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Messages - Imagenomad

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151

ETA: schools and colleges should require project work to list the legitimate sources and copyright information of content used. In the same way that proper universities have always required a properly formatted and annotated  bibliography. Or else a fail.

+1.  Requiring students to credit photos as well as text sources would go a long way towards educating the general populace about photo copyrights.

IME, plagiarism is a big problem at College and University level and many institutions use anti-plagiarism software that they run assessments through, which has reduced the practice somewhat.

I''m a few years out of being involved in University education now (I was at Senior Lecturer/Assistant Prof level) but I shall have to ask if current anti-plagiarism software picks up non- or wrongly credited images in addition to plagiarised text. This type of software was just coming in at the time I left and I can't remember if it did then.

152
Can't really help - I call them car transporters and it seems like the manufacturers call them that too.

Searching iS with "trailer car transporter" on best match seems to up the hit rate but there's still plenty of non-specific artics/semis in there.

153
+1

but I get slow opening of the main page too. My impression is that it's been getting gradually slower over the last few days.

154
So a musical piece using unlicensed images?

That's stock and stole, baby.



*runs off, sniggering*

155
Photoshop Discussion / Well-hidden CS6 Upgrade path
« on: May 27, 2013, 09:37 »
Right. I'd assumed that Adobe had axed the upgrade path from CS5 to CS6 amongst all the CC kerfuffle a few weeks back.
 
In the UK, the major online retailers (i.e. Amazon, Wex et al) et al removed the upgrade packages from sale pronto after Adobe's announcement, and I suspect at Adobe's behest.
 
And searching for CS6 on the Adobe website, even trying to find the software at full price just kept taking me to the Sign Up pages for CC.
 
But having a look on Thom Hogan's (Google him) site this morning, he provided a link that takes you directly to the Buy page on the Adobe UK website. And then if you click "Buy" but change the "I want to buy" bit from "Full" to "Upgrade", you can apparently get the upgrade for 188GBP. I'm not sure what version of PS you need to qualify for the upgrade. And I'm not sure how much longer it will be available.
 
Thom Hogan provides a US linky too.

If this is mentioned elsewhere on MSG, then my apologies but I haven't seen it. And I post it because others may have assumed the same thing as I did.

ETA - Just had a look - the only upgrades offered are from Photoshop CS5 or the Acrobat X Suite, I think.

156
Well there isnt really. Unless you turn to the world of  commissioned photography. I do not think uploading to micros or other stock sources counts as being true pro photography.

The traditional definition of a professional photographer is someone who makes more than half of their income from photography. That has included us since 2005, and probably a whole bunch of other people here.


Yes thats the traditional definition but as much as we all wish to be labelled pros. In the world of stock?  I doubt it.

Speak for yourself, sonny.

Jim actually. He, he.

 ;D ;D ;D

157
There are an awful lot of "professional photographers" who use Flickr as part of their nowadays all-important Social Media branding and SEO. I'm not sure yet how this will affect them. Getting into bed with Tumblr may actually improve things for them, in spite of what that clueless wonder Mayer said.

On the other hand, if visitors to the site get buried in crappy image cruft after the Flickr re-design, it may be counter-productive. But it may not. Too early to tell.

1TB storage is nice but I don't trust any of these corporations anymore, especially when they unilaterally change my T&C without consulting me. So what rights will they start asserting over my images that they kindly host?

Actually, at the moment, I'm having a big downer on corporations - software houses, tech companies, factory agriculture, energy producers, all seem to be in league with governments to fleece us, the general population - search the interwebz for Ag-Gag for a recent example of "buying" legislation and of course there's the recent new orphan works copyright legislation in the UK. I wonder who that will ultimately benefit? They're all different cheeks of the same corporate fascist 4rse.

158
iStockPhoto.com / Re: rob sylvan farewell to istock
« on: May 18, 2013, 03:16 »
so the only one left will be .. Lobo ??

And Yuri...

Actually, I have to say as a relative n00b to stock, that the current shenanigans are fascinating.

And Rob Sylvan's book is da bomb.

