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Messages - hatman12
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201
« on: April 22, 2015, 22:20 »
No neither do I. Usually. But when someone remarks that views are suddenly climbing 50% to 100% over a two week period, that's something perhaps significant, and worth wondering about.
202
« on: April 22, 2015, 21:44 »
I've noticed the number of views at Fotolia climbing rapidly over the last couple of weeks. Initially I thought this was due to new uploads, but then I noticed others commenting on it in the FT forum.
Anyone else seeing a rapid rise in views at Fotolia? Anyone know why? (go to your statistics page to see the views history)
Edit: we're talking here about views suddenly climbing by 50% to 100% ie. a significant and very strong change.
203
« on: April 14, 2015, 19:18 »
Portfolio developing nicely.
204
« on: April 12, 2015, 21:59 »
Well I think it's lovely work and very likely to appeal to Stocksy. However, they might prefer to see a bit more variation in subject matter. I'd try to add some more work of a similar style but with different subjects.
205
« on: April 10, 2015, 16:44 »
Yep, Europe is Fotolia's biggest market, and many people in Europe take advantage of the long Easter weekend by adding extra holiday days so they get the whole week off. Not surprised FT is slightly slower this week.
206
« on: March 29, 2015, 23:06 »
Some pretty awful stories here about falling sales. I understand completely how becoming Emerald or Sapphire with higher prices might affect sales, and of course it's always possible that Fotolia changed the search because it didn't want to pay out the higher rates of commissions to the higher ranking suppliers.
I did, however, read a note on Fotolias forum recently where someone mentioned the 'database crash that happened three or four years ago and affected sales for a lot of people, including many bronzes'. Apparently they had a database crash and 'lost' or corrupted a large part of the keyword ranking system, which resulted in a sharp fall in sales for previously popular files.
It's a long shot, but I wonder if that database crash is a contributing factor in some of the decline in sales for previously successful suppliers. It must be worth checking some files using the manage files - indexing feature to see if the keywords order is complete nonsense. I suppose it's also possible that many files have keywords missing, or perhaps none at all.
I mention this because although I'm aware that Elena and some others are at the higher levels, I don't believe Sharpshot and Mellimage are Emerald or Sapphire, yet they are telling the same story, which suggests some other factor might be at least partly to blame.
207
« on: March 28, 2015, 21:56 »
Lee, I've got lots of files marked as 'pending cutout'. Mostly these are isolated on white. I've already created and saved paths for most of these, and in a quiet time it wouldn't be much trouble to make the background transparent and save as a PNG. Would this help, and would it allow those files to become available for sale more quickly? And how would I go about letting your people know that I've uploaded PNGs for review? I'm sure others here would like to know about this.
208
« on: March 27, 2015, 04:25 »
That's some scary chart Sharpshot. Any idea why that happened?
209
« on: March 27, 2015, 00:53 »
With my Canon 5Dii I always have it set to 'blink' the overexposed areas. I use this blinking as a 'shoot to the right' aid instead of a histogram. In the studio when shooting isolated on white I expose for the main subject then adjust the lighting onto the white background by changing the power of the strobes until the entire white background enters blinking territory. This usually gives perfect isolation without light spill - the background is only overexposed by a half to one stop.
210
« on: March 25, 2015, 22:19 »
Depends. If you want to blow out a white background to 255 with full length models you are going to need four flashes just for the background - you won't get an even 255 white background with just two lights as they won't cover the entire wall. You might get away with just one light for front side lighting but then the hair will likely look dull - most pros will use an overhead light to add sheen to hair. Also one front light might not give an even light full length - you can imagine the need to have two flashes one above the other to give even lighting full length. You can try to do it all with just three units but you're going to have problems with uneven lighting, inability to blow out the background completely, and possibly inability to fully light a standing subject from the front.
640W units might be enough, but bear in mind the square multiplying factor of distance - if your current units give you F11 shooting small to medium size objects in a home studio situation, those same units might only give you F5.6 when you move them back a few feet to light a person.
211
« on: March 25, 2015, 19:34 »
Find a large commercial space that will rent by the day - community halls, office buildings, libraries with meeting, presentation rooms etc, preferably a place with at least one large white wall. Bear in mind that you might require much more powerful studio lighting - those that work well for objects at home may not have enough power in a full length setting. To get the best result you are going to have to spend some money.
