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Messages - cardmaverick
Pages: 1 ... 12 13 14 15 16 [17] 18
401
« on: August 25, 2009, 14:22 »
I'm sure there will continue to be higher priced content, it'll probably just be the more niche type stuff, and any content being used for serious advertising.
I don't know of any large national/international companies that would risk identifying itself with an image they had no controls over - and thats one reason why RM exists in the first place: control.
402
« on: August 25, 2009, 14:14 »
AHHH, I see now. I guess I had old information.
403
« on: August 25, 2009, 14:13 »
I don't get the question really, but if I did, I'd say that no matter what you shoot, only artists with a decent grasp of business ever make a living off photography or filmmaking (I work in both industries). Once you start hitting them over the head about things like "cash flow", "market saturation", "diminishing returns", etc... I bet you'd probably destroy their dreams. Oh well, they'll learn one way or another, might as well hear it all up front while they still have a shirt on their back.
404
« on: August 25, 2009, 13:29 »
I finally hit 250+ downloads a week back, and my canister is now updated, but I can't upload 20 images a week yet. What gives? Do I have to wait 30 days or something?
405
« on: August 25, 2009, 13:26 »
Has anyone sold newly submitted images or only stuff transferred from Snapvillage?
I have 198 (newly submitted) pics online, no sales and the number of views looks quite poor, too. This is of course a very small sample but to me it looks like Veer marketplace is far away from flying.
Will postpone further uploading until I see more traffic.
All my images are new, I was never at snap village.
406
« on: August 25, 2009, 11:15 »
I finally started making sales recently. Anyone know if your portfolio can be viewed yet? All I can find are profiles, but no way to see my active images.
407
« on: August 24, 2009, 22:48 »
A GREAT exercise is to actively try and use your photos in designs. You'll get a first hand feel for the usefulness of your work - and I guarantee you'll find issues somewhere with your work that you can improve on. One thing I discovered was the quality of copyspace for colored backgrounds - it doesn't always work very well for multi-color backgrounds, even if they are out of focus. It is true there are ways around it from a design perspective, but you'll find that just plain old bold black or white text do NOT always stand out very well. Again, its not an absolute, as they may be dropping in a multi colored logo with a bold drop shadow type border, and in that case, it wouldn't matter as much.
408
« on: August 24, 2009, 14:34 »
I just nailed my first Fotosearch sale this weekend. I have to say, given the super easy upload, its worth keeping around.
409
« on: August 24, 2009, 14:29 »
I've actually thought about doing this later on when my collection size hits some kind of critical mass. I think the real trick to success with a photo site is:
Searching Options
If you look at all the top agencies, you'll notice that as you go from number 1 on down, the search engines become less and less sophisticated in control. For starters, you might wanna try emulating shutterstocks take on it with a keyword elimination box, that alone is very powerful in narrowing results accurately. I'd also look into search or categorizing by "feeling" and "concepts" rather than just subjects, that seems to be one of Getty Images techniques, and they have some very interesting ways of searching their collection.
How did you setup that site? Was it a template or something?
Good luck with it!
410
« on: August 23, 2009, 08:46 »
I think microstock is going to be hitting a point soon where the content demanded fundamentally changes. They might be giving away lots of stuff, but its mostly rejects so far, or old content. I'm a firm believer in the idea that if you shoot what is up and coming in demand, but low in supply, you'll make money. I'm constantly searching for niches that have the potential to become the next "big thing".
411
« on: August 23, 2009, 08:16 »
As a buyer, if the option is vertical, horizontal or square, we would almost always buy square unless the specific execution required is otherwise - the image is easier to crop IMHO - second favourite is vertical and least favourite is horizontal - but we are in print media so that might make some difference.
What do you mean "easier to crop"?
If everyone is making these square images from rectangular images, wouldn't you rather have all the information available to be able to make your own crop, or are you not able to visualize the end result you want?
A square shot has more size as a thumbnail right off the bat, so it basically "pops out" more at you. Less thinking = better, this is the web, and attention span online can be horribly short. Thats one reason why I crop for it a lot of the time, but I'm also consciously shooting for this type of cropping, so I adjust accordingly on set.
412
« on: August 20, 2009, 14:57 »
I tend to shoot with square cropping in mind. 3 of my top 5 best selling shots are square format.
413
« on: August 15, 2009, 22:27 »
Interesting. I think 'free' is where microstock really wants to be. When buyers see millions of images available for pennies - from multiple sources - they realize that there's basically an enormous oversupply.
Eventually some big microstock is going to throw in the towel and start giving away the images, and run ads on the search pages. Contributors will get nothing - but of course, we'll make it up on the increased volume of sales...
Oversupply of what? Images no one needs? That I CAN SEE. Markets change - so does stock photography, collections always have a shortage of images that customers are actually looking for. As for giving stuff away for free, somehow, someway, they have to make money or they will close. Simple as that.
414
« on: August 14, 2009, 10:31 »
All it matters is THAT they pay - isn't it?
Sometimes it takes a day, sometimes a week or a little more. Who cares?
Anyone who understands cash flow and runs a business will care.
415
« on: August 11, 2009, 17:50 »
I have a rather simple method: play with the model! LOL I'll have someone cracking jokes behind me while I shoot, or if its just me and the model I'll be the one joking. Let's face it, models are models, not actors. I have to deal with women and men that have the "look" I need, but all too often zero acting skills. Because of this, I find it extremely helpful to make them comfy and then purposefully stimulate the model emotionally on set. Every reaction is now genuine. Works great for positive emotions. I've been taking this to a new level this month, and the results are looking great, can't wait upload these babies!
