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Messages - Jo Ann Snover
6277
« on: July 22, 2011, 14:00 »
This isn't a strong image with which to apply - focus isn't the best and the lighting is flat. But even if you downsize to improve sharpness and fix the post processing you still have a rather busy composition of a not-much-in-demand subject.
6278
« on: July 22, 2011, 13:39 »
When you take a well known landmark from a well known location, I think these are the breaks. You can't claim plagiarism unless there is something you set up in the shot beyond the bridge.
For the OP, I think this sort of problem is the reason iStock insists on uploading the reference file or sketches in progress for illustrations - too many think it's OK to use someone else's work as a reference.
6279
« on: July 22, 2011, 12:09 »
Clearly we all need to just suck it up and cope, but I do find the LCV rejections for things with a very strong sales record to be very frustrating. They clearly don't know what sells and what doesn't.
6280
« on: July 22, 2011, 01:23 »
Geologic time does run a bit slow, but shifting tectonic plates will take care of all this nitpicking about who is a subset of whom. Scotland and North America were once attached. The Atlantic has done more than Hadrian's Wall as a barrier though  Was there some misunderstanding that needed to get cleared up, or was this just a riff on not liking people referring to the US as America? I don't like the attitude or policies at H&F or GI. I don't like them more or less regardless of where they're located. Wouldn't want to lose sight of the bigger point in a squabble over geographic terminology.
6281
« on: July 22, 2011, 01:08 »
Glad to see a quick response - thanks.
Once you've made the change, let us know and we can take a look and see. I'm still not sure I understand how the revised presentation will avoid the implied message (as I read it) that someone shouldn't bother buying the image they clicked on but go for a freebie instead.
I have nothing against the free section, but I thought the goal was to convert freebies into sales, not the reverse...
6282
« on: July 21, 2011, 17:07 »
Ms. K should be saving her money so she has something to live on when this bubble of fame has moved on to some other cutie pie. Spending her earnings on lawyers suggests she might have started believing her own publicity. It's amazing what a sex tape and a shapely butt will do to propel someone to media darling  Not a lifetime career, however.
6283
« on: July 21, 2011, 17:02 »
"That is because American companies, in their rapacious greed, don't care about community."
here I disagreee. Most of the major internet communities com from the US. Actually everybody and their mother is desperately trying to build a community because it is amazing what you can do with it....
... they don't see the faces of the people in the community, they only see the faces on the money they are making from the community. ..
I wish I could disagree with caspixel, but sadly, what she says is the way the vast majority of US companies are. Social media and communities are the latest fad and they're trying to exploit that as eagerly as they can. For the most part, US companies are pretty energetic in pursuing opportunity. Long term thinking, community involvement & responsibility and partnership between executives and the company workforce are very little in evidence at the moment. When the company's exploiting a fad, people can certainly benefit from that for as long as it lasts, but you need a plan B for what to do when they move on because those pesky communities aren't as easy to control and sell stuff to as you first thought.
6284
« on: July 21, 2011, 15:22 »
I happened upon an image of mine in Google search results and when I clicked on the link back to 123rf, I was surprised to see a link above the image to "free images". I hadn't seen that on any of the image pages on 123rf before.
The link goes to their free section - which I don't contribute to - but it only appears if you land on that page via a Google search. If you search on the site, you get the regular image page, no link to the free section. See a screen shot comparison below.
To me, it seemed that the result was to encourage someone away from my image to the free section, and I couldn't see why on earth that was a good idea - for me or for 123rf. There was nothing in my search that indicated I was looking for free images. None of the other sites (that I saw on the checks I did for IS, SS, DT, CanStock, FotoSearch, Pixmac, etc.) do this.
Any opinions on this from other contributors?
6285
« on: July 21, 2011, 14:21 »
Ah but all Swedes are divorced alcoholic depressives with diabetes and blonde hair. Well at least that's the way it seems in Wallender, so it must be true.
lol. don't they have the highest suicide rate in the world? ...
