think customers browse further down than page 10 or so. For me LO was rather unlucky, but SS, DT, BigStock and even FP make up largely for it. No need to bash anybody, since this is a small world and we probably meet again sooner or later. I wish them all luck.
1446
« on: November 25, 2007, 07:10 »
I replied on talkmicro ;-) Ah, that "forum" where threads keep evaporating? ;-) I left there a few days ago. Time to move on.
1447
« on: November 25, 2007, 07:03 »
People have been demanding a lower payout minimum on LO for a long time, but the site bosses are playing deaf to this frequent request. You didn't mention the better watermark, on which request we were ridiculed. Well it's like that I guess, and it's their site. Love it or leave it, and vote with your feet. I just sent my cancel account email, so LO is past tense for me from now on. I'm just sorry for this gigantic waste of time. As a token of appreciation to the great reviewers, I download a nice shot of Kari with my converted tokens. Time to move on and charm other snakes.
1448
« on: November 25, 2007, 06:04 »
I'm wondering, when will they start to sell ?  With your quality portfolio, about 25$/month/100 photos, on condition you upload regularly (about 10 photos per week should do the trick). ShutterStock is $hutter$stock. Great portfolio by the way! Don't forget Dreamstime (if you're not already there). SS and DT are each other's complement. SS for the quick buck, DT for sales in depth. They have another customer base, as far as I can judge.
1449
« on: November 25, 2007, 04:01 »
FYI - reply of Elena on the FP forum: We used the word in the wrong context, sorry. We have had a few cases where people were STEALING images from somewhere, and then trying to sell them on our site (or, as I know on other sites as well). We call such people abusers of the stock photography business.
1450
« on: November 24, 2007, 22:43 »
In the case of software, prices can be really outrageous. MS XP Home edition is 4000php or 100$ in the Philippines. You have to order it since it's never in stock. 4000php is the monthly income of a rural lower middle class family or 200kg of rice. The DVD with XP Pro (and loads of cracked games) at the market is 60php or 1.5$ and readily available. East is East, and West is West, and never the twain shall meet.
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