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Messages - EmberMike

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151
GLStock / Re: GL down?
« on: March 10, 2015, 13:29 »

There was a time when I could make over $100 a month at GL. And while that was never anything to really get super excited about, it showed some potential. Now I won't make $100 there in a year.

GL is a bit of a weird one in the stock business. They sort of came out of nowhere and actually made a positive entry into the market. Things looked good, and then all of a sudden there was that weird notice about something changing in Google that basically nuked GL's search placement, and then uploads stopped, and since then we've really heard nothing.

There have been stock companies who shut down, and companies that just went radio-silent and disappeared. With GL I get the feeling there's a lot more to it than just poor sales or bad luck with the Google algorithms. Maybe someday we'll find out the real story.

152
Adobe Stock / Re: Fotolia Joins Adobe
« on: March 10, 2015, 13:09 »

153
Adobe Stock / Re: Fotolia Joins Adobe
« on: March 10, 2015, 09:51 »
A bronze X sale went from 50 to 60 and so on. Nice move!

For photos went up from 50 to 60, but from vector down from 80 to 60, and looks like if someone had maximum of 80 credits, like me, fotolia put new 30 credits price to all vectors(bronze)

so everyone check it out in your portfolio

 >:(


I'm not seeing that. All of my vectors are still priced at 100 credits for Extended XV.

154
DepositPhotos / Re: Deposit Photos - worth it?
« on: March 07, 2015, 19:39 »
Didn't got the special treatment email yet, but special treatment for money sounds like a very Russian thing to do.

Whether it's a "very Russian thing to do" or not is sort of irrelevant. DP originated in Cyprus, not Russia.


155
Canva / Re: Canva
« on: March 06, 2015, 11:59 »
Thanks, Lee.

156

@Henry: How can I contact you directly? Have some questions about SignElements and partner relationships.

Thanks


157
Canva / Re: Canva
« on: March 06, 2015, 08:16 »

Got it, thanks Lee.

I'm assuming that when my stuff goes up for sale, whenever that is, I'll be notified?

158
Canva / Re: Canva
« on: March 05, 2015, 22:28 »

Lee: Any word on vector ingestion? I uploaded stuff 2 years ago. Can I even log in yet? Haven't heard anything.

159
We had an agency that had easy and fast upload, the option to set our own price and paying us 52% royalty!
What did we do? upload our stuff elsewhere to get that quick fix then complain for not having sales at GL (Graphic Leftovers) and eventually quit them...

GL isn't exactly a good example of a squandered opportunity. They had their own internal problems, poor branding (the original name didn't suggest "premium" content), some kind of search meltdown and poor placement in Google, etc. Sure we can always say we should have supported them better, but in the end I think their undoing was mostly their own fault.

...Did we use this very forum as a leverage to guide buyers? We still don't to this day.
Did we give them any chance by uploading files exclusively for a certain amount of time? Nope again, looking for that quick fix is all that seems to matter these day, like junkies. 52% of nothing is nothing. WTH do you expect anyway when your same work is up much cheaper elsewhere. Buyers are still willing to pay big bucks if you only guide them...

Agreed wholeheartedly. Our biggest failure as a community has always been (in my opinion) our failure to turn our collective frustration into something positive. We're a community of complainers, and surely I'm as guilty of that as anyone. But when it comes down to doing something, we largely don't do enough or anything at all.

A few years ago I wrote a long post about rallying behind a single good company, someone who pays 50% or more, has a good site, good "curb appeal" for customers, a simple buying system, and preferably experience in the business. I thought that company was Stockfresh at the time, but they've since proven that they're not really interested in taking on the task of marketing the site and expanding their reach. I guess they're content with where they are right now.

The point was, though, that I thought if we could all make some sort of effort to drive customers in a certain direction, towards more fair companies that offer the best mutually beneficial experience for both buyers and contributors, that the collective strength of the community would make a difference.

We know that individually we can make a difference. Referral programs prove that. I know I've personally referred at least 100 buyers to Stockfresh and Creative Market combined. Imagine if everyone on this forum referred 100 buyers to good agencies. Or even 10 buyers. Those numbers add up.

The reality is, we won't ever do that. We won't ever agree on which companies to focus on, and in past discussions about this some people actually think that Shutterstock is the company we should be referring buyers to, despite SS paying largely unimpressive royalties. And as long as we can't agree on even the most basic things like who the best companies are (from a contributor standpoint) then we'll never get beyond that point to make anything good happen.

