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Messages - bunhill
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1026
« on: November 01, 2013, 05:14 »
People running Windows at this time need to be concerned about the cryptolocker ransomware virus which also has the potential to lock you out of your online and locally networked backups. Non networked generational backups are crucial.
1027
« on: November 01, 2013, 05:00 »
there are different sources, not just the complicated earnings threads, confirming that exclusives are losing sales and indes have gained sales since the change. But there in NO evidence that the change has brought back any buyers.
Data are available if you care to look.
There is no complete or normalised data. There are only a few anecdotal personal posts - not data. Snippets of information at best. The rest is speculative interpolation. But more than that - what are you trying to determine about the strategy in general ? How can you have any sense of whether or not it is working when you have no idea what the aim is or what kind of time frame is involved ? For all you know Getty may be expecting to sell fewer images via iStock. They may be expecting to sell fewer images in general. I am sure that what they are doing is also going to be about trying to shape the market - that may mean losing sales in some quarters. Some people are reporting fewer sales but broadly equivalent incomes. We cannot call that data either. Though I know that I much prefer to sell fewer images for more money. FWIW - I am completely neutral on this - it is all just interesting. If I thought that the sky was falling in I would say so. And I am a big fan of one or two of the other sites - because I love photography - I love looking at really great work. I also very much support the idea of there being alternatives. But my sense over the past 6 months is that Getty is playing a long game and that they know very well what they are doing. I believe it is a significantly different company than it was during the H&F era.
1028
« on: November 01, 2013, 03:48 »
@Baldrick
The data is not available. There are only individual snippets of data and lots of extrapolation. I certainly agree with Tickstock that people are far more likely to post in those threads if their sales are down and they are expressing frustration. Most people in other businesses would never go to an internet forum to bray about how well they are doing - it's a curious thing. You also have to remember that most contributors never post anything anywhere.
And what are you trying to derive from these snippets of data ? If it is about money then it clearly makes sense to report total sales including GI and PP - since that is where the business has shifted. If it is about how well Getty is performing and how any shift might relate to their strategies then that could not be extrapolated from such partial data. Lots of people seem to be reporting significantly increased PP sales - perhaps that means that Getty are doing well selling subs. But we can only guess. And a strategy may play out over a few years. Certainly the equilibrium has changed now that indy content is offered at roughly the same prices as they (indies) offer it at elsewhere.
Given the economy and increased competition - anyone who was doing well at the peak of the boom could reasonably expect to be considerably down unless they have been continually producing very large quantities of very high quality work which is in demand. A non stellar 'exclusive' who is still earning around about the same is doing quite well - all things considered.
1029
« on: October 31, 2013, 11:51 »
SS has said from the start that it is their explicit policy not to accept exclusive content
For most of their history they were not in a position to require exclusive images because they were the number 2 earner. I believe that there is a sustainable future for small agencies and collectives which exist on their own terms offering exclusive content and which shun the idea of even bothering to try to compete in a world of subscription etc. Sustainability IMO is partly about only needing to earn enough to continue comfortably - without ever expecting to make millions or billions and without ever needing to satisfy the ever escalating expectations of investors or shareholders. In much the same way as there is a good future for independent coffee houses and the people who sell organic vegetables at the market. But SS etc are something quite different. For them image is a commodity in a world of agencies which are ultimately run and owned by big finance. They care about satisfying the expectations of their investors - and trading the future earnings of the businesses is as important as selling images. That is not a criticism. It's one version of an inevitable way in which things seem to happen. The US market might have reached saturation, i.e. most web designers and regular customers are getting their stock from somewhere, but there is a huge, huge world out there, that can still be discovered, anything outside of the English language group and especially countries moving up. I do not believe that there is any reason to believe that the world outside of North America and europe is likely to adopt a web model which mimics the evolution of the online world of the early 2000s. I do not believe that there is another boom going to happen. Today it is not only that the market is saturated. The web business boom of the 2000s was funded by credit which is no longer available. There is much less business today. Also - businesses and official organisations and voluntary groups are today far less likely to require paid web content. Partly because the social media has, for many, largely replaced the need to maintain an old fashioned website - and the content they do use today is now far more likely to have been shot on an iPhone and shared for free by their customers or employees. Nobody is going to pay for social media content. Bloggers and news sites today are far more likely to be using free or syndicated content - often supplied by the companies they are writing about. Subscription, specifically, is also undermined by social sharing and the legitimization of Pinterest - which some agencies see as a marketing opportunity. Sites like Pinterest undermine subscription. Then there is still a huge number of people who prefer to steal than to buy, conversion of even a small group of thieves would significantly increase sales. this is a part where agencies could even work together. I do not believe that there is much evidence that any significant number of would-be subscription customers are currently using stolen content ? I do not believe that thieves are, for the most part, potential customers. This is not the same as music or films. Now it is a service war, who will be the amazon or ebay of the industry. It is not an industry on those sorts of scales. The question is which will be the biggest and brightest site with the cheapest subscriptions or all-you-can-eat licensing deals with Facebook, Yahoo, MSN or whatever the next mass market thing is. Those new licensing models depend upon tracking technologies but also undermine subscription as it has existed during the part decade. I believe that these sorts of deals, and free, are going to eat into 2000s style subscription models. What I think I am saying is that I believe that the market for more expensive content is much more likely to be sustainable than a market for cheap content.
