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Messages - stockastic
Pages: 1 ... 152 153 154 155 156 [157] 158 159 160
3901
« on: May 08, 2009, 13:28 »
That's also typical after a big company goes on an acquisition binge and wakes up with a hangover - they'll start bleeding profitable acquisitions to pump up unprofitable ones. It's all part of the "synergy".  For example, they tell profitable acquisition 'B' that henceforth, they must buy parts from acquisition 'A', which is not doing too well, in preference to 'B's previously established source. Suddently 'B' is getting substandard parts, so their quality goes down. Watch for more hasty and ill-conceived attempts by Getty to rewire the microstock businesses they're acquiring.
3902
« on: May 08, 2009, 10:16 »
From my experience in the technology business:
When a big company buys a smaller company, there's enormous pressure to make it pay off immediately. The people who pushed the deal inside the big company are on the spot to show that it was a good idea. And their rivals are circling like vultures, hoping it fails. So it's just about impossible to resist the temptation to do things that make quick profits, and forget about the future. All that talk about "synergy" and "a perfect fit" goes out the window pretty quick, and the only goal is to generate cash, right away.
And the big company people don't really know how the small company works. They don't have the history or the deep knowledge of the small company's business. Under pressure to produce quick profits, they forget about enhancing and fine-tuning the small company, and start looking at how to pull more money out of its existing assets and products. The people who made the small company successful get disillusioned and leave. The end result is all too predictable.
Sorry if these seems like a complete downer, but it's my experience, so I'm tossing it in. Of course, every business situation is unique and things could go in a totally different direction. My own prediction though is that Getty is going to leave the microstock business in a shambles.
3903
« on: May 07, 2009, 17:43 »
During one of the Microsoft antitrust trials, a leaked internal Microsoft email summarized their real strategy for dealing with innovations by smaller competitors, which they saw as a threat. The expression they used - now famous within the industry - was "embrace, extend, extinguish".
I think the parallels with Getty and microstock are obvious.
3904
« on: May 07, 2009, 16:40 »
SS is the only one that's done anything for me. DT, FT are way behind and IS has been a flop. StockXpert is in trouble - may contributors (including myself) found that submissions after February of this year were getting no views. This issue is unresolved.
So at this point there is no big 4 for me. SS, DT and FT are the only ones worth submitting to - and only SS has generated any money - and that was almost all from subscriptions.
3905
« on: May 07, 2009, 14:43 »
Last time I bothered to check my files on StockXpert, I think I saw that uploads since February were getting just about 0 views - except for one batch, which somehow escaped death. So I suspect it's a bug in the way new uploads are added to their database. It only affects some contributors, some (apparently most) of the time.
3906
« on: May 07, 2009, 12:56 »
For a while on the StockXpert forum, an Admin was saying the '0 views' problem was a mystery that was being looked into. Weeks went by and there was no resolution. Currently, forum posts on the subject get no official response. So if this is somehow related to the Getty takeover, someone has been less than forthcoming about that on their forum.
D@mn funny way to run a railroad.
3907
« on: May 06, 2009, 18:53 »
This sounds like a 'watchdog' timer on the server side that enforces an overall maximum time on a file transfer. It if hasn't completed in that time the connection is closed, even if data is still being transferred. I don't know about such a setting, just guessing.
Of course someone on the microstock site would have to get involved but if it's just a configuration setting, it would be easy to change.
3908
« on: May 05, 2009, 15:30 »
Exactly what Xalanx said.
I'm thrilled that StockXpert is spending time hunting for old NASA images instead of fixing this problem.
I too am done with StockXpert. I started in January and it's been a complete waste of time.
3909
« on: May 05, 2009, 15:11 »
I hope I'm not hijacking this thread, but I got a keyword rejection from IS today that just blew my mind.
The photo was of a bunch of old buttons from the 50s and 60s, various styles. My mother had them in a jar and they made a nice image. IS said these keywords were not related to the subject: "sewing", "tailor", "old-fashioned (styles)", "clothing."
I no longer even bother to appeal to "scout" or any of that cr@p. I submit a few to IS every now and then, only images that have already been accepted by SS, PT, DT and 123RF. IS will reject 20-50% of them for various crazy reasons. I delete the emails and forget about it.
To be honest, I hope they fold up. They're the best-known site, but they reject my best photos, so they're just a barrier between me and people who I think would buy some of my photos, if they ever saw them.
3910
« on: May 04, 2009, 20:08 »
These first-round microstocks are starting to regret the way the raced each other to "X million images", and all the money they saved by making the contributors do their own keywording.
3911
« on: May 04, 2009, 17:16 »
An artist/craftsperson collective inevitably becomes something of a clique. Can't be avoided.
Participants want their work to be seen, and not overwhelmed by newer stuff, especially stuff that they feel doesn't complement their own work.
I can definitely see stock photographers' collectives emerging but one size doesn't fit all. There would be many collectives.
The typical artist/craftsperson collective is a local thing, based in a well-known "arts district" or tourist area.
3912
« on: May 04, 2009, 16:53 »
NitorPhoto, that's a very funny example of a shot that has absolutely no value, yet still meets all the acceptance criteria at a microstock.
3913
« on: May 04, 2009, 12:22 »
I disagree that our value is being slowly eroded -I think it's happening quickly.
I've only been doing this a few months and I have a small portfolio. My acceptance rate has been good, and my earnings have been dismal. As a relative newcomer, all I see happening in microstock is a "race to the bottom" with agencies selling the same images to the same people and competing on nothing but price. Keywording abuse has made searching tedious and frustrating. The archives are flooded with boring, similar shots. As buyers get turned off, prices will be lowered further.
