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Messages - hatman12
Pages: 1 ... 45 46 47 48 49 [50] 51
1226
« on: February 18, 2007, 13:42 »
I agree wholeheartedly with your 'lock-up' view. This is why IS are giving so much extra to their exclusives - more uploads, greater marketing, exclusive deals. higher commission etc..
The trend can only continue.
1227
« on: February 17, 2007, 16:42 »
Incidentally, I suspect that IS and SS have already reached the stage where they can afford to become 'more selective' on accepting new contributors. Im my view it will become more and more difficult for 'ordinary photographers' to gain entry to those agencies.
1228
« on: February 17, 2007, 16:40 »
Hi roman.
My initial application to SS was rejected for 'too many similar images' so perhaps that is the problem.
BTW I zoomed in on one of your 'baby boy' shots and I could see clear evidence of too much noise reduction; so much, in fact, that the image looks blurred (to my eye anyway).
I am new to this game, but I never use noise reduction, ever. If I find an image with noise at source I reject it. It is possible to shoot with correct exposure and eliminate noise, and that is what I try to do. FWIW I have had no rejections from IS or StockXpert on quality issues.
Hope this helps.
1229
« on: February 17, 2007, 16:28 »
I take my camera to a professional camera cleaning service. Yes, it costs money. But the camera comes back within a day completely clean. The first time I did this I found the sensor was better than new.
1230
« on: February 17, 2007, 16:02 »
I recently had the pleasure of meeting Amanda (Hidesy). She was kind enough to share her thoughts and experiences about microstock over a couple of coffees. It was that meeting that made me decide to give microstock a serious try.
She is, of course, a very successful, talented and energetic girl. An example to us all.
One of the most important bits of advice she gave was to 'always upload the maximum possible size'. She said 'I would be surprised at how many downloads would be at large sizes, if those sizes were available'. This is one reason why she upgraded to a Canon 16mp.
If a file is available in very large size, that tells the designer that the shot was taken by a serious player. Files only available in small sizes can be offputting, possibly amateur.
I thought about her comments from an economic point of view. Then I joined iStockphoto and started uploading two weeks ago. Already got my first two downloads.
Interestingly, of those first two, one was at web size, but the other was downloaded at the largest available size I'd uploaded. Commission on the first one was 23c, but 88c on the second one.
Clearly if a person has a target of say 100,000 downloads over two years, an average commission of 23c provides pocket money, but an average at 88c gives a liveable income (just).
There were some things Hidesy would not tell, such as her average commission, which is understandable. But something told me that her commssion average is at least that 88c and possibly well above the $1 area. 250,000 downloads at an average somewhere above $1 is good money.
My D200 gets to 'large' on iStock, but not to XL. I am considering upgrading to a D2X to get to XL, but also to let designers know I am shooting with quality equipment. It seems the investment cost in a D2X will be recouped easily. However, I am hanging on because I believe Nikon will announce a 16mp model soon.
On 100,000 downloads I can aim for commission of $23,000 or alternatively $88,000 (or higher). That equation will only be fulfilled by having the best equipment and submitting everything at great qulaity and max size. But the economics of it say 'do it'.
Having said all of this, I am a newbie with only 15 pics uploaded so far. DOH!
1231
« on: February 16, 2007, 04:37 »
Well I should have known that you would already have been up to speed on this technique leaf, but at least I can have the satisfaction of knowing that I discovered it for myself.
Yes, I've noticed that blues are a problem, and noise can quickly become apparent when upping the blue level. Presumably the answer is to have a histogram in camera that can show the blue channel?
