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Messages - Red On

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51
123RF / Re: 123rf sharing commissions with parent company Inmagine
« on: November 07, 2014, 18:18 »
I was director of a news photo agency before digital. The question of royalties shared among agencies is an old issue. I had staff and contributors. Staff were paid by percentage plus a contribution to the expenses without possibility to opt out from the partners' distribution; contributors had same royalties, no participation to expenses and the right to opt out. The regular share was 50-50, the PP share was 30-30-40 (fourty for the photographer). Staff photographer was fully exclusive, contributor was exclusive only by picture. Average price for a photograph was $275. No cheat, no backdoor. Today is corrupted the whole market.

I can't be sure that my earning is directly related with the amount of downloads. I mean that I have no meaning to check if my 50 cents are just 50 or the picture have generated more revenue. I have to trust the agency. But after all the posts in this thread, I started to have a bug in my mind: may I really trust in every agency?



52
iStockPhoto.com / Re: iStock Contributors Jumping Ship??
« on: November 06, 2014, 11:36 »
My non-exclusive portfolio in IS is very limited for many reason:

1. it is a waste of time (the time to submit 1 picture on IS is the same to submit 5 pictures on SS)
2. the % is offensive
3. PP is a tricky backdoor
4. Videos' prices are insulting

I'm waiting next payment to decide if:

1. Go ahed slowly as did 'til now
2. close my account
3. stop uploading and leave the pics in

Revenues on IS for the entire month of october are less than half day on SS

53
Second point is not related to keywording, but I really need this: when I upload to Alamy, nobody can use the same router

Assuming you are on a Mac, Google "ipfw" for simple one line terminal code to temporarily limit and then unlimited the bandwidth on port 80. Then your machine will not suck all of the bandwidth available on the network.

Well, my skill it's not enough to understand deeply what you are saying, but I had this problem in three countries and with Mac Os 10, Win XP and Win 8, both with mozilla and chrome, with ADSL and from last week with optical fiber too. There is something thatbI can do, considering that I use mainly Mac (Maverick, but I will upgrade soon with Yosemite)? Thanks a lot.

54
IMHO:
First improvement is allow a single field for keywording, where the first five or six words are the most relevant. The reason why is a pain, for me, to submit photos in Alamy, is that after keywording and uploading, I have to move all my keywords in the manager. The result of this double work is, often, a lack of precision and sharpness in the keyword: I can't spend too much time to remove or add one single word from a single file in a batch job.
Alternative is: give as the tools to keyword offline according to the Alamy stress system

Second point is not related to keywording, but I really need this: when I upload to Alamy, nobody can use the same router, because, also if I go to check the newspaper online, the Alamy upload stop to work and delete the picture from the list. We cannot interfere with the connection.
I really need an ftp port to upload other than news.

Last, but this is just a toy for the moment: why don't activate the geolocalisation, reading the exif automaticaly?

Hoping in a better upload and keyword future with Alamy..

Sincerely Yours

Franz

55
iStockPhoto.com / Re: First Month of the New Improved IS
« on: October 31, 2014, 22:47 »
What is really changed in the photographic industry is that up to twenty years ago the spindle of this business was the photographer, now is the agent. I can't tolerate that an agent, that is working for me, change the rules on my shoulder without inform and discuss the new strategy BEFORE decide to apply it.

Unfortunately the steady growing number of photographers and the average lower request for quality and exclusive pictures by the customers, gave the handle to the agent.
Microstock is only a small part of my photographic income, and this is the reason why I'm not complaining.

What I want to say is that while the price of every goods are going up, pictures are condemned to go down. Is an evidence since 1995.

Closing this month, my microstock balance is approx the following:

IS zero%;
SS 30%;
FT 35%
DT 15%
123 15%
Pond+DP+Can 5%

Alamy is a part with a good result and the almost closed  ClipDealer gave me an high RPI with the last few images...

56
Shutterstock.com / Re: Shutterstock acceptance rate
« on: October 25, 2014, 02:05 »
Well, I know that my pictures are not the best for microstock, because I'm a photojournalist, most part of my shot are without release, and this means that I upload marginal shot from my work. The fact is that I cannot understand why pictures that are refused for three or four times, when, at last, accepted, become best sellers. There is - for my way - a discrepancy between what is accepted (50 pictures of a nurse wearing gloves, i.e.) and what the customer buy. But I'm not complaining: is part of this game and I accept it.

57
Shutterstock.com / Re: Shutterstock acceptance rate
« on: October 24, 2014, 15:43 »
There'snt  best day of the week, thera are only strange reviewers absolutely random. An example of what is happening in october:  I have my three best sellers in Istock, Dreamstime and Fotolia, rejected three times, and five horrible pictures accepted ONLY by SS. The truth is that submit pictures is a gamble, if you don't shoot smiling picture of happy people in a soft box.

