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Messages - Sophia

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1
Adobe Stock / Re: Fotolia Payouts Held Up Again?
« on: February 22, 2009, 07:20 »
Those of you who requested the 12th, 13th etc. and have already gotten paid - what payout method are you using? 

I am wondering if maybe they have a problem with paypal or something, but if those lucky folks who have gotten paid are also using paypal then it must be some other reason.

I don't think your problem is Paypal because my request was through Paypal. On Friday, after receiving the payout requested on the 13th, I put in another payout request and it came through yesterday so that's about 24hours wait.

2
Adobe Stock / Re: Fotolia Payouts Held Up Again?
« on: February 21, 2009, 07:41 »
My payout came through yesterday, it was requested on 13th Feb.

3
Pixmac / Re: Pixmac reaches 1,000,000 images?!
« on: December 12, 2008, 09:14 »
Why would FT exclusives at pixmac be a problem? Fotolia is obviously happy with that and I as a contributor don't see any problem with that...

4
Pixmac / Re: Pixmac reaches 1,000,000 images?!
« on: December 12, 2008, 07:15 »
I have images exclusively at Fotolia and they are showing as available for download on pixmac site, so exclusive photos are available there not just non-exclusives. I tested the site a while ago by purchasing some of my own images and I still get the same commission as I would do if the image was sold directly from Fotolia. The sale displays in my sales member area as a purchase from/by Pixmac. I see no problems with this from my point of view.

5
Adobe Stock / Re: Fotolia sales? how have yours been lately?
« on: December 12, 2008, 04:13 »
Pretty bad lately.  Also noticed my latest approved don't get any views.... --> no sales.

Patrick H.

The system doesn't seem to update the number of views in real time. If you go in to the file as if you're going to edit it then the number of views will update. It seems to take a few days for the view data to update.

6
Keyword order may not matter right now, but all fotolia's advice even now is to keyword in order of importance. At fotolia there is no way to add new keywords, and I'm not sure if the reordering function is working now but for sure there was a time when it did not work. If fotolia changes the search engine again to take only the first 7 relevant keywords then where will that leave your images if you haven't taken the time to put them in order of importance. Because it may not seem that it is important now, doesn't mean it won't be important at some time in the future.

7
Adobe Stock / Re: Fotolia sales? how have yours been lately?
« on: December 11, 2008, 06:55 »
Past two months have been very good for number of downloads, and since I've been able to increase starting price to 2 or 3 credits the earnings have been very good too.

8
Alamy.com / Re: At last my first sale
« on: December 08, 2008, 16:26 »
Well done! ;D

9
If you do not like the company that represents your work you should not do business with them.

I agree, and is exactly why I choose not to sell my images through subs, why I choose to offer some images exclusively with an agency who will market them at a "fair price" as far as micro goes, some images through macro and some images I won't sell at all. It brings us back to my answer to the original question of this thread.

I also want to add, I do see the irony of this when we look at macro vs micro. But I think there is a difference here. Micro made imagery available to people who simply couldn't afford macro prices, as in Adelaid's hairdresser example and as I have seen from helping very small businesses set up websites. Macro prices were simply just too much for these buyers. Micro addressed this problem and made imagery available at an affordable price. However subs in my opinion is different in that it is taking an already affordable image and making it unncessarily cheaper, the buyers could afford the image at a few $s so why was there a need to offer them the images at an even much cheaper price.

10
At every micro site you and me will  have files that won't sell anyhing, zero, or one or two dowloands every six months. But obviously, nobody's files sell all only one time, not at SS not a IS, nowhere. So, you could sell the same file 500 times at a subs micro or 500 times at IS or to Fotolia or whatever, and you can get 0,30 dollars x 500 (150 dollars) or until 11 dollars x 500 (5,500 dollars). There's a difference. RPIS is not related with that at all, you're mixing things.
What I mean is that volume of sales is much higher from a subs model ... certainly I know for me that an image may sell 10 times on istock but that same image has probably sold over a hundred times on SS because with the subs model buyers simply purchase more than they would otherwise (subs allow for far more impulse buying for example) ... there is a reason SS is many people's top earning site ...I sell 3 times as many images on SS every month than I do elsewhere ...