We also won't do anything to put our work where it does the most good. I think if everyone made a minimal effort to change upload behavior, it would make a difference. I try to push stuff to Creative Market first, and to offer more with each file at CM than I do elsewhere. I have a really good selling set of 9 vector badges that I sell everywhere, but CM I added 3 more badges that are only available there. And I offer PSD versions of many of my images at CM, something I don't offer anywhere else. It matters. If someone really wants a PSD version or a fully editable text version (SS and others don't allow vectors to retain editable text), they'll go to CM to get it. When someone contacts me asking about why the file they bought at SS doesn't have editable text, I tell them exactly why and where they can get fully editable files in the future. And you know what? They go there to buy those files next time.

We can affect buyer behavior if we try. And if we combined our efforts and rallied around a couple of the best companies, it would absolutely make a positive difference for us in the long term.

I think GL was the victim of their own failures, but other companies will fall victim to our failures if we continue to only look at short-term gains and ignore the long-term health of the business.

160
...And what I mean By fair is 50% across the board and if any site can't make it with 50% profit ?....Forget it. Don't waste your time or Ours...

That's been my policy for a while now. It's 50% minimum or save your keystrokes emailing me asking for my images. It's not going to happen.

The myth of agencies needing the majority of revenue from each sale is dead. We all know it's B.S. Anyone new wants to take a shot at this stock game, those are the new minimum terms. 50% or don't bother.

161
Since I'm on a devil's advocate kick with SS today, here's another thought on this subject:

I think getting a raise at Shutterstock might be the worst thing that could possibly happen to microstock. Hear me out...

Imagine we get a raise tomorrow. Everything goes up my 10% or something like that. Everyone "woo-yays", we sing the praises of the SS HQ staff and thank them. And everyone feels a renewed vigor with SS, uploads increase, loyalty to the company goes up, and all-around joy-joy feelings towards Shutterstock spread across the microstock landscape.

Is that a good thing? Maybe in the short term. But SS already has a huge edge on the competition when it comes to contributor loyalty. Despite not paying particularly well per sale, SS is still often referred to as the best company in the business, even among contributors. And certainly for some valid reasons. But certainly not in terms of RPD.

So the edge SS has on the competition increases as more and more contributors are increasingly inclined to focus their efforts on producing work with SS in mind, in light of the new (modest) financial incentive to do so.

In a way, one could argue that SS offering a raise could possibly help them increase their dominance in the market, making it harder and harder for smaller companies who pay far better per sale gain any sort of increased share of the market.

I have to wonder if this bit of contributor dissatisfaction with SS and what they pay is actually good for the market as a whole. Certainly it has to be for me personally. Over the last few years I've seen my income from SS slip to 45% of my total microstock earnings (in previous years SS made up 55% of my monthly microstock total). And the more SS slips and companies who pay better per sale gain, the better I do overall.

I hate to say it but part of me doesn't want SS do do any better. And since I can see how maybe giving us a raise helps them do better, maybe it's really in my best interest to never get a raise from SS, keep that bit of collective contributor frustration alive, and let that frustration continue to keep people looking for other avenues to license their work where they can get better pay.

Just a thought...

162

I'm not one to usually shy away from pointing out some of the excesses of the corporate world, but just to play devil's advocate for a second here...

When it comes to salaries, I don't know that any of us can say that $121k is excessive. We don't know that job, what it really entails, how much time that person puts in at the office. I would be willing to bet, however, that they put in more hours each week than 99% of the people on this forum do in the stock business, myself included.

Also keep in mind that some of these perks at SS HQ are designed to keep people in the office more and get more work out of them. Sure they're nice, but no company really provides this stuff out of the kindness of their hearts. Not saying that there isn't any good will intended by SS in providing perks, just that if you really think about each of them, you can easily see what the company has to gain by providing them.

There's no such thing as a free lunch, right? So that "free" lunch pretty much guarantees that you're taking a much shorter lunch break than if you left the building. So you're back at your desk sooner (or eating lunch right at your desk since you never left the office) and the company gets more time out of you.

Just saying...


163
... If they really wanted to not be an agency, they need to have a system where the contributor is paid automatically as soon as a buyer purchases a license...

Exactly. They want it all in their favor, they're a marketplace when it benefits them, but an agency when the market status doesn't benefit them. They pay contributors directly but invoice customers on behalf of the contributor. They can't always be all of these things, and even though they operate like an agency, they'll continue to insist that they're not, at least when it suits them.

...Now they are going to have a lot of contributors leaving because they don't want to deal with the potential tax problems and they will be keeping their money under the $50 payout threshold, how can a reseller justify keeping that money?

They can't justify it if they're a true marketplace. So again, they're operating like an agency. At least until they see some tax benefit to being just a marketplace and then they're saying they're that again.

It all makes no sense.