58
iStockPhoto.com / Re: First Month of the New Improved IS
« on: October 18, 2014, 10:55 »
Significant, for me and my small portfolio, means 0 (zero) pictures sold this month. I'm uploading on iStock few pictures per month because is almost a waste of time compared with other gencies and the commission is worthy of a usurer. The only "satisfaction" came from patner sites, but this month were still not updated.

59
Shutterstock.com / Re: Editorial on SS
« on: October 17, 2014, 07:47 »
Indeed: in 1994 photojournalism was a serious matter

journalism and news photography are not a godgiven right.

they will exist only as long as somebody is willing to pay for it and this happens in every other industry in the world.

there's not one single reason for journalists to think they're a special case deserving any privilege.

there's a supply and there's demand.
if now they're all begging for money it means their product is no more in demand enough, simple as that.

Information is one of the main actor in democracy. The day when all (again: all) info will be manipulated, distorted  and organised to bring consensus to one part, without exception, we will understand that information isn't an industry or a business like every other. We are not too far from it

60
Shutterstock.com / Re: Editorial on SS
« on: October 15, 2014, 04:03 »
Please, don't sell news on microstock agencies, we can't destroy photography and photographers more than this.

i don't think there will be ever space for News on micros as the money is just not there.

amateurs will upload the odd iphone shot here and there but will soon realize it's not sustainable moneywise.

Well, just to expose the problem: last year for a mistake, some of my pictures of a vernissage in an important museum, were uploaded on DP. They sold immediately three pictures for .60 each, and have seen one of them published in a magazine that spend not less than 130$ (regular base-fare) for a picture. I have informed DP, but they told me that was bought by the magazine under subscription. This is the trend: if magazine and newspaper can buy pictures so cheap from micros, well, the pros will go home.

61
Shutterstock.com / Re: Editorial on SS
« on: October 15, 2014, 03:52 »
Please, don't sell news on microstock agencies, we can't destroy photography and photographers more than this.

With respect this is 2014 not 1994
Indeed: in 1994 photojournalism was a serious matter

62
Shutterstock.com / Re: Editorial on SS
« on: October 15, 2014, 03:48 »
With my sport editorial I follow this principle :

Right after the even is shot  :
 - put it to local country news agency
 - put it to alamy
 - put it to my own stock database website

 - after some time I put it to SS. Because news after one week is worth only for stock :) noone even rememer it. Maybe I loose some cash here because it is not distributed asap, but what I see, Im selling there images half a year after the event happened.

So this is just my preference, to avoid selling hot pictures for nothing. :)

That's the right commercial way to everybody

63
Shutterstock.com / Re: Editorial on SS
« on: October 15, 2014, 03:46 »
yep, this is the same sort of arrogant  post  that 'pros' used to blast at digital photo CDs (in the early 90s) and then microstock in general  (buggy whip makers probably had similar concerns)

evolution in action

Probably, and yours is the same sort of arrogant post that some amateurs used to blast at pros.

64
Shutterstock.com / Re: Editorial on SS
« on: October 15, 2014, 03:43 »
I try to revitalize this topic, because I'm basically a photojournalist, editorial is my bread and meat and cheese and fuel etc...
What I want to say is that is absolutely ridicoulous the price that microstock sells news or editorial pictures.

To produce a news picture is expensive; to produce a news picture you have to be qualified; to produce a news picture you have to work daily on it (I mean that amateur can just have a lucky shot, but cannot schedule events and planning their life on this kind of photography).

Please, don't sell news on microstock agencies, we can't destroy photography and photographers more than this.

Oh but it depends. I sell some "news" and editorial on Microstock, especially on Shutterstock, and if the image is something that people come back to or that can be used as a true "stock" image for recurring events and/or as an abstract to describe a place or an institution, then the image makes me several hundred dollars over its lifetime.

Is that worse than what would have happened in traditional stock editorial photography? Tell you what, I don't care. Why don't I care? Because I am an amateur, maybe a semi-pro, and the high and haughty editorial photography world would never let me in. So what choice do I have? My education, my primary profession, my travels and pure dumb luck have given me access to some high value editorial locations, and I am a decent photographer with an eye and a passion for a good editorial image. So I will sell them at the agencies that will have me. It's that easy.

That's right: I'm talking about "News" photography, and not generic editorial ph. News are the kind of photography that expire in a week or less their journalistic value.

65
Shutterstock.com / Re: Editorial on SS
« on: October 13, 2014, 17:08 »
I try to revitalize this topic, because I'm basically a photojournalist, editorial is my bread and meat and cheese and fuel etc...
What I want to say is that is absolutely ridicoulous the price that microstock sells news or editorial pictures.

To produce a news picture is expensive; to produce a news picture you have to be qualified; to produce a news picture you have to work daily on it (I mean that amateur can just have a lucky shot, but cannot schedule events and planning their life on this kind of photography).

