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Messages - disorderly
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51
« on: April 21, 2017, 13:42 »
A few more words might help. If you're asking how to get a photo of someone with tattoos accepted, you will need to submit a property release signed by the tattoo artist. The artists holds copyright to their art, and needs to grant permission for its commercial use. That is of course in addition to a model release.
52
« on: April 21, 2017, 13:38 »
Four weeks? That's not so bad. I have images waiting for review since last August.
53
« on: April 08, 2017, 08:34 »
I've uploaded via FTP just about every day with no problems at all.
54
« on: March 31, 2017, 12:55 »
And... it's done. My portfolio on PhotoDune is gone, aside from a handful of images they decided belong on GraphicRiver. Funny that I made payout in March from a zero balance after February, but that doesn't cut any ice with Envato. Wonder if I'll see any sales from the few images they left around.
55
« on: March 25, 2017, 18:16 »
Yes, payment arrived on schedule on the 14th. As far as I know, minimum payment hasn't changed.
56
« on: March 20, 2017, 08:52 »
I'm definitely getting a mixed message. On the one hand I'm being kicked out. On the other, I'm having my best month there in a couple of years. The longer they hold off deleting my account the better it'll be. Reconsidering my expulsion would be even better, but that's too much to hope for.
57
« on: February 25, 2017, 16:04 »
Safari don't work either.
It's working for me. Left coast of the US.
58
« on: February 25, 2017, 10:59 »
Looking at sales over the last year, the lowest royalty I find is .35. More common were .50, $1 and some for $2. But sales of any kind are rare enough that I only upload new images when they make me sales. SF has never produced more than a trickle for me.
59
« on: February 08, 2017, 22:05 »
I've been submitting pretty regularly via FTP. No problems to speak of.
60
« on: February 07, 2017, 23:23 »
I think they have massive problems with the tax authorities.
No... They have just run out of space on their HDD... 
I believe you're right. I think they underestimated the difference in all the resources microstock requires, compared to their other marketplaces. Not just storage but providing good search capabilities for large volumes of assets, and of course all the reviewers required by a large and growing collection. They had no concept of the scale they would face, and now they're backing off. Dropping so much content will reduce their expenses; question is whether it won't also wipe out their income from this market.
61
« on: February 06, 2017, 19:39 »
Add me to the dumpee list. Exactly the same list of reasons for my dismissal as Phillip Minnis. I joined in May of 2011, have/had 14,000 photos on the site and earned thousands of dollars for them and for me. (More for them, of course.) I'm just over a dollar away from a payout. I certainly expect them to pay me what they owe, assuming I don't hit the minimum before the great purge.
62
« on: February 04, 2017, 22:41 »
Whose watermark is it? Is it a stock site? If it is, contact them and see if they'll pursue the misuse of your image. If they took it from a gallery site like Flickr, you'll probably have to contact the Spanish firm. I don't know if there's a European equivalent of the US DMCA to request the image be taken down. You'll have to do some research.
63
« on: February 04, 2017, 15:19 »
I received one as well. It corresponded to the last few sales at Veer after they sent me my outstanding balance but before they shut down completely.
64
« on: February 04, 2017, 13:37 »
I haven't received the email yet, but was able to log in. Used the Forgot my Username link and discovered my email address is my username. Then used the Forgot my Password link to create a new password. So I'm in, not that there is anything to see yet.
65
« on: February 03, 2017, 09:45 »
It's advisable to have a release for each shoot. The EXIF data in the image files contain the dates they were shot, assuming of course you set it correctly in your camera (and haven't modified it later). Most of the agencies (all but iStock?) require only a single release for each model to be uploaded, but having the paperwork could save you a lot of legal trouble down the line.
66
« on: February 02, 2017, 12:32 »
Clearly you're new to this. Your earnings didn't disappear. If you select the Earnings Summary and then change the month to January 2017, you will see the month's balance. Shutterstock resets the Earnings balance to zero at the start of a new month when you have reached payout.
Within a few days you will receive an email with the amount you can expect in your payout. Then a few days later you'll get a PayPal notification that the money has been received. Shutterstock says the money will arrive by the 15th, but it inevitably arrives much sooner than that.
This has been the process for more than a decade. Relax and enjoy the anticipation.
67
« on: January 29, 2017, 10:34 »
Fashion is not subject to copyright protection, which is why there's such a good (and legal) market in knockoffs of designer clothing. It's also why many designers include their logos on their designs. Just have your models wear clothing that's free of logos and other copyright-protected graphics and clone out the ones that slip by you and you'll mostly be okay. I've never had a rejection for clothing, other than a logo or graphic I missed. Jewelry is generally the same story, aside from obvious trademark issues like the Playboy bunny on a necklace.
