MicrostockGroup Sponsors
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
Messages - MichaelJayFoto
Pages: 1 ... 18 19 20 21 22 [23] 24 25 26 27
551
« on: April 14, 2013, 14:36 »
Do you guys know whats the best way to lure the customers ? Design the page in a way that Google indexes your images properly and shows them often for the best keywords matching the buyer search. Buy advertising space on Google and Facebook. Send letters to image buyers and editors. Advertise in the magazines read by graphic designers and image editors. I think those ideas should keep you busy for a while. They certainly work.
552
« on: April 14, 2013, 14:21 »
Here in the Netherlands (which I think has the same tax laws as it's a EU country), when I sell something directly to the US or a non-EU country, I have to charge 0% VAT and the only tax I need to pay, is Dutch income tax. No need to worry about an ITIN or paying taxes to the US.
Just a note: Your statement is partly wrong. If you are selling something to a private person (or any legal person that is not VAT registered as e.g. public institutions) in another EU country, you will have to charge their country's VAT. The 0% rule is only valid if you are selling to companies who are also VAT registered in their country. So if the base case was the same as the OP's and you would sell to a German university, you would have to charge them German VAT. Also, from my point of view, a "royalty" is not the same as selling a product or having income from work. This is very often treated different than other income. E.g. in Germany, companies need to pay a tax if they are using art work from people from other countries. Technically, any German company using stock imagery would have to pay this tax. This is valid unless the company can provide documentation that the selling company is registered in a country with a double-tax agreement. I worked in the European offices of iStock for some years, so believe me I know this part of the tax rules because I had to discuss them quite often. I would not be surprised if the US has similar rules for their local use of art work. It could be very well true that a royalty payment requires local taxation where the art work gets used. And it's true that you might need to apply for an ITIN if you want to sell directly to US clients. I certainly would not dismiss those arguments right away.
553
« on: April 13, 2013, 10:14 »
Alright. I put up several hundred. Let's see what happens.
I added a support ticket kindly explaining that I'm new and asking what to expect in review times. I got a kind response saying it varies and depends on the quality of the submission. Apparently quality of mine were just fine because I had most of my images reviewed within a few days. Good luck with yours. :-)
554
« on: April 10, 2013, 02:48 »
I think it would be important for SS to comment on this thread. Did you ask them directly?
555
« on: April 10, 2013, 01:59 »
I've started on Dec 2012... I've deleted my files and closed my accounts These two sentences combined are telling me that you are not realistic in your expectations. Stock photography is about long term thinking and consistency. If you expected to get rich in three months, then it's no wonder you are not happy. When I started at iStockphoto it took about 18 months for my portfolio to make serious sales. And that was a few years ago when the libraries were much smaller and the competition not as strong as today. There is no agency that will make you money in a short term. You can try higher priced agencies, but all you will find is that it might take six months to only get a first sale. I'd say you need at least 1,000 images to earn some money on a regular basis. Get there and then wait at least for six months before judging which agencies are worth the effort or not.
556
« on: April 09, 2013, 01:47 »
123rf has an easy uploading process and I have a 99% approval rating. 123RF is my fastest growing site. Thank 123RF! I agree, approval is very high, I only have more on Deposit. And 123RF has the advantage of not having to categorize images. I have similar amounts of downloads and earnings on both as well. The average download pays $0.45 on both, even slightly ahead of Shutterstock but the latter makes up in volume and the two don't.
557
« on: April 07, 2013, 13:57 »
Of course, the answer depends on your portfolio! I did a big analysis at the end of 2012 and calculated that I am getting $0.70 per online image per month. I count online images by how many I have on that particular site (not my total portfolio) as it takes time to get some online, and other sites reject more than they take, but I have all the calculations in this post:
http://www.backyardsilver.com/2013/01/december-earnings-and-review-of-2012-for-stock-photography/ Excellent details in that post, Steve. Thanks for sharing!
558
« on: April 07, 2013, 02:10 »
Well, hoping for the best. Either way I learned a lot today from everyone, and feel good about my future in stock photography (micro, macro or whatever!), thank you!
