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Messages - dragonblade
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476
« on: March 02, 2019, 16:43 »
Has anyone had any success submitting editorial videos through Stocksubmitter? I marked two of my recent videos featuring city scenes as editorial within the software program and used the appropriate formats for the editorial captions. And yet Shutterstock rejected them for silly reasons like visible trademarks (brands and logos being visible), infringing on intellectual property etc. It's as if SS didn't recognise them as editorial and treated them like they were commercial submissions. I haven't checked to see if Pond 5 or VB did the same yet.
477
« on: February 20, 2019, 08:26 »
Not sure if I could trust someone called Furry Martin.
478
« on: February 20, 2019, 08:07 »
Some great work there. Ive never been to London but looks like it has a nice, vibrant atmosphere. And I admire the individuals who have the patience to do hyperlapse. Ive tried that myself and it drove me mad.
479
« on: February 18, 2019, 00:14 »
Because the ESP site is so weird and confusing, I rarely spend much time on it and as a result, I don't know my way around it. Would anyone know how I can view the photos that I have uploaded and had accepted there?
Also, I'm assuming that you still can't edit your keywords and descriptions yourself? Who specifically would I contact to make these corrections for me?
480
« on: February 15, 2019, 18:22 »
481
« on: February 14, 2019, 20:29 »
JetCityImage, ah thankyou.
482
« on: February 14, 2019, 20:28 »
Why wouldn't you download it from the actual DeepMeta site?
To be honest, I wouldn't know where the DeepMeta site is. I could do a search for it but chances are, I might come across a copycat site and end downloading malware or something else nasty. Got a link to the official site?
483
« on: February 14, 2019, 20:16 »
Thanks for the link. That looks like a good system and straight forward too.
Out of curiosity, what does 'signature plus' mean? At one point, the narrator of the video selects the country that the photo was taken in and says that this can be nominated for 'signature plus.'
Also, whereabouts can I download this software legitimately? In other words - from a safe source.
484
« on: February 14, 2019, 18:47 »
It took me months of planning, coordination, getting up at 4am and travel to the field. Shooting, grading, uploading and tagging. For the reviewer - he/she just a click of a button - REVISE. Drives me nuts.
And for all that effort, you'd probably make about $5 if it sells on Getty.
485
« on: February 14, 2019, 18:34 »
When the iStock website was still active and accepting submissions from contributors, I was sending both commercial and editorial images. However, when they made the move to the weird ESP site, I could find no way of marking my images as editorial. I tried different browsers but could not find the editorial option. So eventually, I gave up and only submitted commercial images to ESP. However, I do shoot a lot of editorial so I'm probably missing out on some potential income. Despite that, I still made a payout some time back (my first and only with Getty.)
Ive heard of something called Deep Meta but don't know much about it. Does it work similar to Stocksubmitter? That might be a way that I can submit editorial images again.
486
« on: January 19, 2019, 02:07 »
I recommend spending less than $100 on your first 'drone' and go for a cheap toy-grade quadcopter in the $30 - $80 range. And forget about cameras and filming when you're first starting out - learn how to fly first. Later on you can attach a light weight action camera or keychain camera when you get more comfortable with flying (check if the quad is powerful enough to lift it.) The cheap toy-grades quads like the Syma X5C-1 and FY326 Q7 are fully manual with no automation. They may be more challenging to fly initially than the more expensive drones but this will make you a better pilot with arguably quicker reflexes too. Spending time practising with a cheap quadcopter will develop your manual flying skills and will allow you to get out of sticky situations in the air and reduce the chance of flyaways. However, flyaways are always an ever-present risk when you're first starting out. I admit I had my share of flyways when I first got into quadcopters over 5 years ago (during the first year) but I haven't had any since.
Yea sure the expensive drones like those from DJI are great but the technology is not perfect. Things can go wrong like the GPS playing up and acting weird. Ive fooled around with a Phantom 2 a number of times and for the most part, it was reliable. However, one day in my backyard, it started drifting wildly all over the place in GPS mode, despite getting a good GPS lock (plenty of satellites detected.) The Phantom was about waist height and it was a dead flat calm still day without the slightest breeze so it wasn't the wind that was moving it around. It was pretty extreme drift. I was constantly having to counteract that drift with the sticks all the time (never a second's rest.) There were some verandah posts in very close proximity but I was easily able to avoid them and had 0 crashes / collisions because of all the practise I had flying cheap toy-grade quads during the previous few years. Basically, the Phantom was acting like a toy-grade quad on that particular day.
The DJI Mavic is certainly a popular choice these days. Though in my opinion, it has one major design flaw for beginners. And that is no user-selectable Atti mode. The vast majority of the time, it provides a safety net with it's default GPS mode. Though in instances when the GPS decides to quit for whatever reason, the Mavic automatically switches to Atti mode. The problem is that people who are completely new to drones have no manual flying skills and no previous experience with Atti mode. Yet Atti mode is forced upon them and in such situations, the newbie pilots are often overwhelmed and as a result panic and crash or experience a flyaway.
