MicrostockGroup Sponsors
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
Messages - Bateleur
Pages: 1 ... 23 24 25 26 27 [28] 29 30 31 32 33 ... 35
676
« on: February 08, 2007, 02:23 »
I'm not on Flickr (what's the point?) but this sounds suspiciously like a scam to me.
The fact that they don't contact you a second time, after your reply, seems to be revealing.
Have you checked where they would be using them? Do they have a web site?
And I'd be wary of letting them use your images with nothing but a credit to you.
677
« on: February 07, 2007, 01:28 »
An interesting question. Thanks for bringing it up.
It's something to think about.
There's also Alamy in the UK. What about agencies elsewhere in Europe ... in France? Italy? Spain? ... anyone know of any?
678
« on: February 06, 2007, 09:06 »
Why do you think so many people are buying into their "slightly questionable methods"? The implication that those buying in are doing so because they just don't know any better is what is insulting.
(Jaw drops ... huh?) I cannot understand how you draw that conclusion. Where has anyone made that implication? What a company does, and what it's independent suppliers do, are two entirely different things. And where has the 'conspiracy' bit suddenly come from? It seems to me extraordinary that, if someone voices doubt about a company's business practices it then it become a 'conspiracy theory', complete with phrases like "crazy bandwagon". I can't speak for others on this forum, but I believe that iStock's exclusivity requirements are unfairly restrictive, and I voice my doubts here because such discussion is rapidly squashed on iStock. Also, I am not exactly enchanted (based on past experience) with iStock's treatment of photographers ... people who make up the very foundation of their business. Example ... the keywording fiasco of last year. I'm still trying to sort that one out with my iStock portfolio. However, the doubts I voice are absolutely no reflection on iStock contributors, exclusive or otherwise.
679
« on: February 06, 2007, 01:58 »
vicu,
... I don't think anyone was insulting the exclusives here ...
Regards, Adelaide
Hear hear! It mystifies me why people who have gone exclusive with iStock feel that they are being insulted personally when someone criticises iStock's exclusivity programme. Each individual makes their own decision with regard to marketing their work, and no one can criticise that. The problem is that certain people (myself included) feel that iStock's exclusivity programme is far too restrictive and they are trying to corner the market by slightly questionable methods. Is that insulting to anyone?
680
« on: February 05, 2007, 14:28 »
Hey, wow! That's incredible. Congratulations.
And you've got great lighting. It's tough, I know, in big open room like classrooms. It's wonderfully even. How did you do it?
681
« on: February 03, 2007, 17:47 »
Thanks Adelaide Here's mine ... close up of a piece of really grungy artificial leather, ready for the dump. But someone's bought it, once.  Ah well ... 20 cents is better than nothing I suppose.
682
« on: February 03, 2007, 15:21 »
Slightly OT ...
I've got an image I'd like to show that fits this.
But how do you manage to insert the image in your post, Madelaide?
683
« on: February 03, 2007, 04:20 »
... My own view is that in the longer term it will be important eventually to align oneself with one of the big agencies, probably on an exclusive arrangement.
I'd strongly disagree about aligning yourself as an exclusive. Very strongly! Agencies that are doing this are trying to corner the market, which is not in the interests of photographers. Let me take an example to extremes ... iStock (who else?) offers exclusivity with additional bonuses for exclusives, but they must not sell their photos anywhere else. So all the photographers, attracted by the 'generous' offer, sign up as exclusives to IS. Other agencies go out of business because they can't get any decent photos to sell. IS gains a monopoly on the market, turns around to the photographers and sets whatever conditions it likes. The photographers have no choice but to accept (or get out) there's nowhere else to sell their product. Exaggerated? Maybe not. Just look what McDonalds and other big fast food chains have done to the beef industry in the US. Small farmers are going bust all over. And potato farmers, too. Did you know that, out of every pound you spend on chips (french fries) in a fast food restaurant, only about 1p goes to the farmer? McPhoto anyone?
684
« on: February 03, 2007, 04:00 »
You can go near to Sicily and its greek temples. It's only an idea, but why not? It's hot in july, that's true...but it is interesting.
Hey ... yes ... Sicily! There's a fascinating and very photogenic old town called Erici, on the very top of a high hill, at the western side of the island. Amazing place, very 'historical' and little-known outside Italy. Only don't go there in the high season. Though it may not be well known outside Italy, the Italians know about it all right!
685
« on: February 02, 2007, 15:15 »
1) It doesn't say that MS customers can use the image as they wish.
Okay ... I'll grant you that. It is a bit more restrictive. What it says is, "... the MS Office perpetual license which restricts the user to a personal, non-commercial use only ..." In other words, an exclusive iStocker's image can be included in MS Office, as (for example) clip art or similar, and used by thousands if not millions of people around the world in PowerPoint presentations, office documents, invitations, company newsletters, company websites ... whatever, without the creator getting another cent for it. Is $37.50 fair value for that? Since none of use have actually seen the details of the program, I think it is premature to judge the program.
I'm not so much judging the program as iStock's extremely restrictive exclusivity demands and the peanuts they pay for it (though from the tone of their communications you'd think they were tipping out crocks of gold at the photographer's feet). It seems to me to be fair enough if they want to take certain images as exclusive to them, like Dreamstime do. No problem. Every photographer can make her/his own decision on that. But IS require total, absolute, unconditional exclusivity from a photographer. No other sales of RF images. Nowhere else. Full stop. Is that reasonable? I don't believe it is. (P.S. I wonder how many IS 'exclusives' actually sell other images elsewhere, under other names? I know at least one person who does.)
