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Messages - gostwyck

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5051
General Stock Discussion / Re: March 2009 earnings breakdown
« on: April 02, 2009, 05:19 »
Here's mine for last month which was a second consecutive BME __ March 2008 figures in brackets.

ISP   37.3%  (36.6)
SS    27.9%  (29.1)
FOT  14.9%  (10.9)
DT    12.4%  (13.5)
StockXpert    5.1%  (6.2)
BigStock    2.3%  (3)


5052
iStockPhoto.com / Re: New to Istock ~ Not having Much Success
« on: April 01, 2009, 19:01 »
iStock seems a tough nut to crack.  Most of my images tend to get ignored, but the few that do take off put up huge numbers. 

... Is the right answer.

Due to all the exclusive contributors (90%+ of the Top 100 are exclusive if I remember) the standards at IS are exremely high. You need to be producing images that are amongst the best in their subject for them to be successful ... but if you do then the rewards can be very worthwhile.

5053
Shutterstock.com / Re: EL & OD mania on SS
« on: March 17, 2009, 07:25 »
I had 4 EL's just yesterday. They are getting more and more frequent.

Same here. Nice to see them pop up on the screen whilst I bask in the sunshine on hol's __ it certainly beats working for a living!

5054

Unless the SAA makes a very public statement supporting microstock artists and acknowledging microstock as a viable and valid business model, I have to suggest that they be ignored. 

I'd very much agree with that. I think these organisations ultimately become self-serving entities more geared towards the interests of those that are running them than that of their members __ although of course they have to make a big play of pretending quite the opposite.

I'm guessing the folk running the SAA would welcome the sub's of a few thousand more photographers but would struggle to present that in a postive way to their members.

At some point in the relatively-near future there won't be micro, mid and macro divisions anyway __ we'll all just be 'stock' photographers. It's just a matter of time before the SAA come crawling on their fat bellies to welcome us with open arms. They'll be after our money just as soon as they can risk asking for it.

5055
iStockPhoto.com / Re: Istock down
« on: March 03, 2009, 21:45 »
Boy, if I were exclusive, I'd be seriously pissed right about now...

Why? That's simply the risk you take when you put all your eggs in one basket. It's hardly a surprise for IS to go down, it happens quite frequently, and it's something that any exclusive would obviously have factored into their calculation.

5056
Off Topic / Re: How do you stay motivated
« on: March 02, 2009, 20:32 »
Remember the mortgage comes due on the 1st of the month.

You don't still have a mortgage do you? You must be buying Trump Towers or something.

Back to the question __ I love what I do. I don't need to motivate myself to do it anymore than I need to motivate myself to pour yet another cold beer, enjoy a nice meal or have sex. I'm actually off on holiday to the tropics again for a month in two day's time (I'll have my camera with me but no computer) and I'm already getting a bit frustrated at the prospect!

5057
Canon / Re: Starting over
« on: March 02, 2009, 17:23 »

And lastly.....a lens.  I am thinking of the 28-300mm f/3.5-4.6L IS USM.  It will have wide angle and good zoom. 

So, how does that sound?


Awful! That lens is way too big & heavy for every day use __ in fact it's not much good for anything in my view.

I have 8 L glass lenses but use the 24-70 f2.8L for about 95% of all shots I take. Nothing comes close it as a 'general use' lens. If I had to have only one lens then that would be it.

5058
How can you possibly know what "his image production costs" are unless you happen to be his accountant?

>>>>>>>>>>>>>>> He quoted them here previously

Where exactly?

Try a forum search ....

In other words you're just making it up

Yuri has stated previously that he has taken very little himself but ploughs almost all of it all back in as investment to the business.

>>>>>>>>>>>>>>> Reinvesting profits is not akin to not making them in the first place

Yes it is. Profit is what you walk away with. Profit is not the wages you paid last year or a load of second-hand gear. What planet are you on? It is not understanding such a simple principle that has got the world into such a crisis. 'Paper profits' count for nothing at all until they are realised.

