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Messages - photovideo

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1
Greetings Photoshow:

Thank you for taking the time to respond. I understand your point of view, it is also worth noting that I'm not necessarily in disagreement. My opinion was based considering various factors (and assumptions). The tile alone "if I have to start up a new microstock site" suggest we are talking about microstock sites, which by its nature is "compressed" by certain common features (I hesitated to use the word standard) that differentiate from the rest.

Addressing your comments:

1- You are correct about addressing keyword spam and quality keywords. There are many ways to address the "issue". I'd like to be "filtered" by the agency but not limiting the contributor and even the interaction between contributor and agency can produce positive results.

2- Invite only is fine, it is just another target and selected group. As mentioned earlier, I was based on the concept of microstock site which is how the thread started.

3- By no means I mean take a picture with an iphone and sell it as something else  :) Since this is a photographer site, I'm to assume the use of prosumer cameras and up are the norm. But now, after your technical explanation it makes it clear is a do-able thing. (Thanks for the info)

4- You are correct about expenses "shouldn't be an issue" when addressing metadata, but costs are are an intrinsic part of any business. Since we are assuming we are talking about microstock, this is one of the things that MS are known for, operating efficiently while reducing overheads. Certainly this issues are addressed when the site has been operating for a while. Keep in mind, many microstock sites start with private funding or seed investors who, depending the factors, use their resources "wisely" and accounting for future re-do or "fixes" as the machinery is running "properly" In the same manner I'm not denying the possibility of such agency (your proposal) to start with limited resources.

At the end, is not a matter of right or wrong, just different point of views. Nonetheless, if the title didn't included the word "microstock" I most likely wouldn't give an opinion in the first place.

Thanks again for your comments.

Kind regards.

2
I am sure everyone has their own views of starting a microstock website but easiler said than done.
Calling them "clone", I dont know if I would put them down. If it were not for other stock agencies, I would not make the money I do make. There is always room for competition even for the "little" companies. Obviously someone is buying from them. Each agency has their own way of running things. I am ok with that.
I am just glad there is a top 10 and would be happy to use any others moving up the ladder.
I would never make my images exclusive. I dont think I would make more doing that.


Hi lephotograph:

It is refreshing to hear your comments. I see and understand of others and although some have a "negative connotation" they are very valid. But it is the positive that keep the possibilities open however small it might be. As you said, there is always room for competition. My best wishes to you.  :)

3
Hi photovideo,
The choice of some artists to go exclusive is nothing to do with the commision percentage but the higher amount of revenue that was being returned, one of the biggest agencies pays just 20% non exclusive up to 40% exclusive, this is one of the biggest not because of the poor commission percentage but due the size of the customer base, slightly higher pricing but sheer volume of sales, and it's main competitor is a subscription based service, so it is quite attractive to go exclusive for the extra 20% and less work uploading and waiting for revenue.

Some of the other services with higher percentages have a very low volume and non existent or very slow revenue streams, which makes them less attractive, we all know 20% - 40% of something is better than 50% of nothing, so your perceptions are wrong until on percentages are turned to an amount of revenue that negates the reason for going exclusive.

For a new service we need to know where you pricing is set, and most important is where the customers are coming from, and there needs to be something unique about a new agency other than price point as these are all covered already by existing agencies or collections, why should a new customer use this new service, you say that your existing video clip artists have suggested you start licencing images as well, that is not a big enough reason to move into the market as they will not be your main customers, also they can already contribute images with other website, how big is this existing businesses in the video market, and how many regular customers do you have, how many of these customer could be your potentail market, have you done a survey and asked your customers how many also use images and where they shop.

David  ;)
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Hi David,

You are correct, there are some contributors that have chosen to be exclusive, which is another option available, I do not discourage exclusive, my position was why many choose not going exclusive, it will  depend on personal experience as well as other factors. But it would be wise to choose exclusive based on your proposed scenario.

About selling images I couldn't agree more, but I also think that some things at some point don't have to have a "big enough reason" sometimes "any reason" is just enough.

