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Messages - Eyedesign

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151
^^ Thanks Sue!

Sorry elvinstart, I quoted the wrong comment.  I was looking for an example for what you wrote "Also I don't find what I am looking for because it doesn't allow conceptual keywords." 

Thanks

152
It has been my experience that the CV doesn't have the words I am looking for a lot of the time.

I don't understand could you give an example?

153
iStockPhoto.com / Re: Rejection: accurate shoot description
« on: February 23, 2010, 03:07 »
I'm thinking of;

Shoot Description: female model(s), variety of glamour, pin-up, and fashion poses including nude and clothed.

But I'm afraid the process of trial and error will be time consuming.

I think that would work.

154

The problem that I'd have with recommending DT is that their 'Relevancy' often produces awful results with multiple near-identical crappy images from the same contributor.

Just took a look at DT and would agree with gostwyck. 

155
Off Topic / Re: Nikon VS Canon - Joey L
« on: January 15, 2010, 12:35 »
LOL I'm a Canon Gangsta!

156
Great site, super idea!

157
iStockPhoto.com / Re: pathetic "controlled vocabulary"
« on: January 14, 2010, 11:54 »
Its true!

158
Lighting / Re: portable generator for location alien bee
« on: January 10, 2010, 08:56 »
+ 1 for the Vagabond II here is a shot done outside using it hooked up to Speedatron 1200ws powerpack.  I know that this is not suggested but it still works.
http://www.istockphoto.com/stock-photo-6403709-outdoor-running-series.php

Hope this helps

159
Off Topic / Re: First month after converting to Mac
« on: January 07, 2010, 19:06 »
Yeah!! ;D

160
I don't see the problem.  Can't really see a site placing your files lower in a search because your leaving.  Just saying if it was me I would try to made as much money on those files before you pull them off my site.

161
Canon / Re: Canon 1D mark IV video - christmas in Prague
« on: January 02, 2010, 09:10 »
Wow!!

162
iStockPhoto.com / Re: Artifacts at full size rejections at iStock
« on: December 20, 2009, 18:24 »
Sky does seem to have rather more noise than I'd expect - large expanses of blue sky like that are always a bit of a problem.  You could try noise reduction, or perhaps a gaussian blur, with a mask for just the sky.

You'd do better to post in the iStock critique forum.  If you're lucky, an inspector will come by and give you a better idea of exactly what they see as the problem.

Beat me to it Gannet, +1 for the iStock critique forum.

163
Isn't there more to this than how much money we can make in the short term?  I just don't like the thought of one site dominating the market.  Competition is good, it makes all the sites work harder.  If we all worked for one site, they could get greedy and keep their profits growing by reducing our commission.  Isn't that what has happened in some other industries?  It might look like we could make more by going with one site but it could cost us in the long term.

This is business and its about the long term money.  From reports on this site it seems like commission are already being reduced, why?  Maybe to many site with to much of the same content?

164
iStockPhoto.com / Re: December DL's Near ZERO (0)
« on: December 14, 2009, 06:14 »
Do you have all your images opted into the partner program?

165
iStockPhoto.com / Re: iStock in the New Year
« on: December 11, 2009, 12:58 »
...I would be willing to bet, even if independents profits were cut in half at IStock, most independents would remain.

Absolutely. No one is going anywhere. There's no reason to abandon istock. If I'm making $10 a month at istock, I'd still stick around. That's my coffee budget for 2 weeks. :)

I think where this differs from previous price increases is that this complicates things greatly for buyers and their clients. There are just too many variables in pricing now, and I don't think clients are going to respond well to paying more for images just because they are exclusive. Buyers (designers) will now have to go to their clients with all of these different prices and try to convince them that paying more for exclusive images somehow benefits them. What I predict a lot of clients will say is that they don't get why some images cost more than others, and they will want their designers to start sourcing images elsewhere. And I think designers may be the ones to suggest looking elsewhere for images. I might do it myself. My clients are used to istock, but this may piss them off when I'm constantly giving them prices all over the map. To make my life easier and make my clients happier, I'd probably be better off just suggesting that we get images somewhere else with lower prices and consistent pricing schedules.
No need to convince the clients of anything, I just need to know the client's budget for job.  My job is to find images that fit within the budget, add my markup move on to next job.  I've yet to find a clients that couldn't afford something on istock.

