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Messages - Adeptris
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451
« on: March 29, 2009, 14:12 »
Sorry have to agree with others, for me the thumbs are to small and having to click each one to enlarge as the navigation is not to clear leaves a bad user experience, the different layouts were off putting.
Websites are about user experience, so my advice for what it is worth would be, keep the theame, visit a few stock and photographers sites and try to take a customers perspective, navigate around them and note the ones that give you a good user experience and why, then try to use some of these features on your site.
Other considerations are who is the site for, how will they find it, what would they expect, from a marketing perspective flash sites are hard to index for search engines, so will that be a problem if someone is looking for a local photographer.
On your about page you say "Commercial Stock Photographer", so your site should be aimed at image buyers, these would expect a gallery style site with good thumbnails and a mouseover for larger images, also would you want a buyer finding your site and then downloading the presentation images from Istock for a few $$, maybe remove the word stock, flickr and istock references from the about page, then you are a "Commercial Photographer", put up a couple of collections one with images that cannot be purchased from Istock and a prompt for any buyer to contact you for a licence which should be priced a good few more $$ than stock prices, you could have a stock collection as well but seperate these from your prime images, stock sales will come from Istock the better sales should come from your site.
Just my overview, to me it is a Photographers site for Photographers and not aimed at buyers, this is a typical scenario with a lot of Photographers sites.
David (just my views)
452
« on: March 25, 2009, 00:40 »
453
« on: March 22, 2009, 02:56 »
I am now thinking more in lines of Lightbox Photo, at a cost of $1000, the reasons are several: I have RM images with Alamy, these are also in my photoshelter archive, my RF images were with several Agencies, Services and Microsites some are no longer trading, are my images still on thier drives somewhere DDR, LO etc:, I am more aware that my images are on different servers all over the place in countries where we may have no legal route, the cost of Photoshelter is $360 a year for something that could cease tomorrow, the $1000 will be covered in three years with this saving, with Photoshelter Archive the price could go up tomorrow, I have no say in the direction or changes of the software, I closed my PS Archive account when the collection closed and deleted my images, two months later I signed back on for the Archive and my images were still there, that was a worry as I thought they were deleted for thier servers. I have my websites and pay for enough space to host my own images, I am thinking that I need to be more aware of where I am uploading my images and bring as much back in house, I am also thinking of starting again with taking only RM images and making some only available exclusive through my own website, prices are being driven down all over, and our cut will go down and down, the merchants sites will take bigger cuts to survive at the expense of the photographers. So as well as Alamy for general images, I am looking at niche markets and keeping full control over these images, it will take about 24 months to build a niche collection which will be about the time we come out of recession. The key to this will be finding and having the rights to use the software rather than using an online image hosting service. With Lightbox Photo I can even upload smaller images to one server and when a sale happens the download can come from another server, this would help if I was working with other photographers to have an online collection, as the photographer keeps control of thier original images. I can not think of any other creative business where the artist produces and prepares thier work and the gallery returns such a smal return from the sale. David
454
« on: March 21, 2009, 18:51 »
I have a website and use PhotoShelter archive for Image licences, I am looking for website software that does full Rights Managed, Royalty Free and full rights managed pricing. I am looking at Licence Stream but again is ongoing costs, Lightbox Pro is the only stand alone I can fond that does it all but at $1000 Anyone using something else, SmugMug and the other are just not feature rich enough. http://www.lightboxphoto.com/http://www.licensestream2.com/David
456
« on: March 18, 2009, 15:37 »
Me to, that was the sweetner followed by the Subscription email  David
457
« on: March 14, 2009, 14:11 »
A part of my problem is having NO studio or equipment. My products are usually laying directly on the background. Overexposure isn't really possible ... unless you have a few secrets to share? 