164
(Edited to make more sense :O)So what does Red Bubble do, they act like an "agent" don't they, even though you set your own prices?  Don't both companies originate in Australia?  Has RB had sweeping changes this tax year?

I could be wrong, but I'd assume that redbubble is in a different category of company since they manufacture a physical product and ship that out to customers. There's really no way they could argue that they're a marketplace like Envato, simply facilitating these transactions between artist and customer. Redbubble ships physical goods.

165

Mine is right on the money (pun intended), and matches up with the transactions I see in PayPal and Skrill. Exact to the dollar.

166
Since I have a small port (<100), is it better for me to delete the images (one by one) and then request the closure of my account ?

Envato does a "soft deactivation" when you ask them to close your account, in case you ever want to come back. If you want your stuff gone completely, you can delete images manually from the Edit menu.

You can also do this after soft deactivation. I've been deleting some of mine since being deactivated. I don't plan on going back unless they change the tax policy, raise royalty rates for non-exclusives, and raise prices. And since none of those 3 things are likely to happen (no way all 3 ever will), I know I'm out permanently and I don't mind that my portfolio is just as permanently emptied.

167
Why are you leaving so fast? The way I see it it's legally impossible for them to claim that the contributors are the sellers. So things will probably change?

From what I've been told, they have no intention of changing this.

At this point even if they changed the policy I'd have a hard time going back in with them. This wasn't the only reason I was unhappy with Envato.

168
My portfolio has gone.  Annoying that another small bit of income has gone but I couldn't see any other option.

Same here. Just got the email that my final payout is being processed. My portfolio is deleted, I'm out.

Sure I'll miss the extra income but I can make it up elsewhere. Despite the loss I still feel like I had no choice and this is the way it had to be. It's a shame it came to this, really, but what else can you do.

169

The best thing that could ever happen to iStock would be for Getty to spin them off to make some quick money. Getting out from under Getty is the only way iStock will ever bounce back.

170
StockFresh / Re: Stockfresh: fantastic re-design!
« on: February 27, 2015, 12:38 »
I don't know if this happened after the redesign, but have the previews always been blurry at Stockfresh? The zoom looks sharp but the standard view looks pretty bad because of the blur.

Yeah, they're definitely blurry. Hope they can fix that.

171
General Stock Discussion / Re: Twenty20?
« on: February 27, 2015, 11:35 »

At least the name is appropriate. Twenty20%

;)

172

Getty needs the support of artists now more than ever, while at the same time artists are moving away from 20% as an acceptable royalty rate. That's a problem I don't think Getty will be able to overcome. They should have changed that years ago, and now it's too late, they couldn't afford to pay a more fair rate if they wanted to.

The myth of 50% (or more) royalties being "unsustainable" is long dead, and companies like Getty who won't change that are going to be replaced by companies who don't bull---- artists and pay fairly.

173
General Stock Discussion / Re: Twenty20?
« on: February 27, 2015, 10:53 »

Oh and they're another 20%-royalty-rate company. Great.

 ::)

174
General Stock Discussion / Re: Twenty20?
« on: February 27, 2015, 10:48 »

I feel like these things have always been backwards. Sure people want more authentic looking stock images. Less super smiley, less overly posed, more real, more everyday people. And mobile phone cameras certainly put the tools to capture these more everyday moments in the hands of a lot of people. But in the end, clients still need usable artwork. They need sharp, clean, high-res photos, model-released and ready for commercial use. There isn't much of that kind of stuff showing up on Instagram just waiting to be licensed. The people actually shooting for these mobile-oriented stock shops are doing it specifically for that purpose. The idea that any of these companies are capitalizing on the Instagram generation or the buzz of mobile photography are misrepresenting what this really is.

I don't even see the appeal of the mobile aspect of this. As a buyer of stock photos for my clients, I'd rather go to a place like Stocksy where the look of the images is more natural and authentic and the camera used isn't the selling point.

175
...The only possible way to differentiate oneself with SS or other large companies is to provide either exclusive platforms or exclusive images. Adobe has access to exclusive platforms, so there's that...

There are other ways, at least on the vector side of things. SS has always lagged behind in terms of what they offer the customer. They only just recently began allowing a jpg download of a vector file from the same page as the vector version, something that other companies shave done for years. They also still insist on vector files with text have the text converted to shapes (meaning you can't easily change the text to something else), while other companies also have allowed these types of fully editable files for years. And more and more I hear from customers wanting these fully editable files and not being able to get them at SS.

My point is that there is still plenty of room for improvement and innovation in terms of how companies present and deliver stock content. SS doesn't do it perfectly. And who knows, maybe they're working on some innovations of their own. I'm just saying that there are other ways a company can distinguish itself from SS and others, beyond exclusivity.

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