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Messages - Bateleur

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176
I'm a photographer because ...

... I have a great big black camera which you could hammer nails into wood with (and I sometimes do)
... I put a great big long, long black lens on it
... I put a great big black hood thingie on the end of the lens that makes it look even longer (but doesn't do anything else as far as I'm aware 'cos it hasn't got any glass in it)
... and I have a great thick camera strap with the maker's name and model of camera embroidered prominently on it, just in case people can't recognise the camera itself
... and I always have the camera set to continuous shooting (high speed), even when I'm photographing flowers, so it goes 'pow-pow-pow-pow-pow' whenever I press the shutter.

Okay?

Oh ... and I forgot to mention ... I only ever shoot one-handed, 'cos that's what the cool photogs in the ads do.

 ;D

177
Alamy.com / Re: Sales at Alamy. Any updates?
« on: June 27, 2008, 03:14 »

Welcome to Alamy, there seems a trend here of photographers looking to Alamy and Photoshelter.


Right. I'm only uploading my junk to the micros now, and if it gets rejected 'tant pis' as they say round here.

I have a feeling that the micros are gradually going to discover the truth in the saying "If you pay peanuts you get monkeys". And it's possibly one reason why IS is pushing its exclusivity deal so hard.

178
Yaymicro / Re: YAY - How long will you give it?
« on: June 26, 2008, 15:55 »
As long as it takes.

Unless they're misusing my images (which I doubt will happen) I don't see any point in - having uploaded them - withdrawing them at a later stage because they're not selling.

They'll never sell if I withdraw them.

179
Lighting / Re: Do you use a light meter? Which type?
« on: June 26, 2008, 12:45 »
You don't need an expensive flash meter nowadays ... or even a cheap one.

Here's a simple way of getting the exposure spot-on under flash using nothing more than a sheet of pure white paper (stuff out of your printer will do, provided it's not recycled).

Set up your shoot.

Set the exposure to a good guess and than take a trial shot with the piece of white paper in the scene (get your model to hold it, or place it strategically).

Look at the histogram. It will have a spike on it for the white paper. If that spike is jammed hard up against the right side you're over-exposed. If it's somewhere down to the left you're under.

Adjust your exposure to get the spike just nudging up against the right-hand side. No more.

That's it. Exposure spot-on. Easy-peasy.

180
Cameras / Lenses / Looking for a good backpack
« on: June 24, 2008, 12:14 »
At the moment I carry my gear in an old and rather battered-looking ordinary backpack, everything wrapped in its own padding/bag to stop it rattling around, filters in he side pockets, etc.

Summer's a'here in Europe, and I'm looking for a decent dedicated backpack to carry the camera body with medium zoom fitted, a wide angle lens, telephoto, flash, small portable storage unit and various other bits and bobs (spare battery, cards, filters, etc.)

I don't need space to carry a laptop as I don't have one.

However, I do want a bit of extra space for carrying a rain jacket, water bottle, etc, as I walk in the mountains a lot. Facilities for carrying a lightweight tripod would also be useful, but not essential.

Can anyone recommend a make/model? Please note, I live in Europe (Switzerland) so US-specific models will probably be out of reach for me.

181
Dreamstime.com / Re: Hilfe! (That's Help! in English)
« on: June 22, 2008, 05:27 »
Sorry.

Ignore that. I've found it ... under 'sprache' (where else?).

Quick on the uptake ... that's me.   :-[

182
Dreamstime.com / Hilfe! (That's Help! in English)
« on: June 22, 2008, 05:10 »
I'm probably being totally dense here, but does anyone know how to get Dreamstime in English again?

They've obviously set up some sort of system which identifies where you come from.

I live in the French-speaking part of Switzerland and it now comes up in German (which I don't speak) whenever I log on.

(Side gripe - why does most of the world assume that Switzerland = German language? Significants parts of the country speak French and Italian too.  >:(  >:(  >:(  >:(  >:( )

183
iStockPhoto.com / Re: "3 Weeks Of Exclusive Prestige" Email
« on: June 22, 2008, 04:42 »
A thought ...