I started like you thinking a studio is required, my first people shoot cost me 300 for the space, that was half a day, then I rented space for a while, now I also use the Lastolite Hilite, but I also researched a lot for product shooting, there is so much out there but you have to look for it. Have a search on strobist and youtube, you can setup cheap for table top look at this guy on youtube and the stick-in-a-can, clips and light modifier boards, are so cheap to make, you could even do some of this outside in the yard if you have one and just use evening day light, it does not require a Studio just a tabletop space and thinking outside the box for a while, this gives time to save for the better kit. Equipment:
This tutorial uses 3 x 100 watt houshold light bulbs and pan light holders, and home made modifiers, so most could be sourced local and cheap!
Lighting Glass
If you have time this guy has 33 tutorials starting with the cheaper options http://www.youtube.com/profile?user=prophotolife&view=videos&start=20Hope this helps David
458
« on: March 14, 2009, 09:58 »
Also, what are all the FFFFFF references?
#FFFFFF = White (255,255,255) Red=255,Green=255,Blue=255 #000000 = Black (0,0,0) Red=0,Green=0,Blue=0 David
459
« on: March 14, 2009, 08:32 »
I started using a cheap set of 4 lights from Ebay, with two flat kingsize white sheets from the supermarket, 2 lights on the background stopped brighter, this is one image, not the best as a couple of areas are blown out, but white over white.  I have some other images shot with this setup and a PhotoShop tutorial for stray areas on my website! http://www.instancesintime.co.uk/Home/tabid/59/EntryID/5/Default.aspxOr on youtube:
Now I am using the Lastolite Hilite background and train which is just under 300 but is great for stopping light spill in a confined space, just a nightmare to fold up
460
« on: March 12, 2009, 15:13 »
Bit of a conflict of interest for Getty, they own Istock and you could be deleting images from Istock so they can have them as RF on Getty.
David
461
« on: March 09, 2009, 01:03 »
David, You will eventually meet someone on ebay that will make wonder why you ever sell there. Peter
Peter I understand that there are people on Ebay and in all walks of life that will try to scam you, but the OP stated The fact is that people on eBay are generally scum, and will steal the shirt off your back first chance they get. As ebay users that generalisation is you and me, but most people are honest and try to make millions of transactions properly, and as always we read about the few bad deals, as the OP has said it could have been avoided. David
462
« on: March 08, 2009, 16:18 »
So when I told the buyer that I shipped it First Class (meaning without tracking), that opened the door for her to contact PayPal and get her money back.
So the harsh lesson here is this: While I wish I could continue to trust people and give them the benefit of the doubt, the fact is that people on eBay are generally scum, and will steal the shirt off your back first chance they get.
As much as I feel for you, to expect someone else to pickup the bill for your mistake is not right, maybe the Ebay Buyer is telling the truth and the Driver, Postman, Warehouseman or one of the many other people that handled the package ripped it off, that can happen as well, Ebay are aware of most scams and if this buyer has a claims history they will act. If I buy or sell an Item for $5.00 I will only use a signed for service, or collection in person and that is all I would accept, not because I do not trust the seller or buyer, but because things do get "Lost in Transit", I recently purchased a Laptop, I was out when it was delivered, and when I got home there was a "Left with Neighbour" card, but no parcel with the neighbour so I went straight to the carriers depot, when the driver returned it was "Found" in the van. I send my expences which have no value to anyone else in weekly, the only time they were sent not signed for they were "Lost", it is just a peace of mind more than a monetry reason that I will not use an un-recorded service no matter what the value. The real lesson you have learned here: Not all people on Ebay are Scum, some people in all walks of life can be, and you run a risk and are responsible to cover the cost if you send an item unrecorded or not-tracked and it is "Lost in Transit". David (106 Ebay Transactions with no problems)
463
« on: March 08, 2009, 15:45 »
What do we do? Do not upload just in case the site is not honest, or trust the site and upload then worry that the sites Customers are not using the download within the size and terms and conditions requirements. This is a problem with using the middle men (Merchants) in the industry, over on the Macro sites like Alamy I often read in thier forums a Rights Managed Image is sold as a web or spot size sale to an Eastern European country, and this is often questioned if the sale or use is honest, but there is no easy way to check. If you do not trust the sites to do thier best and accept that while most sites and thier customers are honest, there will be some that are not, but overall it is manageable, then the only option for you is to control it by direct sales only. Maybe we need a collective service where a buyer searches on one site, and gets the pages of uploaded thumbnails only, and which at the point of sale links back to the Photographers site for the actual transaction. David
464
« on: March 01, 2009, 16:26 »
I see your point here but perharps this conflict could occur say if your images are available at all prices. but what if your portfolio is diff. what if only the smaller sizes are on micro and the larger and full size be on mid and macro. why would it make you dead meat as race puts it?
