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Messages - pet_chia

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151
Off Topic / Re: Hindenburg Omen (stock market crash)
« on: August 19, 2010, 12:06 »
The economy is really, really bad.

I don't know if there will be a crash this fall, but I do know that nothing which governments have implemented in the last several years have done the slightest thing to improve the economic situation, and a lot of their actions have caused the problems to become much, much worse.  It might not crash this fall, but it will crash inevitably, and the longer that governments delay the crash by printing and borrowing money the more severe the crash will be.

Everything you need to know about economics can be summarized as follows:  money doesn't grow on trees, and the government is not your Daddy.  The more people who fail to understand these lessons, the worse the economy will become.  People who act on the assumption that wealth comes from government checks or from artificially lowered interest rates are first of all not thinking intelligently or working productively, and second of all they tend to vote for more and more extreme "leaders" on the expectation that more wealth can be procured through coercion.

/soapbox  :D

152
I go along at a merry rate, and every so often ... BOOM!  The keyword monster gets his or her hands on my files in the review queue.  Someone with the intelligence of a brick and about as much imagination.  Always happens after about half of a series of similar shots has been approved with the same set of keywords (by a sane person).  I understand that not everyone has the expertise to understand the connection between certain objects/themes/concepts because nobody is an expert in every field ... but when the concept has been explained in detail in the photo description then I assume that the reviewer is either stubborn as a mule, or else is non-English speaking and has no time for pasting into "google translate."

My response ... cut back the keywords to the absolute minimum that even a moron could not misinterpret ... [indoors, one person, well dressed, looking at camera, studio shot] ... get them approved, and add the keywords back later.

I do this for a while, then I forget how painful it was to re-upload, and I slowly start adding more keywords to the initial upload getting more and more detailed until ... BOOM!

153
iStockPhoto.com / Re: What the $%^&### is an artifact?
« on: August 17, 2010, 19:38 »
I find the rejections for artifacts somewhat, but not totally random.  Sometimes the rejection is for what I would agree is excessive noise in a photo.  Other times I get a rejection for artifacts where the problem is (evidently) a tiny amount of noise or sharpening artifacts, which were accepted for all of the other photos in the same series with identical lighting, exposure, etc.

That leads me to another question - when you re-submit a rejected photo, who reviews it?  The original reviewer?  And if they made no notes on exactly what they rejected it for then do they even know what they're expecting to be corrected?  Ditto if the re-review is done by another person, how do they know whether it was rejected due to noise, chromatic aberration, sharpening artifacts or what?  I don't think I've had a file rejected twice for artifacts, but I have no idea if this is because they really know what they're looking for, or if person 'B' just has a quick look and passes anything which isn't too blatantly messed up.  IS should provide their reviewers with an electronic chalkboard on which they can circle the offending bit of picture and scribble NOISE, JPG (jpeg artifact), TOO RUFF, TOO FEATH(ered) or C(hromatic)A(berration) next to it.   This would save everyone a H(elluva)L(otta) time.

Finally, I've said it before on these forums, and I'll say it again - reviewers should be recruited from the CUSTOMERS, not from the UPLOADERS.  While the content providers have the technical chops to do this job, they don't have the customer perspective and they might have a conflict of interest if they are reviewing their friends' files.  The assignment of files to review should also be random and anonymous.

154
iStockPhoto.com / Re: Sales slump
« on: August 17, 2010, 15:21 »
The trend may be changing, but whenever I have done a search for a people-shot of some kind of profession or situation and sort the results by number of downloads, the beautiful/handsome people have the most downloads and the normal-looking people are at the end.  Not only are the bestsellers uncommonly good looking, but they're often better dressed and more excessively made up than real people would be.

Another problem is that "real" people tend to have real jobs and have no financial motivation to pose for stock photos, and don't particularly feel like giving away freebies to photographers.  And for professional reasons they do not want their picture showing up all over stock websites or worse in a billboard or magazine ad.