Thanks for your comment! very much appreciated  :)




4
Hi photovideo,

 Glad to see people looking towards the future. Would you be kind enough to share some personal or professional background with the group here. I noticed you are anonymous and it would really help to see your work as well as what you will expect from your contributors on quality vs. quantity.
 It really helps me to understand your operation better if I can get some idea of your expertise on the matter of running a stock collection in the past or your capital you plan on investing in this concept. How deep are the pockets to make this thing fly while you are trying to get it off the ground. I don't need exact details but a contact or lead to your own work might really help. Keep on stretching that brain for us, good to see people stepping to the plate especially in raising content providers returns to 50%.

Best,
Jonathan

Hello Jonathan,

Thank you for your kind comments. I wish I can share more information openly, however, there are certain things about the business (such as budget/capital or "unique" ideas) that due to the nature I cannot share.

But I can certainly share details about myself. I have a BA in advertising/digital arts and graduated in 1999. Before I graduated I was hired by a TV station where I developed my interest in television as a Motion Graphic artist. Soon after I was hired by a major nationwide TV network doing the same work. I then relocated to another state and got in to an Emmy Award winning post production house also as Motion Graphic Artist. 4 years later I took an offer in another nationwide TV network.

Beside this I have skills in photography, video editing and film making. When it comes to photography, I shot my own images to use in motion graphics. I learned photography before college and while in college (4 classes). Film making was also part of my major and later got more experience while working in the post house.

I entered the stock industry while working on a motion graphics project. This particular client didn't have much budget to spent on video footage which was $200-$600 per clip and there was not much variety to choose from. So I ended up shooting a sequence of videos which came out "amazing" at "the level" of some of the major RF stock houses.  When many of my colleagues saw the material they suggested me to contact those big RF sites, and I did. One became very interested in getting it as exclusive.

I got busy with projects so I did not focus on it for a while until I have to create more material for another project. (sorry I'm extending myself again... I will make it short) I decided to dedicate time to the creation of material. When I had "enough" (or so I thought at that time) I started to use my own funding to start the project, but then, even before I putting it to work, two new stock houses opened their doors. I joined them and became one of the top sellers for a while... Shortly after I gather a small team and decided to give it a shot doing it ourselves. We started with our own footage.... month later, some of those contributors who we became friends with suggested us to accept their footage, and we did...  :)

Feel free to PM, I can share more info.

Thanks again for your comments, as you said, we are looking forward to the future.  :)














5
I'll just comment on this, because reading all of that was starting to hurt my melon: "As a stock house, selling only exclusive will limit the quantity and we all know we like to shop in places where you can find more options than just a few."

Another site selling the same stuff everyone else has isn't going to break into any new markets, or be any more successful than anything out there, and will probably be a lot less so.


My apologies... I think I went too far. Sometimes I start to write all my ideas and I forget to be concise, specially with so many ideas in this thread.

What you are saying is completely correct. But you may be underestimating that a simple idea can make a difference, and yet, that idea may not be posted here...(for a reason) Maybe some businesses rather not be "more successful than" and just be successful for the time being... The tread was focused on what a photographer wants from an agency, and the idea of being exclusive is not "ground breaking" and its been there for the longest time. My opinion in that particular case as a contributor, is that you can make more money in the long run by being non exclusive.

But, as mentioned, this is my perception, I might be wrong. Here is my case...

Stock Agency 1: 45%
Stock Agency 2: 50%
Stock Agency 3: 35%
Stock Agency 5: 35%
Stock Agency 6: 40%
Stock Agency 7: 50%
Stock Agency 8: 40%

This is a 295% Against exclusive for 60%..... I still have a 235% to compensate for any loss don't sell on those sites. The difference between exclusive and non exclusive (in terms of percentage) is so small that it is not worth it at least for the microstock photographer. Those who are running exclusive images are the same big group who, in great majority, run the microstocks sites. Those exclusive sites are so exclusive that many of us, microstock contributors would not be accepted in the first place.

I'm not saying one is bad and the other is good, I'm saying this is the path the microstock has taken as it has been proven to work..... so far.

Regards.





















6
Greetings to all:

I recently came across this wonderful site and posted a question about what is it that photographers are looking for in a stock house. Someone directed me to this post and I can say this is the most detailed-well-informed compilation I have ever found in regards to this matter. What I like the most is the fact that you, as professional photographer gather to discuss this ideas.

I am a "CEO" (yes, I rather use quotes :) ) of an emerging stock video site, but before I decided to pursue this dream (I had it for the longest time) I was a contributor to all major stock video houses, big and small and continue to be a contributor. I'm able to see (probably in a limited way) both sides of the coin. This has helped me to draw some excellent ideas we have implemented to our site and make it "contributor friendly".