No it isn't, profits are merely an accounting concept.

That's possibly the most ridiculous statement I've ever heard. Profits are not a 'concept'. God is a concept. I can touch profits, stick them in my underpants and then go and spend them on shiny things. I can't do any of those things with 'concepts'.

To his credit Yuri certainly thinks big __ very big __ but that's not always best when it comes to spending.

>>>>>>>>>>>>>>>> I think Yuri's sponsorship deal with Hasselblad is indicative of his ability to manage costs.

Really? I thought Yuri later said they didn't actually give him the gear for free?

I'd buy shares in SJL Corporation in preference to Yuri Plc anyday. From his blogs, with regard to his spending on equipment & models, Sean's earnings to capital invested ratio must be truly eye-watering __ and that's good business.

>>>>>>>>>>>>>> Evaluating a business solely on ROCE is of little value, its one tool among many.

Yes but it is by far the most straight-forward and easily understood tool __ and, more to the point it tells the real story. Which other tools would you recommend and how would that change the equation in Yuri's favour?
I am not trying to change an equation in anyones favour, but if you must know increase in book value

What? There you go on about unrealised, conceptual 'value' again.

You know what they say ... "Turnover is vanity, profit is sanity but cash is king".

And equally apt is the when the tide goes out we will see who is swimming naked....

With that well-worn cliche you've just emphasised how much stronger the low-cost, high-profit model is, particularly at times of financial uncertainty. Much better surely than the high-spending, hope-to bloody-hell-the-future-sales-can-keep up-with-us model?
Well having 16 distributers with different price points and strengths in different geographical regions would seem to be more resilient than depending on one agency.
And even if photographer Y has 3 times the cost per image created of photographer S, if it is sold through 16 channels I would wager that the more money is made.....

[/color]

At last we have something we can agree on. Being exclusive is a sure-fire way of maximising risk and minimising 'profit' __ the real stuff you can spend on wine, women and further investments.




5059
How can you possibly know what "his image production costs" are unless you happen to be his accountant?

>>>>>>>>>>>>>>> He quoted them here previously

Where exactly?

Yuri has stated previously that he has taken very little himself but ploughs almost all of it all back in as investment to the business.

>>>>>>>>>>>>>>> Reinvesting profits is not akin to not making them in the first place

Yes it is. Profit is what you walk away with. Profit is not the wages you paid last year or a load of second-hand gear. What planet are you on? It is not understanding such a simple principle that has got the world into such a crisis. 'Paper profits' count for nothing at all until they are realised.

To his credit Yuri certainly thinks big __ very big __ but that's not always best when it comes to spending.

>>>>>>>>>>>>>>>> I think Yuri's sponsorship deal with Hasselblad is indicative of his ability to manage costs.

Really? I thought Yuri later said they didn't actually give him the gear for free?

I'd buy shares in SJL Corporation in preference to Yuri Plc anyday. From his blogs, with regard to his spending on equipment & models, Sean's earnings to capital invested ratio must be truly eye-watering __ and that's good business.

>>>>>>>>>>>>>> Evaluating a business solely on ROCE is of little value, its one tool among many.

Yes but it is by far the most straight-forward and easily understood tool __ and, more to the point it tells the real story. Which other tools would you recommend and how would that change the equation in Yuri's favour?

You know what they say ... "Turnover is vanity, profit is sanity but cash is king".

And equally apt is the when the tide goes out we will see who is swimming naked....

With that well-worn cliche you've just emphasised how much stronger the low-cost, high-profit model is, particularly at times of financial uncertainty. Much better surely than the high-spending, hope-to bloody-hell-the-future-sales-can-keep up-with-us model?


5060
... but just his sales alone on IS would cover his image production costs, and he submits to at least 15 other sites ....

And not being dependent on one outsourcing supplier is pretty savvy


How can you possibly know what "his image production costs" are unless you happen to be his accountant?