Does anyone know, or is it Written anywhere ... will the exclusives be told what keywords have been kindly removed from their images?

I know they'll be able to check by comparing what they've submitted with what's accepted, but that's kind of unwieldy and not many people will have the time to do that.

What if a relevant keyword is removed and they don't know anything about it?

Sounds like a disadvantage to me.

184
iStockPhoto.com / Re: "3 Weeks Of Exclusive Prestige" Email
« on: June 21, 2008, 07:46 »

Now give me a good reason to go exclusive Istock!


It gives me more opportunity with the other agencies   ;D

185

I just roughly calculated per hour output from my first 3 months and it seems like I do it for $1 per hour :-) So far it's pretty expensive hobby only :-)


Yeah ... you'd earn more asking "... do you want fries with that?"

Are you only in it for the money?

186
iStockPhoto.com / Re: "3 Weeks Of Exclusive Prestige" Email
« on: June 21, 2008, 02:31 »
Thanks   :)

Exclusives will not receive any rejections for keywords.  If your upload has any incorrect tags and terms, the team will remove them and approve your files.

That's a benefit? As an exclusive you can keyword spam to your heart's content and the poor underpaid inspectors will kindly remove all the rubbish for you.

What's next? No need to remove the dust spots, the inspectors will do it? Don't worry about noise, we'll work on it? Hey! Why not just send us your RAW files straight out of the camera - we'll do all the post processing.

I'm probably a bit old fashioned here, but I believe in getting things right yourself - even the keywords. It's a good way to improve your work.



187
iStockPhoto.com / Re: "3 Weeks Of Exclusive Prestige" Email
« on: June 21, 2008, 01:24 »
For some reason I didn't get the 3rd announcement.

Maybe they realised that I've no intention of going exclusive with them and tried to save on a teeny bit of bandwidth   ;D

Could someone post it here please ... or at least the text. I'd like to see what I'm not going to accept.   ;)

P.S I've calculated that, for me, it would require a 6-7 times increase in earnings to make exclusivity even remotely interesting. Of course, it's obviously an individual thing, but I've simply added up all the income I got from all the other agencies I sell through over a certain period of time and offset that against what I've earned at IS over the same period. As far as I'm concerned it's the bottom line that counts. Forget about all the win a free trip, get your images approved faster, contribute to Getty crap.

188
Crestock.com / Re: Enough is enough
« on: June 19, 2008, 17:03 »


Get rid of the childish Judge Ross thing and I may consider submitting one day.


Aw ... shucks ... I like Judge Ross.

It never ceases to amaze me the images some people submit (Worst Pic) and gives me hope.

And the Best Pic selection perfectly illustrates just how subjective this whole business is.

189
Off Topic / Re: Nikon Capture Upgrade
« on: June 17, 2008, 11:56 »
Hey thanks!

I use Nikon Capture - version 1.3.3 - and you're right. It is horrendously slow.    >:(  It's even slower with the images I'm getting from my D3.  >:(   >:( 

But I'm sticking with it on the (maybe wrong) principle that Nikon know best how to convert their own RAW files (the NEF format).

I'll download the new version.

190

Pop down to south-west England and pay a visit to the Creative Growers Association. You could find just what you need there ...


[youtube]http://www.youtube.com/watch?v=hgYwTELj-fs[/youtube]


191
Dreamstime.com / Re: what works at dreamstime!
« on: June 10, 2008, 04:05 »

Usually with a little effort you can describe anything in 7 words or more. 


Or just 7 words ...

The Universe - A large place, mostly filled with nothing.

 ;D

192
Cameras / Lenses / Re: Nikon D3 corner
« on: June 10, 2008, 03:27 »
Piggybank? A D3 would need an elephantbank to fit all the pennies. Congrats.

Thanks    :)  It was a fat pig.

With it I bought a back up battery but, trying to cut down the cost a bit, I got a non-Nikon branded one.

Put it in this morning when the first one went flat on me ... and it doesn't work.   >:( 


193
And Hi from Gland in Switzerland (Sounds a weird name for a town in English, but it means 'acorn' in French).

I see someone called Dinostock is slap bang in the middle of the Atlantic. On a boat?

