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Messages - visceralimage
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176
« on: March 08, 2011, 22:09 »
When I started uploading to all the sites, I avoided PixMac because the answers the owner was giving to the questions about their problems sounded like political spin-no direct answers just redirection of topics. Glad I avoided them; now must find if my other sites have put my images with them
177
« on: March 08, 2011, 21:29 »
Well, it has been three weeks since I dropped my exclusive status at Dreamstime and went full out to upload to all sites. Here are the updated numbers
accepted pending waiting needs work sold
123RF 386 120 0 0 0 BigStock 712 0 0 0 0 CanStockPhoto 828 0 0 0 2 Crestock 551 223 0 0 0 Cutcastor 113 0 0 0 0 DepositPhotos 865 47 0 4 4 Dreamstime 1081 41 0 0 41 FP 112 464 0 0 0 FOTO 727 51 0 0 6 GL 680 84 86 0 1 ISIGN 410 0 0 0 0 IS 29 18 0 0 3 PANTHER 574 85 0 0 0 SSP 501 0 0 0 0 Shutterstock 630 0 0 0 189 SF 869 0 21 0 0 VEER 144 68 611 141 1 YAY 894 37 0 0 0 3d 194 0 0 81 0
Dreamstime was the anchor store with images online, about 900 at the start of this diversavication. Still more images to get on the sites. All images were uploaded to the following: BigStock, CanStockPhoto, DepositPhotos, FOTO, SS, SF, VEER and YAY; others only got partial uploads because of FTP problems, or other related issues.
Acceptance rates; IS is at 53% (issues with artifacts, struggling with this issue), Shutterstock at 75% (issues with focus point, they want more depth of field than most of my wildlife images), BigStock and Fotolia at 80% (Fotolia mostly because they do not want certain images), all others above 90%
My sales at Dreamstime have dropped since dropping exclusive status, still to early to tell the long term effect. Shutterstock sales are very steady, $2-6.00/day. IS has not taken off yet, only three sales total. DepositPhotos is encouraging with four sales; Fotolia is discouraging with only 6 sales.
178
« on: March 08, 2011, 19:50 »
This one: A really large rough oily hand shaking a real feminine delicate hand with perfect nails
Or, how bout a business suit arm shaking the flipper of a sea lion.
I want to play... but why limit it to parodies of shots that sell well? I think it would be even funnier to lampoon the overproduced stuff that no one actually wants, yet people still produce in vast quantities.
How about this... a cute puppy standing at the edge of the Grand Canyon, with a rainbow in the sky above it. Oh, and the puppy is in lingerie, with an alluring look in its eyes.
Or we could also do fairytales; all the lemmings going over the cliff (maybe with a reflection of Marlin Perkins (sorry, forgot how to spell his name-the guy with wild kingdom) tossing them over
179
« on: March 08, 2011, 18:24 »
My macro has a built-in hood. Wide angle all depends on the situation. It casts a shadow when using a flash, and since I use flash quite a bit with the wide angle, I usually keep it off. But, I'll put it back when there's too much glare.
Agree with Karimala, use it all the time except when it is a problem
180
« on: March 08, 2011, 18:22 »
Lord knows I've been waiting years for a good pro body from Nikon that isn't $8K and has enough MP make it worth an upgrade
Take a look at the new D7000, about 16 megapix, nice body shape, fast and well made; acceptable at ISO800 for stock-needed in low light wildlife images, at times). Image quality better than D300s; camera robustness not as good as D300s but not bad.
181
« on: March 08, 2011, 16:35 »
Hi Tom;
I like this image because but it missed the mark on a couple avenues. In stock, we must think of concepts. In tennis, line shots great because they show the skill of the game but you have two balls in this image; so this can not be used to show that the ball hit the line-why would two balls hit the line at the same time. The shadow is also going to cause problems at many agencies, just a bit to dark.
If it was me, I might put a bit more thought into this concept, it is a good start.
Maybe same image but suspend the ball a couple centimeter above the line with piece of fishing line (clone out the fishing line after the shot). Or, a more challenging image, do a multi-flash image of the ball approaching the line
I agree with you, shoot what you love. You love tennis; put a lot of thought into the game and images you think convey the love of the sport and the intensity of the game.
Another interesting shot; close up of only the racket head with ball hitting the racket, ball shows a slight flatten area where it hits the fabric of racket and fabric shows a bit of stretch from impact of ball. This would be another challenging shot to do but I believe you can do it. maybe even step it up more, have the racket slightly blurred by using rear-curtain sync on your flash and a slower shutter speed but the impact would be sharp because the flash would stop all action at the very end.