159
Software - General / Re: Lightroom multiple backups
« on: May 11, 2013, 10:18 »
And another thought - exclude your main LR catalog from any system backups. Just backup your backup. And your images.

The reason for this is that there are reports of incremental backups trashing the LR catalog if it is open when the backup software is running and the backup software accesses the catalog.

I've used Time Machine and SuperDuper (on a Mac) and exclusions are easy to set up.

160
Software - General / Re: Lightroom multiple backups
« on: May 11, 2013, 08:04 »
That's good practice - if your catalog is corrupt for some reason, you don't want to overwrite your last good backup with a duff one.

Just delete the old folders every so often. LR doesn't back up the previews, just the catalog, so the backups aren't too big anyway.

161
Alamy.com / Re: Question about RF and RM
« on: May 06, 2013, 12:33 »
And another tip that I've learned today is to create a pseudonym with which to associate your deleted files so that your main Alamy rank is not affected.

162
Alamy.com / Re: Question about RF and RM
« on: May 06, 2013, 12:23 »
However, if you remove all information from caption, keywords and location it can't be found by any new prospective buyers. Unless things have changed, you need to remove them via manage images BEFORE you hit delete, you can't do it afterwards.

No, it hasn't changed, much to my chagrin.

163
Good for you Dan.

Like you I've had health problems meaning sporadic uploading and like you I had a minor microstock victory last week (my first ever EL sale *wooyay*) but these small things are what keeps you going and as said above, help you improve.

BTW, I think Poncke uses a hexadecimal base system so v2 is actually nearer v1.6 (only kidding R  ;)).

164
Veer / Re: Veer Uploading Down?
« on: May 03, 2013, 07:48 »

<snip>

Still months later it doesn't work.  I use the web upload and it comes up with "unknown error" very helpfull. Tried using FTP and couldn't get it to work either.

<snip>

As they are in the low earners category they really need to make this work seemlessly if they want people content.


Just out of interest, have you tried exporting JPEGs at lower quality? It's a PITA but I now export 2 batches of microstock-bound JPEGs from Lightroom - one batch at full quality for other agencies and then the same images in a separate batch at a quality setting of 80 for Veer. The browser uploading seems to work OK with the reduced quality JPEGs and Veer do themselves advise this in their JPEG Upload Howto.

It's been a while since I uploaded microstock anywhere and I'd forgotten this little tidbit when I was uploading to Veer this morning, until I checked the Howto again.

165
Veer / Re: Veer Uploading Down?
« on: May 03, 2013, 06:15 »
FTP didn't work for me today and I had the upload errors via the browser. I find though, that reducing JPEG quality by a smidgeon (as Veer recommends) means that the browser-based upload works.

I'm forgiving them all this because I had my first ever EL sale with them a few days back - $35 for unlimited use (yeah, I  know).

166

<snip>
My naming convention (using date) has been in place for many years.  It would be far to confusing to change now.
<snip>

Thanks Warren. Actually naming individual files by date is good practice as it reduces the possibility of you having files with the same filename if your camera runs out of numbers. It eliminates the possibility altogether if you use YYYYMMDDHHMMSS-{something sequential} of course. In other words, that particular system has a purpose.

I'd argue that using a date-based folder system is perhaps OK if you're using a browser (like Bridge) but if you're using a DAM program like Lightroom, other methods of folder structure are more appropriate in that they too have a purpose.

As an example, if you use a folder system just based on size, and keep originals in separate folders to derivatives*, it makes for easy archiving (i.e long term storage, not backup) of your images. Fill your folders of originals to about ~4GB and you can burn each onto a DVD. Or even better, make them ~20GB and burn each folder to a standard Blu-Ray disk.

Give each folder a sequential name like Originals_### or Derivatives_###* and it's easy to keep track of things in Lightroom. They'll end up more or less in date order as you add later files sequentially anyway but it doesn't matter that the 2012-11, 2012-12 and 2013-01 files are all in the same folder because you can find files by date using the LR metadata filter.

