MicrostockGroup Sponsors
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
Messages - increasingdifficulty
Pages: 1 ... 8 9 10 11 12 [13] 14 15 16 17 18 ... 74
301
« on: November 10, 2018, 12:51 »
I think "greatest number" sounds more elegant "most" would be the most economical. "single" is also redundant. "Who has the most files at an Agency?" I would suggest is optimal.
Very efficient indeed, but I wouldn't capitalize "agency".
302
« on: November 10, 2018, 12:18 »
Who got the highest number of files on a single agency here?
Sent from my iPhone using Tapatalk
Should be " has "
Correction: Should be "has". That's some careless use of spaces. But I vote for "has got". Anyway, thanks for clearing up this complicated situation.
303
« on: November 01, 2018, 02:08 »
I'm a contributor who works with Shutterstock's new contributor support team. I wanted to let you know that Shutterstock is experiencing a major hacking incident that's been going on since at least Monday. Please check your accounts. If you can still login, immediately change your password to one that is secure. Spread the word. Hopefully we can nip this in the bud before it gets any worse.
I'm dubious hearing it like this. Where is an announcement from SS, and where is any evidence, such as just one forum member reporting it's happened to them.
It's pretty easy to go in and change your password.  It happened on BigStock, so no doubt it can happen on Shutterstock.
304
« on: October 27, 2018, 04:05 »
When asked if you've ever created another account you should have said 'yes' and explained what you explained to us... but it's a bit late for that now.
Exactly this. You obviously should have answered "yes" instead of "no" there... By answering "no" you're telling them the accounts weren't legit and they shut them down.
305
« on: October 22, 2018, 13:23 »
Hi, have just started attempting stock video with some files getting sold. I've currently been a heavy user of warp stabilizer and am planning to get something to help me get more stable shots of walking etc. The contenders are
1. Gimbal like the crane plus ($500), expensive but one of the best in getting smooth shots from my mobile and sony NEX6
2. A small roxant type stabilizer ($30), marginally better than handheld. Need a lot more time to stabilize and can get only level horizon shots. This is mainly to bide time if at all.
What would you all advise? Is the $500 investment worth it?
If you want stable shots, get a motorized gimbal. Don't get caught up in the "is it worth it for microstock" nonsense way of thinking. Also, if you get a roxant type stabilizer, you will use it for about 10 minutes, and then go straight to your computer to buy a real gimbal anyway. It's a waste of time and money if you're looking for professional looking shots.
306
« on: October 20, 2018, 04:07 »
I got sale yesterday and the price still at $49.00!!!
Just like over at Pond5, there is likely a delay of a few days between a sale and a sales report, so that we don't freak out about all the fraudulent purchases that are made.
307
« on: October 17, 2018, 13:04 »
I can tell you as someone who has been 'buyer' working next to many others like me (graphic artist / art director) that the title / description is near meaningless.
They're not made for your reading pleasure. They are made to optimize the images for search.  The more relevant and spot on they are, the better. And the more unique they are, the better.
308
« on: October 16, 2018, 07:16 »
If only they also started reporting downloads per image to their investors. It would give people some idea of how much customers have to wade through to find an image to buy.
http://investor.shutterstock.com/phoenix.zhtml?c=251362&p=irol-newsArticle&ID=236125245.2 million paid downloads. 204.2 million images. 10.9 million videos. 0.21 downloads per image/video per quarter. 0.84 downloads per image/video per year. --- New numbers for July/August/September coming October 30.
309
« on: October 14, 2018, 03:16 »
In my opinion this is what matters:
Return Per Trip Return Per Photoshoot Total Portfolio Income.
After two or three years, I can take a look at a certain trip and see if the material produced from that trip outweighed the costs enough. If they generally do, it makes sense to go on more photography trips.
Big picture stuff is the only information that is really useful.
Of course it's FUN to know the other stuff too, but maybe not really useful.