182
« on: March 08, 2011, 16:22 »
Couple things; don't compare yourself to Sean-he is at the top of the game and a bar that is hard to hurdle. Second, start with Dreamstime and Fotolia-these agencies are a bit better for beginners.
183
« on: March 08, 2011, 03:53 »
I believe a good solution for image reviews is to say: submitted images must have been accepted at one of the big four agencies.
185
« on: March 07, 2011, 22:21 »
The difference is that most wildlife photographers are doing it for love, anyway. Obivously if you are shooting business concepts on white, or other 'set ups', you're doing it for money, and you wouldn't be doing it 'anyway'; so you'd need to look at whether it was 'worth it' (e.g. what other uses could you have for the images?)
Oh c'mon, I love shooting handshakes on white. It's my passion. And it's a bonus when it costs me more to produce than I make.
Paulie; you need to find models that actually own suits so that your expenses are not so high. Getting the local bums or homeless from the park is cheaper but buying the suits gets expense 
Hey, c'mon now. Those manicures cost a lot of money so I can get the perfect handshake shot. I try to use twins for models so their hands are perfectly symetrical. I hold hand auditions.
Yeah, I know; because you only see the hands: you could have two trolls shaking hands for all we know because you only see the lower arm and the hands. I think I really need to start a parody microstock business; my mind keeps doing all these shots as a parody. This one: A really large rough oily hand shaking a real feminine delicate hand with perfect nails Or, how bout a business suit arm shaking the flipper of a sea lion.
186
« on: March 07, 2011, 21:27 »
I was complaining the other day about only having two sales in the three weeks I have been active on IS; now-I am glad I have not had any sales at 7 cents or 9 cents. If that is the future of IS; I am not interested!
There was a time I had a day job working for "the man"; I am self-employed and a photographer. I will do weddings or babies before I do 7 cents an image.
187
« on: March 07, 2011, 21:13 »
I submitted an image of an alligator, it was rejected because of selected focus. The game winner, was they recommended using a tripod to increase the depth of field. I want the reviewer to show how it done, with more depth of field, using a tripod, and without getting becoming alligator bait!
Wait till they tell you they want a lower angle; laying on your belly photographing alligators is not so smart-speaking from experience!! When the gator "charges" you and hits your lens, jamming it into your face, it smarts (maybe "smarts' is not such a good pun here). Such are the joys of being a wildlife photographer. Snapped at by alligators, chased by bison, struck at by rattlesnake, kissed by a moose (she was a good kisser but a bit sloppy), etc.
188
« on: March 07, 2011, 21:09 »
The difference is that most wildlife photographers are doing it for love, anyway. Obivously if you are shooting business concepts on white, or other 'set ups', you're doing it for money, and you wouldn't be doing it 'anyway'; so you'd need to look at whether it was 'worth it' (e.g. what other uses could you have for the images?)
Oh c'mon, I love shooting handshakes on white. It's my passion.
And it's a bonus when it costs me more to produce than I make.
Paulie; you need to find models that actually own suits so that your expenses are not so high. Getting the local bums or homeless from the park is cheaper but buying the suits gets expense
189
« on: March 07, 2011, 16:27 »
190
« on: March 07, 2011, 03:39 »
However, I DO get very frustrated with those 'focus' rejections.
Agreed, what are they looking for; this is the only agency that routinely gives the focus rejection
191
« on: March 07, 2011, 00:02 »
Is it better to upload images as RGB or sRGB? ...
Do you mean Adobe RGB or sRGB?
AFAIK the only common denominator across all sites at the moment is sRGB. If a site does not convert images in spaces other than sRGB to sRGB when creating thumbs, lots of browsers will display the image with really unpleasant colors. As more browswers become color management aware (i.e. can read ICC profiles) it'd be OK for any image with an embedded profile, but I doubt sites will ever put profiles into thumbnail images as it'd make the files too large.
iStock is the only site that handles automatic conversion for thumbnail creation and web sizes from whatever profile you upload in - ProPhoto or Adobe RGB - but that's been broken for a month or so (fix supposedly just around the corner).
When I was independent, I always converted to sRGB when making the JPEGs to upload.
Yes, Adobe RGB or sRGB; to me this is a bit amazing. sRGB is a much smaller gamut color space so the sites not doing the conversion for web viewing means we must upload lower quality images for purchase. If a client is then going to print the image, they lose even more in conversion to CMYK
192
« on: March 06, 2011, 20:47 »
I am certainly doing the wildlife photography for love; I am putting the time into getting the images on the microstock sites for money. Sometimes, it is difficult to concentrate on the love part when you are hungry!