166
iStockPhoto.com / Re: iStock in the New Year
« on: December 11, 2009, 12:01 »
To me this seems more and more like a big push in a campaign that istock has quietly pursued for years. They've always said that they want more exclusive content. They dropped the minimum threshold for exclusivity to get more people on board early on. They push exclusive images in the search results (and will even more now under this new plan). They shook up the best match last year to even more heavily favor exclusive images and the non-exclusive sales tanked. In a perfect istock world, they would only have exclusive artists.

The message to independents seems to be "Go exclusive or we'll keep murdering your sales." The problem is that the more they slam my sales, the less I'm inclined to even look at exclusivity. A couple of years ago, I gave it serious thought. Before the best match shake, I gave it some moderate consideration. After the shake, I dropped the idea. Now I can only think, "Are they insane? They must think I hate money. Why would I ever choose exclusivity now?"

And I'm sure I'm not alone in that thought. What the istock brass fail to realize is that despite this effort to entice independent artists to finally become exclusive to istock, this move only further pushes independents away.

I can only imagine the competing agencies breathing a collective sigh of relief and saying, "Oh thank you, istock, for guaranteeing that our top sellers stay independent." This new istock plan keeps the competitors in business for years to come. Heck, maybe I should be thanking istock. My sales there will surely suffer next year, but maybe this opens the door for new growth among the competition.




Just think, if they were willing to push Exclusive content hard before this change, when they were making MORE money on independent content, just imagine what they will do after this change when every single sale with the excpetion of xx-large (from diamond exclusives),  xxx-large (from diamond excluisves), and xxx-large (from gold exclusives) will net IStock MORE than their independent couterparts.

And this doesn't even take into consideration Vetta, and Premium Plus, if customers don't filter that out, which will net IStock A LOT more that independent files.

If they are willing to DECREASE commissions via harder to reach canister levels, for their dedicated exclusive contributors, what will they be willing to do to independents, especially after, when they are bringing in less money. Time will tell, but IMHO, this is going to hit independents very hard.
But if they hit independents too hard, they will stop using istock and a lot of the buyers will find istock's prices too high and will go to the other sites.  We would lose sales with istock but make more on the other sites.  They must know that, so I don't think they can afford to be too aggressive.

I don't think the buyers are really sweating the prices, I know I don't.  Fact most of the designers I know Istock is the 2nd stop when looking for images 1st stop being Getty.  Why?  higher cost higher markup more profit for them.  1$ 2$ 3$ more it's still dirt cheap to buy images from istock.  I know each time the prices go up some buyers freak out, but in the end each year you make more money.  If I was an independent I'd be getting very worried about now, time we tell.

167
iStockPhoto.com / Re: iStock in the New Year
« on: December 10, 2009, 18:45 »
Did you read it 2 seconds after the initial post?  Cause it is anything but "well done" and "yiipie".
I read the first page.  The first page has basically support for the changes - including "wows" and "well dones", a few mild complaints about the cannister level changes.  Complaints when FT changed were far more incisive.

Looks to me like it started to blowup around post 11, guess you didn't read that far down.

168
iStockPhoto.com / Re: iStock in the New Year
« on: December 10, 2009, 18:39 »
October '08 I think it was that istock decided to encourage contributors who were 'sitting on the fence' (rogermexico's term I think) about exclusivity by favouring best match even more towards exclusives than usual. istock dropped to number 5 position on that poll over on the right, independents got totally hammered, and exclusives still remember those heady days when the dls never stopped. I think that's what's about to happen again.

