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Messages - ShadySue
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1201
« on: February 24, 2019, 10:34 »
Thank you Franky. Is this something that contributors get paid for in some way?
Mostly not, except for a few larger than usual connect sales. FAQ: "In the Connect TXT file, there are transactions for fractions of a cent. Does that amount carry forward to future statements and pay out once the $0.01 threshold is met? "Answer: "No. An image needs to be viewed enough times within the terms of the license (the month the image was licensed from Getty Images to the customer and for which we received a specific amount of ad revenue) to generate at least a $0.01 royalty. If an image is viewed for a license in one month (January) but not viewed again until a future license (February) and those views only yielded a fraction of a cent, then those part of a cent royalties are not carried forward and added together. "The other tiny sales don't earn you anything, Getty just keeps and aggregates them all. They're presumably doing well out of this, even if we aren't.
1202
« on: February 23, 2019, 17:04 »
Today they rubbed salt in the wound. A sale from last week was refunded and repurchased for the same price, except they took 20% more of it and I got 20% less. ouch.
Ohm, that's nasty.
1203
« on: February 22, 2019, 14:56 »
Looking at my remittance email I just got, I noticed some data on the bottom. At first, I assumed it was related to my overall payments from iStock over the years. But when I looked closer, I noticed the total was over 5.6 million (I assume dollars) -- and that's not all mine.
Do you think that's how much money they're paying everyone this pay period? Was this information on previous payment emails and I just never noticed it?
This looks like the PayPal batch. I received the Payoneer batch with very different numbers.
Ah, so the PayPal total was only part of the total. More and more interesting.
1204
« on: February 21, 2019, 18:22 »
Sounds like you are owed $5+ million dollars! Congrats!
Just kidding Yeah, sounds like they made a mistake, surprised they disclosed that. Probably not just to you, but everyone with an iStock account.
Yeah, I have the same figures, and I don't see it on previous remittance advice notes. Very revealing. Greedy b*stards.
1205
« on: February 21, 2019, 13:40 »
Year To Date were about 100 dls vs while seeing Deepmeta stats my dls were 41. What happened? Btw, my best Jan ever
Are you exclusive? If so, any plussed images get double in Year to Date. The only effect that has is that you have more 'sales' towards your target. No (or nearly no) stats agree with any other stats on iS. They choose to do it that way. Classic Mushroom Management, though they have a tech 'excuse' for it.
1206
« on: February 21, 2019, 12:15 »
It would be cool/funny to see what is your ugliest picture that sells a lot.
This is mine:
I hate it. It's terrible in any sense and idek why it sells
Have you done web reverse-image searches (IMO these are not as good at throwing up in-uses as they used to be, however) to see how they're being used? Illustrating train travel, public transport. It's not always the prettiest photo that's the most useful.
1207
« on: February 19, 2019, 18:34 »
Sounds likely that these would be super-low earning sales.
1208
« on: February 19, 2019, 13:56 »
Hey isn't Feb. reporting the Jan. sales? We don't get actual Feb. sales until March or am I screwed up again with what's in what month and what dates?
Yes, Jan sales have just finished loading. Worst Jan since Jan 2007 (first full month), but $3 better than last Feb, so only my second worst month since Sept 2007. However, down c18% on last Jan, and down c70% on my best Jan, 2010. (Nevertheless, still better than Alamy)
1209
« on: February 19, 2019, 12:46 »
It's not right that contributors don't know and can't find out what the royalty structure is when deciding whether or not to supply images to an agency.
All I can find on the Adobe Stock website (https://helpx.adobe.com/stock/contributor/help/royalty-details.html) is the statement: "The royalty rate for photo, illustrations, and vector content licensed on Adobe Stock is 33% of the amount paid by the customer for the content. "
Doesn't that leave wiggle room for something like a Premium Access system, whereby the buyer pays a premium to buy images at a low rate, and suppliers only get their percentage of the per image rate?
1210
« on: February 19, 2019, 12:16 »
Should I hold my breath? (Probably not, I get only a very few of the big sales, and a lot of the tiddlers). Hold onto your hats, everyone and good luck.
I looked at the Account Management count, I won't be throwing confetti or popping a bottle of bubbly. 
But I will like to see what's really sold, not just a couple numbers for photos and illustrations. I also have Getty sound exclusive which brings in some spare change every month. Waiting for Thinkstock to finally go dark and see if that actually brings more people over to Getty for more money or just makes them move elsewhere?
Are you still getting a lot of TS sales? I'd have thought TS subs holders would all have been getting fast-tracked to PA.
1211
« on: February 19, 2019, 11:59 »
Should I hold my breath? (Probably not, I get only a very few of the big sales, and a lot of the tiddlers). Hold onto your hats, everyone and good luck.
1212
« on: February 17, 2019, 19:23 »
I hope there will be an exclusive filter soon.
You can at least do your most recent 500 uploaded all at once by ticking the 'Newest 500 passed' in AIM. (Takes a while for the system to select them all. Make sure you don't untick anything else!)
1213
« on: February 17, 2019, 19:06 »
Creepy, & freaky image produced. Not yet perfect, but not that hard to fix.
Oooh, that's a cross between Ray Davies at an earlier age and ... ?
Noel Gallagher
Yup, that's it!