But in the end sjlocke is right (not about SS - I disagree with him on that as it's a good money maker for many) - it does come down to comfort levels ... the great thing about all of this is we do have choices .... exclusive or not ...  that site or not .... subs model or not .... diversity is good ... choice is good .... I really hope this industry continues in this fashion ...


Unfortunately there may come a time when we don't have choices whether or not we want to sell through subs. I'm relatively new to microstock but has SS always offered the subs system? It is my understanding that originally subs were not heard of, until SS created the idea. Now I don't think there are many "on demand" sales at SS. I was a member at SS for a few months and I made one on demand sale during that time. All the other sales were subs. I removed all my images from my account there because I could not get around the fact that a large international company could pay 30cents for one of my images and use it for any purpose they want, possibly used as part of an advertising campaign that might earn them millions. It seems downright wrong and unfair. Even a religious group, charity, one-man business can afford to pay more than 30c for an image. Hell, I'm not asking $100s, I'm asking a few $s, is that not a fair and affordable price?

The trouble I see for the future is that other agencies, in order to compete with SS, are offering the same packages now. I can understand their move to this because how else are they meant to compete. One company has driven down the price and so all the others must follow in order to stay competitive. A certain agency I believe indicated some time ago that they would not introduce subscriptions, I don't have details of who said this and exactly what was said but I believe it was said because they, at the time, felt it was an unfair deal for the photographer. But sadly now they have also had to introduce subs, more than likely to stay competitive.

Will there come a time at these other agencies where an "on demand" download is a rarity?

I really don't understand why other photographers are happy to submit to subs sites. I really can't understand why someone is happy to accept 30c for an image when it's worth more. Perhaps the reason is that people don't want to lose earnings in the short term in order to make a change to the industry, a change that I believe is the morally right thing to do.

I absolutely agree that each person has his or her own comfort level and obviously many photographers and illustrators are happy to accept this deal.

I'd also like to mention something else as someone above mentioned being able to sell 1000 files from one shoot as opposed to selecting one file from the shoot and selling it for a higher price. I don't know one agency who will accept 1000 photos from one shoot without rejecting a good majority of them for being too similar. Also remember that it's not only photos we sell, I sell a lot of illustrations, some of which might take me a couple of days creating just that one image.

11
Alamy.com / Re: I passed QC
« on: December 05, 2008, 10:31 »
Well done ;D

12
I cannot answer for anyone else but it would make me feel that my image has a fair and honest value. For me this is not about earning more or less, I would expect that if our buyer's budgets remain the same we would earn around the same, we would sell less images but we would earn probably around the same. It's not about total earnings, it's about feeling that our work is valued, it's about pride and respect. This is just my personal opinion and I expect that my opinion is in the minority.

13
Micro is similar to Wal-Mart as you say. Prices used to be around $100 for an image and then were available through micro sites for a price starting from $1 to lets say $12 depending on the size. But now 30 cents? For a large size photo. Is that fair? I have been a buyer in the past, as a web design business creating websites for small businesses, often self employed people. Micro was great because these small businesses could not in the past afford $100 for each photo on their website. $1 or even $10 was a fair price to pay. I was happy to pay that price and so were my customers. Afterall, the photographer has had to invest in equipment, insurance, business running expenses, props, models and everything else that goes with creating good images. The only reason a buyer pays 30cents for a photo is because he/she can, not because that's the value of the photo or because it's all he is prepared to pay.

Let me ask any buyers out there a question. If subscriptions dissapeared overnight, they were outlawed as being unethical. Would you no longer buy imagery, or would you be prepared to pay a few $s for an image you or your customer needed? You might not be wasteful in your buying habits buying up photos you don't need "because they're cheap", but websites, advertising etc would go on and the demand for imagery would still be there. Would you and your customer be willing to pay a few $s for an image if there was no such thing as 30c subscription imagery?