194
Cameras / Lenses / Nikon D3 corner
« on: June 09, 2008, 09:55 »
I've been putting all my pennies in the piggybank, and at last I saved enough for this beast.

Took delivery last week.

Boy oh boy! I'm blown away.

I'm slowly getting to grips with it. Anybody else on here got one and want to share experiences or tips?


195

I voted yes.  If you're in this to be a "business" then you need branding, name recognition and a whole lot of things that "Cover of Time magazine" gets you into.


I think you're wrong there - certainly as far as stock photography goes. Buyers don't care who took the image. They don't search by name but by subject.

If you're doing wedding photography or portraiture it may possibly help. But, again, I'm not sure how much.

I mean ... if you're looking for a good car mechanic and some guy says to you, "Hey, I'm a great mechanic. I won awards for servicing tractors." what would you think?

I'd probably think ... Yeah, great. But what will you do to my car?

196
Interesting question, but it's not one that's easy to answer with a straight 'yes' or 'no' (even though I did answer.

One of the things it could depend on is the time and effort you've put in to making a photograph. It's much easier to say yes if they're wanting a shot you snapped off by chance than if it's one you've spent a lot of time producing.

The other thing to remember is that Time is a heavily commercial operation. They publish to make money for their shareholders. As much as they can. I'm a commercial operation too (though a whole lot smaller).

How would a farmer react if Tesco (one of the big supermarket chains in UK) said, "Hey! Give us your carrots for free and ... we'll still sell them at the usual price ... but we'll give you full credit and put them on the front row of the vegetable stand, so everyone will see them first thing."

On the other hand, what would be the reaction of a little guy down the street, who grows carrots in his back garden?

I voted 'no'

197
General Stock Discussion / Re: Cover ot TIME MAGAZINE
« on: June 06, 2008, 16:32 »

Yes, I can brag now, and I most certainly will, but I seriously started considering other options.


Interesting. I found one of my images on a magazine cover too. Not nearly as prestigious as Time (congratulations on that one) but a glossy publication aimed at very rich Chinese.

On the one hand it's satisfying. On the other hand it's galling that they paid only $20 for it. I don't want to spread the news too widely in case I get the inevitable question "How much did you get for it then?"  :-[

I too am considering my options. And I don't think we two are the only ones.

198
Dreamstime.com / Re: Raw requested
« on: June 06, 2008, 06:17 »
If the subscriber wants the RAW, they want the original.

If I was in your situation I'd ask big bucks for it.

199
General Stock Discussion / Re: Cover ot TIME MAGAZINE
« on: June 06, 2008, 03:18 »
There you go ... HermanM posted his response just as I was typing mine.

We're beginning to see a movement amongst the good photographers whilst the snappers stay on the Microstocks and post "Yay! iShutterstime rocks!" on their forums.

And I wouldn't say that everybody who praises microstock is a "snapper".


Nor would I ... and I didn't say that. The microstocks have a lot going for them, and they've certainly opened up the market.


A lot of excellent phogs are there.


I agree with you 100%. My post wasn't meant to be anti-microstock. I was just observing what could be a trend, one which would be good for photographers.

As it is, you've got to agree that getting paid $28 for the front cover of Time (or, at least, part of it), and without any acknowledgment of your work, is a significant underpayment and does the photographer down.

In the past, getting your image on the front cover of a magazine of that stature would mean that you had it made as a photographer.

It's interesting that it isn't until page 2 of the Shutterstock forum thread that someone says anything more that "Way cool!!!!" and it isn't until page 4 that someone comes out with it "Am I the only one who see a dark side here?"

Let's face facts. Time got a superb image at a giveaway price. I sense - from this thread as well as from talking to other people - that an increasing number of those who can produce such images are beginning to realise this, while others are still burbling "Way cool!!!!!"

200
General Stock Discussion / Re: Cover ot TIME MAGAZINE
« on: June 06, 2008, 01:13 »
There you go ... HermanM posted his response just as I was typing mine.

We're beginning to see a movement amongst the good photographers whilst the snappers stay on the Microstocks and post "Yay! iShutterstime rocks!" on their forums.

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