By the way, over time, when you get proficient with flying the cheap quads, you can always upgrade to a more expensive drone later on.
487
« on: January 18, 2019, 21:34 »
Ah yes submitting stock can be a bumpy ride sometimes. My clip got accepted the second time around.
488
« on: December 13, 2018, 19:06 »
Good decision.
Some agencies who earn much, much less than AS/FL should follow this example.
It would be good if DT followed this model. Over there, some people have to wait for an eternity to receive a payout.
489
« on: December 12, 2018, 03:09 »
Can you show us link to see it?
I'd like to but there are a few copycats around.
490
« on: December 12, 2018, 03:03 »
they would LOVE to have different media than their competitors. Indeed they would. FWIW, I have lots of media that was accepted by x by not by y. When I see it sold on x, I used to smirk and say "I told you so." However, when I tracked those media that got accepted after first being rejected, I have had ZERO sales on them. ZERO. NOT ONE. Yes, they sold at the agencies that accepted them up front, but not at those that rejected it the first time.
I guess different contributors have different experiences. Some time back, I had a particular photo rejected by SS. Later on I resubmitted it and this time around, SS accepted it. And since then, it has sold ten times on SS. That's certainly not the case with other previously rejected photos of mine but sometimes you can get lucky. Actually, I also had a video that was rejected by SS, then later accepted and eventually sold on SS.
491
« on: December 12, 2018, 00:53 »
VB has rejected a video of mine for 'poor post production.' The comments (presumably left by the reviewer) says that the footage is too short. What does post production quality have anything to do with the length of a video?? And I don't see any issues with the quality of the post production - the same clip was accepted by all the other stock sites that I submitted it to.
And I'm puzzled as to why it's considered too short. It's 10 seconds in length which is the same duration as some other clips that were previously accepted by VB. I can't see any minimum duration mentioned on the site's requirements for footage (only the maximum which is 3 minutes.)
Weird. I'll submit the video again and hope for the best.
492
« on: November 26, 2018, 18:38 »
.....everything is showing perfect in the page. Just as returned search results are dynamic
"Perfect" and "dynamic" huh? I would describe it more as "biased" myself. Glad to know it's a glitch.
493
« on: November 18, 2018, 00:51 »
Is it just me or are other people having trouble accessing the SS forums? I can access my dashboard just fine.
494
« on: November 17, 2018, 21:49 »
No sale yet on this particular photo. Guess I can wait a little longer.
495
« on: November 17, 2018, 11:39 »
And now Ive just received another e-mail from Dreamstime. This one is requesting a P-EL license for the very same image. Seems odd that someone would want both a print license and a web license for the same photo. I thought it would usually be one or the other (assuming it's the same client.)
Okay....may as well enable these options and see what happens. Is anyone else getting these kinds of e-mails currently?
496
« on: November 17, 2018, 11:34 »
This issue may have resurfaced. Ive just received a request via e-mail to enable the W-EL license on one of my photos for a supposedly interested client. Or it may well be genuine.
497
« on: October 10, 2018, 02:10 »
I cover the camera mic with duct tape to prevent sound from coming in.
What's the point of doing that? It's dead easy to remove the audio track in just about any NLE software.
498
« on: October 10, 2018, 02:00 »
Ive got a small bunch of videos at AS. And with some of the clips, the randomly generated preview thumbnails don't really show off what the videos are about. Is there some way to change them?
499
« on: October 10, 2018, 01:07 »
This caught me by surprise. This is the first time this sort of thing has happened on DT for me.
500
« on: October 09, 2018, 20:12 »
I'm not someone who submits much in the way of similars. However, this morning on DT, I was surprised to find that my latest image was rejected for supposedly being identical or close to identical to another image that was already in my portfolio. I do admit that I did photograph the same subject from the same angle but with the second image, I walked back a fair few steps which revealed a number of additional elements in the background which were not included in the first image, allowing the viewer to see more of the environment.
Which begs the question - does DT have much of an image spamming problem? SS clearly does. There are pages and pages of nearly identical images on SS. Despite SS having anti-spam rules, I don't know how such contributors succeed in submitting hundreds of images like that.
As I mentioned before, I don't submit a lot of similars. I try and make sure most of my images are unique. Though just recently on SS, I discovered that having some similar images in my port can be a good thing. I admit I have two very similar images of a particular subject that were take some time apart. A few days ago, one of these images was sold in Brisbane, Australia via SS. Then the next day, the other similar image was also sold in Brisbane, Australia via SS. Most likely from the same buyer.
By the way, over half a year ago, I accidentally submitted an image to DT that was already in my portfolio. I had forgotten it was already in there. It was actually one of my first submissions to DT. And surprisingly, it was accepted. When I realised my mistake, I removed the second copy.
From this morning's discovery, I guess DT are implementing a more strict policy on similars and perhaps even a program that automatically detects similars?
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