1232
« on: February 16, 2007, 03:32 »
I used a Canon 350D for a couple of years then changed to a Nikon D200 last July. Snapped away quite happily and thought nothing more until my snaps got rejected by the microstocks (SS and IS). Not quite sure why they wer rejected, by the rejection made me concentrate hard on getting the best results possible from my D200. Many people elsewhere complain about noise from the D200. Many people on these threads have commented on noise, using Neat Image etc in an effort to get through the inspectors. One of the things I have discovered with my D200 is that correct exposure eliminates all the noise. And I mean exactly correct, not approximate. I spent many days experimenting. And I started doing something I had never done before - using the histogram. I discovered that 'correct' exposure could be obtained only when the white highlights were edging on the histogram upper limit (edging, not touching). Automatic exposure never achieved that. As a result, all of the fifty odd pictures I have taken in the last week have been manual exposure only. Using manual exposure with the histogram as a guide prodices simply excellent results on my D200, using RAW. Here is a picture of a prawn I took last weekend using exactly this technique. All I have done is convert to 100% quality jpeg in ACR. No other changes have been made in ACR. Then, I have applied a very small amount of additional contrast and saturation simply to compensate for the softness of the filter in the camera. Lastly, a miniscule amount of USM (and I mean miniscule). No other processing. No noise reduction needed. There is simply no noise. Here's the file: http://www.pbase.com/hatman/image/74432460/originalAnyway, it works for me and my D200. Perhaps others can try this approach with their cameras.
1233
« on: February 15, 2007, 16:56 »
"Corbis, the world's second largest stock photography distributor, has reported annual revenue of $251 million for 2006, an increase of $23 million over the $228 million reported by the company in 2005. The increase was 11 percent on a currency-neutral basis, Corbis said.
At the same time, the company said it will announce a new offering in the micropayment stock photo segment during the second quarter of this year.
Though the Seattle-based company did not break out figures for the second half of last year, it would appear that second half revenues were down from the first half, when the company reported $127 million in total revenue. Simple math would put Corbis' second half revenue at $124 million.
Information from other stock distributors have indicated an industry-wide slowdown in the second half of 2006. Third quarter sales seem to have been hit hardest."
Interesting about the slow down in sales, just at the time that the Microstock market is seeing exponential growth. In my opinion, this shows that the macro agencies are already starting to suffer from the aggressive pricing at the micros, and also implies that buyers are able to find the images and quality they need without paying Corbis style prices. This trend will continue. I see many photographers submitting XXL sizes to the micros, and very good composition and quality. In a year's time, Canon will probably have a 22mp and Nikon a 16mp, meaning that anyone will be able to produce the best quality available with a little thought and technique.
1234
« on: February 14, 2007, 22:28 »
Xenia - I looked at your portfolio on LO. Many very marketable and commercial images there. Are you selling through the other agencies? What are your experiences at, say, SS and IS with those images?
1235
« on: February 14, 2007, 14:03 »
Still hardly any views at FT. Lots of views of the same images at other agencies.
Traffic at FT seems to be very low.
I am suspicious, nd this coupled with their misleading claims for number of images etc makes me think I'll stop uploading there.
Yes, I know I've only been contributing to microstock sites for two weeks (!), but I believe it is important to whittle out the also-rans at an early stage and then focus on two or three agencies with an objective of becoming exclusive after about a year.
FT is no longer on my list, and has been relegated along with 123RF.
On a positive, I am very impressed with Dreamstime, who are getting lots of traffic, seem to be quick and efficient, and have already made two sales for me.
1236
« on: February 14, 2007, 13:56 »
Very quick review and acceptance process. I am impressed.
But can they make the sales......?
1237
« on: February 14, 2007, 13:29 »
Well, lots of views going on at StockXpert for my first twenty images. That shows traffic, which is good.
Now the traffic needs to be converted into sales.
Encouraging nonetheless, and a fast and easy web site.
1238
« on: February 13, 2007, 15:17 »
Well Steve, based on your posts here and the clear intentions of StockXpert to develop positively I have made my first submissions and already have 20 shots on-line.
The upload procedure was painless and the acceptance/review time very speedy.
The shots have been viewed a total of 30 times already (after one day). Let's see if StockXpert can make the sales.
Good luck with your new job.
1239
« on: February 12, 2007, 21:26 »
Well, 9 of the 10 submissions have been accepted.