Yuri has stated previously that he has taken very little himself but ploughs almost all of it all back in as investment to the business. To his credit Yuri certainly thinks big __ very big __ but that's not always best when it comes to spending.

I'd buy shares in SJL Corporation in preference to Yuri Plc anyday. From his blogs, with regard to his spending on equipment & models, Sean's earnings to capital invested ratio must be truly eye-watering __ and that's good business.

You know what they say ... "Turnover is vanity, profit is sanity but cash is king". Yuri's preoccupation with being 'No1 Microstocker' comes to mind.

5061
iStockPhoto.com / Re: a rant
« on: February 28, 2009, 10:50 »
I understand image processing pretty well.


From that point on it's subjective, and IStock just sees things their way.   Fine then.


On your first point maybe but then again maybe not well enough. Without examples it is obviously impossible for us to judge. Speaking personally I've had about 3000 images accepted by IS with a fairly consistent 85%+ acceptance rate. I'm an independent contributor and whilst I have experienced swathes of rejections they always seem to be followed by lots of acceptances such that my acceptance rate remains remarkably the same. Yes, it is something of a subjective process undertaken by 100-odd different humans and therefore you will of course get some inconsistencies. If however you are getting a consistently high rejection rate then it is much more likely IMHO that the issue is on your side.


On your second point, if you want to enjoy the market-leading sales revenue from IS, then you will have to learn to see things their way too.

5062
Mine's a black one.

What exactly is the point of this 'poll'? What are you hoping to 'discover' __  that some people use different cameras to others? Just a guess ... probably.

5063
iStockPhoto.com / Re: what happend to the sales on Istock
« on: February 26, 2009, 15:20 »
Absolutely no complaints from me on Istock's sales this month. Another BME.

Same here __ blistering performance from IS. The price rise doesn't seem to have frightened many buyers away.

5064
iStockPhoto.com / Re: how to be non-exclusive...for dummies
« on: February 26, 2009, 15:15 »
I know from when I turned Bronze and Silver, there was a noticeable jump in downloads - not being exclusive, this obviously wasn't due to an increased royalty percentage.

While its impossible to know what the best match is factoring in at any particular time, my guess would be that ranking is a significant factor.


I'm certain that this is not the case. I've monitored the performance of quite a few portfolios that have passed ranking points without ever seeing a difference.

You could of course use multimedia.de's excellent chart to see the effect 'live' as it were, observing the performance of other contributors who have recently passed Gold in comparison to those who have yet to do so. If Holgs theory is correct you should see a marked difference in the 30-day % gain/loss between each group. (NB: I've checked and there isn't).

5065
I don't think the algorithm has changed. I think it is simply that new images are not selling as well as they used to so therefore they don't gain the top-order placement to carry them further.

There are also many, many more images being uploaded than before. Images that I uploaded about a year ago are numbered in the 9M's. Now my latest images are in the 25M's.

I think there may be fewer long-term subscribers too who I've always assumed were mainly responsible for the interest in the newest images.

SS are still my second-best earning agency although FT are hard on their heels.

5066
Interesting & useful stuff there John. Thanks for the info.

5067
iStockPhoto.com / Re: another swing...
« on: February 23, 2009, 16:31 »
It would be nice to see something implemented that helps non-exclusives a little more, especially considering that we are the ones who pay IS 80% on every sale.

Personally I don't see any significant or obvious advantage/disadvantage to either exclusives or independent contributors with the current best match. In my view it is simply favouring good-selling images, irrespective of age.

My port on IS, sorted by best match, now looks remarkably similar to my port on SS, sorted by Most Popular, in that so many of the same images are represented within the top-placed 50 or 60. I'm well on target for a BME on IS too so I'm very happy with how it is. IS are projected to be about 39% of total earnings this month which will be the second highest they've achieved in the last two years.

5068
iStockPhoto.com / Re: how to be non-exclusive...for dummies
« on: February 23, 2009, 08:22 »
I'm also thinking it's a lot easier to give up exclusivity after some time than it is to take it on.  You don't have to wait 90 days, or six months in another case, to remove your portfolio on some other site, for one thing.  And it's not like you can't go exclusive again later if it really doesn't work out - though in that case you do have to wait 90 days.