Ok this is simple, you put your car into the garage and have the brakes done and they charge you $100 an hour, then you are in the bar with Fred a friend and you mention the garage, your friend has used them before just had some work done at $70 an hour. Now you feel like a jerk and have a few choices next time you need work done, first change your garage, second pay the $100 and say nothing, third is to say "I know you have done some work for Fred at $70 an hour, if you want my work you will have to match this", the garage may argue that the guy working on Freds car is not as skilled as the guy that worked on yours, and this is the different products and price points, but you could then argue that both vehicles are roadworthy. I think in most cases it would be choices one or three and you would have to reduce your fee for option three, but both of these will damage your brand, I have a couple of websites with different business models, and try to make sure if you are searching for one site online, the other will not come up in a search as one will damage the other. David
465
« on: March 01, 2009, 09:13 »
There are a number of variants, firstly what types of products do you produce and where are the markets, are you producing for a selective or generic market.
So it all comes down to products and markets, if you sell your product at different price points to different markets then you brand it differently.
There are loads of product that are made by the same company, same process, same materials, but these are often branded at different price points, some of these are based on volume sales.
So you could have images to sell on your own site for good dollars, and on a stocksite for a few dollars, but here you would use a different product and brand name for the stock sites, and hope the volume stock sales contribute towards paying the bills, allowing you to produce some more limited high end high earning products.
But on the other hand you might just want to use your own brand and website to send prospects to the stocksites to purchase your products from there, then use your own name.
It is already happening everyday take a company making chocolate bars, which will sell at a premium as it's own brand, but it will also use the same product with a few small changes to sell in bulk as a supermarkets "own brand", but notice the suppier will never take ownership and say we supply our products as "Blogs Own Brand", as this will damge the premium brand.
Just thinking about quoting a few hundred dollars for a nice little project and the client says, I googled your name and I can buy your images for 4 credits, what does that say to a prospective client.
I have know two cases recently where an existing or prospective employee is no longer considered by a company because of a google search catching then out.
David
466
« on: February 22, 2009, 06:33 »
I have been there since October 2007, more or less. Have more than 500 photos. Zero sales. At the same time, I made more than one thousand dollars on microstock, with fewer images. Of course I am none. Still...