As for the scene looking fake or not ... the problem is that more "real" the situation is, the harder to control the lighting, the more people in the shot from whom model releases are required, and the more copyrighted or trademarked objects which appear.  I shot in a "real" elementary school classroom the other day and there was hardly a square inch that did not have copyrighted materials displayed.  I had to do a lot of re-arranging and the teacher was not thrilled at the number of posters, etc. that I took off the walls and the number of desks that I moved.  Even if you do all the work to create the lighting, get the model releases or shoo people out of the way, and remove and/or photoshop trademarks etc., such a photo might not sell - because the real world is chaotic and messy, but graphic artists need to tell simple, clear stories with the materials they create.  Often what they are selling is a product or service whose selling point is simplicity, clarity, ease of use, etc. so photos are required which help to give this impression.

Also, most people think they are better-than-average looking, they want to associate with other good-looking people, and they react more positively to pictures of beautiful people than of normal or ugly people.  The crude expression in English is "sex sells" but to give a more Darwinian definition, "good genes sell".  Curves, muscles, good bone structure, thick hair and robust youthfulness are all signs of genetic fitness and primates are naturally attracted to these individuals not only as potential mates, but as good providers from whom they could benefit by association.

But I'm not a graphic artist and I don't know any personally - I would still like anyone out there who buys photos regularly to add their comments and show what they consider to be good and bad examples.

155
iStockPhoto.com / Re: Sales slump
« on: August 10, 2010, 13:38 »
Had one or two sales, about average, but my usual rate is so low it's hard to say if there is a trend.

156
iStockPhoto.com / Re: Lisafx is black diamond on iStock
« on: August 08, 2010, 18:25 »
Thanks!  I see that bronze exclusives get approx. $0.76 per XS download, which would be almost a 3 times pay increase for the 30 to 40 percent of my downloads which are XS.

157
iStockPhoto.com / Re: Lisafx is black diamond on iStock
« on: August 08, 2010, 13:20 »
...  FWIW there is no bump in commission from Diamond to Black Diamond anyway. 

A somewhat OT question ... At what level does one graduate from $0.26 royalties for XS images?  And what amount can I look forward to receiving for XS images when I reach that exalted level?  Or are pay increases mostly tied to being exclusive.

158
iStockPhoto.com / Re: New iStockphoto web design - IT'S LIVE!
« on: August 08, 2010, 13:13 »
I'm sure I'll get used to navigating around in the new design, but when you list your uploads, I hope they will figure out how to make each row skinnier so that more images can be listed on a single page.  Maybe this varies by browser ... I'm using firefox 3.6.8 on windows.

159
General Stock Discussion / Re: downhill trend all too obvious!
« on: August 07, 2010, 10:46 »
...
And yes, iStock for one is really, really clamping down on natural light, even for natural history shots. I was at over 90% acceptance for about two years, and recently am down to about 50%, and there are several other references to this on different forums, even from golds and diamonds.
Looks like studio lights is going to be all that they'll accept soon.
...

OK that might explain the rejections I got recently for outdoor shots, which I complained about on another thread.

If I had to give a brief summary of what they are accepting it is: "bright, loud, crisp - but not too bright and loud".

On a happier note, I found one of those grassy hills near my house on which to pose models doing silly things against a blue sky.  I will have to haul fertilizer and water up the hill however to get the grass to that "nearly fake" looking green color that seems so popular.  One or two small ornamental trees could be eliminated too but I better stick to photoshop for that  ::)

160
iStockPhoto.com / Re: New iStockphoto web design coming up
« on: July 27, 2010, 21:51 »
...
Light me up or use more common words for nonnative english speakers...
...

Hi Suljo, yes it's Pain In The Ass.  Don't feel bad, everyone (including native English speakers) gets behind on Internet slang because it's evolving every five minutes.  But there is help, just go over to UrbanDictionary.com whenever you see something new.  I learn new slang there all the time.  Here's a couple you can practice on: OMFG, SOL, BRB

161
iStockPhoto.com / Re: Lisafx is black diamond on iStock
« on: July 23, 2010, 14:48 »
Well done!