Sure you can do a similar thing using a folder structure based on date but it's a faff if you want to archive and you end up with hundreds of folders, some with a few images, others with thousands if you have a busy month.  ;)

All I'm saying is that there are more efficient and more purposeful ways of structuring your image storage once you start using Lightroom. At the end of the day you may not feel it's worth the hassle to change but I think that now, before you start using Lightroom, is the perfect time to rationalise your folders and to consider other, better ;) options.



*If you just use LR, you don't necessarily need to keep your derivatives as you can use your Virtual Copies to reproduce any image you need. If you do any external editing in PSE via round-tripping via LR (i.e. setting up the "Edit in..." option in LR), you'll end up with derivative PSD/TIFF/JPEG files. Oh, and you can make Virtual Copies of these images too if you want.




167
This site - http://dpbestflow.org/site-navigation - is a fantastic resource for setting up your DAM system. I'd have a look at their suggestions before you commit to any specific hard drive folder structures, especially date-based ones, although many do favour a date-based system.

But one could argue that that raison d'tre of Lightroom and its ilk is to do away with a set hierarchical folder structure on your hard drives. Instead, use easily managed folders, set up as "bins" or "buckets" and then find your images using keywords and other metadata. Aperture is actually a little bit better at this than Lightroom IMHO but Lightroom smokes Aperture in almost every other important facet of image management (i.e. developing, exporting and printing).

It takes a bit of discipline to enter keywords and relevant IPTC data but since you're just starting out with Lightroom, and these things are easily managed with Import Presets and the ability to keyword at import, I'd give some serious thought as to how you set up your DAM system now.

And making liberal use of Lightroom's "Virtual Copies" gives you a workflow from original through working copy to master and then different versions of that master, all for a few kb of extra storage overhead. And each Virtual Copy can be separately named (so e.g. "Working Copy", "Master Copy" and "Final [stocksite] Copy"), separately treated (e.g. B&W, cropped, upsized), keyworded and captioned making submission to different sites with different requirements a breeze. And the original filename can be stored in the IPTC metadata so the submitted files are easy to revisit and reprocess should the need arise.

So in other words, and again IMHO, Scott Kelby's way isn't the only, or even the best way.



168
Selling Stock Direct / Re: US ITIN Number for selling direct
« on: April 16, 2013, 01:54 »
If you want to maintain your original "profit", you need to add more than 30%. As an example --

Your original price $100.

You add 30% to get $130.

They withhold at 30% taking $39 and so leaving $91.

In this example, you're $9 down on the deal.

Now you may be willing to take the hit but it's just something to bear in mind.


169
One big change to my DAM process that I'm setting up right now is *not* to regard folders on your storage as a means of ordering your images at the micro-level. Let your DAM software do that for you, using keywords and smart collections. I used to use YYYY>MM but I'm finding it much more intuitive to just let Lightroom worry about finding my images.

So I've set up my storage as annual folders and then just put all camera originals in separate 20GB "bins". Why 20GB? So that I can fit a single bin on a Blu-ray disk as well as my external HDDs.

My files are renamed YYYYMM-myinitials-sequential# and converted to DNG on import after culling the dreck. Then every file I make from the originals carries that same filename with the suffix '-M' for 'Master' or '-#-D' for any number of derivatives which may or may not be virtual copies.

You do need to be disciplined with keywording from the start but if you start as you mean to go on and have a plan, it's actually pretty easy. Another tip is to just use a few broad keywords for your originals which are passed on to the Masters and Derivatives. This is just so you can find the image you're looking for. Then keyword in more depth when you're about to upload.

BTW, mass keywording is easy in LR because of the sync metadata functions and the process of ticking the keywords you want to apply to any number of images. I find non-exporting keywords useful for sorting too but this is frowned upon in some quarters. Works for me though. For instance, I can use keywords like "stock" or "5-shot panorama" that allow me to find images in Lightroom but aren't exported when I export an image.

I've borrowed my system heavily from the ASMP workflow site and also Peter Krogh's DAM book.

170
One of the good (little known?) features of keywording in Lightroom is the "non-exporting" keyword. So you can allocate say, "shutterstock_rejected" to an image & even set up smart collections based on them but you can tell LR not to export them with the image.

Unfortunately, this feature isn't found in Aperture & I'm not sure about Bridge or other DAM programs.

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