Please, don't sell news on microstock agencies, we can't destroy photography and photographers more than this.

66
I'm pretty sure microstock is one thing I could never become addicted to....
I totally agree. When I was photographer I spent all my life shoting around the world and was completely addicted on reportage, then the market was invaded by microstock, I'm now involved in this industry, and from really well paid fun, photography became a low income job. No addiction

67
Shutterstock.com / Re: RPI for photographers at Shutterstock
« on: October 07, 2014, 10:53 »
RPD is almost the same every month, excluding SOD. and is 0.7. The real problem is that the RPI is going down month by month; I have started with 0.2 18 months ago, and now is 0.04. This means that I'm selling proportionally less also if the portfolio is growing. This indicator is most important if, compared with many others contributors, is going down, because is the indictor of the market; RPD is most individual

To be clear:

RPD is the revenue (of the month, in thos case) devided by the amount of downloads of the month: 0.7

RPI is the revenue (of the month, in this case) devided by the amount of pictures online: 0.04

68
It's a "very expensive option" if you only  want 25 microstock images.  It's about $80 per image, not 22c an image.

Should be the minimum price considering our work. The fact is that microstock industry is engaging a commercial war where the only victims will be photographers and photography. Don't forget that iStock is paying 15% of commission to the newbies. One-five!! Less is not possible to find in any other business. If the MS agency are plenty of amateur, ready to have 10 bucks per month, will never be possible to change the situation.

69
General - Stock Video / Re: Video: which sites are worth it?
« on: October 03, 2014, 02:39 »
What do you mean that "video don't carry over keywords"? I did regularly with Bridge.

70
Alamy.com / Re: Alamy- Tips on getting Sales
« on: October 01, 2014, 02:54 »
I heve seen important exclusive photographs sold for few bucks by "big players". I have seen the fall of the general quality of the photographs in this industry (I'm not thinking of technical quality, but conceptual, artistic, creative, communicative and all the kind of quality that is not depending by the gears and hardware) because the market was opened to amateur that are happy to see 20$ at the end of the months, and the clients are happy to save money. Alamy is plenty of this pictures, but they don't sell for cents. That's enough. This is a political vision.

71
Alamy.com / Re: Alamy- Tips on getting Sales
« on: September 28, 2014, 08:10 »
That's also true. There are some photographers that submit daily - also throughout Alamy Live News - real garbage. I don't like to indicate someone specific, but, effectively, I would like to know how many pictures is selling the photographer that once a week submit dozen of pictures shot from the terrace of his home under the description "today weather in Rome".

Alamy: please be more selective!

72
Alamy.com / Re: Alamy- Tips on getting Sales
« on: September 28, 2014, 04:10 »
RedOn, you can send your quirky pictures to Alamy, but there's no way you can stop them selling for micro prices (at least, non-sub micro prices), as it's all down to what deal the buyer has with Alamy.

Well, I don't think to produce quirky images (in microstock I sell mostly sterotypes), but my best images will not licensed for few money. It's very easy to delete a account. This summer I was called by the picture editor of a mass-circulation newspaper asking my pictures on Yazidis in Iraq. They propose to pay 15 Euro gross bill. I simply refused to publish for thise ridicoulos price. Then I was called by the director of a small monthly magazine (2,500 copies printed), and I sold three pictures for the same price: 15 Euro. It is no matter of microprices, but micro diffusion of the media and adequate price compared to it.

73
Alamy.com / Re: Alamy- Tips on getting Sales
« on: September 28, 2014, 03:58 »
Well said, Red On. Completely different point of view than what we usually read here. We are so obsessed with microstock race (shoot, upload, earn) that we forget about other values of photography.
But, there is only one thing I don't agree with you. Alamy is not the one. You overestimated it's importance. Maybe some other agency.

Yes, of course, but are the minority of the market. That's the point. I would like to have more competition in quality of the information than in price.

74
Alamy.com / Re: Review time
« on: September 27, 2014, 07:33 »
If you are a professional photographer and Alamy is part of your busines, this means that you'll upload an average of almost 50 perfect pictures per week as I do, including livenews. In this case every batch will be reviewed in no more than 36 hrs. If you fail QC the delay will be longer

75
Citizen Journalism Forum / Re: Demotix- Good or Bad.
« on: September 27, 2014, 07:28 »
24 stories uploaded immediately after the event; 12 international events; total revenue: 0.
Same pictures were sold and published on paper magazines and newspapers through another agency, one in particular was published in 34 countries, but not from Demotix. 

A friend of mine, that is not a news photographer, has sold some pictures uploading 8 stories. Stock pictures as Lavender field, cat walking on the wall, red motorcycle parked in front of tour eiffel and so on.

That's it.

P.S. I don't need their dummie press card

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