One thing I explain right off the bat to models now is how important their eyes are. Anyone can smile with their mouth, but a genuine smile uses the eyes and forehead. Nailing real looking genuine emotions will get you noticed by buyers - weather it's happy, tired, or whatever else emotion you are going for.
416
« on: August 09, 2009, 14:33 »
I would love to put my portfolio up on their site, but till something is improved, I'm hesitant to move. Time is money, and frankly, I don't even know if they are worth the time to upload to. I'm on several low/no earning sites, but I was also able to upload over a 1,000 shots in one or two days with ease, which reduced the size of the gamble. If they want to grow, they gotta stream line their submission system, otherwise photographers are just plain old hesitant to indirectly invest money into getting their ports submitted.
417
« on: August 03, 2009, 13:24 »
From Alamy's upload page:
Uncompressed file sizes of more than 48MB, we recommend that you do not interpolate your files to more than 55MB. This means you should make your JPEG file from an 8 bit TIFF file that is at least 48MB. What part is unclear?
They did not dive into the details of file size on disk VS when its opened in say photoshop. This is what has thrown so many people off with submitting to them it seems. Actual disk size could be 9MB but it has to uncompress out to more than 48MB.
418
« on: August 01, 2009, 03:29 »
Now this was SUPER helpful with explaining what they are really after, better than the threads I found at the Alamy site: http://www.youngimaging.com/Article-HowDoISizeAnImageSoAlamyWillAcceptIt.aspSeems many people think they need to send in 50MB files, when in reality, they just need to open up into 50MB. They could easily be 7MB files on disk, they just have to uncompress out to the 50MB size. Alamy did a horrible job explaining what they need...
419
« on: July 31, 2009, 17:41 »
Hey Guys,
I'm looking for some help on preparing files for Alamy Submission. I'm a bit perplexed by the whole thing, especially this whole upsizing fetish RM agencies seem to have with file size. I have quite a few finished JPEGs for this year. How are you supposed to upsize them? I suppose I could double the resolution to increase the file size, but that seems kinda stupid since the image will become softer.
Any help would be appreciated!
Thanks!
420
« on: July 12, 2009, 23:38 »
I'm interested in possibly contributing to the Panther Media collection, but I wanna know what the back end of the site is like. When it comes to smaller agencies, easy, fast, hassle free uploading of a big portfolio is a must. How does PM compare to say, Most Photos, quite possibly the fastest, easiest site to upload to, ever! LOL (0 sales, but its so fast, can't hurt....).
421
« on: July 09, 2009, 21:13 »
I'm sure some freebie hunters do end up buying but I'm guessing most of them go to all of the sites so they can build up their free image inventory and rarely buy.
I dunno man. I've taken a look around at the freebie stuff. It's really not that great. Keep in mind, that not only are they offering essentially "rejects", but the search engines for these sites BLOW. The first reaction everyone has to them is "WHAT! FREE IMAGES!?", but they always fail to really investigate the buyer experience. They are getting more than just low cost images when they pay, but also search engine creature comforts.
422
« on: July 09, 2009, 20:26 »
I wonder why all site want us to donate images for free? Should not they pay us for the right to donate them?
It's a simple promotional tactic. They won't give away good commercial images, just the dinged up ones... and then taunt you with the the nice ones in a secondary search results box that you have to pay for.
423
« on: July 09, 2009, 13:18 »
Is it only me but it seem like there is higher rejection rate if batch is big. Sometimes I feel that 5 a day is most optimal size.
As a volume submitter, I think I'm qualified enough to debunk this myth: NO, big batches do not create more rejections. What does, are large batches with similar images, or just plain old bad work. I submit once a month, and my bathes are anywhere from the mid 200's to the low 300's and I only ever have about 5% rejected, at most maybe 8%.
424
« on: July 07, 2009, 20:48 »
I would disagree about reaching payout faster. Rate of payout is determined by a few factors like portfolio size, quality of the work, agency customer base, ect. I see regular payout each month at many of my big sites, and the little ones are getting very close to monthly payout as well, so its really a non issue for serious non-exclusive submitters. As for having your stuff at only one place, well, like I said in my other post, I have data suggesting you won't always win at the same agencies every time.
Interesting. CHeers cardmaverick. I wonder if anyone has a different opinion. It's good to know, tho!
I think the argument that images not accepted at one agency can be accepted at another is a bit misleading. It's a bit like hedging bets - you win more often but smaller amounts. Only those who have been on both sides of the fence can really speak about this, and even for them there are other changes that make comparisons not really fair. I think it's important not to get too attached to any one image and it's fate, but the success of your work as a whole.
I think you are misunderstanding me. My images from an entire shoot were accepted at all of my agencies. What I'm saying is the performance varied sales wise at each, and it was different from what was "usual" for me. SS was not the top grosser, which is typically the case. Anyhow, just clearing that up.
425
« on: July 07, 2009, 18:30 »
Generally speaking, I make more off the models I pay than those that work for free. The ones that work for free, far too often often, mess up a shoot with ideas of their own, and since they are working for free, it's harder to tell them what to do. The TFP types are less likely to participate in a multi person shoot and are harder to coordinate. Plus far too often, just plain don't show up. I rarely get no shows from paid models. All that said I still use both paid and unpaid, but am much pickier these days with the free models.
I know exactly how you feel! It's one more set of reasons I went the paid model route as soon as I could do it.
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