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Messages - PaulieWalnuts

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1
Looking at my remittance email I just got, I noticed some data on the bottom.  At first, I assumed it was related to my overall payments from iStock over the years.  But when I looked closer, I noticed the total was over 5.6 million (I assume dollars) -- and that's not all mine.

Do you think that's how much money they're paying everyone this pay period?  Was this information on previous payment emails and I just never noticed it?
And they are keeping 70-85% of that, wow

If that's total monthly revenue then they're doing $60M a year in sales. If that's the 15%-ish royalty cut then they're doing over $400M a year in sales (?)

2
General Stock Discussion / Re: If you had six months...
« on: July 30, 2018, 13:08 »
Wow, blast from the past. So many greyed out names and even active ones that don't seem to post much anymore.

One thing that hasn't changed is I still haven't had six dedicated months in the past ten years to build my portfolio.  ;D

3
iStockPhoto.com / Re: Moving to Shutterstock and Adobe
« on: July 26, 2018, 00:22 »
Harplee!....most of your replies here are talking about when they left IS some years back and when the going was good, when it was worth breaking exclusivity and go Indie!....not so today. I think most people who joined micro back in 2005-2006 etc can verify that takings have dropped catastrophically during the last 4-5 years.

I am still independent at IS and still earn good money in spite of their lousy commission!

And what is good money? How many images and monthly earnings?

If he/she is making $100 - $200 per month as an IS Exclusive I can't imagine doing worse with SS and FT. Frankly if I was getting $100 per month with 1,500 images I'd either do something different to try and improve earnings or call it quits. That's 6 cents per image per month. That 1,500 images probably took a ton of time and cost to produce and the return is peanuts. If they drop IS and end up earning $50  or even $25 per month does it really matter? I dropped IS Exclusively when I was still doing a couple thousand per month.


4
iStockPhoto.com / Re: Moving to Shutterstock and Adobe
« on: July 24, 2018, 21:06 »
Im done with iStock. Ive been with them almost since the beginning and all the tech issues with ESP and the lack of respect from Getty is the last straw.

If I give up my exclusivity and start submitting to Shutterstock and Adobe, will my income be the same as what it was at iStock as an exclusive? Any other sites I should consider?


Sent from my iPhone using Tapatalk

My personal experience is I dropped IS Exclusive and submitted to Shutterstock, Adobe and Non-Ex IS. My income between those three dropped to about between a 1/2 to 1/3 then when I was IS exclusive. But I had other reasons to drop the crown. Mainly in that I found I could license my niche images for hundreds or thousands of dollars so overall I'm way ahead going indie.

In your case if you've dropped to $100 - $200 p/m, unless you'd lose your house, starve, or other problem, you don't seem to have much to lose going indie.  This was my problem a few years ago. My revenue growth was great for a few years and then after all the BS it plateaued and started dropping. The trend was clear. Going down and not coming back up so I bailed way early before I hit bottom.


5
VideoBlocks / Re: Commission cut
« on: July 20, 2018, 08:19 »
I dont contribute to VB so I must be missing something here. 100% commission? How do they make money?

Unless they charge a membership fee, get advertising revenue, or make money somewhere else, this had to have been a temporary deal to grow their collection.

6
I wonder why people put photos on flickr and similar "show only" sites and then cry if image "borrowed"?

Uh well, because if the image is All Rights Reserved it's show-only. If it has one of the ridiculous Create Commons licenses then it may be okay to "borrow".

I wonder why people put cars in car shows and similar "show only" shows and then cry if car "borrowed"?

7
I never think its a good idea to ask for an opinion  if you are going to tell people they are wrong :o. What is actually the purpose of your question as you seem to have decided you are going to do it? I think  if you have exceptional images and are good at marketing it could work. For "run of the mill" stock photography nope

LOL, I just noticed the OPs responses.

I think the question's purpose was more looking for experiences. But when you throw in an open ended "what do you think?", you're inviting debate, then bickering, then arguing, and then of course all things lead to Trump.


8
Making my own website and Promoting my quality  works on Social Media?
What do you think of this? Would it be worth and give great money? I have 22k followers on instagram and I know how to get hundreds of organic reach in Facebook from different countries. Let say 500 different organic reach on Facebook daily.

What do you think? Have anyone here sold photos and videos from their own site?

THANKS A LOT IN ADVANCE

Depends on your approach.

What will you offer to cause buyers to want to use your site vs a microstock site? Lower price (if even possible), better service, unique images that don't exist on micro, etc?

Doing your own site using your micro portfolio would be a major challenge due to existing low prices and the need for huge volume.

Prices are already insanely low. So competing with lowe price may not attract buyers. Meaning if it's a dollar on micro do buyers really care if you offer it for 25 or 50 cents? Probably not.