How much research have you done since? Unlike some micros there is only one level of Photographer / Contributor, I have less Images than you but get regular views and zooms and have had sales, as an average one in a hundred viewed images get a zoom, so we are talking 1%. Research? Look at your statistics "Your Alamy Measures" are you getting views and zooms, what is the ratio of these, are the search terms relevent to your images, if not you will need to look at your keywords and placement. Look at other statistics "All Alamy Measures" what is getting views and zooms, what is the ratio of these, are the search terms relevent to your images but you are not getting views, if not you will again need to look at your keywords and placement. Look at your images and the number of keywords the relevence and the placement of these, on Alamy and on most good sites Less is more so your essential keywords should reflect what you see, if your image is a Girl Brushing Her Teeth then you first 3 keywords should likely be Girl Brushing Teeth, as a rule I only have a total of between 10 - 15 keywords and these are only Essential and Main, also take enough interest to do this correctly, do not rely on keywording software to generate the keywords and just accept them as placement is very important. This might also apply to a few other sites, just do a search to see where your images fit in with similar images from other photographers, make sure you test with an image that is keyworded well and use a typical buyers search string and options, one that is based on your "first few keywords", like "Girl Brusing Teeth", one you would use if you was looking for an image, then have a look where your image comes up, if it is way down the resulting images ask yourself why, if it because there are to many pages then you are just shooting the same images as everyone else in a saturated area. When I search on my Alamy Images essential keywords my Images appear often in the top 5% of the returned images, my 2 "Girl Brusing Teeth" images turn up in Rows 3 and 7 from 183 rows of 5 images (918 Images in total) This is the sort of research I do: With 4 pictures of the popular landmark The London Eye I done two searches. Search "London Eye" all images, 1st and 4th Keywords (Essentials) My First Image, Page 19 of 130 Image 2300 0f 15484 Search "London Attraction" all images, 1st and 2nd Keywords (Essentials) My First Image, Page 15 of 283 image 1724 of 33934 The second search with the first two keywords just shows me how important keyword placement is. If I am keywording right and getting views with no sales then my images are not what the buyer was looking for or just not good enough, if I am not getting views then I am keywording wrong or shooting the wrong subjects. David  Simples For non UK readers "Simples" is a phrase used in a UK advertisment
467
« on: February 22, 2009, 02:58 »
Although all my sales have been editorial, a friend recently sold a few commercial images (RF) and got more than the editorial prices. RF prices are higher in Alamy than L. Plus, Alamy has started a commercial collection, probably for the needs of the US market.
It is my impression that Alamy is expanding itself into the RF market more aggressively, or at least it hopes.
The expansion is more territories than into RF, Alamy have just recorded thier first negative growth slowdown quarter on quarter, new UK clients and markets have dried up so they are looking for new growth, with 75% of stock image sales, 20% of photographers and 25% of thier sales being in or to the USA this has become the target. There are new markets in asia but these would require huge changes and investment also licences would be hard to police, so the US a country with a common language is a bonus. Alamy sales are 78% editorial but the US editorial market is already sewn up, so there is no way the unknown Alamy is going to break into he editorial market. That leaves the commercial market, macro sites that looked to be starting up and making progress had the investors pull-out, with no finance they folded, Alamy does not need venture capital as it is already trading and has no debt so the risk is lower, there is a commercial market to grow into, but this will take 18-24 months, the value would also need to be on price point and quality, Alamy has started to make some changes to filter the commercial images into a new section, these will also stay in the all Alamy. The main problem they have at the moment is that the photographers are seen as professional and trusted to set the licence options on the images after QC acceptance, Alamy only QC some images in a batch for quality not content, so there are unreleased images that do require a release for commercial use turning up in the commercial collection, this is because the photographer or agency has not been honest, also with other images there is no way at the moment to mark images of flowers, food and other subjects as commercialy safe. So at the moment there is no right sort of image to upload, commercial or editorial only, specialist or diverse, my personal thoughts are to carry on uploading with a preference for the RM licence and wait until Alamy sort out the check boxes for the commercial collection. These are just my opinions as an Alamy Contributor from what I have read and observed. David
468
« on: February 21, 2009, 10:10 »
Reason im asking is because firstly the price the images go for sure surely buyers would go to microstock agencies and before you say yes I know the size of the images are larger on alamy. Ant Hi Ant, Most Microstock sites do not have editorial content and the images are mainly Royalty Free. So your conclusion is not really true, as Alamy sell 78% of images for editorial use, and about the same percentage as Rights Managed (79%) and Royalty Free (21%). So you can say that the Buyers and image usage is often from different type of company, first it is a bit confusing as to why the buyers prefer RM surly RF is cheaper you might say, but in a lot of cases you would be wrong, a news story about refuge collection they may require a spot size image for a single use and a limited run, this is often less that a small RF image on the traditional sites and the chance is they may never need to use this particular image again. Take the credit crunch you may not find an image of the RBS or Northern Rock on the microsites but you will find many on Alamy, so most news stories will have an appropriate stock image on Alamy. As to Sales this will depend on your portfolio, mainly content, type of image, how good you keyword, and if they are looking for and at your images amongst the 15 million others, if you upload an image of "The London Eye" yours would join the 35,000 other images that match the search, so you need to look at the All Alamy measures data, look at the search terms as a guide only as these are just from selected buyers, do lots of research looking at Sunday Newspaer Supplements, Lifestyle magazines, Travel magazines etc:, then you need to use tight keywording as spamming will hurt your Alamy Rank, but the more you put in the more you should get out. Here ends this reply David
469
« on: February 21, 2009, 02:25 »
I just had a quick look at the dollar bin, looking at a few images and many have lots of downloads, so maybe all is not what it seems, when I viewed some images there were the links to the photographers lightboxes, so a good way to get buyers to your portfolio, where they might want to purchase a similar.
