MicrostockGroup Sponsors
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
Messages - sam100
Pages: 1 ... 9 10 11 12 13 [14] 15 16 17 18 19 20
326
« on: December 19, 2008, 12:14 »
My God.... In november I got 100$ from DT and it was about 79 Euros, and now I got 100$ from IS and it is just 69 Euros....that's disaster
65 dollar this morning...  Patrick H.
327
« on: December 17, 2008, 06:52 »
Yes iclick, I already contacted all agencies I'm in. I'm waiting for answer...If I am lucky enough I probably won't tell anybody because I guess it's forbidden 
It's best to keep quit about a reviewer status. Istock doesn't allow members that are connected to another site as a reviewer. Patrick H.
328
« on: December 15, 2008, 06:47 »
That amount is from a partner sale.
Patrick H.
329
« on: December 11, 2008, 18:35 »
Pretty bad lately. Also noticed my latest approved don't get any views.... --> no sales.
Patrick H.
330
« on: December 11, 2008, 18:32 »
Yes, I found it hard to believe that you can actually download a model, render, then sell. Thats really easy.
The nice thing is that Istock and similar agencies don't allow you to sell renders of other people's models. Or am I wrong on that?
they allow poser and daz models. Patrick H.
331
« on: December 06, 2008, 15:16 »
Hi Traveler,
That is a great and important question in these changing times. I used to be an old school RPI guy and you just divided your collection by your returns annually and you had your per image return. RPI is still important to the agencies because that is how they track how much money they make off of your work and your value to their collection. They also watch your " Sell Through Rate " ( how many of your images actually sell in their life time ). This helps them analyze your value but in this changing market they don't mean quite as much to us photographers as they used to at least not the RPI. Boy when I think about it that is actually a mixed subject because as long as agencies use these tools to figure out our worth individually as photographers then we do still have to pay attention to these figures. How I actually track sales from my point of view while intergrating what I just said above is to include these methods for consideration of my value through my agencies eyes while at the same time being very aware of what each actual shoot produces in returns. " Return Per Shoot " is how I am tracking my internal sales these days to see where my money is being best spent and how well it returns a profit. With shooting Micro at 200 images a day or doing 10 images for Stone RM in the same amount of time I can't use just a basic RPI anymore. I have to calculate what I spent on the shoot with what it will return my company, as well as how much fun I had doing it.  If my images are making me a good return per shoot then I imagine they are also making a good return for my agency so my need to track RPI is not as important as my need to pay attention to " Sell Through Rate ". This is what my agencies are really paying attention to ( Micro will see more focus on this stat over time ), they do not want to waste space or workflow on an image that never sells. If you have a good " sell through rate " agencies take notice and will be more likely to support your growing relationship. If I have completely confused you I am sorry, let me know and I will try to clarify. Numbers, it all comes down to numbers. What is going out and what is coming in. Don't forget to pay yourself when you are doing your estimates. I think many Micro shooters do this for fun so this doesn't apply as much to those people but for those who are trying to grow this into their business remember to pay yourself. You have to calculate all your costs to produce an image especially your time that was taken to produce your work. It is easy to forget about yourself.
Best, AVAVA
Basically I'm doing the same calculations. Not just the return per image versus images online. The end result determines the amount my models get payed. So actually i'm motivating them to be and perform at their best. Every 3 months I redo the calculation, based on that I setup my budget for models and props. The fact I involve them in their own payout pushes them to be at their best...:-) Patrick H.
332
« on: December 05, 2008, 11:47 »
Scanstock is performing extremely good considering their data base. November was only a few dollars short to be on par with bigstock... they did better than Stockxpert, canstock en surprising Istock.
Patrick H.
333
« on: December 04, 2008, 14:08 »
12%
334
« on: December 04, 2008, 11:01 »
Looking at the standpoint from a site, exclusivity is a good thing. They can offer exclusive material. Looking at it from the standpoint of the photographer... not so good.
Theoretically a site with only exclusive photographers would give no advantages in earnings, simply because the pie needs to be cut over all members evenly when there is no favoritism in ranking, however a site with only exclusives would lead to creating within the hierarchy a new level of exclusives, the high selling photogs versus the low selling photogs ending up with different search placements, creating bad feelings on the lower side.
And we're back to the old (current) system were not everyone gets treated equally.
Patrick H.
335
« on: December 01, 2008, 05:02 »
I haven't had a single image uploaded and approved since November 19 visible in my portfolio. I stopped uploading. Best time of the year, saved the best from each shoot this year for this period.. and not visible... big bummer.
Patrick H.
336
« on: November 28, 2008, 10:42 »
Similar happened with one of my pictures, sold as subscription, published in an educational (japanese) book. DT informed me that for such purpose no EL license is needed. Bummer....  Patrick H.
337
« on: November 17, 2008, 18:35 »
Congrats... :-) Patrick H.
338
« on: November 17, 2008, 00:23 »
Hi Everyone,
MagnetQueen is one of our API Partners. All sales will be reported accordingly. You will never get a 0.36c sale off the site simply because they do not do subscription downloads. Only credits!
Hope that clarifies our position on this!
Thank you!
Alex. for 123rf.com
I've had a few 0.20 $ sales past week, are these from them.?.. Patrick H.