1214
« on: February 16, 2019, 18:25 »
Creepy, & freaky image produced. Not yet perfect, but not that hard to fix.
Oooh, that's a cross between Ray Davies at an earlier age and ... ?
1215
« on: February 16, 2019, 16:57 »
I was able to have them make everything into RF from RM, but the whole, don't forget to tick exclusive images, is kind of absurd. Lets say someone has 2,000 images and ten are not exclusive, now what? Go through one by one and change them?
Or maybe I could tell them, please make everything exclusive and I'll tick the 10 that aren't? 
This will be the third time I'll need to got through every image and change something, because Alamy changed their mind about how they should be tagged. Not pleased.
I made everything exclusive (I'd been ticking the box since it became available, then did all the previous ones by batch. Then I saw the bit about statues over 1/3rd of the image can't be marked exclusive, so I looked up 'Statue' in AIM, guessed the proportion by eyeballing, and just made that small group non-exclusive (I think one by one, but it was very few, so no hassle in my case).
1217
« on: February 16, 2019, 12:22 »
If all your images are exclusive, (by their definition, meaning no photos of old flat artwork, prints, book illustrations, etc,) you can ask their support to do it for you.
Otherwise, you can tick the button yourself by upload batches (one tick per batch).
1218
« on: February 16, 2019, 05:03 »
Stock is already dead, everyone is doing it for peanuts on the side of their 9-5 emplyment in the real world
Speak for yourself.
I speak for everyone including those in denial
If there is even one person who is doing stock full-time, your statement is inaccurate, even if it's true, and always was, for most people.
1219
« on: February 15, 2019, 18:24 »
PS. I'm the narrator of the video 
Love your accent!
1220
« on: February 15, 2019, 07:10 »
If I may enter the discussion, I had this frustration on an intellectual property violation rejection on a close shot of a cherry blossomed branch. The question is: as long as clips are accepted in other agencies, is it really worth spending time on rejections? I have this newbie idea and no worries attitude "ok, rejected there, let's move on to the next clip" assuming that at least one out of three agencies that submit the same work will accept the clip.
Is this wrong? Or at least at the wrong path?
If it was really only close cherry blossoms, the rejection was surely a mistake. Still, with the time of uploading, you may well form the view that you could just move on. In the old days, you could challenge a rejection; I don't think there's any channel for that nowadays.
1221
« on: February 14, 2019, 20:23 »
Thanks for the link. That looks like a good system and straight forward too.
Out of curiosity, what does 'signature plus' mean? At one point, the narrator of the video selects the country that the photo was taken in and says that this can be nominated for 'signature plus.'
Also, whereabouts can I download this software legitimately? In other words - from a safe source.
Signature plus is exclusive non-editorial content which is deemed to be of a higher quality (usually expensive to shoot, models, sets etc, but it could be just a one-off stunning image) and can be mirrored onto Getty. (Exclusive editorial content is mirrored onto Getty and isn't eligible for plussing.) However, reading in various forums shows that selection is remarkably inconsistent. Why wouldn't you download it from the actual DeepMeta site? Slainte Liz
1223
« on: February 13, 2019, 11:12 »
I don't know how it works in Europe but in the US even if you win and get a judgement it is really hard to get your money if they don't want to pay you. You can sell your won judgement to a collections agency for maybe 5% to 10% of its value. At the end of the day there will be jerks that steal your work. .....
Yeah, but a LAWYER!!! http://www.kennysullivan.ie/contacthttps://tinyurl.com/yyve6km3Blockchain is often cited here as being the solution to unpaid-for uses, but I can't see that it will make one bit of difference. Interested to hear why others think I'm wrong.
1224
« on: February 13, 2019, 10:49 »
I have not read the details, but crypto-payments aside, are they planning to use the block-chain technology to keep track of the way images sold through them are being used, thus enforcing their copyright? If yes, this can be a break-through worth paying attention to.
It won't necessarily make any difference. Thieves will steal, international law is prohibitively expensive, and block chain won't make one iota of difference to that. How is blockchain any better than having your copyright in meta (where it's still in the thief's use?).
Wemark aside, one distinct advantage I can see is that a blockchain ledger can quickly and easily provide dispute resolution in the case of a copyright infringement claim. For example, instead of going through hoops proving to a site like SS that you are actually the legitimate copyright holder of a stolen or suspect work - which can take a lot of time during which your account will likely be suspended - you can simply point to the original copyright registration and that is that. Same goes for DMCA takedown notices or even threatening letters from your own lawyer.
I've got an Irish lawyer using one of my Alamy pics he presumably lifted from a legit sale. The copyright notice is in the metadata, so it's not disputable. He has ignored contacts from Alamy, a registered letter, two emails and three phone calls from me, and an IP lawyer pointed out the costs of pursuing it further, DMCA being irrelevant outwith the US. I can't imagine how blockchain would resolve this situation. He knows it's my copyright, there's no dispute about it, but he knows I'm not going to throw hundreds of pounds at getting it resolved (Under EU small claims, I'd have to physically go to the court for the hearing, so return flights and probably two nights accommodation needed, and no expenses are payable). Essentially, you have unwitting infringers (those who genuinely don't know any better, and there are still many of these) and knowing infringers. The first will usually at least take down on the initial contact. The second just sit pretty smirking.
1225
« on: February 12, 2019, 20:33 »
Just a black, blank page
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