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Author Topic: the END of microstock !!!  (Read 22805 times)

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« Reply #125 on: May 21, 2013, 03:17 »
+5
"Interesting thoughts. Of course all that is actually happening is basic supply and demand. However it's not the agencies or the contributors who have 'devalued' our product but the technology. As you have said yourself, it has never been easier or cheaper to produce quality images ... so that's exactly what people are doing.

I've no idea how long it is all going to last though. Ten years ago I'd never have believed I could earn a decent living with my camera, working from home, shooting what I want, when I feel like doing so and never even having clients to report to, or any complaints or invoices to chase up. Microstock is largely a true and fair meritocracy too __ your success and your earnings are directly related to your skills, how hard you work and, sometimes, how much you are prepared to risk financially to get unique or better shots.

If, in a few years time, it is 'only the agencies that can make any money' then that will probably be the time that a true microstock co-op will finally emerge. Right now there is not the motivation for it to happen and most contributors have too much to lose. Ultimately it is the contributors that own all the content though. Without them the agencies are nothing.

I think that there are small signs that the balance between agency and the contributor may be edging towards the latter. Istock notably have started to relax rules that they once held dear. Vector artists are actually getting a royalty increase. The emergence of Stocksy is a move in the right direction and Istock are certainly worried about it. Then there's Yuri's 'sweetheart deal' with Getty. There may well be more in the pipeline."



yes agreed, it is without a doubt technology as well, but also the fact when getty came along and gobbled every agency up they dropped royalty rates to sustain the bankers and shareholders profits. we all ate it up albeit with a bit of complaining.

then microstock came along with this sell stupidly cheap idea and give stupid rates with crowns and you could work your way up. getty bought the premiere agency, and continued the reduction of rates for profits scheme. we all ate it up albeit with a bit of complaining.

then there are the schemes like SS who simply undersold images with abandon and paid really stupid royalty rates. many ate it up. why i will never know.

add the above to a bunch of tier sites that want a slice of the pie and generally do so with abandon, and you have an industry that is really messed up.

now you get brucey with his new found ideals forming a co-op. to little too late my friend. you had the chance to do that long ago, and you took the getty millions. in his various interviews he tends to contradict himself between the past and the new and improved version of brucey called stocksy. the one that sticks out is him saying something along the lines of "if you make less than 50% you are not getting your worth" and i seem to recall the highest you could ever aspire too was 45% on IS under his reign, but you also started at a shameful 20%. this has happened a few times in his interviews that i have read. i also don't predict you will get too many born again idealists like this coming down the pipes any time soon.

my money is still on the decline of individual income based on the microstock model, and yes it will affect the whole industry. and i still think it will happen in the next 5-7 years. the numbers don't add up anymore, and it's blatantly obvious if you have been around the industry for a while. and the scary part of this is that greedy empires like getty know this too. they know they can kick the crap out of us and control us and we are weak as a whole. as a group we might complain a lot, but getting anything going with a large group of photographers to teach "them" will never happen, it would be easier to herd cats.
I remember being told in the late 1980's that it wasn't worth getting in to stock photography.  Listening to that advice was a huge mistake.  I went in to the scientific side, didn't enjoy it and had to try non-photographic work until I found out about microstock.  Now looking at the RM sites, I'm not that impressed by a lot of the content.

I bet there's old timers in the music and art world telling people that the industry isn't as good as it used to be and the end is nigh.  Having learned my mistake the hard way, I ignore advice that is contrary to my own experience now.  Overall, I like microstock, I even like selling for $0.38, as the volume is high.  Things might get tougher in the future but it's quite easy now, for people that aren't afraid of work.  I'm quite lazy, that's the biggest problem for me.


rubyroo

« Reply #126 on: May 21, 2013, 04:35 »
+2
Having learned my mistake the hard way, I ignore advice that is contrary to my own experience now.

Plus one to that.  There is no teacher like your own experience. 

« Reply #127 on: May 21, 2013, 05:35 »
0
"Interesting thoughts. Of course all that is actually happening is basic supply and demand. However it's not the agencies or the contributors who have 'devalued' our product but the technology. As you have said yourself, it has never been easier or cheaper to produce quality images ... so that's exactly what people are doing.

I've no idea how long it is all going to last though. Ten years ago I'd never have believed I could earn a decent living with my camera, working from home, shooting what I want, when I feel like doing so and never even having clients to report to, or any complaints or invoices to chase up. Microstock is largely a true and fair meritocracy too __ your success and your earnings are directly related to your skills, how hard you work and, sometimes, how much you are prepared to risk financially to get unique or better shots.

If, in a few years time, it is 'only the agencies that can make any money' then that will probably be the time that a true microstock co-op will finally emerge. Right now there is not the motivation for it to happen and most contributors have too much to lose. Ultimately it is the contributors that own all the content though. Without them the agencies are nothing.