1030
« on: October 31, 2013, 05:48 »
Longterm the agencies will be competing more on quality of search results and the overall buyer experience than content. Which is why SS is growing so fast, because they realized that years ago and didnt even ask for exclusive content.
I believe that in the subscription market companies will be competing on market share alone and on their ability to sustain the ever lower prices of subscriptions (and very cheap single image sales) - for the longest. That is how a price war works. IMO the micro-stock market is not growing and is almost certainly in decline - therefore they can only take customers from each other. It could end up being difficult for people supplying the subscription model since increased sales at one may be matched by declining sales at another. And yet both are too good currently for indies to abandon. Whilst some companies have subscription as their business model, others probably see it as something which needs to be contained if possible. SS was never in any position to ask for exclusive content. But looking at this from a slightly different perspective - I do not find it coincidental that Offset is called that.
1031
« on: October 31, 2013, 03:05 »
the lack of any negative reviews gives me pause and suggests you are using a service to bury them.
slightly /ot: The whole business of internet reviews is becoming a big issue - and especially the way in which negatives are buried with positives via Facebook login. The reviews of products tend to be much more reliable than the reviews of companies in my experience. Some of the best known *trust* sites with the biggest traction even allow the companies reviewed to pay to audit their own negative reviews. Some of the worst companies have the best reviews. It is becoming rather like the systems under which many companies now effectively have to pay a whitelisting fee to ensure that their email is delivered - i.e. that it does not end up blacklisted.
1032
« on: October 28, 2013, 17:40 »
You either need to upload a valid model release or else sell the image as RM with no release. Alamy requires model releases for any visible people whether or not they could be identified if the image is RF.
If you sell the image RM at Alamy then you need to remove it from any sites where you are selling it RF.
1033
« on: October 28, 2013, 12:56 »
I recently started up with a company that lets me set my own prices, pays 70%, and generates daily sales (and no, I'm not saying which company, so don't ask). I'm setting all prices at $12-$18 and people still buy my stuff. So how could that be possible if customers are expecting lower and lower prices all the time?
Creative Market ( www.creativemarket.com) feels very different from most stock site and sells itself as an online market-place where sellers open a little shop. Much more like Etsy really. Everything there (fonts, themes, vectors, renders etc) has a sort of handmade feel about it. It feels much more like a bunch of boutiques which is why I think higher pricing probably works there. I do not think that style of market place would suit stock photography.
1034
« on: October 27, 2013, 17:45 »
next time ... it'll be going straight down to the dump.
Where i live the dump has been replaced with a recycling centre. It's on my route so I'm a regular. We have had 3 bits of furniture from there. Stuff which would go for very good money at Portobello or Les Puces. But this is the sticks. I also found a 35mm Contax with a very nice 50mm lens.
1035
« on: October 27, 2013, 10:18 »
I can also look around this site and see very few people reporting the kind of earnings that support the istock exclusive poll result.
What kind of earnings support that result. How much money ? How many $ ? I find it very hard to guess what people are earning. I find it impossible to know whether we are comparing like with like when people talk about increases and decreases in sales. At the height of the boom I was making about $1 per image per month. Currently I am averaging about 0.65c per image per month I think. That includes Alamy. Increasing the number of images I have at Alamy has marginally increased my income but has also reduced my per image income.
1036
« on: October 27, 2013, 07:13 »
It depends what people report. I only sell RM at Alamy. However, if I post my Alamy stats, it punts me into iS indie, so now I've stopped posting Alamy figures.
