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Messages - PeterChigmaroff
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1726
« on: June 05, 2008, 13:53 »
I wonder how engrained the various buyers are. Micro is certainly a growth industry, but really, is Fotolia going to change the world by offering subs? Are most sub buyers already hanging around SS? Is a fancy new web site going to drag buyers over to SV? Is it all just a bunch of wishful thinking on the part of agencies to prop up sales?
1727
« on: June 05, 2008, 08:13 »
Let me stir the mud a bit more here.
Alamy's RM that everyone refers to is called L (Licensed) by Alamy because guess what? It's not really RM. The moniker RM, although probably not written into national statutes, general implies an image that has a known sales history. Therefore a buyer can use it knowing that someone down the street isn't using it or if they are using it they aren't in the same business. Now it's true that a lot of purchases are made without purchasing the extra rights but they could be and that's why there is still money in RM. Something had to separate RM for RF. So in Alamy's case they sell L because most of the images are RM in nature except often sold on other sites, hence no guarantee of sales history can be made. Also RM generally has a fixed and very defined licensed, usually for a specified period of time. So imagine this, a buyer after using the image for a year decides he wants to re-use it, he comes back a pays more. A crazy concept in the world of RF and especially micro, but hey, it's a crazy world. Did I every tell you about the times I made >$10,000 on a single sale or several images that each had a sales history's >$150,000. Nah, I'd sound too much like a drunken loser.
1728
« on: June 03, 2008, 15:54 »
This is not correct. Bill Gates owns Corbis and he also has many shares in Microsoft, but Microsoft does not own Corbis, yes and Corbis owns SnapVillage so I guess Bill Gates owns SnapVillage.
1729
« on: June 03, 2008, 12:48 »
Not going to miss the sales too much 
That's for sure!!
1730
« on: June 02, 2008, 22:18 »
Does anyone know how many images the average sub user downloads? i.e. what does an agency actually make? Actually I really don't care. All I know is that the buyer is getting too much for too little!
Regards, Adelaide
I believe you are correct!!
1731
« on: June 02, 2008, 21:56 »
Does anyone know how many images the average sub user downloads? i.e. what does an agency actually make?
1732
« on: June 02, 2008, 16:58 »
One last comment from me and I'll shut up - promise.
Here is the basics off iStock,
Does that cover all of my files? Exclusivity only covers your royalty-free stock files. iStock does not require Exclusivity for: Rights-managed files with other organizations Personal portfolio sites Work for hire/editorial work contracts Prints for sale Prints, t-shirts and the like produced on art-only sites such as cafepress.com
I have done work for hire contracts for RF agencies and I transfered ownership to those companies. I shoot, they then purchase the shoot from me on a per images basis. They then sell the images as RF and I never see another penny. Now, am I doing work for hire or am I doing RF? If I am doing work for hire, why can't I sell my images to a spouse. She gets the income and you can bet I'll never see another penny again.
1733
« on: June 02, 2008, 16:02 »
From a buyers perspective, is there anything that really sets apart one agency from another?
1734
« on: June 02, 2008, 14:12 »
... would be better suited for traditional RF than micro ...
Even traditional/macro RF is not allowed under IS exclusivity deal only RM.
Exactly, hence the need to re-assign the images to another entity. I'm not condoning this; I'm merely trying to work through the legalities of such an endeavor. Transferring a copyright is perfectly legal; if a micro says you can't take a picture, transfer the copyright to someone else and then have it sell as RF then it's against the contract.
1735
« on: June 02, 2008, 13:52 »
Technically, it is legal to re-assign a copyright to another individual or entity. Anyone who has done a work-for-hire job has done just that. sjlocke answered my question on the previous post in that most amateurs don't know how to handle image exclusivity issues and I doubt most amateurs would know how to handle multiple account issues as well. Most would expose themselves. But we're talking about selling images at multiple sites, using two different names. Same last name, but different people, so how can both people hold the copyright on one image, and both upload it at different sites?
What you say above should not occur and plainly would be stupid if it did. I see no real reason to have two accounts at one site. My only reason for such a thing is if you clearly shot something that is obviously not Istock-centric but still felt it best to be marketed in the RF segment then you would re-assign the images to be placed elsewhere on a non exclusive basis. Never ever the same images or even images from the same shoot. Also there are some images that would be better suited for traditional RF than micro i.e. they would make you more money, then it would be nice to be able to choose. It's not straight forward the concept of exclusive representation.
1736
« on: June 02, 2008, 11:07 »
...As for the wife thing, they're not stupid. That's just avoiding the spirit of the rule, and iStock isn't the police. If they figured out your game, they'd probably cut you off.
I don't know why anyone would even try this. Too risky. If they really value their microstock income, why would they gamble it on a quick-buck scheme like this? Seems like an awful lot to throw away in an effort to get a few extra downloads each day.
Technically, it is legal to re-assign a copyright to another individual or entity. Anyone who has done a work-for-hire job has done just that. sjlocke answered my question on the previous post in that most amateurs don't know how to handle image exclusivity issues and I doubt most amateurs would know how to handle multiple account issues as well. Most would expose themselves.
1737
« on: June 02, 2008, 10:43 »
Because you'd shoot one image, and then another vertical for another site, and say "Well, that first image is only on iStock, the second one is different".
Well i agree it could create problems like this, but the same problem currently exists in that you could upload the horizontal as RF to istock and the vertical as RM to alamy.. so having total RF exclusivity doesn't solve this problem.