Although I have strong feelings about subscription sales I do not blame the buyers. They are only taking advantage of a good deal being offered. I blame fellow photographers for fuelling subscription sales by offering their images for sale at such a ridiculously low price. Until all photographers think the way I do and only offer imagery through agencies who allow you to opt out then this will not stop any time soon.

14
I do know that we buy that many images because we can afford to with the sub plans - I also know that if we did not have the subs plans we would not be buying anything close to that many images - so I am not sure I agree that subs hurt the contributors - we buy hundreds and hundreds of photos we would never have purchased otherwise - and those are sales the contributors never would have had either ....     

That's my point: I prefer not to sell dozens of images, but just one at a fair price.  Whether a subs buyer uses all the images he buys or not, is irrelevant.  He has the images, he can use them, he pays too little for them.

Regards,
Adelaide

I absolutely agree with this.

15
OK, I'm not interested in opinions like "it's fully safe" or "it's a hobby so I'm too lazy to upload to many more agencies".

I agree, exclusivity can put an agency in a good light but from the contributor's viewpoint I don't see the reason.

I was looking at my exclusivity estimator and multiplied these numbers with 3 and I still got a number of 1/3 of what I earn when I'm present at multiple agencies. If I produce something why sell this only in one store???

I think about putting all eggs in one basket. Risky? It's good to live in the shadow of a big but when something good/worse happens this big pulls everybody with him. See the new iStock's best match search algorithm. Except non-exclusives, many exclusives had BME/WME in November while at StockXpert, FL, DT, etc. there are no changes. Do they expect this???

Again, except a 'fully safe' and 'hobbyist' membership, an exclusive contributor only looses money not selling material with other agencies. We need to find the roots of exclusivity in the human behavior?

I am mostly exclusive with Fotolia. I have a very small portfolio with Istock and Alamy which hold the photos which Fotolia rejects (Istock) or which I want to manage the rights in some way (Alamy). I would probably earn more money if I was not exclusive and submitted all my images to every micro site out there. But I don't have time or the want to keyword and categorise at numerous sites. Fotolia offers a good percentage of the sale price if you're exclusive and as you climb the ranking you can set a fair and reasonable price for your images. I am at silver rank now and can charge 3US$ for the smallest size photo and up to $21 for the largest size image. Extended licence sales can be sold for $100. For each sale I get 54% of the sale price. With the increase to my prices I have not noticed a considerable drop in number of sales. Very important to me in this deal too is that I can opt out of subscription sales. And this brings me to the reason I don't sell through every agency. I hold very strong opinions about subscription sales, it is unethical to pay a photographer such a small amount for an image and buyers through the subscription program in my opinion are fueling an unethical way of doing business. It is wrong and I will not have any part in supporting subscription sales.  I know that through the volume of sales I well might earn more money if I offered my images at say shutterstock, but for me it's the principle of the sale price. I simply won't sell my work at that price, it's where I draw the line morally. Istock fortunately offers the option of opt out of subscription sales and is why my fotolia rejects go there. So bottom line is that I feel fotolia offers me flexibility in what I can charge for my images, they offer me a fair share of the sale price and I can keep well away from subscription sales. The types of images I produce seem to sell well at fotolia and I am lucky that I seem to have a very successful approval rate there.