I was going to say, "This is very inspiring and motivating to me" ... then again maybe you would rather hear that your competition has become discouraged and quit.   ;)

162
iStockPhoto.com / Re: istock...arrrrrrrrrrrrrrrggh!!!
« on: July 23, 2010, 14:41 »
A picture taken under a tree with dappled sunlight => "lighting could be improved".  An ordinary landscape with out-of-the-camera settings => "over-filtered/over-processed".  And so on.

"Dappled sunlight" normally looks pretty bad when people are sitting in it.  "out-of-the-camera settings" often results in artifacting from heavy .jpg processing. 

Thank you for the suggestions.  It wasn't a people picture under dappled sunlight.  I think it was a perfectly valid exposure given the highlight/shadow situation.  If the opinion of the general public matters, people who saw the photo on my monitor when I loaded it into the computer said, "That's a nice photo!"  No need to show everybody the photo to quibble over, you can believe me or don't.

The other shot was not JPG out of the camera, it was raw, and in Digital Photo Professional I gave one "bump" upward to saturation to what was a slightly dull photo due to the cloudy light.  Nothing extreme - I did not give it "Top Shot of the Month" saturation  :D  I dialed back the sharpening a notch and otherwise left it alone, saved to 16 bit TIF, shopped out a couple of faces, saved as JPG, 100%, etc.  Who knows if a tree looks "too green"?  One can either upload a slightly dull photo and hope that the customers will see something with potential if they jazz it up a bit, or one can process the photo to give it "curbside appeal" so that they will actually notice the picture when they are scanning through pages of thumbnails.

To be fair to the reviewers and the review process, none of these photos was particularly striking or commercial looking.  They were more like, "10 sales over 2 years" type of photo.  Possibly the reviewers sensed this, but for whatever reason they hit the "bad lighting" or "over filtered" button instead.  Maybe they were inexperienced, or maybe they just didn't want to have it scouted if they made the subjective call "not suitable for stock" or whatever other buttons are provided to them for saying, "Meh."

Maybe the real lesson is, don't even lift the camera up and take the picture unless what you're looking at is an obviously striking composition of a really appealing subject, with excellent lighting.  It has to be something that's going to grab the reviewers, or else is such an obvious best-seller that it will be worth fighting for in scout.  From now on my motto is, "No More Meh!"

163
iStockPhoto.com / Re: istock...arrrrrrrrrrrrrrrggh!!!
« on: July 23, 2010, 13:45 »
Well Im holding off, Im not uploading any new XXXL stuff just to get a summer reviewer touching them, Im  waiting to the hollidays are over. Im re-doing some previous stuff and uploading that instead.
Summer reviewers?  That might explain my most recent string of rejections.  A picture taken under a tree with dappled sunlight => "lighting could be improved".  An ordinary landscape with out-of-the-camera settings => "over-filtered/over-processed".  And so on.

Meanwhile my inbox is spammed every month with over-shopped, weirdly-composed snapshots which I am told are "top shots".

I assume that at times, IS become concerned about the sheer volume of pictures being uploaded so they scare the reviewers into increasing their rejection percentage.  Since nobody ever got fired for approving "cute girl with laptop" or "smiling cougar with tennis racket", I will retreat to my studio and resume taking these shots.

164
General Stock Discussion / Re: No freebies!
« on: July 07, 2010, 12:10 »
I don't see a big difference between giving away pictures free, and earning $0.26 "XSmall" royalties, of which I have seen an inordinate number lately.  /gripe

165
Cameras / Lenses / Re: Canon T2i/550D very popular
« on: June 21, 2010, 10:58 »
My camera isn't here yet but I have been studying everything I can find about the T2i specifically and video recording in general.  I am really concerned about manually focusing during the video.  The kit lens (18-55) reviews suggested that the manual focus ring is very difficult to use.  I came across this contraption:
http://blog.photoframd.com/2010/01/26/canon-7d-tips-diy-follow-focus-ring-for-video-stills/
and wonder if any of you video vets have tried it.  Or, do you think it might work?
Has anyone any good ideas on maintaining sharp focus with the T2i or 7D?