If you can get a large percentage of your social network to become buyers then you may be onto something.You may need to get 50-100 sales a month just to cover the website hosting costs. Is anyone here doing over $50 per month in micro sales on their own site?

Or you need to come up with something unique that people are willing to pay more money for and branch outside of micro into higher-money lower-volume such as macro RM and/or prints. This is what I've done and it has worked well.

9
From infringement to mobile carriers to debating the definition of facts. Well played Rinder. Well played.

10
Now that I read the quoted parts of the decision, I can see that one judge doesn't understand copyrights or photography and creative images. I can understand that the image was not displayed with any copyright notice on various sites over time. Still, and a great point...


Because Apple and other companies have implemented copy protection that prevents misuse. Plus high profile Napster and other situations made the general public aware that copying music is illegal. Getty tried doing this and they had infringers take to social media with widespread shaming campaigns about "Getty blackmail letters". Getty backed off when they should have stood their ground.


Even without the outrageous "blackmail" letters and the mistakes, like writing to the original authors in some cases, they could have kept up the program with a little less of a storm trooper attitude.

The DMCA was written by lobbyists for the big internet providers, with the intention of shielding them from responsibility and, naturally, liability for copyright infringement.  It works well.

Yes, correct, but does nothing for us.  :(

I used to put a on photos, simple enough there's notice, but also as pointed out here, once used, purchased, anyone can right click and copy from a paid use and steal them. In fact if you can see an image in your browser, it's already in the cache on your computer, or a thief's computer. There's no protection except law. That works for music and other works, I don't know why drawings or photos aren't protected the same?

ps the judge also saw this as a non-commercial use.

The judge needs their vision checked. On their website there are things like sponsors and also paid admission tickets. Regardless of all of the philanthropy listed on the website that shouldn't give them a free pass on infringement.

11
who submitted your photos under an rf licence?

Yes I know, me. I learned a while ago that was a bad decision. Now a ton of my work submitted as RF is being infringed and theres nothing I can do about. All of my new work starting a few years ago is RM so I have complete control over it. That is unless courts start deciding infringement is fair use then copyright and all licenses are meaningless.

12
The article claims it was used in "good faith" and that the defendant didn't know it was copyrighted. I can take a photo of my big toe and it's immediately copyrighted and a judge should know that copyright automatically applies to all photos. Just because it doesn't say in large letters "COPYRIGHT PROTECTED" doesn't mean it isn't and ignorance of the law is no excuse.

Google puts in small print under the images in an image search: Images may be subject to copyright, which should be enough but if even judges are going to overlook this little fact then I guess big ugly watermarks are the future of photos on the web.

Watermarks aren't the answer. First, they can easily be removed. Second, once your image is legally licensed and put on the web without the watermark by your client, it is wide open to infringement. I have one image that was sold in microstock a couple dozen times but is used on hundreds of websites. Which ones are clients vs infringers? Thanks to RF, I have no idea.

And yes ignorance is no excuse. Imagine if ignorance applied to everything. "Oh well the keys were in the ignition so I figured I could take the car.". "The bike was on the sidewalk so I figured they didn't want it anymore". "The door on the house was unlocked so I figured I could take everything". Ohhhh, well in that case if you were ignorant then the court feels you were totally right in taking these things..

13
If you find music on the radio or internet you automatically think "it's copyrighted".  Why would anyone think photos are any different.  The mind set needs to be everything is copyrighted by someone somewhere.  Even creative commons has a (foolish) copyright holder... who may demand attribute if nothing else.

Because Apple and other companies have implemented copy protection that prevents misuse. Plus high profile Napster and other situations made the general public aware that copying music is illegal. Getty tried doing this and they had infringers take to social media with widespread shaming campaigns about "Getty blackmail letters". Getty backed off when they should have stood their ground.

Imagine thieves who steal from major stores shaming them when the stores ask them to pay for what they took. And then having the general public side with the thieves to where the stores have to stop asking thieves to pay for what they took. This is where we're at in 2018. The year common sense went away and the logical thinking majority gives in to small vocal social media mobs.

14
The company . . . ."responded by immediately taking the photo down." Why did he still have to sue?

We as copyright holders shouldn't need to waste uncompensated time asking every infringer to stop infringing. I have found thousands of infringements of my work where these people should be paying for use. My single-use RM license ranges from $20 to $1,000. That's at minimum over $20,000 in ingringed revenue. Should I just ignore this? Should I spend waste months or years full time contacting all of them just requesting take-downs?

When a store finds someone has stolen from them is their response "good sir/madam, could I kindly ask you to please bring back the items you removed from our store?". No, there is usually a consequence that deters people from doing bad or illegal things. This ruling sets the tone that there is no legal consequence for infringing on our work and as a result effectively encourages infringement.  I hope this ruling causes a sh*tstorm otherwise this is just another nail in the coffin for a profession that is already on life support.