Not even close - if you buy the data in this chart.They didn't even make it into the top 10
6286
« on: July 21, 2011, 12:01 »
The thing that went away was the 10% bonus for exclusives. For independents, nothing changed beyond the royalty reductions that applied to all sales.
I think the other aspect of crappy prices is very low per credit prices - I queried an EL a month or so ago where I netted $6.93 from a 75 credit EL. Even if you assume they purchased only an XS to go with that (at 2 credits; it was P+), at 18% royalties that is 50 cents a credit.
The reason, IMO, they're offering these insane discounts is that buyers who were angry about the price hikes on the high-end collections were pacified with big discounts. The regular priced merchandise is then super cheap and we get crap royalties. Such as a 12 cent royalty on an XS (1 credit) sale.
6287
« on: July 21, 2011, 10:25 »
I received that e-mail too - but I sent the W9 yesterday. I erroneously thought when I received it that it had something to do with my long gap when I didn't contribute ('cause I was exclusive).
I honestly think that there needs to be some sort of review process before mass mailings to contributors are sent out. It wouldn't have taken more than a few moments thought to realize that they should include a note about who needs to send one back.
6288
« on: July 20, 2011, 13:42 »
Periodically there have been small lags where an account balance goes up but the sale doesn't show on my_uploads for 20 minutes or so, but nothing I recall of the sort your describing.
My sales are posting, so either you're in a slump or there's some sort of problem with your account in particular. Support would be the only way to check that out (although I haven't had much luck with actually getting answers - my last ticket just disappeared but was never responded to).
6289
« on: July 20, 2011, 13:12 »
I received the e-mail too and have used one of the free internet fax services to return the form to SS. Google them and you can find a bunch - there's an ad on the first page and you can only send 2 faxes a day up to 3 pages each (or similar restriction). I used to have a fax modem on my older computers, but have used these free services the once or twice a year someone needs to get a piece of paper their end vs. e-mail. It's truly silly as I'm just scanning the paper I signed and it's no more or less secure to e-mail it than it is to fax it, however you can't explain squat to a bureaucracy, so, fax it is
6290
« on: July 19, 2011, 22:52 »
I don't think iStock will accept these.
The first looks to me as if you added a sunburst into a photo with sky and clouds but no sun. The light's wrong for the sun in the frame. If you did do this in post processing, I'd suggest staying away from that for application photos unless you can do a truly seamless job.
The apple is fine and in focus, but I think the subject matter (portion of an apple with water drops) is likely not going to cut it.
The post processing on the photo isn't the sort of thing iStock typically accepts and a flower shot is already an iffy subject for an application photo.
Sorry to be blunt, but I've had a lot of acceptance/rejection experience on which I'm basing my guesses.
6291
« on: July 19, 2011, 20:55 »
I think I recall a discussion several years ago regarding an arrangement of this sort.
The deal was that they don't buy an EL but each time they sell a print they buy a license just for the size needed for that print. There was some discussion about whether this was right from a contributor's point of view and I think the agency argument was that if the buyer purchased a license they'd be entitled to make themselves a print of what they licensed to hang on their wall. The only difference here was that the print seller was doing the purchase on the clients behalf. The thing that's so hard to police is whether they really are buying a new license for each print.
6292
« on: July 18, 2011, 19:34 »
If it's a reasonable amount of work, I'd love a thread ignore button too. As an alternative, if it's easier to implement, how about suppressing threads started by someone who's on your ignore list?
6293
« on: July 18, 2011, 16:28 »
There are also disaffected people like me - I'm not banned, but have chosen to stop any sort of community involvement in response to Getty's choices about how they treat contributors.
When you treat people like dirt, it's not surprising when they stop hanging out
6294
« on: July 18, 2011, 10:38 »
It seems to it's very unlikely to be successful - it's not the same as selling a product lower than the cost of goods or other unfair trading practices. How do you determine what the fair price of a royalty free license is?