Thanks for any pointers.


For static shots, you can set up the focus fairly easily with the manual ring on the kit lens.  You switch it onto movie mode, you get a live view on the screen, you tweak focus, then you hit the "zoom" button (on the top right of the camera back) and the screen zooms in where you can fine-tune the focus.  Hit "zoom" again to get an even bigger view for very fine focusing, then hit "zoom" a third time to zoom back to the full view.  The auto-focus is a bit chancy, sometimes it selects something other than the main subject to focus on.

I haven't taken any action videos so I can't say how well that would work, but I have found the manual focus ring to be not too difficult to handle.  You could try out a demo camera in the camera shop - flip it into movie mode and try panning around, zooming, refocusing, etc. and get an idea for how it feels.

166
It's difficult to say without see the image, but as a general rule you should only keyword for the dominant colour of the image and not the objects in it. And you shouldn't keyword anything that's not prominently featured in or a necessary part of the image. Using "flower" for an image titled "woman working in garden" would likely be okay, but not for "woman working in office".

Thanks, this helps a lot.  Some of the rejected keywords were not "dominant" things and were reasonable by these criteria, a few of the rejects were just plain goofy, since they described important elements of the photo.  No need to post the photo and slice and dice it, I meekly resubmitted and after it is accepted I will add back one or two of the most critical keywords.

167
iStockPhoto.com / Warning: keyword monster is on the loose
« on: May 26, 2010, 13:34 »
I know this is an old rant and it happens occasionally to everyone, but I just had an image rejected for at least a dozen keywords where every "not fully relevant" keyword is something which is actually in the photo.  I'm talking about objects, construction materials, plants and colors.  I gather that the inspector in this case is a newb, or badly hung over, or else Istock just put a severe fright into the inspectors by threatening to can anyone who allowed irrelevant keywords to pass.

Just for the record, if there are red flowers in the photo, but the photo is not primarily of the flowers, is "Red (Descriptive Color)" considered to be spam?  Or does a color have to be one of the "main" colors in the photo to be promoted to keyword status.

It's a good thing that I didn't add keywords related to the concepts implied by the photo but which were not literally present.

168
iStockPhoto.com / Re: My first flame
« on: May 24, 2010, 09:32 »
Well done, and thanks for sharing.  I find it very encouraging.

169
Been shooting everything with the Canon 50mm f/1.8, after doing tests comparing it to 18-55mm kit lens.  I find it has good sharpness and minimal chromatic aberration, especially shooting in studio on bright white background.  I've also been shooting outdoors with it and I didn't find the fixed focal length as limiting as you might think.

I would like a fixed focal lens with a bit more magnification however, as many shots would benefit from the flatter perspective.  The 50mm is I think equivalent to about 85mm on my T2i.  Something over 100mm effective FL would be useful, if its sharpness and CA are good.

170
iStockPhoto.com / Re: Istockphoto Hot Shots
« on: May 14, 2010, 21:12 »
One obvious fact  - all these shots are about good-looking young models.  If I submitted a photo of a pipe wrench with a similarly artistic treatment, would it get in?   ;)

Which reminds me.  Years ago, I was thumbing through a book in a camera store aimed at amateur photogs called "How to Take Better People Pictures".  It only took a minute or so of flipping the pages before a light bulb came on.  The secret of better people pictures is to find better looking people!  Humans seem to be hard wired to enjoy looking at images of young and above-average looking people, and everything else is like, meh.

Now when I flip through pages of similar stock photo shots, from best to worst selling the only really key differences that strike me are (1) good looking models, as opposed to uglier models in worst-selling pictures (and of course I don't mean ugly at all but the models are very ordinary, *regular* looking folks), and (2) extremely simple, clean composition.  With pictures of pipe wrenches it's the same thing - the new, clean and shiny pipe wrench in a simple bold composition with a clean background will get the downloads every time.