Time to get those animals some business suits lol! 
Hey, there is a good idea. A bear and a Tiger shaking hands; three bears around a conference table discussing business matters, or a bear holding a weigh scale and looking back over her shoulder (aka Yuri)
193
« on: March 06, 2011, 19:26 »
Is it better to upload images as RGB or sRGB? I know RGB is a wider gamut color space and will have more information; I assumed this was the best color space to be uploading but sRGB looks better on the web and may result in more downloads. What do other do?
194
« on: March 06, 2011, 19:21 »
Bob;
I also do not do people; I am having similar acceptance rates between SS and Fotolia but sales at SS far outpace Fotolia. I have only been uploading to these two sites since mid-month of Feb 2011; have approx 600 images on each site. I have had six sales at Fotolia and over a hundred at SS
I believe it is a matter of markets; I believe Fotolia serves a different market and has lower sales for our type of images.
195
« on: March 06, 2011, 17:59 »
i somewhat agree. My numbers are so bad it will make anyone look better compared to mine.
I just left Dreamstime exclusive at mid-month. Dreamstime at about $70, down from $125 (1000 images online) the rest based on 15 days of being active (ranging from 19 images to 700 images online) Shutterstock at about $33 Veer at 3.50 Fotolia at 2.00 DepositPhotos at 0.60 all others (14 of them including IS) at a big whopping zero
Wow with 1k images online it must hurt to only see 70$ for a whoe month. I am surprised you are not getting more sales off that many images, Shutterstock usually pay good money when you have a large portfolio.
I am wildlife photographer, different market
Yeah, dude, 1,000 photos is an extraordinary level of effort. I've put in 20+ hour weeks for 3 years and haven't hit 1,000 photos yet. I'd have to question whether the effort was really worth the return. Just sayin...
The difference is that most wildlife photographers are doing it for love, anyway. Obivously if you are shooting business concepts on white, or other 'set ups', you're doing it for money, and you wouldn't be doing it 'anyway'; so you'd need to look at whether it was 'worth it' (e.g. what other uses could you have for the images?)
I am certainly doing the wildlife photography for love; I am putting the time into getting the images on the microstock sites for money. Sometimes, it is difficult to concentrate on the love part when you are hungry!
196
« on: March 06, 2011, 03:17 »
welcome welcome
good bye, good bye .. user banned for being a spammer. He was looking to get his 10 posts so his links would show. looks like he only made it to 9 posts. pitty. 
i was wondering why he answered every thread with a two word answer and no real answer
197
« on: March 06, 2011, 01:23 »
i somewhat agree. My numbers are so bad it will make anyone look better compared to mine.
I just left Dreamstime exclusive at mid-month. Dreamstime at about $70, down from $125 (1000 images online) the rest based on 15 days of being active (ranging from 19 images to 700 images online) Shutterstock at about $33 Veer at 3.50 Fotolia at 2.00 DepositPhotos at 0.60 all others (14 of them including IS) at a big whopping zero
Wow with 1k images online it must hurt to only see 70$ for a whoe month. I am surprised you are not getting more sales off that many images, Shutterstock usually pay good money when you have a large portfolio.
I am wildlife photographer, different market
Yeah, dude, 1,000 photos is an extraordinary level of effort. I've put in 20+ hour weeks for 3 years and haven't hit 1,000 photos yet. I'd have to question whether the effort was really worth the return. Just sayin...
If we were only counting last month, I would agree the effort did not match the return; the advantage of wildlife images are they are a bit timeless-no changes in clothing styles or other similar problems. Hopefully, in the long run, it will all even out.
198
« on: March 06, 2011, 00:42 »
I am interested but only 1100 wildlife images
199
« on: March 05, 2011, 23:51 »
i somewhat agree. My numbers are so bad it will make anyone look better compared to mine.
I just left Dreamstime exclusive at mid-month. Dreamstime at about $70, down from $125 (1000 images online) the rest based on 15 days of being active (ranging from 19 images to 700 images online) Shutterstock at about $33 Veer at 3.50 Fotolia at 2.00 DepositPhotos at 0.60 all others (14 of them including IS) at a big whopping zero
Wow with 1k images online it must hurt to only see 70$ for a whoe month. I am surprised you are not getting more sales off that many images, Shutterstock usually pay good money when you have a large portfolio.
I am wildlife photographer, different market
200
« on: March 05, 2011, 23:39 »
Well, SS has my vote, at least my stuff is selling on SS and DT; in three weeks, only two sales on IS. I understand I only have a limited collection on IS but I am getting plenty of views just no sales.
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