16
Canon / Re: Lenses for 5d mark II
« on: December 04, 2008, 07:28 »
I have the Canon 5D with 24-70mm f2.8 L lens and 100mm f2.8 macro lens. The 24-70mm is very sharp and a great lens as walk around, it is heavy but I cope okay with it as most of my work is on a tripod. It will get heavy if you're walking around a lot with it and particularly if you're carrying other accessories along with your camera and lens e.g. tripod, camera bag etc. It doesn't have image stabilisation, something to keep in mind if you want that, I don't need it so no loss to me. I do some table top photos with it mostly at the 70mm end and it can suffer from mild CA at 70mm but nothing too noticeable which cannot be corrected. I submit to Alamy so if this was a problem I'm sure I would have had rejections by now and to date I've had none. On the full frame 5D I would say (although I don't have experience of using this lens) that the 50mm might be too wide for most closeup table top and head and shoulders portrait photos. I nearly always use the 24-70mm at 70mm for this kind of work. It is a great lens for landscapes and I also do some home interior photos with it at the wide angle. The 100mm macro lens is perfect on the 5D for tabletop and closeup work/macro work. Also the 100mm lens is a great portrait lens, especially on the full frame 5D. The other lens that will compliment this camera well is the 70-200mm lens which is on my wish list for when I can next afford a camera equipment purchase.

17
Cameras / Lenses / Re: My next purchase with stock money
« on: August 13, 2008, 05:52 »
I'm sure you're going to love that lens. I very nearly bought it for myself but chose the 24-70mm L instead, along with my Canon 5D. All paid for by stock sales. Next on the list is the 70-200mm f2.8 L and some studio lighting. And then I want a wide angle lens....and so the list goes on and on and on... ;D

18
General Stock Discussion / Tin eye
« on: August 04, 2008, 06:02 »
I wanted to ask a question about Tin eye. I've been searching Tin Eye every so often to see if I can find some of my images in use. Every time and with every image I search it returns 0 results. Some of the images have been sold between 30 and 100 times and I can find them easily searching on google or yahoo using my name. So why doesn't Tin Eye return any results? Am I doing something wrong or is it just not very good yet. I am using the Firefox plugin where you need to right click an image to start a search.

19
This might give you some direction

http://blog.photoshelter.com/school/2008/06/buyer-survey-2008.html


A very interesting survey, thanks for sharing :)

20
Adobe Stock / Re: Rejections, rejections, rejections...
« on: August 03, 2008, 02:37 »

but after looking at this thread I looked at their latest 300 uploads, and there is some very average images getting through... is this just luck? or are they exclusive? or is there some other secret? :)

Phil

All my uploads to Fotolia are exclusive and I get lots of rejections, mostly for too similar, so I don't think being exclusive makes it any easier. Through frustration I've stopped uploading photographs for now and only send my illustrations there. Acceptance in the past few weeks of those seems to be much better.

21
Adobe Stock / Re: Rejections, rejections, rejections...
« on: July 30, 2008, 07:57 »
Reviews have got better for me again but I'm only uploading illustrations, all photos are going elsewhere for the time being.

22
General Macrostock / Re: RM agency for British photographer
« on: July 29, 2008, 11:56 »
Thanks Alex, I will check them out. :)

23
General Macrostock / Re: RM agency for British photographer
« on: July 28, 2008, 15:17 »
I haven't looked into keywording with PhotoShelter, I am put off with the tax issues considering I'm not a US resident. I'm using a Canon 5D with L glass so I don't expect I'll have too much quality loss with the upsizing, it's just that it goes against what I've been told by all the micro sites.

24
General Macrostock / Re: RM agency for British photographer
« on: July 28, 2008, 13:57 »
Thanks Perry, I might do that. I was concerned about their upsizing policy though, not sure if I like that.

25
General Macrostock / RM agency for British photographer
« on: July 28, 2008, 10:53 »
Hi everyone. I've been lurking for a few months and thought this would be a good place to ask this question. I've been submitting to three RF micro-stock sites for the past year and have done quite well out of it. I have been building a portfolio of photographs and illustrations that I would prefer to offer on a RM basis rather than RF. None of these images have been submitted as RF because I feel they're worth more than a few 's each. Also, as some of them have my family in them I would feel better about knowing who is using them and what for, that way I feel I have more control over their use. I have registered both at Alamy and PhotoShelter but not submitted anything yet because I'm unsure about them both. Who else can I consider as a RM macro/mid-stock agency?

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