310
« on: October 13, 2018, 13:47 »
If my math is correct, it seems on 'average' right now you'd need to have a portfolio size of about 10,000 images to 'make' about $600/year? Does that sound right? (Of course, I realize there would be outliers on both sides), but that seems to the case?
Any agreements/disagreements?
If someone isn't making a 4-figure amount per MONTH from 10,000 images they need to seriously work on improving their photography skills and choosing what they photograph better. $50 per month from 10,000 images means you've taken snapshots on your way to the bus over and over again. Which some people actually have.
311
« on: October 12, 2018, 06:04 »
One.
Maybe revisit in 1-2 years and upload a second version if (and only if) it makes sense for the scene.
You will make much more money with a diversified portfolio (different scenes and subjects) than 3-5 variations of each clip.
Some people even upload versions of every clip with cheesy "night vision" effects or similar, which I believe to be a complete waste of time (and space).
312
« on: October 01, 2018, 04:08 »
Do you shoot videos in different framerates
Only if I want a slow motion version and a real-time version. f so, does any sell better than others?
No, not really. If you triple your work (24/25/30) you will not see anywhere near triple the sales... Maybe even the opposite. Any editor with more than one hour of experience knows that most clips without sound will work at any common framerate. If it's a time lapse or slow motion clip, it doesn't matter at all. You can just speed up or down as you wish since it's not supposed to show real time passing by anyway.
313
« on: October 01, 2018, 04:03 »
Hi! I have been uploading my photos for three months now. I want to try to upload a footage about a wasp. It's short, but it's 4K (I think, I don't know a lot a about videos). I have some questions: how do I know if my video has the codecs (?) that some sites such as SS and Pond5 accept? Also, the video was recorder with sound (I mean, natural sound). Do the videos need to be muted, like without sound? If so, what software do you recommend to delete sound without affecting quaility? Thanks a lot.
VLC (free on all platforms) will tell you what codec, framerate, resolution etc. your clip has, and you can easily export a version without audio without encoding the video again. But if you are going to take this seriously you need a real editing program like Final Cut Pro X, Adobe Premiere, Adobe After Effects, DaVinci Resolve, or any other competitor. The ones I listed are probably the best choices though.
314
« on: September 26, 2018, 10:30 »
In the same period (~1 year) and same videos I sold one video at Poond5, 10 at SS, and 3 at Fotolia. I have about 40 videos. So for me, pond5 isn't best for videos.
Well, Pond5 is a very, very hard place for newcomers to generate sales at. It is the first site contributors send their clips to, and I read that they get around 10,000 new clips sent in per DAY! It is not strange that it's almost impossible to be found. While I have more than 150 video sales from all sites combined this month so far, only a handful of them come from Pond5. The competition there is just too great and I started submitting too late. The guys who started 10 years ago are still seeing the benefits of getting those early sales and ranking high in the search engine.
315
« on: September 21, 2018, 10:41 »
29.85p will be a big question mark for customers even if they are accepted (which they probably won't be) so why not just change them to 29.97p in basically any software? FCP X, Premiere, After Effects etc.
316
« on: September 10, 2018, 06:21 »
No, and absolutely no.
No one will ever care more about my clips than myself, and let's be honest here, someone working as a clip tagger will not be the most "talented" person in the world.
Furthermore, they will not know where, when, how, why the clip was filmed without that information having to be provided by the creator anyway.
317
« on: September 10, 2018, 03:25 »
Any editor who thinks the clip needs more colour can do it in an instant. You are much better shooting more clips than tinkering with ones you've already submitted - remember content (and quantity) is king, not a bit of saturation here and there.
That would be my thinking too. However, I recall someone on this forum stating that the clips that sell the most have been colour graded.
The first one is much better. It has a natural look. Perfect for nature. You would rarely want a nature/wildlife clip to be graded, just color corrected. On the other hand, a cinematic sequence of a fashion model in slow motion might benefit from a graded look.
318
« on: September 04, 2018, 07:29 »
The difference is the search engine and the promotional strategies. Not the buyers.  Search engines and site layout (with featured clips, staff picks etc.) will be 99% of the reason behind any difference in sales you see between the sites.