So the dollar bin looks more of a clever marketing tool than a dumping ground.
David
470
« on: February 21, 2009, 02:12 »
These posts always make me smile, 'cull these old images that do not get seen in the search', if that is true what harm do they do, take up disk space that is about all? Some will be little nuggets of gold for the stock sites, photographer has moved on stopped contributing, any sales will likely never make payout threshold, if the photographer is no longer active who will cull them? You might say the sites should cull these images, but never say where the money is coming from to pay the wages to sort through millions of images, cut the contributors percentage to pay for this? I contribute to Alamy they will hit 15 million images this weekend, I have a couple of hundred image, but they get, views, zooms and sales and come up high in relevent searches, that is because of good tight keywording, buyers often find what they want on the first few pages. Who decides what is a bad image, I have seen links to some average images that have sold for big bucks, and the reason some are down the pages is not because they are bad but because they are badly keyworded, and good images will end up in the dollar bin and get snapped up, a photographer with bad keywords could cost them lots of money. Microstock is an infant it timescale, and what is not viewed today could be top of the search tomorrow, at the moment in the UK all things 1980's is getting big, and the fashion of that time is due to make a comeback, where will the old images of that era come from, stock sites that have the scanned image that would likely have not had a view for years, ones that in your opinion should have been culled? The only thing that should matter is your own images, running your own business and contributing to the sites that have a business model you like. Most photographers answer to your request for them to cull thier images, may be to request that you look after your own business, the stocksites would have much the same reply. David
471
« on: January 31, 2009, 03:18 »
Lets have a look at this guys logic and I.M.H.O. It is simple really, many here could change a light bulb or a plug, but would call an electrician if we felt that our skills were not good enough, it could be that he thinks his skills are not up to it. Also if this guy had taken some images a while ago then they would likely be dated in hair, clothing style and any vehicles, new buildings etc: Then there is with any project the budget to consider, would his boss appreciate the time and cost it might take him to scan or retake and process the images against the cost of a few shots from a microsite. As a part time photographer I do use another contributors Istock photographs on my software consultancy website, as they had a set of the people business type of images I needed, the cost and time in taking these myself would be far more than what I paid istock. So it makes good business sense for this guy just to purchase a good range of images to use to impress his boss, keep the project in budget and it also creates sales for another photographer, a win win situation. David
472
« on: January 28, 2009, 17:05 »
Does that make him a hypocrite that he would buy other people's pictures for a dollar, but not sell his own for the same price? As a side note, he showed me some of his photography....it's not very good IMO.