I think Avril is right about this.  My sales the last several days would seem to indicate the tap for non-exclusives has already been turned WAY down.

I do think Gostwyck is right, though, that this will backfire as a motivator to get independents to go exclusive.  The lower my sales at IS, the less likely I would ever be to consider exclusivity.  In fact the gutting of my sales in last year's best match was when I finally stopped torturing myself with the question of whether or not to go exclusive.   

Stop it Lisa!  You know we're coming to the end of the Christmas rush.

169
Oh, hey, where's the site what accepts flat light? That's my biggest rejection reason as that's what our light is like, most of the time. :-\


Most sites. I have had my images rejected for both uneven light and harsh shadows. A moderately dull "large softbox" light seems to be the microstock industry standard, no need to get any gobos or snoots.

I don't think thats true, it's just most amateur photographers seem to think that a softbox is the best tool for every job.

170
Lighting / Re: isolation light requirements - lighting newbie
« on: November 19, 2009, 12:57 »
I picked up a set of Speedotron Brown line lights over 20 years ago.  These lights were not cheap (for me), but I saved until I could buy them, 20 years later I'm still using them. Good investment!

171
Lighting / Re: isolation light requirements - lighting newbie
« on: November 19, 2009, 04:28 »
I mean his suggestion on getting the Alien Bees.  If you can't afford the Bees wait a while and save your money.  For lights and supports stands look on EBay you should be able to find something that you can afford.  The lights your looking at come with a 16" softbox, what are you doing to do with it?  16" is to small to shot anything other than very small tabletop Items, I would bet the light stands are cheap junk too.

Lights are your most important piece gear invest in something that you'll be able to work with for years. 

172
Lighting / Re: isolation light requirements - lighting newbie
« on: November 18, 2009, 19:55 »
Hello,

I have made a bit more research on the lighting equipment I might need...
What do you think about this set?

http://www.ephotodiscounters.com/product_info.php?products_id=221
http://www.ephotodiscounters.com/product_info.php?products_id=5
http://www.ephotodiscounters.com/product_info.php?products_id=231

It would give me:
- 2 strobes 150Ws with sync chords
- 2 softboxes 16"
- 2 reflecting umbrellas
- 2 light stands 7"
- 5-in-1 reflector
- reflector stand
- backdrop white
- backdrop black
- backdrop support 9"

for 388 USD.

What do you think? Can I save on something, like making some backdrop or backdrop stand myself?

I would also need a stand for my SB-900 flash - what is generally used?

Do I need two strobes or is one enough?

Oh and do you know a comparably cheap store in Canada? I have the shipping and tax fear with this Californian one ;-)). Actually I go to California in 10 days, but I doubt I can bring these things home by plane ;-)))).

Thank you!
Simone






I think you would be wasting your money, go with what Leaf suggested.

173
General Stock Discussion / Re: A cheapskate buyer's perspective
« on: November 18, 2009, 17:56 »
I had several butterfly images on istock, paper kites and painted ladies as well as several other varieties.  I painstakingly researched the names and keyworded them appropriately.  My images were tagged, though for inappropriate keywords because I had the words "painted" and "lady" in the keywords or "Paper" and "kite".  Since the image had neither lady or paint, nor paper nor kite istock removed them.  I have also had keywords removed for other things such as an emerald cut diamond had the word emerald removed because it was not an emerald but a diamond.  I had an image of a child waiting at a bus stop.  The word bus and stop were removed. 

You could have keyworded the child waiting at a bus stop with "Bus Stop" it's part of the CV.

174
StockXpert.com / Re: Bad things about to happen ...
« on: November 07, 2009, 06:01 »
One word "Flickr"!

175
Off Topic / Re: Uncovering Steve Jobs' Presentation Secrets
« on: November 04, 2009, 07:26 »
Wow!! That guy (Balmer) is a freakin rock star.  I must say at one point I was afraid he was going to have a heart attack.  ;D

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