I think that there are small signs that the balance between agency and the contributor may be edging towards the latter. Istock notably have started to relax rules that they once held dear. Vector artists are actually getting a royalty increase. The emergence of Stocksy is a move in the right direction and Istock are certainly worried about it. Then there's Yuri's 'sweetheart deal' with Getty. There may well be more in the pipeline."



yes agreed, it is without a doubt technology as well, but also the fact when getty came along and gobbled every agency up they dropped royalty rates to sustain the bankers and shareholders profits. we all ate it up albeit with a bit of complaining.

then microstock came along with this sell stupidly cheap idea and give stupid rates with crowns and you could work your way up. getty bought the premiere agency, and continued the reduction of rates for profits scheme. we all ate it up albeit with a bit of complaining.

then there are the schemes like SS who simply undersold images with abandon and paid really stupid royalty rates. many ate it up. why i will never know.

add the above to a bunch of tier sites that want a slice of the pie and generally do so with abandon, and you have an industry that is really messed up.

now you get brucey with his new found ideals forming a co-op. to little too late my friend. you had the chance to do that long ago, and you took the getty millions. in his various interviews he tends to contradict himself between the past and the new and improved version of brucey called stocksy. the one that sticks out is him saying something along the lines of "if you make less than 50% you are not getting your worth" and i seem to recall the highest you could ever aspire too was 45% on IS under his reign, but you also started at a shameful 20%. this has happened a few times in his interviews that i have read. i also don't predict you will get too many born again idealists like this coming down the pipes any time soon.

my money is still on the decline of individual income based on the microstock model, and yes it will affect the whole industry. and i still think it will happen in the next 5-7 years. the numbers don't add up anymore, and it's blatantly obvious if you have been around the industry for a while. and the scary part of this is that greedy empires like getty know this too. they know they can kick the crap out of us and control us and we are weak as a whole. as a group we might complain a lot, but getting anything going with a large group of photographers to teach "them" will never happen, it would be easier to herd cats.
I remember being told in the late 1980's that it wasn't worth getting in to stock photography.  Listening to that advice was a huge mistake.  I went in to the scientific side, didn't enjoy it and had to try non-photographic work until I found out about microstock.  Now looking at the RM sites, I'm not that impressed by a lot of the content.

I bet there's old timers in the music and art world telling people that the industry isn't as good as it used to be and the end is nigh.  Having learned my mistake the hard way, I ignore advice that is contrary to my own experience now.  Overall, I like microstock, I even like selling for $0.38, as the volume is high.  Things might get tougher in the future but it's quite easy now, for people that aren't afraid of work.  I'm quite lazy, that's the biggest problem for me.
very well said sharpshot. There is an old Indian sayings "whenever you wake up, its morning"
so its never too late unless you leave the task.

« Reply #128 on: May 21, 2013, 08:43 »
0
@Sharpshot :

i've friends in music who indeed had to close the studio because of the unfair pricing on Beatport, iTunes, etc and the cut-throat competition, and they were in business since 1988 !

if you think we're having it bad look at music ... unless you're backed by Sony or UNiversal and you're Daft Punk, Lady Gaga, Tiesto, Skrillex .. you aint make much money no matter if your songs are great and to make things worse the latest fad is Spotify where the fees paid to labels and artists are well below the cheapest subs on SS !

on the other side there's easy money to be made if you're a young DJ, at least for a while because soon it will be saturated and prices will hit rock bottom, it cant last long, and it's crazy that a Tiesto guy can command as much as 200K $ per night in Vegas or Miami and make 20 millions per year making his crowd of pill eaters dance for a couple hours.

but at least they can DJ, what photographers can do instead ? selling prints on the street ?
there's no equivalent to gigs for phographers, photos are "consumed" the moment they're seen, they dont last a few minutes, they dont make you dance.

if you ask me if it's wise to join the stock industry today i will tell you YES but as long as you can produce quantity rather than focus too much on perfection.

your enemy in micro is not quality or QC or whatever, it's how big is your portfolio and how much you can grow it along time to "feed the beast", if you can feed it you're in busines, if you can't your bound to leave the industry sooner or later.

i mean anything can be monetized nowadays, there's people selling any sort of sh-it on RedBubble and other PoD sites .. but to make a living you need a LOT of things on sale, how it will cost you and how long it will takes that's the core issue, but the possibilities are there, i even know people selling on eBay full time and others printing t-shirts for tourists, if they can do it we can probably do it too but there are many ways to skin a cat.



Poncke v2

« Reply #129 on: May 21, 2013, 10:26 »
-1
Tiesto is Dutch, the Dutch are entrepreneurial people, we make money from everything. Goes back to the days where we ruled world trade. But along the way we made a few bad deals that caused us to play second fiddle now. If we hadnt been greedy, the USA would have spoken Dutch. Almost sounds like micro vs macro.

« Reply #130 on: May 21, 2013, 15:42 »
+5
Again with this? Really? Microstock has a long, long way to go yet. Not for everyone but that's business. I believe there is still potential for huge growth in emerging markets and media forms and I plan to be a part of it.

« Reply #131 on: May 26, 2013, 03:48 »
+2
Yuri does not dictate the microstock market, he is a respected photographer but in no way does he change the market.

Poncke v2

« Reply #132 on: May 26, 2013, 04:03 »
-6
The person who stuck a minus on my comment needs to buy a few history books from his earnings, LOL  :D

« Reply #133 on: May 26, 2013, 07:02 »
+2
I've sort of flicked through this thread trying to get the gist of it.

Do I understand aright, that I have to get my quality standards back to my 2004 level in order to meet customers' post-Yuri expectations of microstock quality?

The trouble is, I've forgotten exactly how I did it back then, though I do recall that most of the lighting involved an angle-poise lamp and a sodium bulb (can you even get sodium bulbs these days?).


 

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