319
« on: September 02, 2018, 08:54 »
A natural fade out can be accomplished easily by setting the camera to a fixed exposure setting for sunsets. What I meant was that this is not actually natural. Natural as in what we, as humans, perceive. A camera cannot capture big "natural" light changes with a fixed exposure. but with photography, our exposure settings determine how dark or how light a captured scene will look which can be very different to what we saw with our own eyes initially. Exactly, so NOT natural then.  I understand what you're trying to say, but it's also important to consider that a fixed exposure on an environment that changes a lot in terms of light does NOT produce a natural result. It just shows the limitation of a camera. That's why a post-production exposure ramp can produce a more natural result. To sum up: A fixed exposure on a sunset or sunrise does not produce natural results - it will get too dark or light to look natural. A holy grail with ETTR settings does not necessarily produce natural results either. The answer is somewhere in between. Your clip does not look natural because it's too dark. That is not how a human present on that location would experience the scene, which is what I would define as "natural".
320
« on: September 02, 2018, 05:16 »
I like your clip, but it gets indeed very dark, I suppose you did not do any ramping. From the P5 preview I cannot tell if there is noise in the shadows, but it is likely
Thanks. Though yea I do admit it gets dark pretty quickly. I doubt there would be much in the way of noise in the shadows because I didn't bump up the brightness in post. I basically left it as is.
I would probably raise the exposure (or just the shadows) in the beginning just before clipping, and gradually raise the exposure by 1-2 stops until the end, if your DSLR files can handle it. That is more natural. And there is your problem...
There is no problem. I deliberately maintained a fixed exposure setting during shooting so that the sunset would transition to darkness, simulating a natural fade out. That's how I film all my time lapse sunsets.
The thing is that the camera cannot capture a "natural fade out", as we see it. Not without changing the exposure settings. Our eyes and brain adjust for the light, which means that an exposure adjustment as it gets darker will look more natural. Now, I wouldn't use ramping if you want the natural look, but raising the exposure 1-2 stops in post is definitely usable. However, on a scene like this, where there's a city with lights, it would look really nice WITH ramping, and would probably sell a whole lot more. Any buyer can fade to black if they want to, but they can't raise the exposure much on a compressed h264 file.
321
« on: September 01, 2018, 07:57 »
Thanks, yeah it looks perfectly stable, so I would assume it's an auto rejection because it gets so dark. I would make it a lot brighter if the RAW material allows for it.
322
« on: September 01, 2018, 07:22 »
All this text without showing us the video? How are we supposed to judge the situation?
323
« on: September 01, 2018, 00:45 »
This could be the sweet spot that ISTOCK missed if they stick to this, if they put in what they say..., I would much rather get %50 with a real partner, than %100 of being invisible like having your own site or a passive partner set up.
Exactly. Visibility is everything. My sales are up several hundred percent in August now that they started marketing my clips again. $49, $79, 100%, 50%... None of that matters without marketing and lots of customers. If they need a 50% cut to market (common sense that they do really), I will gladly give them 50%. If you don't like it, market your own stuff. You will find that it's extremely expensive. Whatever they're doing now, it can continue as far as I'm concerned.
324
« on: September 01, 2018, 00:29 »
Hello!
Did you get a GH5? If so, that's a great camera!
Anyway, I would set it to NTSC, film at 23.976 fps if you want real-time footage, 30p if you want 80% slow motion (a bit dreamy), and 60p when you want 40% slow motion. People rarely use 50p or 60p for real-time playback - it's used for slow motion.
325
« on: August 31, 2018, 03:48 »
Can I reffer a client to download from my portfolio or this is viewed by agencies as artificially inflating downloads?
Thanks
What do you think all those referral links they give out are for?  Of course you can, and should, refer clients to your portfolio. You just can't refer yourself.
Pages: 1 ... 8 9 10 11 12 [13] 14 15 16 17 18 ... 74
|
Sponsors
Microstock Poll Results
Sponsors
|