The only way to solve this problem is to say that such things are not allowed and that is what sites do that require image exclusivity. Many macro sites require image exclusivity which includes similars to the uploaded image.
The thing is traditional agencies allow image only exclusivity. It's not really an excuse; it does mean that photographers need to be educated as to what image can or cannot be used elsewhere if it is similar to one already on exclusive file. Getty, who as you know, owns iStock and does this very successfully. Unless you think micro photographers can't handle making such distinctions.
1738
« on: June 01, 2008, 22:28 »
iStock exclusivity is only about selling images royalty free. It has nothing to do with shooting weddings or selling RM.
It's true that some protection is afforded you by way of selling RM and WFH contracts but it is still a very restrictive agreement. On the other hand it does seem straight forward enough to dump the agreement if you wish. Someone can correct me on this but I imagine you can go ahead and submit to other micros all the images that reside on iStock that got there during a exclusive agreement once the agreement is terminated. A shifty photographer can take advantage of the higher upload limits for a while, boost his/her portfolio and then go non exclusive. If you can run full tilt at bronze or silver for a year, it would allow a decent size portfolio, then off to non-exclusive land. Hmmm.
1739
« on: June 01, 2008, 09:59 »
I was wondering if I could get an opinion from you veteran microshooters out there. Your best selling images on SS, do they usually start off with an obvious spike in sales and continue along being generally high in sales or do they have a much longer longevity than the average image where they never really soar but never die off either, always giving you a sale here and there?
1740
« on: June 01, 2008, 09:52 »
The meds kicked in and the sales are back.javascript:void(0);
1741
« on: May 31, 2008, 12:19 »
How do you delete an image at SS?
You need to go to the submissions summaries and find the image. there is a X there which deletes the image
1742
« on: May 31, 2008, 12:14 »
, Green Crested Turacos are very pretty birds. 
Hmmm, I thought it was a pigeon.
1743
« on: May 31, 2008, 10:38 »
As my portfolio builds I continue to see increases in DLs. I hit 62 on Wednesday plus an EL. I'm starting to see real improvements. Yesterday I deleted 7 images off my portfolio. Every since that moment not a single sale has been reported. True that Friday night and Saturday are slow but I've never seen zero in this time. Usually a half dozen anyway. I still find images of mine in searches. Is it just an unexpected lull? I perhaps need to get back on my anti-paranoia medication.
1744
« on: May 31, 2008, 10:12 »
It's about time!! Have you got some earplugs for the kids (mommy mommy, daddy used the f-word again)? Also I need a couple dozen pair of anti-artifacting glasses to send around to my reviewers.
1745
« on: May 30, 2008, 16:24 »
My main concern about iStock exclusivity is that it is too easy and allows the world to be awash with iStock exclusives. That needs to change.
In fact, what is probably happening is that they are tending to get the moderately competent hobbyists who are doing this for 'pin money' and don't want the hassle of uploading to a load of different places.
I would guess that a lot of people who are in this seriously have no desire to close off all other avenues for RF sales. Apart from anything else, they'd probably take a hit in the pocket. IS will have to significantly up the rates they pay exclusives to get many of these people interested.
(P.S. I don't mean this to be derogatory of people who are exclusives. I'm talking about tendencies here)
For myself, I have been involved with the traditional end for a long time. Even if I wanted to become exclusive to iStock I can't because it is impossible to remove other RF images out of the market. Traditional RF involves CD distribution and as such usually carries with it really long (often 20 year) distribution agreements for those images. I'm no big time shooter but those that are are excluded from going exclusive. Although the exclusives with iStock are great photographers, it seems a short sighted arrangement to not try and woo over other big players if you could.
1746
« on: May 28, 2008, 18:40 »
I personally think the quality of images within Microstock has risen so high that soon the average novice player will be left so far behind it will make it pointless to submit. Agencies may still allow anyone who can make the technical grade to play but I doubt that that it will be worth their while.
1747
« on: May 27, 2008, 20:37 »
I find this interesting. I've just started contributing 3 weeks ago and although I am limited by IS's 15/week I still had more of an expectation. Right now I'm running something like 410s DL at SS to 3 at IS. Hmmmmmph.
1748
« on: May 27, 2008, 16:08 »
I'd probably go with Alamy.
1749
« on: May 27, 2008, 16:07 »
If my camera accidently goes off while I'm putting it away then I'd like enough for that image that would cover the cost of processing, keywording uploading etc. If however I spend $1000 on a few hours talent then I would like considerably more.
1750
« on: May 26, 2008, 09:11 »
I have repaired a rejected image on IS only to have it rejected the second time for a completely different reason. At one time my acceptance at IS was only 28.8% It's now 49%. I no longer upload anything questionable at all to IS. Being limited to 15 per week sucks! I now keep my que full of images that I feel pretty good about and it has brought my acceptance rate up a lot. I'm working on getting my rate well above 50% just in case I want to go exclusive one day. I say this only because you need to be real careful with rejections at IS. Just because you repair what they rejected if for doesn't mean they will accept it on the second go. This very thing has kept my acceptance rate down and my portfolio small. Both hurt! I working on growing it because many people keep saying that IS is the best "Long Term" winner. I'm still waiting to see that myself. Never say to yourself "Oh they won't see that" WRONG.....They catch everything....and even things that aren't there unless you view at 200-300%!
I see what you mean alright; no doubt they have some of the shrewdest pixel peepers in the industry. Where else can you find someone who will spot specular highlights and call it chromatic aberration or designate an image as over filtered because it was shot in warm lighting.
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