68
« on: January 28, 2017, 11:57 »
BAD. If files are accepted than there is no way to disable or delete them. We have to contact support for removal of any image.
To be fair to them, the couple of times I asked to have images removed, they responded right away and took care of it. Not ideal to have to ask, but not a big problem either.
69
« on: January 26, 2017, 22:29 »
You'll need an FTP application. Most any one will do; GUI apps are easier but you can use a command window to run the ftp command. I'm on a Mac; I use Transmit when I want a GUI or use the Terminal for command-based FTP when I want to script my process. I'll let Windows users suggest apps on that side.
70
« on: January 25, 2017, 11:48 »
Yep, Those eyes are inspired by my image. I've reached out to Canstock. Thanks for the heads up.
Good luck with that. I've had a support ticket sitting unanswered for almost a month. The lights are on but nobody's home.
71
« on: January 25, 2017, 11:08 »
With such small numbers, it doesn't matter whether you submit all at once or in little batches. As to whether microstock is worth it to you, it depends a lot on what you hope to get from it. When I started I made almost nothing; it took months before I reached double digits of dollars. But I learned a lot, both in terms of improving my basic technique and in figuring out what had a chance of being accepted and what might sell. That education kept me going for quite a while, long before my sales were anything to write home about. If that's true for you, and if you have a thick enough skin to deal with regular rejections as you learn, you might find value even if the money isn't significant. And who knows? You might be a big success. It does happen, even if it's less common than when a lot of us started.
72
« on: January 25, 2017, 11:02 »
I got one of these today as well. Fortunately, I had used DeepMeta to download my image information. That way I was able to see the image they suddenly found objectionable. It was ten years old, so they aren't exactly on top of things.
73
« on: January 15, 2017, 14:11 »
Canstock implemented a new contributor website a few months ago. My first reaction was annoyance at some removed capabilities around releases, but that's turned to fury at their sheer incompetence. Here's my problem:
I had a request from a model to remove her images. Never mind why; her reasons were personal and I decided to accede to her request. So I looked for an easy way to locate her images. I noted that the release page has a count of images tied to each release, but sadly no way to actually get to those images. So I did it the hard way, which in my case meant locating them manually among more than 400 pages of images. Okay, annoying but not a big deal.
Except it isn't so simple. First, the links to move among pages only permits moving to the next page or the one after, which gets old when you need to move ahead by more than 100 pages. And then I ran afoul of some major bug, where before I can get to the page I need, my page forward request freezes around the same place every time.
Bugs happen, but here's where poor design makes things infinitely worse. Old style web pages use URLs to navigate. That's good because they can use parameters within the URL to indicate where to go. If there's a parameter for page number (or image number for that matter), it's easy to edit the URL to move ahead an arbitrary number of pages. Shutterstock, Dreamstime and others do it that way and make navigation easy.
A more modern approach to web content is called Ajax. It uses Javascript to permit content to be updated in place. Instead of going to a new web page, the current page replaces one set of content with new stuff. In theory it's a cleaner and potentially more efficient design. Except that you lose any ability to override parameters and skip a bunch of content you don't need to see. Or to go back to a page and try again, like when there's a bug that keeps a particular page from loading. Or to use the Control key to open a new tab or window for new content. In essence, you lose a lot of the benefits of a web interface. And if you're stuck because of a bug, your only option is to go back to the beginning and hope against hope that it won't fail this time. Which it does, every time I've tried it for a couple of weeks now.
I put in a support request before the New Year. Still waiting for anything beyond an automated acknowledgement.
74
« on: January 08, 2017, 10:48 »
I struggle with: at what point does an image become so valuable / unique that it "should" be licensed as RM to obtain the best returns and guarantee some control of the copyright? I shoot mainly travel but in other niches it's also an interesting question.
I hope this won't sound harsh, but what is it about that road photo that you think is remotely valuable or unique and worth considering for RM? Anyone could have taken that shot at that location, or at millions of other locations around the world. Is there something you see that I don't that makes it worth more than a typical RF fee? I have dozens of similar photos in my portfolio, and can't see anything about them that would justify a high fee. Not to question the merits of your shot; you didn't ask for a critique so I wouldn't offer one. I am just curious as to why you picked this one as special. (On the other hand, I can see the uniqueness of the refugee photo and its possible value as RM.)
75
« on: January 01, 2017, 16:05 »
I think the op is probably struggling with contrast. ND filters don't help much with that. It doesn't help that the op hasn't told us what the actual problem is.
I think you've nailed it. There's a reason most of us avoid shooting at noon. However many stops of dynamic range your camera may capture, at midday it's probably not enough. The highlights are too bright and the shadows are too dark, so you lose detail at one end or the other or likely both. And even if the camera can capture it, the data format you use may be too limited. Noon is a good time to take a nap, not so much to shoot stills or video. Especially in bright, sunny places.
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