Well, don't get too positive about it. I think the industry changed with the technology. We are all competing with other photographers around the world, there are no secrets anymore. No matter where and how you sell your images, there will always be someone else having taken a very similar image you are going to compete with. However, $100/month from 2,300 is far less than you should make. I don't trust the $1 to $3 a month per image anymore but something in the range of $1,000 should be realistic. Stocksy is great, I love to be part of it and I will do my best to get more images up there. It can be a game changer and put pressure on all other agencies if it succeeds. So I guess we all hope it will succeed. But you should be aware that it just started and needs time to find its place in the market. If you consider microstock, I'd think you would have to adapt your way of shooting and processing. In micro, images often need to be very clean, very bright, very saturated and stereotypical to be successful. You won't earn money from a beautiful image if it only attracts one or five clients over the years. This is usually the RM kind of images - it might not sell for years but once it sells it makes you a big amount. For micro success, you need images that sell week after week, hundreds of times. And for that you need a generic look that can be used for many purposes. If you want to try micro, you won't get sufficient returns if you omit iStock or Shutterstock from your list. iStock is paying low percentages, Shutterstock is paying a flat sub rate even if clients buy the largest version. Both is not really a great promise, but both have a market large enough to make more than all other micros. I would look around, try different things and see what works best for you. It can well be a single agency but it could also be a variety of agencies for different types of images. Good luck with your ventures whatever you do and try. ETA: Just wanted to add about the numbers - as it looks I will pass making $100 in April on Shutterstock with now 900 images online and I just started submitting to them a few months ago, And I keep making more than $150 a month as a non-exclusive on iStock with 1,500 images online. And the images are more or less the same on both agencies as well as on half a dozen other agencies, adding another small amount each. Just to put your $100 from 2,300 images in perspective to micro.
559
« on: April 06, 2013, 04:38 »
I tried following links to help files and they were all dead. Multiple button clicks to do this and that. Video terminology mixed in everywhere. UI box didn't tell me what to do when uploads done uploading. I agree with all of those. However, I was able to figure out things, and when I did it was really the easiest way to submit a large number of images at once. I like that I can easily change description or keywords directly from the upload page, I also like that I can make the upload page show a large number (up to 800) images at once. And the batch tools (select the images on the right, then go to the bottom) to change prices and send the image to the "curator" are very helpful. All not intuitive or easy to understand but in my opinion one of the best mass upload systems when you figured out how to use it. Will be waiting for the review now which I am prepared will take quite a while compared to other agencies from what I've read from others...
560
« on: April 06, 2013, 02:57 »
Any opinions on the best place to buy microstock if you're just interested in one or two high-quality people images? Budget is low, around $10 per image of 2550x3300. I don't need a subscription but want high quality work.
My favorite at this point is http://graphicleftovers.com/ - some images cost $6, some $10 and some $15 at the highest resolution.
561
« on: April 05, 2013, 09:51 »
Why is the workflow and user interface on the site so poor and complex? Is it? Yeah, the user interface is. But I found what I was looking for in the help section, figured out how to upload files through FTP, set a price and send it to the curator. The only thing I still need to figure out is the model release handling. And then we'll see if I made everything right. But once figured out, submitting images is much quicker than with most other major agencies. FTP, set a price, send to curator, done. At least that's how it looks to me. Maybe I missed something that would make it more complicated?!?
562
« on: April 03, 2013, 07:50 »
they're the last one in a long line of new agencies that popped up with small budgets and no clear business plans.
Why and how did you get to this conclusion?
By the fact that they are a) Not RM b) Not Macro. Can't succeed then.
563
« on: April 03, 2013, 00:07 »
I dropped exclusivity early this year after almost six years being exclusive at iStock. My experiences so far are mixed with highlights and disappointments. I still don't regret going independent, though. If you have some time and are interested in details about my experiences, I am writing a blog about it: http://www.michaeljayfoto.com/
564
« on: February 26, 2013, 00:42 »
For those of you that got the invitation to join, can you direct me to the part that states image exclusivity?
I am not a native english speaker so this might have been lost on me reading through the agreements.
They said so in the Facebook group before it was taken private. The site itself is not open to the public yet.
565
« on: February 24, 2013, 01:07 »
I have a Sony NEX 5N and have no problems getting high quality images out of it. Actually at higher ISO it produces less noise than my 5D Mk2.
Yes, the kit lens of the NEX isn't quite great. But that's true for a DSLR kit lens in most cases as well.
I use the Sony as "always there" camera but also when I walk around cities as the secondary. I usually decide to either take a wide angle or a tele zoom on my Canon and cover the other range with the Sony. When I have both cameras, I certainly shoot >80% with the Canon but the Sony fits well in my coat, no extra bag needed.
566
« on: February 21, 2013, 00:52 »
I have one folder.
I upload all new images to all the sites.
Whatever gets accepted - fine.
Whatever gets rejected - who cares?
I use almost the same, only I use subfolders with batches of files, so I can keep track which batch has been sent and which is the next I prepare. And when I start with a new agency, I start with the batch1 folder again.
567
« on: February 19, 2013, 00:37 »
So... you are getting flagged because you only shoot in one very saturated/popular field and not in another. Or you get flagged because you said you are happy to be non-exclusive.
Yeah, that sounds reasonable that an agency sends out people to investigate who said something about something in forums across the internet before having a look if their images match their standards...