All we will see from these companies is a continuation these trends. And all we can do is wait for a shakeout and a collapse. Those millions of images already archived will not go away and will continue to be dumped on the market for years, but maybe in time we can find new ways to market new images.
Creativity is the only answer. We need to come up with new image concepts and then not hand them over to the old agencies to sell for 10 cents. Oops, it just went to 5...
3914
« on: May 02, 2009, 14:06 »
I think I agree about exclusivity. A lot of buyers will probably find an image on CC, then do a search for the title/description on other sites and end up getting it for a lot less. In my dreams, I'm exclusive on CC and once in a while, sell a photo for $10. Well like the song says, you gotta have a dream.
3915
« on: May 02, 2009, 13:14 »
Interesting idea. Maybe rear projection onto a translucent screen would work better - then you wouldn't have the slide projector in your way, in front where the subject is, and its light would only hit the background. You'd need some flash on the foreground subject I think.
3916
« on: May 02, 2009, 12:32 »
Warren, if I saw just one sale, I'd probably let the algorithm continue to set prices. I do get some views, so I'm thinking the price is too high and buyers can't be bothered with the time it takes to make a bid and have me respond.
My expectations are low. Right now I see CC as just a prototype of a possible way out of Subscription Hell.
3917
« on: May 02, 2009, 10:46 »
I've set myself the goal of making a sale at CutCaster. Just one. My small portofolio of oddball stuff is about the furthest thing imaginable from unposed Asian kids but hey - I'm making some sales elsewhere, so there's hope.
I let the "CutCaster algorithm" set the prices for all my images and while I'm flattered by its high opinion of my photos, I'd like to cut them all to $5 and see if that does anything. My question is, is there a way to do this across the board for all my images? It would be too tedious to set them one by one.
(I'm posting this question here because there doesn't seem to be much activity on CC's own forum.)
3918
« on: May 01, 2009, 16:19 »
Rockefeller makes some valid though rather obvious points. Increased regulation of "the internet" - however you define that term today - is inevitable. But most of these politicians have such a limited understanding of the issue that they're not likely to accomplish much. Any bills they pass will be impossible to implement, or completely ineffective. No one is going to stop commerce on the internet. Given the lobbying money that would be deployed against you, you might as well lay down in front of a freight train.
3919
« on: April 30, 2009, 09:29 »
Well I had my first sale on IStock today. $0.28. Twenty-eight cents.
All those hoops - the approval process, the 2-week reviews, the obsession over obscure "artifacts", the tedious keywording, categories, the rejections - and in the end I get 28 cents.
So to the original question: is IStock worth it? So far it looks like my time would be much better spent just taking more photos and putting them on SS.
3920
« on: April 29, 2009, 20:20 »
Ok then lisafx, in your experience what exactly are the referring to when they say "artifacting"?
3921
« on: April 29, 2009, 13:40 »
My images aren't perfect. By definition, no digital image is perfect. Where there is digitization, there are artifacts.
My images are very lightly sharpened, Because they're raw files with no in-camera sharpening, I apply USM with very low numbers, while viewing at 100%. There are no halos, no oversharpening. The JPG quality setting is max. There is no noticeable noise in these images - they're all ISO 200. They were good exposures, so I haven't boosted the curve way up at the low end causing banding. There is nothing more I know how to do to improve these images. I've done my best, and all the other microstocks are satisfied.
Honest, everyone, if I knew what they were referring to, and it actually was a correctable problem, I'd fix it.
3922
« on: April 29, 2009, 11:52 »
I could believe that IS has the best collection, has been the most selective and has the sharpest reviewers. I would just like to see some objective evidence for those statements. Certainly some microstocks have taken in way too much junk in the past; however it seems like right now, they're all trying to change and have upped their standards considerably.
I'd been burned by IS in the past and recently I tried again. I submitted some images that been recently accepted by SS, DT, FT and 123RF. IS rejected what I considered 2 spotless images for "artifacts". There is only so much time I can spend on this, unless they started to show me some sales, which so far they have not.
Like I said, I think a lot of this is due to subject matter. But I also think they may be obsessing over things which would never matter unless you're printing it 10 feet high.
3923
« on: April 29, 2009, 11:28 »
Based on my own rejections, I would say that the IStock reviewers have "issues" with closeups of objects. They seem to be mistaking grain, surface irregularities, or just the unavoidable digitization of fine detail, for post-processing artifacts. Since they don't specify the artifacts, they leave us submitters to argue and speculate endlessly. How they managed to identify my 3 best-selling images - so they could reject them - is another question  Their training must include some sort of psychic powers.
3924
« on: April 29, 2009, 11:04 »
iStock reviewers are definitely the best trained of all, so they do spot things that others do not.
What is your basis for that statement? I'm sure IS would claim it's true, but I wonder if SS would agree.
3925
« on: April 29, 2009, 10:25 »
There may not be a magic key, but the IS reviewers have been issued magic glasses, which let them detect "artifacts" which neither I, nor the reviewers at SS, DT, FT, or 123RF can see. And somehow these "artifacts" tend to show up in my best-selling (on other sites) images.
I think it depends on your subject matter. They seem to cater to a different group of buyers than SS's subscription buyers, for example. I also suspect that small portfolios don't have much of a chance on IS. I will continue to submit occasionally just to see if anything ever happens, but for me it's been a waste of time so far.
Your mileage may vary.
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