And in double quick time - submitted at 04.40 this morning, and accepted at 12.00 mid-day on the same day.
That's pretty impressive. Let's see if they can make the sales.......
1240
« on: February 12, 2007, 17:26 »
Just submitted my first ten this morning. Let's see what happens......
1241
« on: February 12, 2007, 01:09 »
Well done. Congrats.
1242
« on: February 11, 2007, 20:38 »
Had my first 15 uploaded for a week now but still in pending state. I am aware that exclusives get priority, but a week is a long time. Anyone else here uploading to iStock? If so, are you experiencing the same wait?
1243
« on: February 11, 2007, 16:59 »
I had a look at the LO web site and browsed around.
I noticed the 'statistics' page - top keywords, images etc. This page has not been updated since November. Interestingly it still shows the most used keyword as 'christmas'.......
Do I want to be associated with an agency that cannot be bothered to supply realistic and up-to-date information?
No.
1244
« on: February 11, 2007, 16:56 »
Well I spent all weekend shooting an 'eggs' series. Nineteen results from 127 shots.
I uploaded to BigStock, Dreamstime and iStock. I also uploaded to Fotolia. But then I had a doubt. Something is nagging me about Fotolia; something to do with so few views, so few downloads for their top selling images, and yet huge headlines about over two million photos online etc.
I suspect that over one million of their photos are 'free'. This would explain why there are so few views (I have not elected to have any of mine on the free area). And it would also explain why the top selling images seem to have less than one tenth success compared to Dreamstime, and less than one twentieth compared to iStock. And yet they claim to be the biggest, the best etc etc.
Do I want to be associated with an agency I do not trust? No.
So I deleted my uploads and will not upload to them again. I am happier now I have taken that decision. Gut feel counts for a lot, and my gut says there is something wrong about FT.
I know I am new, and I know many here have had success at FT. But there you are....
1245
« on: February 11, 2007, 01:08 »
Interesting comments. Thanks. As a newbie I am still researching and observing. Initial impression is that the big five will get bigger and dominate. It is important to get established with them because they will become much more selective about new contributors etc. On the other hand, I expect 'exclusive' deals to become gradually more appealing.
I am amazed at the quality being submitted to some of these agencies; 16mp and upwards, perfect exposure and composition, great subject matter. I cannot see the macro agencies surviving, except in niche markets like glamour, erotic etc.
1246
« on: February 10, 2007, 21:44 »
I would appreciate an update from all users of StockXpert. Are StockXpert making the sales. Are views high? Do you get the impression they are keen, investing in the business and intend to 'go places'?
Or has it petered out like some of the other new sites?
Any info appreciated.
1247
« on: February 09, 2007, 15:51 »
As a newbie I am constantly researching and analysing. As eaders here will know, I don't believe many things about the microstock industry, and in particular the number of images in total held by each agency is, to me, almost irrelevant. What is important is customers, traffic and sales.
In my first two weeks with the start of a portfolio I have uploaded the same 22 shots to the various agencies (except 123RF which I believe is a waste of time). For comparison purposes those shots have been viewed 57 times (in total) at Dreamstime (with one sale), whereas the same shots have been viewed only 7 times at Fotolia.
Okay, I know it's only my first two weeks. But these differences are huge.
I am waiting for my first upload to come on line at iStock and Shutterstock. It will interesting to compare.
1248
« on: February 09, 2007, 14:24 »
I don't know about flash, but for all other situations when I feel the lighting might confuse my Nikon's internal meter, I use a rare, highly technical and unique item....
..... the back of my left hand.
Works every time, probably because it equates to 18% grey.
1249
« on: February 08, 2007, 23:39 »
Hello from Brisbane Australia.
Litefeta - you here too?
1250
« on: February 08, 2007, 23:36 »
No winter here in Queensland, Australia..........
30 every day, with clear blue skies.........
It's paradise.....
I have only lived here four months; emigrated from England. Am I going back? Never!
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