568
« on: February 17, 2013, 12:08 »
How can it be? As I know the essence of RM is to be exclusive, to be sold to one customer in the way that a competitor cannot use the same image (and for this reason a RM image cannot be proposed as RF on other microstocks). That is a common misunderstanding. The core of rights managed is that the customer pays a license fee based on the specific use and he gets a restricted license for a specified period of time. Royalty free means the clients get a license that is more less free in its use and perpetual. So, an RF license by definition allows the client to do MORE than an RM license. In the classic model when RF came up some 15-20 years ago, it was quite logical to offer the same image at a lower price for a limited use or at a higher price for unlimited use. So RF was more expensive than RM. This has basically changed over the years, already with the macro agencies in the past but the more so with microstock which was just impractical to offer RM. So microstock almost by definition is RF and that is part of why today RF is considered cheap and RM expensive. What you are also saying is a potential additional use of RM: The ability to offer exclusivity to a client for a specific use, specific reason, specific timeframe. This can be done only with pure RM images, of course. But it isn't something essential for RM, just a potential additional offer. It is up to each agency and/or photographer to decide if they want to make that additional offer. If that is not an issue, there is no reason keeping you from offering the same image with RM and RF licensing. But once sold as RF, you lose the ability to ever offer exclusivity in the future, of course.
569
« on: February 17, 2013, 09:00 »
Michael, we spent a lot of time here trying to work out whether the combined inde earnings were outweighed by the exclusivity deal. I don't agree. As SS went public, you can look up their revenue history. You can also read how much they pay out to contributors if you know how to read financial statements. And if you go back a few years, you will also find public statements by iStock about revenue and royalties. Take the SS numbers and triple that to add for FT and DT, even though I doubt they are even close to SS numbers. You will most likely find out that iStock has made more revenue and paid out more royalties than all microstock competitors combined for many years. Actually probably more than double than all the others combined. If that wasn't what independents were seeing, it is because the bigger part of those royalties ended up with the exclusive iStockers. There is a good reason why especially among the 100-200 highest earners on iStock there is only a very small amount (maybe 10?) of non-exclusives. Those are not stupid people, they shoot for the money and do what they can to optimize their income. Not saying things might not have changed recently. Or maybe they still didn't change, maybe they will change in the future. But for the last five years - looking for the money alone - I still think being exclusive at iStock has made a much better return than being independent, unless you have significant income from macro as well. And compared to what a similar exclusive has made in the last five years at iStock, any independent will have to wait at least another five years to make up for that. That's just my personal conclusion but I base those at the huge amount of numbers available.
570
« on: February 17, 2013, 03:53 »
So you'd recommend 'a business' to have only one income partner then? That truly is the definition of 'stupid', especially when there are multiple other outlets available with which to spread the risk. No, it isn't necessarily "stupid". It's highly risky yes. But over many years that risk was rewarded with about 3 to 5 times more income than independents have reported in their blogs and forum posts. That part has only changed recently for many but still many are probably making far more money than they would sharing their images across many sites. Saying that it stupid to make more money than you could otherwise is pretty ignorant. It's a personal decision if you put the weight on "higher income" or "lower risk". Go back and figure out how much you have earned if I you had made 3 times more money in microstock for the last five years. Having given up that amount of money I wouldn't know why people wouldn't call you stupid. Or is money not so important to you?
571
« on: February 14, 2013, 19:01 »
As someone has already said, the ASA uses both "distributor" and "agent" as such, it contradicts itself if those two terms are contradictory. Actually from my reading it it uses both terms exactly once: In article 1 it says: The Supplier wishes to appoint iStockphoto as its exclusive agent to license, In article 3 is says: The Supplier hereby appoints iStockphoto as Supplier's exclusive distributor ... So it states quite clear what we wish for and what we actually get.
572
« on: February 14, 2013, 18:41 »
but those ones are not the one we signed If you uploaded a single files after August 2011, yes you "signed" it. All ASA changes are forced upon you with 30 days notice, and they will block your account if you don't agree to them in due time.
573
« on: February 14, 2013, 18:39 »
As for the thread about the new ASA, I don't have time right now to read all of the 38 pages right now but this post got my attention and is questioning the same thing I am. I'm not sure if it was addressed in a later post but I will sift through it all a bit later. There also was a Q&A summary from that thread: http://www.istockphoto.com/forum_messages.php?threadid=333842&page=1
574
« on: February 13, 2013, 14:08 »
Did I miss something? Here, Lobo indicates there's going to be an announcement of sorts about what's going on, but I haven't seen it. Is it hiding somewhere I haven't looked or just forgotten about? He already indicated something like that a few weeks ago, and what we got was the Contributor Newsletter summarizing all the facts already known... I won't hold my breath for the next set of "news".
575
« on: February 13, 2013, 10:59 »
It seems to suggest that if you are exclusive, your iStock income is seven times higher than it would be if you were independent. That's a pretty impressive set of handcuffs (but is Sean in there, skewing the figures?)
I've never done it. Never really knew what the poll was about, actually...
LOL! So now I can sit here working out how much more I would have made if I'd been exclusive for the last eight years! Lovely.
If you consider that the poll doesn't allow more than detail than 2500+, you can surely assume that Sean would have clicked that button for the last few years.
Pages: 1 ... 18 19 20 21 22 [23] 24 25 26 27
|
Sponsors
Microstock Poll Results
Sponsors
|