212
« on: March 23, 2015, 18:23 »
I won't be buying one of these new 50mp Canons. I've seen the sample images and the full size quality looks rather disappointing to my eye - similar to APS-C with much more noise than my 5Dii. Perhaps there will be an intermediate camera somewhere in the 32/36mp area, and I'll wait for that.
213
« on: March 21, 2015, 00:03 »
Jo Ann is right with her comments as usual. Technically these are well off the mark, and also aren't particularly commercial.
You might like to check the lens you are using, or reconsider exactly how you are going about taking photos - your images are incredibly soft and nowhere near the sharpness requirements of photo agencies.
I think you also need to practice and read up on noise, as you don't seem to be able to recognise noise or how a high quality photograph should actually look. Take your sand dunes image for example - can't you see all the noisy pixellation in the sky? That sky should be super smooth, not broken up into pixels. Also, the sand dunes in the foreground should be razor sharp given the lighting conditions, but they are soft like all your other work.
Your city skyline is also soft or out of focus, and cannot be used as a commercial stock photo unless you clone out all the building and corporate signs.
Spend some time finding out how to produce high quality sharp images.
214
« on: March 20, 2015, 21:48 »
No, not inspiring. A English language photo service based in Hong Kong, without connections in the US or Europe looks like a non-starter to me. In addition, although there's a suggestion of marketing spend, the more I look at this the more it looks like a 'storage, shop front' service, rather like Photoshelter but not as good. I suspect the developers expect suppliers to do all their own marketing, directing customers to the shop front where SIM takes a 20% facilitating commission. I wish them luck and success, but I'll spend my time elsewhere.
215
« on: March 20, 2015, 18:23 »
What's the story on Photodune? I don't upload there, but as a fairly new independent I'm obviously interested in researching all agencies. I'm aware that Envato has great success with the audio side of the business, but it appears that Photodune hasn't really taken off in the same way.
I've seen the threads about pricing structure, author fees etc, and I understand the concerns. However it does seem that the net payment to suppliers is around 35% which doesn't seem too unreasonable.
But what I find confusing is that Photodune only appears to have 7 million or so images. The various factories and large suppliers appear to have given this one a miss. Prices seem low - is that one of the reasons? From the poll it appears that Photodune is ranked similarly to BigStock, yet Bigstock seems to be attracting millions of images each month and Photodune very little.
Is there something I've missed here? Is Photodune really that bad that nobody wants to upload there?
216
« on: March 20, 2015, 00:46 »
I did the 'stock photo gavel' search. Yes, Shutterstock dominates the result, although 123RF and Deposit are also there, and Getty (to a lesser extent).
What I found interesting was when I clicked on a Shutterstock image to go to the web page - it didn't do that, but instead took me to a Shutterstock search results page for "stock photo gavel", which of course then gave a wide selection of choices.
Somehow, Shutterstock has been able to get search result pages indexed, which explains why they get so many images in the result.
I remember having a conversation with a Shutterstock representative a few months ago, who said - "we're not a photo agency, we're a technology company". It's clear that Shutterstock has invested heavily in technology expertise, and they know exactly how to get the best search representation. Not by asking their suppliers to rewrite millions of titles and descriptions, but by employing tech experts who know exactly how to get the best result.
You know, it's rather a shame that istock seems to be scraping around in the dark in so many areas. They take up to 85% of the revenue from the work suppliers produce, and one would have hoped that they would want to invest in the right technology people to help the business grow and make it a success. It's rather insulting that they now ask suppliers to spend days, weeks or months rewriting titles and descriptions, when what they really should be doing is spending money employing the right tech experts who would have in-depth knowledge of exactly what to do to generate the best SEO.
217
« on: March 20, 2015, 00:25 »
I'm pleased to see Super Image Market trying to establish a new photo agency based in Hong Kong to service HK and the Chinese market, which is of course a potentially huge market. And, of course, it's a pleasure to see a representative of SIM come here and take constructive advice from long established stock photographers.
However, I think it's obvious that the web site, terms & conditions, upload process etc all need further work. And I'd like to hear more about how the agency is going to do the translation into Mandarin and Cantonese (although I believe the characters are the same, just different pronunciation) and what their plans are for marketing and sales.
Too early for me to participate, but I'm happy to upload some trial images if that helps refine the upload and ingestion process.
I should say that I don't like the headline "you get 80% of sales" - it smacks of unreality and looks suspicious. If SIM has got money to invest to establish and grow the business, I'd rather see a lower rate of commission (perhaps in the 50% to 60% area) and heavier investment in marketing and sales.