Going back to square one, many of our video contributors are also photographers and suggested us to expand to images, which we would like to do,  however, we wanted to make sure we continue that "contributors friendly tradition" by learning more about what contributors are looking for.

I will take many of your ideas to my drawing table and make it part of our site strategy.

Before that, for the sake of the openness this site offer and to contribute to the understanding of how stock house operate (at least small one like site ours) here are my 2 cents is respond to the main ideas.

Perry's ideas are valid considering where he is coming from, and many of you have realized, is not necessarily if the ideas are good or bad, what is even more valuable is that he brought this discussion to the table. Here are my thought on his take:

1) Exclusive images:
As a contributor I don't want to limit my range of income source by going exclusive. In most instance it is not profitable to get, let say, just 60% as exclusive than various percentages from several sites.

As a stock house, selling only exclusive will limit the material quantity driving customers to sites that have the most variety and royalty flexibility. Of course, this does not mean there is not a market for that.


2) Prevent Photographers submitting similar images to other sites

This correlate with point #1, as contributor, I would be limiting my options...
As a stock house, the only way to prevent you from selling in other sites, is to make you sign a legal document agreeing to that. I personally don't like unnecessary legal documents (as many people do)

3) The photographers could pull out their images whenever they want.
As contributor I like this flexibility however, I wouldn't pull out any image as it will limit my income possibilities, that is not even considering the time and effort I put to keywording etc.

As a stock house, I want you to feel flexible, it makes you comfortable, but pulling out may compromise clients who, let say, have items in their bins and counting on them. If you remove them, this customer will not be happy and this is no good. I believe the current standard is fair... Ranging from 14 to 30 days and in some cases 3-6 month.

4) Moderately easy on the technical side
As a contributor: I like this idea.
As a stock house:  Although we are as flexible as you want, I do understand where the other sites are coming from. Many of them are using a business model either inherited by the "old ring" who targeted high end productions, or copied the concept when the microstock was still considered "non threatening". Now they are becoming more flexible in that sense.

In our case we don't limit or reject unless the video is extremely bad. This decision was made when we realized "there is market for everything".  I did a test by shooting myself walking from the leg down... By all standard this video was doom to failure, but surprisingly it got sold 3 times in its life time.

5)  Easy License

I agree in both sides.

6) Clever algorithm that few clicks images sink to bottom
As a contributor, I like the idea. I recall that for a time I was one of the top sellers at 2 different sites, so I know the feeling of having good material + appropriated keywording. However, those the site realized they couldn't prioritize so it became more "even".

As a stock house this would be unfair to other contributors regardless of their inexperience keywording. We would like all people to sell, not just a few ones. The ones who sales will be happy, but the majority of those who don't sell will feel the site is not making them revenue.

7) Easy uploading

Agreed in both counts. We try to minimize that by using templates which make the submission process in just 2 steps, but it has it limitations. This is something there is no scape (at least for now) as information have to be entered.

8) Fair commission
I agree in both counts. I can say that in video it seems to be more fair, probably because it requires more work. Depending on the site it goes from 35% to 50% as non exclusive and the most I have seen is 60% as exclusive. These are fair values considering the operational expenses. We offer 50% and it will be the same if we decided to make it into the images market.

About other comments I read:

Keyword limitations:
As a contributor I would like to have freedom to use the keyword I see fit for my material, but
as a stock house I want to make sure there is no profanity or anything that can offend anyone in any way. We don't limit keyword unless is rude, crude, or profane. There are some gray areas that require consultation.

Paying in advanced for royalties:
As a contributor I experienced it first hand. This particular site was emerging and quickly died. (It is now being revamped its features and will come back to the market) I did enjoyed the benefit of having a quick commission but I ended up having the feeling of being "trapped". A year later I  returned the money so I can feel "free". Hopefully they will do better this time.

As a stock house and depending on the amount of money and/or contributors, it would take a chunk of money that can be used in other areas that will benefit the business and by default the contributor.

Photoshow also brought some great point, which are great ideas but are somewhat tricky to implement depending on the business model...