Really? Have you tried uploading several thousand images to several different agencies as quickly as possible? Pretty painful I would think.

Commission increases with ranking/sales at SS, DT and FT and images also have to 'earn' their search-order placement too __ and that would make a huge difference. I'm absolutely certain that if I were to go exclusive, change my mind a few months later, and then become independent again it would absolutely crucify my earnings for months, probably years, afterwards.

5069
iStockPhoto.com / Re: how to be non-exclusive...for dummies
« on: February 23, 2009, 08:09 »
No site will accept a form from another site, at least not with the site name on it. As a shortcut, you can just blank out the Istk name on your existing releases.

That's simply not true. I always use the IS MR and it is accepted (unmodified in any way) by every other agency apart from DT.

DT used to accept the IS MR if you blanked out the IS name & logo but now will not unless you hapen to live in Canada (as the form mentions Canadian law and either the photographer or the agency in question needs to be based there for that to apply).

5070
iStockPhoto.com / Re: how to be non-exclusive...for dummies
« on: February 23, 2009, 06:49 »
... and I have been reconsidering it every few months since then.

For me this is the crux of the matter. Exclusives always seem to have this 'buyer's remorse' gnawing away inside themselves on whether they have made the right decision or not. Independents on the other hand, at least all the ones I know (and that's quite a few), are happy and confident that they are much better off remaining so. We only have to visit the IS forums and read the shrieks of indignation everytime there's a best match-change to confirm our thoughts.

Yes, it is a little more work ... but then you also have more fun, make more money and have a much more stable income. It never fails to surprise me how if one agency has a bad month or two the slack is invariably picked up by a couple of others. We all like getting EL's too and you have many more chances with your images available to different buyers.

As has been said before IS's upload system takes about the same amount of time and trouble as uploading to the next biggest 4 or 5 agencies together. I don't see any truth in the suggestion that you need different keywords for each agency (other than IS with all those phrases, etc).

Signing up for exclusivity is like assuming that the future is already cast and the natural order of each agency's market share is permanently written. This of course is nonsense as stock photography (all of it, not just the 'micro' bit) continues to change and develop on a monthly basis. I have no idea which will be the biggest and best agencies in 5, 10 or more years from now (and that's the timescale I'm thinking in terms of) and neither does anyone else. It might even be an agency that has yet to be launched.

As an independent contributor I am delighted everytime someone signs up for exclusivity but I simply don't understand why they do so. Everytime that they upload a new 'exclusive' image it makes it more difficult for them to break the habit though. Good.

5071
iStockPhoto.com / Re: IS new look,do you like it?
« on: February 22, 2009, 02:58 »
D

5072
iStockPhoto.com / Re: IS new look,do you like it?
« on: February 21, 2009, 23:30 »
Since when does being emotional/passionate about something = lacking credibility?


A hypothetical situation might be when you say you are going to do/not-do something (like participate in the IS forum for example) and then continue to do the opposite __ several times over whilst blaming everyone else for your actions.

5073
Adobe Stock / Re: Fotolia Payouts Held Up Again?
« on: February 21, 2009, 14:13 »
I was paid yesterday via Paypal (from a request on the 12th)

5074
StockXpert.com / Re: Stockxpert makes things right....
« on: February 20, 2009, 13:20 »
This is a very refreshing change. An agency actually admitting their mistake, making full disclosure of the circumstances and then adequately compensating those who lost out. Well done StockXpert.

5075
General Stock Discussion / Re: Vivozoom
« on: February 20, 2009, 12:35 »

But most importantly I am based in the UK and if I or any other UK contributors were to upload a model or property release to you that most certainly 100% is covered under the DP Act, with implications for both you and I unless it's done properly.


Good point Richard. Did you read the recent article about this issue in Pro Photographer magazine?

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