I have been a bit rubbish about contributing to the stats here. I added to the September stats and that included Alamy RM. Where are you seeing that it is classing us as independent if we do that ? Also - I already cannot remember if I included my August GI via iStock income which was paid in September. Or whether I included it all. It does not look like I did. That's a another thing about the stats - the whole business of when we include income from partner sites. I find it very difficult to make any sense of the stats. I haven't got a clue what the numbers mean. Can anyone explain or point me to a link ? I look at it and wonder whether people are reporting 10s or 1000s. Shutterstock is at the top with an earnings rating of 76.4. iStock exclusive is below that with an earnings rating of 298.3. How does that work ? Is there a chart which I am missing which compares actual income in $. I enter $ but cannot find the $ chart. That would be a good graph to see - actual money. I would love to know what the mean average income is at the different sites. Anyhow - even not understanding it, I definitely think there is a case for classing everyone as independent. Few of us are employees and many iS exclusives are also with Getty independent of iS as are many people who are completely independent.
1037
« on: October 26, 2013, 14:03 »
i had a domain and hosting with GoDaddy for a few of pages I put up about a property I was selling a couple of years ago.
I did not enjoy the GoDaddy experience - although it did work okay. Navigating their site when I needed to do any sort of administration was confusing. I found the menu system and administration tools to be very irritating - with lots of distracting logos and they seemed to be continually trying to up-sell me on other services.
1038
« on: October 26, 2013, 09:21 »
I wonder how Getty is going to make sure metadata 'sticks' throughout the process. I.e. if a legitimately purchased image is lifted and shared on pinterest, the metadata will only be there if the buyer has kept it there. I've issued takedowns for my iS pics on pinterest which had no way of being traced back to iS, and it'll be interesting to learn how Getty is fixing that.
It's in the blog post I linked to. Our new partnership with Pinterest offers a solution. Getty Images will use our PicScout image recognition technology to identify exclusive Getty Images content on Pinterest. Then, well use our API, Connect, to provide relevant metadata to Pinterest including Getty Images photo credits, where and when the image was shot and more. Well get a photo credit for our images on Pinterests site and a link back. Pinterest users get more context and have more fun.
1039
« on: October 26, 2013, 09:09 »
Getty Images Partners with Pinterest - Getty Blog
Pinterest Closes Another Copyright Hole, Inks A Deal With Getty Images, Will Pay A Fee For Metadata - Techcrunch
"Pinterest will pay Getty Images a fee for this rich metadata, which well share with contributors. "
Enjoy your $.0001 !
Exactly!
I am as questioning as anyone else. But presumably we want our pictures to be shared on Pinterest given that it drives so much traffic. And presumably we welcome any efforts to prevent the images from becoming orphaned from where they can be purchased. So isn't this a step in the right direction potentially ? Also - do we actually expect to be paid anything for our images being shared on Pinterest ? Other stock sites which get it encourage sharing but are not paying anything AFAIK. I think most people now get that Pinterest is an important part of the social media in terms of driving traffic. And personally I love it too.
1040
« on: October 26, 2013, 08:49 »
1041
« on: October 25, 2013, 14:45 »
I'd sell my 1000 images for 50$ a piece in a heartbeat. Give me 5000$ and I will just shoot another 1000 images. Nothing lost.
Have you checked out the 'license our work' link Ron ?
1042
« on: October 25, 2013, 14:43 »
of course there are but I believe the most aren't willing to sell their hard work for 50$ and never "use" it again
Ok - here is a scenario for you. You and your friends have a big outdoor Autumn meal somewhere in the country - like a garden party. You take lots of pictures with your DSLR - everyone enjoying themselves and eating really great food. Normally you might put the pictures on flickr. Instead though you sell 20 of them for $1K. You don't have to do any processing. You just have to get the model releases signed. You were there anyhow so it did not really cost anything - and maybe you need the extra cash that month.
1043
« on: October 25, 2013, 14:28 »
don't think that many photographers are willing to sell their pictures rights for 50$ unless they were significantly lower than that to produce
Well you'd think. On the other hand - I guess there are lots of different scenarios. It's certainly a collection of very saleable work.
1044
« on: October 25, 2013, 14:02 »
the question is how expensive they can be to produce?
My question would be how much could I make buying other people's good quality work. I think I would like to curate a collection like that. ETA: I guess we should be able to make a good estimate of how much they should be generating based on our own sales at the same distributor. Good manners prevents me from speculating.
1045
« on: October 25, 2013, 13:53 »
You know there is an agency that pays 50 dollar per image to hand over copyrights? Thats 350k. Cheers.
can you tell us which agency? I would sell it yesterday 
http://cavanimages.com/
It's a nice collection. Have you clicked the license our work link at the bottom of the page on that site ? Go on .... Honestly - I think I would pay $50 per image to buyout the rights to selected images of this quality (and the ownership of all similars) too. ETA: I guess that some of those 8699 images are their own.
1046
« on: October 23, 2013, 08:21 »
No Pete.
The 110 and disc were not formats which were ever significantly used in publishing. And Polaroid really only retrospectively for the most part and to be cute.