1) By invite only site will limit the amount of photographers as well as the amount of clients. Although this has been used in the past by the "old ring" such as Getty Images, they have "change their mind" or better yet, they now understand the market trend and ended up acquiring IStockPhoto (and video) as well as Jupiter Images (with all their agencies such as stockxpert)

2) Approved Camera List
The idea is good, but has it flaws. As a professional in the television and post production industry I can tell you that it is the talent, not the camera. I have seem many material shot on "crappy camera" that look professional, I have seen "crappy material" shot on "expensive as hell" cameras.

Also, a far as I can tell, no agency have the capability of controlling this. What will prevent you from saying you used an "approved camera" when in fact you did not? How will a company know for sure which camera you did used? They have to go by what you say.

As I contributor I once did a sequence of videos that was done in a non-approved video camera. I knew it will get rejected if I mentioned, but I also knew this material was going to sell like hotcakes... I ended up finding the closest pro camera compared to the one I used and that is was approved by the site. Well, it was approved, it did sell like hotcake and it is still selling good in all sites. At the end of the day, I make them money, and I make money myself.

3) Agent that understand contributors are the backbone

I agree in both counts (as contributor and as stock house) This is in fact what we are trying to build. Most of us (internal team) are either filmakers, 3D animators, motion designers and graphic designers... We all know the industry, we understand the industry and we've been making a living on this industry for the past 10-30 years (combined).

Because two of us are contributors to other sites, we understand what is going on from within. We want to implement a functional solution where the contributor is not only a contributor but an integral part of the business, reaping additional benefits as the site grows.

I do agree with points 4, 5, and 6.

7) This is a good idea, but it has a cost. As a contributor I rather gain 3% and submit my own metadata, at the end of the day after an image is submitted that is it, no more work with it, of course this is long term.  Now, there are many agencies that do the submission for you, but they require you to sign a 3-7 years contract. I have material in two of such sites, and I understand the cost of having the employees to do the work. It cost money and they want to protect that investment by signing contracts.

For a small startup business like us this is a big overhead. This is the reason why microstock implemented the idea and soon the big boys joined the concept.

10) One Model Release for all related Material
This idea is great, it was suggested to us while a go by one of our contributors, we are in the process of implementing this.

11) The image rejection in a "yes or no manner" can backfire and it does not offer flexibility to the contributor. As a contributor, I want to be able to submit an image after I took the time to make the necessarily adjustments, images that I know for a fact is selling great in other sites... As a stock house I want contributors to have that freedom... How can they feel they are the backbone if they are being treated with limitations?

12) This is what has been done in the past 15 years (or more). But the new trend in business is community base, the freedom to chat with fellow artists, exchange ideas, discuss equipment... All that has a business value, and of course as an agency we benefit from it... (it may also backfire)  That is even aside from the fact that having forum can increase awareness, reduce non-important technical support inquiries and just have the feeling of being part of something. We are social beings, it is embedded in our nature.

When I decided to open as a business, due to respect, I had to cut back from posting on the sites I contribute material. For a while it made me sad because I became so part of it... This has a value and is very well appreciated by contributors and the agencies.

As I final thought, my comments are by no means written on stone, these are just my perceptions on how I see things from both sides. 'The only permanent thing is change" so these comments may well be obsolete very soon.

This thread has added much value to the information I was looking for in consideration to start offering images in our website. Thank you for having this information available!

:)

7
Hi: Thanks for the link, I read the thread and there are many good ideas. I think with that foundation we can start to draw a final draft. I guess we will be announcing the addition of stock images to our site. I was curious to hear about the idea of the photographers being part of the company, but it seems (from our info gathering) that there is no much interest.

Anyway, thanks again for the link, very much appreciated.

 :)

8
Hi there. Let me start by saying this is an wonderful site, I just came across and registered right on the spot. After considering if appropriate or not I finally decided to give it a shot, so here it goes...

I work with a stock footage site (videos) (well in the category of microstock) and we are considering selling stock images, but as many have posted here, the market is so saturated with such sites that it loses the appeal specially for contributors with tons of images.

I was wondering, what do you, as photographer, look for in a stock image site specially that something that will help you decide to join?

One thing we've been trying to do is to come up with a way to somehow make our videographers (or future photographers) part of the company in a way that, if the company ever gets sold or if we reach a level of high income, you get a piece of the pie at the level of your contribution... This has been quite difficult because there are many variables some yet unknown.

So, beside this idea, is there something you as photographer is looking forward to see in a microstock site?




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