And even if you you were to go after this, why just Fotolia? They're in the same position as all the other microstock agencies with regard to pricing models, no?
6295
« on: July 15, 2011, 17:20 »
I think that the size of the collections is irrelevant if you have great search tools. Google does a (largely) great job searching through masses of content and we don't care about the size of the pool of crud they searched, just about getting reasonable number of relevant results.
We have a number of legacy problems in existing collections - poor keywording and categorizing, for example - but I don't see size per se as a problem.
There have been lots of good ideas that appeared and then went nowhere: for example, a cross-agency search tool that put up a huge matrix of tiny squares of images in response to a search and you picked a few to seed a more targeted search of the type of thing you want. It was really surprising how you could rule out and rule in image candidates from small thumbs and then use the ones you like to get better results.
I don't know if any of the agencies have the market heft to do a really great search job - they're squeezing to get more profits now, not to invest in better search technology. Google could do the job, but I don't know if stock image/video/audio content is a big enough pie for them to want to participate.
6296
« on: July 15, 2011, 16:45 »
Getty has said the terms are OK - see the NY Times report here (may require registration to read). The blog from an IP attorney referenced in the above article is here.
6297
« on: July 15, 2011, 15:36 »
You must have a shoot description or they'll reject it (except for self-portraits where a catch all is allowed).
I have a question about self-portrait. Does it mean that you can use the same release forever? Also does a self-portrait release have to be witnesses? Thanks. [/quote] You can use it over and over - although it is important to make it really really clear (I have a note in red up top saying that it's a self portrait and catch all releases are allowed) that it is a self-portrait. People pop up in the forums every so often with a rejection because of no shoot date. I also believe that a witness is not required, but I had my husband sign mine just to avoid any hassles. The theory is that you wouldn't ever sue yourself over a photo you took of yourself, so a witness isn't needed.
6298
« on: July 15, 2011, 14:37 »
ignore the advice to use the iStock release if you are submitting to other sites as well. Other sites will not accept the multiple jurisdictions in the Getty and iStock releases. You don't want to have site-by-site releases; you'll go mad. I made a variant that pulls from the Getty release and Yuri's. It has been accepted everywhere, but since I dropped exclusivity I haven't uploaded much to iStock, so I haven't used it yet there (so I think it's fine, but haven't had a chance to test it yet). However, you do need to follow iStock's rules, which are more restrictive that most sites, about a new release for each shoot. Sometimes people following the rules run into rejections and have to resubmit because an inspector incorrectly is too strict (typing information into the form ahead of time for example) but that should be rare. Details matter though - such as the dates on which the model and witnesses sign must match - they can be different from the shoot date if signatures are obtained after the fact (like they might be if you got a new release signed later because some agency wouldn't accept what you got signed earlier  You must have a shoot description or they'll reject it (except for self-portraits where a catch all is allowed). The description needs to be reasonably specific - "mother and child in nursery and playing in the sandbox" would probably do, but "mother and baby" wouldn't. Each agency's rules may or may not make sense, but they set them, and arguing that they're nonsense won't generally get a contributor anywhere. Once you get the hang of meeting iStock's requirements, it should be pretty straightforward after that.
6299
« on: July 14, 2011, 20:18 »
exponential notation which I guess they thought was simpler  1.2 times 10 to the 6th power, or 1.2 million
6300
« on: July 14, 2011, 20:01 »
I was an exclusive until the beginning of June. I had been independent from fall 2004 to August 2008. With some experience on both sides of the fence I will suggest that (a) other people's experience won't necessarily match yours and (b) you'll never know for sure where you earn the most money as the industry is constantly changing and you can only know how those changes are affecting you on whichever side of the fence you're on at the moment.
If you look at the June earnings post, you'll see some numbers from me about my revenue per download as an iStock exclusive in May 2011 and as an independent in June. I was earning the 35% royalty rate.
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