171
iStockPhoto.com / Re: Istockphoto Hot Shots
« on: May 14, 2010, 14:01 »
This seems to be the problem.  The most obviously remarkable photos are the ones that are the most jazzed up, as if a graphic artist has been working on them and they are practically print-ready, lacking only the ad copy or whatever.  But the istock philosophy is that the photos should be more plain and muted, having latent possibilities rather than looking like a finished product.

I guess that some customers, the ones with more time and a bigger budget, look for plain vanilla photos so that they can mold them and punch them up as required for their project (fog, halos, saturated, sepia or whatever), whereas the customer who's really in a hurry for a quick photo wants one with instant appeal so they can just paste it into their document (or whatever they're working on) and make their deadline.

Or so I gather ... any customers who are reading this are welcome to set me straight.

I recognize however that curbside appeal must count for something, so lately I've been pumping up the saturation of my photos before converting from raw, instead of using the "faithful" or "standard" option or whatever.  If you look at the biggest-selling photos for many searches, among other factors it appears that bright, saturated colors are the most frequent purchased.

172
iStockPhoto.com / Re: after server problems more picky?
« on: April 16, 2010, 20:43 »
Every so often it seems you get someone who's maybe a newb inspector trying to follow the letter of the law (or an embittered old one) who complains about keywords ... like it's a picture of a pencil sharpener but there isn't a pencil in the picture so you shouldn't have included the word "pencil".  So you just cut down the keywords to the minimum, get it approved and later on do a bit of judicious keyword amendment.

173
iStockPhoto.com / Re: More istock server problems
« on: April 16, 2010, 09:17 »
Ouch.  istockscoop.com is full of messages like this:

Quote
Was in the process of purchasing my light-box when the 503 errors started. Have a client waiting on the delivery. Very frustrating

Quote
We need to access the site today to buy photos for a project. I have designers waiting for the content I've selected in my lightbox. Can you please give us an estimate for the fix? If not, I have to start from scratch with another site

174
iStockPhoto.com / Re: I don't understand
« on: April 14, 2010, 12:28 »
I managed to do some uploads and got a couple of files approved during these last few days, but AFAICT nothing that I have uploaded in the past 2-3 weeks is showing up in any keyword search.

If uploading "seems" to be working and you have a backlog of photos it may be worth it to keep uploading and not lose your window.

On the other hand if you keep on uploading but the images don't show up in searches then you may lose the one-time "bump" that new images supposedly have in the best match algorithm.

Conclusion: I know nothing.

175
Canon / Re: Canon T2i/550d focusing issue
« on: April 13, 2010, 15:15 »
Since my next large purchase is probably the T2i, I am more than a little interested in this problem.  I have always used Nikon.  Switching will be traumatic, especially if I run into such problems.  Is this an isolated problem ... or is it a problem for everyone using the T2i? 

I DO shoot sports and need focus tracking for oncoming, hi-speed vehicles.  I guess the tracking is a second problem. 

First, I need to learn about any problem with the "focus area."

PS: is the focus speed related to the lens or is Canon Focus Tracking built into the camera?

1) I don't think it's a major problem for studio shooting, but just a limitation that is more or less par for the course for a "prosumer" versus "pro" camera.  Also my own inexperience.  I would say that the autofocus is better and more reliable than my previous camera Nikon D40 which is reasonable in that the T2i is a newer model and twice as expensive.

Judging from my tabletop tests where it seemed to take a second or two to recognize "motion" (actually me waving the camera around) I concluded that AI SERVO mode iss not fast enough to handle race cars or football players, but I haven't tested this in the field.

2) Not sure if its the lens or the camera that's slow, I only have the kit zoom lens and the 50mm f/1.8 lens to compare and haven't tried any other Canon DSLRs.

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