339
« on: November 15, 2008, 14:53 »
I don't know... Been adding categories from the beginning... and sales are almost non excistant. Maybe should start an experiment and no categories.
Patrick H.
340
« on: October 31, 2008, 09:20 »
Hi, As mentioned in some previous topics i was given the opportunity to test the Pentax K20D in real life use. Two galleries were created on my pbase account (see link below) with excamples from outside and studio shooting sessions. http://www.pbase.com/n70/pentax_k20dThree weeks working with the Pentax was enough to convince me in purchasing one for daily use in studio and location sessions. Regards, Patrick H.
341
« on: October 30, 2008, 10:22 »
When you photograph a man or woman wearing a Prada outfit..... do you need a property release from Prada .?.. no. Same goes for tatoes, you paid them, you own them, in fact .. tatoes are part of your body now, a jewel that is hard to remove.
Patrick H.
So this is your opinion. The OP did not ask for opinion. He asked whether he would need a property release to sell royalty free images with a tattoo featured as a prominent part of the image. The answer is still yes, regardless of whether you agree with the reasoning behind it or not. Of course the OP is free to test your theory. That would, however, be contrary to his original goal of not wishing to waste time.
And I answered Nope, see above .. i've submitted pictures with tatooed men, never needed a model release for the tatoo. Patrick H.
342
« on: October 30, 2008, 02:27 »
There's a difference between owning an artwork and owning the copyright to an artwork. If you buy a Van Gogh painting you do not become the copyright owner. Luxury vehicles are no-no on some sites. Maybe recognizable designer clothes should be too.
And in a few years from now the only thing left to photograph is naked people... every peace of clothing, jewelry, furniture in the setups etc.. etc.. has been designed by a designer...:-) Patrick H.
343
« on: October 30, 2008, 01:52 »
When you photograph a man or woman wearing a Prada outfit..... do you need a property release from Prada .?.. no. Same goes for tatoes, you paid them, you own them, in fact .. tatoes are part of your body now, a jewel that is hard to remove.
Patrick H.
344
« on: October 29, 2008, 17:16 »
Only model release should do it. The tatoo"er was payed for his work, he worked for hire lets say... by accepting the money from the guy being tatoo"ed he gave up rights on the drawing.
Patrick H.
345
« on: October 28, 2008, 10:02 »
Same observation here, views dropped to 50 % of what they were past week.... so do sales. Have they been playing with the search algorithm again.?.
Patrick H.
346
« on: October 21, 2008, 16:29 »
Found my portfolio also there... and funny thing.. according to their stats i've sold already 2 pictures with them..... Now i would like to know from what site they are getting those pictures.
Patrick H.
347
« on: October 11, 2008, 14:09 »
Well, actually i'm a pixel peeper.. and didn't see the noise dpreview is seeing in their tests.
Seldom seen such clean images at iso 100.
Patrick H.
348
« on: October 11, 2008, 12:03 »
I've been testing for about a week now in studio setup with models.
First impression... good camera. Certainly worth putting more time in shooting session. I can use it till end of this month, so next week i will be doing some outside/location shooting and more studio sessions.
At lowest iso (100) extraordinary clean images. The build in sensor vibration reduction is very effective. Colors are spot on. Details are amazing.
The body/menu setup is very intuitive to work with. Although very different and smaller than what i'm used to (Nikon) i'm really growing into that little gem.
I'm into an upgrade for body, been using the Nikon D 200 for almost two years now. Been using a Nikon D 300 for a couple of weeks from a colleague photographer and was frankly not impressed.
Could well be that my next camera brand will be the Pentax, let you know when the 3 weeks testing is over.
Best regards,
Patrick H.
349
« on: October 07, 2008, 04:08 »
"Selling your negatives" is the worst reason ever for not uploading RAWs. Film negatives can be duplicated, does it mean the original photographer can't prove he's the author? Or sent to a stock agency,which might lose them. Is he no longer the author? And what if you shoot JPG? You can't prove you're the author?
This is not a suggestion to upload RAWs, that's really your choice. It depends from a contributor to the other. I don't do it, as I simply don't have the time to shoot and upload RAW. But I truly regret I don't have it for my popular files. A level 5, 14 credits file in RAW, would be 28 credits, higher than a U-EL. Even the regular level 1 would sell it for 12 credits.
People who sell RAW can increase their RPD a lot. Even if some get downloaded via subscription, average RPD is still much higher. And many people who download RAW via subscription, download the JPG too.
I wouldn't have a problem uploading a 16 bit tiff file of course for a higher return in earnings... but the raw stays with me. Patrick H.
350
« on: September 30, 2008, 10:20 »
Sorry to bother you with a stupid question, but can you explain me what a refund IS? Someone is allowed to "return" my image they bought previously and he can be given refund? How can I be sure he does not keep a copy of my image? How is it possible at all to return a downloaded image? I would never allow that. Once downloaded, the image cannot be refunded or returned, can it?
It does... fotolia, bigstock, shutterstock, istock do refunds. We have to believe the client actually deletes the file.. although i have my doubts. Patrick H.
Pages: 1 ... 9 10 11 12 13 [14] 15 16 17 18 19 20
|
Sponsors
Microstock Poll Results
Sponsors
|