Not a hypocrite just a good businessman that knows his own limitations by not shooting his own images, and values his own time more than his vanity! I know how to fix my car and a few years ago I would have had a go, but now I value the service the local garage gives, they do a better job have the right tools, and they free my time to earn money at what I do best, am I a hypocrite? David
473
« on: January 22, 2009, 15:42 »
Sounds like the PhotoShelter Collection, these are some comments from Getty members over at Flickr No images that require a Model release! Content: Actually, what we really love (and believe our customers will love) about the Flickr Collection is that it is NOT created with a stock mindset, it's photographers who are creating images based on their own unique visions. So right now we really want to see everyone pretty much continuing to do what you do so well, without us pushing you to follow too many "guidelines" or lists... Filesize: FYI our minimum filesize requirement for the Flickr Collection is 3 megapixels -- though if a photographer has a larger file it's in their best interest to upload the largest available (to Getty, not to Flickr). Exclusivity: For images selected for the Collection, that you have agreed to include, (you can choose to include or not include any images we've invited) Getty Images needs exclusive rights to sell those images and images substantially similar to them in a commercial context. Any and all of your other non-similar photographs not in the Flickr collection can be sold freely by you. Also, even the images (and similars) that are in the Collection you can still use for self-promotion (on your website, in portfolios, etc.) and in limited-edition fine-art prints (as a lot of Flickrites do). Licencing: A few people have asked or commented wondering what the royalty rates are that we will be paying to photographers from Flickr. To us the images we selected for the Flickr Collection are every bit as valuable as our other creative stills! The Flickr collection will be licensed at the same prices as our other RM and RF collections. You can get a sense of the prices by going to the gettyimages.com site -- prices for RF are posted with the RF images, and there is a price calculator with the RM images. For RM, the royalty rate in our standard agreement is split between in- and out-of-territory sales: 40% in (home)-territory and 30% out-of-territory. Home territory is usually based on the contributor's country/location. The rate for some of our image partner contributors is less than 30%. For the Flickr Collection we cant support the in- and out-of-territory rate structure for such a global initiative so we've set the rate for the Flickr Collection at 30% worldwide for RM. This ends up being a slightly higher than average worldwide rate, taking into consideration all of our contributors, including our image partner contributors. For RF, our rate across the board, including for the Flickr Collection, is 20%. David
474
« on: January 18, 2009, 06:20 »
I would also like to see headstones upgraded to include audio output and as you visited a loved one with flowers we could press a button and hear our deceased voices.
You can already buy a custom coffin! Just close your eyes, shut out the world and remember, then you will hear thier voice and see thier face. If you really like complete strangers pressing a button to see or hear a clip of a loved one? There are sites like http://www.gonetoosoon.org/ where you can setup a page and send a link to friends who with strangers can leave a comment. With 2 deaths and a murder in the extended family last year lets hope it's not someting to think about for a while. David
475
« on: January 11, 2009, 16:11 »
My brother was at a boarding school in the 1960s in England, and the uniform for the younger boys was shorts year round. In winter, even in the snow, they had to walk from their house to the main school building in shorts.
I'm horrified to remember that when he complained about how cold it was and said it was nuts they weren't allowed to wear long pants (trousers), I defended that ridiculous convention. It's amazing what brainwashing social conventions can accomplish 
Lucky him, I lived in a farm cottage and started school in the 1960's and remember wearing shorts and plimsoles in all weathers, including the really bad winter 1963, the mile walk to school and being in tears waiting in the playground to go into school. I wore long trousers for the first time when I started secondary school 1965, and I chuckled this week when they were talking of poor families and fuel poverty, I had to snuggle up with my siblings to keep warm, one room was heated by a coal fire for about two hours a day, tin bath on the wall came down once a week and we had to share the water, when we moved to london seven in a one bedroomed flat for 5 years. Oooops whats this thread about lol David  Oh yeah my first post on Istock september 2007 was greated with the "Search the forum before you post" and "this is the wrong forum for your question", many replies were not helpful or just linked to other threads, even then there were some threads locked for what seemed personal vendetta's, sounds like not much has changed.
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