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Messages - trek

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726
General Macrostock / Re: Accepted at Getty
« on: May 27, 2010, 17:42 »
"Pay for Placement" .... "Pay to Play" .... gotta say no... never... not in this lifetime or the next. 

727
Correction... The Olympus 24-120 is actually a 11-60 with a 2X factor due to the four thirds system's chip size..  Thanks

728
I love my Olympus 24-120 2.8.  But I got tired of waiting for a better camera body (with a bigger chip) so I bought a Mark II with the 24-70 last month.  I found the 24-70 to be soft in the corners on the wide.  I took it to the Canon service center yesterday.  Hopefully they can fix it.

729
Alamy.com / Re: Alamy Questions
« on: May 16, 2010, 16:08 »
I stand corrected.  Seems Getty let them live.  Do they still allow submissions or are they a zombie (no new photos allowed) site like Jupiter's Stockexpert brand?  Any one know?   

730
Alamy.com / Re: Alamy Questions
« on: May 16, 2010, 06:49 »
Re: Also, you haven't mentioned Jupiter.  Do they not figure in your work?

Jupiter aka Stockexpert was bought out by Getty last year.  They were shut down. 

731
Re:  there are a number of photography 'contests' that run similar scams - not only do you have to pay an entry fee, but they get full rights to use your pix wherever they want.  

About a year ago I noticed a USA Today Travel Photography contest.  I thought "what do I have to lose".  When I read the fine print it said that by submitting an image I was transferring my copyright... forever... It said I would need written permission from USA Today before exhibiting, reproducing or licensing my submitted photograph.  It was nothing more than a massive sleazy copyright grab.  

732
I believe all businesses need to replace at least 20% of their product line every year to maintain status Que..  It doesn't matter if it's cars, clothes, photos or widgets.  Buyers expect newer, snazzier, more technically advanced products. 

The difference with stock photography is the shelf space is endless.  The argument that time spent deleting non sellers / destroying content is better spent creating content, is a valid one.  Personally, I don't see the point in leaving non sellers online.  I'm only in my second year but I've already begun weeding out some of my newbie mistakes.   Eventually everyone hits a plateau.  Hopefully it's a nice one.  With a view. 

733
General Photography Discussion / Re: Insurance?
« on: April 06, 2010, 10:34 »
I'm not so worried about equipment coverage but I may want to buy liability and e & o if I were to go full time and start working with models, stylists, locations and permits. 

A past thread said TCP was a good company.  Anyone here use them?  What do you guys pay for liability and e & o?  Are there additional fees for additional insures certs (for location rentals and permits)? 

Thanks

734
I would like to see them consolidate the upload and review process for dual account contributors.  A "Big Stock opt in" button at Shutterstock would improve everyones productivity. 

735
Adobe Stock / Re: Hahaha, 2 EL's for $3.92 each, lol
« on: February 04, 2010, 23:09 »
I did not know the extended license prices drop over time.  I wrote support asking for the prices to be raised back to 50 credits.  I started adjusting them one at a time... it would of been quite time consuming.  Glad I'm part of this forum.  Thanks

736
Shutterstock.com / Re: 111,655 new photos added in the past week
« on: January 26, 2010, 08:57 »
They'll have ten million images on line next month.  That's a nice marketing hook.  Though, I think they would be wise to weed out the oldest non sellers as they move forward.  If an image hasn't sold in four or five years... it probably never will. 

737
Adobe Stock / Re: The Mysteries of Fotolia
« on: January 16, 2010, 12:14 »
Perhaps I should clarify.  I shoot with an Olympus E3.  I love my lenses but the Olympus can be a tad noisy in certain situations.  That's why I process my photos a bit different for istock. 

Also, I'm merely a eager newbie.  I didn't mean my comments regarding shutterstock and istock to sound too factual.  It's just the observations of someone who's learning. 

Thanks

738
Adobe Stock / The Mysteries of Fotolia
« on: January 16, 2010, 09:20 »
Istock likes submissions to be noise free and silky smooth.  Shutterstock likes sharpness and bolder saturation.  The nondescript technical rejections at Fotolia have be baffled.  Does anyone know what Fotolia's technical preferences are? 

739
I started with Dreamstime and Bigstock.  Photos that were accepted by both became my audition shots for the tougher agencies.  If I had to do it over... I would still start with those two. 

Richard

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