218
« on: March 17, 2015, 23:29 »
"2.4 Under this contract you must: 2.4.1 Be the Copyright owner of the Images or have authority from the Copyright owner to enter into the Contract. You must have a written agreement with each copyright holder of the Images if you are not the Copyright owner of the Images. Once we ensure your images have actual infringement of copyright, you will be fined $ 10,000 USD and deducted 50 points. When your account balance is greater than or equal to $ 10,000 USD, we will deduct the fine from your balance directly; if your account balance is less than $ 10,000 USD, you need to submit $ 10,000 USD within 3 days, otherwise, we will freeze your account, including your account balance."
219
« on: March 17, 2015, 23:05 »
"We're currently testing a new service for our Premier platform. We wanted to let contributors know and help to provide more information.
First, a bit about Premier. It's been four years since we launched Premier to help us build relationships with larger clients, such as publishers, ad agencies, and Fortune 500 companies. It showcases the collection in a way that works for their needs, and through Premier we offer custom license packages, additional indemnification, and help with researching the collection.
To add more value to the experience of these large customers, we are currently testing a new collection Premier Select. During this test, we are working with a small group of contributors. If customers respond well to this test, we will look to expand to additional contributors based on lifetime earnings, giving you the opportunity to consider participation in this collection.
Many of you regularly see downloads from Premier customers and you will continue to see those payouts. Premier Select will not change the exposure of your content currently available to our Premier customers.
Ultimately, the goals for this initiative are to meet more of our customers' needs, while providing additional, premium licensing opportunities to more contributors. As we test and learn, we will be back in touch with you about how your work can be included in this new collection."
220
« on: March 17, 2015, 02:24 »
Nice article. Informative. Thanks for posting here.
221
« on: March 16, 2015, 20:18 »
Image size is a matter of simple calculation. If Fotolia says your image is smaller than 4mp, then it probably is.
222
« on: March 15, 2015, 22:08 »
Shutterstock are very clever people. The best in the business. You can be absolutely confident that if they make a change like this they will have researched the impact very carefully indeed. They certainly won't do anything that reduces their profit margin. If they are removing the daily limit, it is either because they believe it will make no difference, OR because their detailed research suggests it will result in fewer downloads. They certainly will not be doing it because of anything iStock does. iStock's basic monthly subscription only gives 250 downloads per month (if paid monthly). They are a declining business and it's very unlikely that SS sees them as a threat.
223
« on: March 13, 2015, 18:52 »
I typically only upload to BS my rejects form SS. BS always seems to take my rejects which is interesting seeing how its owned by SS. I have always wanted to upload my entire Portfolio to BS but haven't since they are owned by SS. My fear is that then all my sales would start coming from BS for a lot less pay.
"My fear is that then all my sales would start coming from BS for a lot less pay." This an interesting statement, and might be near the truth. Does anyone here have any evidence (or suspicion) that having files at BS equates to lower sales at SS for those same files?
224
« on: March 13, 2015, 00:36 »
Nice move by Fotolia, gently increasing prices, testing the water step by step.
Now that iStock has exited the S,M,L part of the market by eliminating 'price by size' and charging $12-$15 per shot, the market is wide open for FT, 123 and perhaps DT to capitalise on the enormous gap. FT now starts at $1 for XS, and $3 for S (I believe) compared to $12-$15 at istock. Istock has thrown away (again) the smaller customers, thousands of whom will no doubt have migrated elsewhere (and resulting in Getty's 'profits warning').
However, the prices at FT appear to be too low. Probably they'll resist increasing the basic XS price because that will move them away from 'dollar a shot' marketing. But on the other hand they've got DPC for that.
So it looks like iStock has given its competitors an enormous advantage AND the chance to increase their own profits through some modest price increases. Hopefully they won't make the same mistake istock has made over the years and simply scare the customers away. There's certainly scope to raise the smaller size prices by a decent amount. Slowly slowly catchee monkee.
225
« on: March 11, 2015, 17:50 »
iStock, Shutterstock are based in America and tend to have a high proportion of US customers. Fotolia is now based in US but historically has a high proportion of customers in Europe. 123RF is also Europe based. Alamy is UK and tends to have a high proportion of UK customers. These geographical differences held to partly explain why certain customers use certain agencies, and why sales might have a different emphasis at different agencies.
You might find, for instance, that pictures of Thanksgiving Turkey sell better on IS and SS, but pictures of Mediterranean Beaches might sell better at other agencies (broadly and relatively speaking).
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