15
123RF / Re: Do you make $100/month at 123RF?
« on: June 27, 2018, 21:17 »
It would take me about 100 years to make $100 total there.

16
There is still real money to be made from photos. You just need to know what buyers are willing to pay premium money for and not accept low amounts. I recently negotiated a print licensing deal for just under $10k for a large hotel chain. Its not as common as the good old days but the opportunity is still there.

17
You should have insisted he not call you again and then hung up.

If you are uncomfortable, that is the exact right response.

The "not answering the phone when he calls" is the exact WRONG response.  The caller does not know that you are there and refusing to answer, so he keeps calling. That just makes you more nervous and concerned.

Just communicate your desires and be done with it.  If he keeps calling after that, then just say "I DO NOT WANT TO TALK TO YOU ANY MORE. PLEASE STOP CALLING" and hang up.  Only an obtuse moron would continue after hearing that (OK,maybe after hearing it twice...)

My response was meant to be humorous but it depends on your stance. If youre one of the people who shares everything for the greater good of the community then youd happily give all of the detail. If youre more old school business then youd probably not share. Either way its personal choice. I selectively share based on the situation. For people who feel entitled and insist that I share I typically dont share. Artist painters seem to think its okay to take a photographers photo, paint an exact copy, and then sell it as art. I disagree. Go take your own amazing photos and then create a painting. Or spend hours researching your own locations like i do and then do your painting. Imagine contacting a painter and inisisting they tell you the location of their paintings so you can go take photos to sell.

18
I got a call from a local painter who asked me where I took some of my images. He got my contact info from a store where my works are sold.

I looked at his portfolio and found he had some paintings, with compositions very similar to my photos.

These locations have very unique features and are not accessible by car. I was there because I had local guides.

He insisted on asking the approximate location. I told him, but feel uncomfortable. If he painted his works, he would know where they were.

In the past, other painters also wanted to paint my photos, I said no.

Is this guy painting on the basis of my photos? How do you feel about that?

You should have insisted he not call you again and then hung up.

19
Shutterstock.com / Re: SSTK First Quarter 2018 report
« on: April 26, 2018, 07:57 »
So from your key operating metrics I'm seeing that the collection increased 50% (way more competition) while the paid downloads remained flat (buyers not buying more or lack of new buyer growth).

20
I took some good pictures of a cityscape from a distance (a river separates me from the city), in long exposure, just after the blue hour, some were rejected for the reason "not in focus" ... I have a pana g85 and I wonder if the best way to focus a cityscape is to use a focus to infinity ... panasonic does not talk about this function in the guide, I'm a little lost ... do you know the best method to this type of picture?

My method: I focus on a particular point and then I put the camera in manual mode + manual focus, then I take the pose ...

thank you.

When using manual are you magnifying to confirm you're getting sharp focus? If you look at the photo at 100% on your computer is it sharp? If it's sharp then you may be getting a generic rejection in that they don't think the photo is sellable but are just using out of focus as an excuse to reject it.

If at 100% it's not in focus/blurry it could be a lot of different reasons. A soft lens. Long exposure blur due to camera movement. Modern focusing systems are ultra reliable. I mainly use Sony and autofocus on night cityscapes is rock solid. Try focusing on a high contrast area such as the corner of the building where the there's light and also black. Use a wireless remote shutter release or the 2-5 second shutter delay. If it's windy put a weight under the  tripod or lower the legs on the tripod.

21
I sell prints through FAA/Pixels because I can set the pricing so it's pretty close to my personal website. I don't sell licensing through them because my personal site has a more traditional RM calculator and I can't configure their pricing to match my site.

22
Newbie Discussion / Re: Can I make money with stock in 2018
« on: April 24, 2018, 23:25 »
I am not promoting myself or anything like that

OK.  :D

What I think?

I think that promoting selling stock is probably the worst thing you can do if you plan on continuing selling stock.  :P

So you're saying helping your competitors for free is a bad idea?

23
For me stocks generate far more income than these print sites.

All depends on what type of images you have. I've seen people say they do well on Zazzle, RedBubble on other PODs and my sales there were bad but were great elsewhere. Trying everything and stick with what works.

24
Going for Microstocks is like any other business, its a day by day struggle.

Young people come up with better ideas, are more creative, more innovative. Old people are backward-looking all the time, they simply are stuck in the mud.... and complain. Call it generation gap.

I don't think it's entirely age based. It's how willing and able you are to analyze and adapt to trends and change. If you are doing the same old stuff that worked five or ten years ago then you'll probably be disappointed regardless of your age.

25
I just mean anyone who does not need the income from micro to survive.

Yes, that.  For survival, I hear that McDonalds is still hiring ...

Does Mc Donald's hire old people?

McDonalds is hiring people who can assist customers with using self service kiosks.

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