I can think of no memorable 110 or disc images which are defined by having been taken with those formats. Compare that with 35mm. The introduction of 35mm heralded a different sort of reportage which was also to do with publishing. It changed the way in which people worked. And then think about what happened in the 60s when the world of fashion fell in love with 35mm - and how fashion pictures suddenly looked completely different (much more like reportage). And how that also seemed to perfectly mirror the cultural shift. Photography is at least as much about the culture in which it emerges as it is about the technology.
Today publishing means the internet. That is the main medium for publishing. The majority of images published everyday are iPhone images. Commerce and business is lead by curation and for the most part the curators are using iPhones. What their pictures look like is shaping what is current in how photographs look at the moment. Like it or not this is a huge and significant shift in the history of pictures.
And FWIW, at this point the iPhone really is the only camera phone which is significant at all. So you need not worry about those crappy phones with plastic lenses since they have no traction (Nokia might have produced a 41MB camera but nobody wants a Nokia). And it isn't just the iPhones themselves. It's the apps. A few years ago it was Instagram and Hipstamatic. Today it's VSCO. Obviously these apps really just represent different ways of processing how a picture looks. It's no different from when a new film used to be developed in order to create a particular look. So Instagram was the look of, say, 2010 just as much as 1950s America looked like 1950s Kodachrome.
(Incidentally - the different styles of processing are dismissed by many as being about trying to make crappy pictures look better. But actually that is also more or less why many of the 'traditional' darkroom techniques such as toning were developed in the mid-late 19th century. That was about trying to make up for the fact that the positive-negative process, though much more practical and useful, did not produce images which were as good as the Daguerreotype or as 'artistic' as paintings).
1047
« on: October 23, 2013, 06:44 »
I like your pictures Herg. But you have fewer than 350 from what I can see and all of them (I think) RF. So presumably all of these pictures are also available much less expensive at other sites (I do not know if that is an issue and there is no way of measuring). You need more pictures.
But again - I really like your pictures. You have a nice style IMO. And some of your incidental in the garden and farming stuff etc has a good authentic feel about it which should be current. But I think you need to do much much more of what you are doing best. More farming including the incidental details which show the human activity, more real produce in situ. More local. More community.
1048
« on: October 22, 2013, 14:48 »
Does anyone really think that a website could be created to serve the needs of 300M people instantly and expect it to work perfectly from Day 1?
It was apparently 1 million visitors in a day which crashed the site. Companies like Apple and Amazon easily handle that sort of traffic when they do new product launches. This being such a sensitive (and costly) issue which so affects people's lives, the frustration and cynicism is understandable. Look how upset some people here get when a something as trivial as a stock site is down or performing badly. FWIW I think that the consensus is that requiring registration before browsing was a mistake. A policy decision. The thing about the girl in the picture -- that's just the pointless mainstream media reporting something which is being said on Twitter -- and then Twitter feeding that back. And so on. Who really cares what CNN says though - they have relatively hardly any viewers these days.
1049
« on: October 22, 2013, 13:54 »
Wow! Minuses on that post. I guess nobody else has tried to use the site and been totally frustrated. I know the woman on the homepage isn't responsible, but her smiling at my misery doesn't help matters. 
I think that people outside of the argument probably miss the complexities of the issues. First of all - many people probably do not realise that one of the major issues over the past days has been around how poorly the site was implemented - despite the huge amount of money spent on it. It was not capable of handling the traffic and the people put up to talk about that clearly did not have a clue. Secondly - there is a tendency to see any criticism of Obamacare as if it were a criticism of universal healthcare in general. In truth many people are critical of Obamacare because they see it as a dreadful compromise which will end up best serving the insurance and pharmaceutical industries - and therefore ultimately the finance sector. When healthcare is paid for by insurance there is a tendency for the price of pharmaceuticals and treatments in general to increase. Which ultimately pushes up the price of policies. A vicious circle. Imagine what governments internationally could do in terms of providing universal healthcare if they were to slash their military spending.
1050
« on: October 20, 2013, 14:45 »
Anyone else have any thoughts on this or the size of licensing market?
The article you have referenced is from a completely different era. It was published 17 days after the very first iPhone was released and less than year after Facebook was opened up for public membership. Today most businesses are on Facebook and most of those pages use iPhone images. In those days the international economy was booming and there was a huge demand for cheap 'professional' content. Those days are never coming back and microstock is in gradual and inevitable decline (ditto 'web design' FWIW). The mass market for cheap content is dying. Today buyers are increasingly looking either for free content or else for curated content. Also - if the entry bar for microstock was any lower people would trip over it.
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