Using Noise Ninja at all should be the exception, not the rule. You should also make a separate layer, use Noise Ninja on that, and mask the results so only the areas that really need it get the effect.
I convert from RAW to 16 bit files; all the tone adjustments are done as adjustment layers. The original image layer is untouched, above that is a cleanup layer for cloning out blemishes or logos. Then (with all the adjustment layers turned off), make a new layer of the result (Stamp Visible), use Noise Ninja on that, and mask.
That way, if you need to make any changes, the worst you have to re-do is making a new merged layer and running Noise Ninja on it; the mask is still intact.