686
« on: February 02, 2007, 11:28 »
Yeah ... I got this e-mail too.
I'm a native English speaker with a university degree in the subject, and I found it difficult to understand exactly what they were offering.
It seems to be one of those messages that seem to be telling you a lot, but when you look at them closely, don't say much at all ... the sort of thing so beloved by politicians.
For example, they write about contributors receiving "... big commissions." What is a 'big commission?' They do give a concrete example further on ... "Microsoft pays an extended license fee of $75 per photo, of which the contributor receives 35 50%"
Okay, lets be generous and take the upper limit. 50% of $75 is $37.50.
I don't call $37.50 a big commission for:
a) Allowing Microsoft to use your image in its products however it wishes and ...
b) All MS customers being able to use this image as they wish and ...
b) Allowing MS to sell it on as one of their 'products' (even if you do receive a cut) and ...
c) You, as an independent photographer, not being allowed to sell any other RF image (even if it is not remotely related) anywhere else, through any other agency or means.
Bottom line ... ask yourself this question - "Who's going to get richer as a result of this?"
687
« on: February 01, 2007, 08:12 »
...
# guessimate as their website will only show my current balance can't navigate at all.
...
Hey Fintastique ... you can check your monthly earnings on BigStock (Bigstock?) When you have logged in click on 'Commissions' (Second down at the very right hand side, underneath the 'Download cart' and 'Photo Credits'). Once you are on that page, look at the very bottom, left. There is a month by month breakdown of your earnings. Cheers
688
« on: January 30, 2007, 12:54 »
I didn't know about it either. It's funny how you can miss something that's staring you in the face (at least, I seem to be able to  ) Thanks for the tip. A great way to connect with your CN. Cheers
689
« on: January 30, 2007, 01:21 »
I've heard that Fred Miranda's Velvia plugin is great and well worth getting. And I've been thinking of getting it.
Anyone used it?
690
« on: January 29, 2007, 17:15 »
Don't go to Switzerland!  I live there! No, seriously, there's lots of opportunities here, but so many of them have been done to death already. How about the West coast of Ireland? That's pretty photogenic, with photogenic people, too. Or, on the other side, some of the countries of Eastern Europe. I've never been there, but I guess Romania could be moody and photogenic.
691
« on: January 29, 2007, 17:09 »
Congratulations on getting not one ...but two best images. That's great! Well done.
I must admit, if I got a 'best image' it would give my ego a boost too. I live in hope ... and in hope of getting a payout there someday. I guess it will be sometime in 2017 at the rate things are going.
692
« on: January 29, 2007, 01:27 »
As I understand its not 2$ per photo but up to 2$ per photo and its from 10 cents per "acceptable quality photo" up to 2$ for "panoramic/ premium quality photo" , that means that you get less than 2$ per photo , probably even less than 1$ , and you get 20c when the image is downloaded.
Yeah ... and who decides what is "acceptable quality" (for 10c) and what is "panoramic/premium quality" (for $2)? They do, of course. What a rip off. But then there are probably thousands, (maybe even tens of thousands) of amateur photographers who will think this is a great chance. Some agencies (Getty Open in the US, FotoLibra in the UK) even get the photographers to pay them! Un ...bel ... eevable!
693
« on: January 28, 2007, 16:51 »
It's not my day ... is it.  But thanks for moving it to the CRESTOCK forum
694
« on: January 28, 2007, 12:30 »
695
« on: January 28, 2007, 12:26 »
But... why is this message under IS forum? I thought it would say Judge Ross had moved to IS. 
Ooops ... sorry. my inexperience. I didn't realise that it had to be allocated to a Canstock forum, and I can't see how to do that now.
696
« on: January 28, 2007, 11:11 »
Added me ... From French-speaking Switzerland.
697
« on: January 28, 2007, 10:06 »
Most days I look at the 'Best Image' and 'Worst Image' on Crestock. It's often revealing. Some of that guy's 'best images' are great. Others ... well, I can't see what he finds impressive in them. They seem pretty mediocre to me.
But the 'worst image' archive is truly amazing. Do people really submit images that bad?
The latest one, on this weekend, is about the most unbelievable I've seen. It appears to be a shot of a house taken through the window of a moving car. But there are a whole load of trees and assorted other roadside vegetation in the way.
Is someone winding Judge Ross up here?
698
« on: January 28, 2007, 09:56 »
Hi all, I've approached everyone who's posted an invite to join their CN, taking it up. Hope you'll accept me  If anyone else wants to add me to their CN, my user name on iStock is 'kalulu'. Cheers
699
« on: January 01, 2007, 10:49 »
Sorry if I'm being a bit thick here ... do the percentages refer to your personal photos, or to the total number of photographs available through each agency?
I.e. Do you have most of your photos with SS. Or does SS have just over quarter of the photos available through all 10 agencies?
700
« on: January 01, 2007, 10:43 »
Thanks for those thoughts db.
I, too, am a writer/photographer, like you. I've been taking photographs for years and years and years - from Africa to the Arctic - and I've never known what to do with them other than enter the odd one for a competition, and stash the rest away in boxes.
Then, in late 2005 I discovered that I could put them up for sale through various agencies and ... better still ... people actually wanted to buy them!
Since then it's been a steep learning curve. I wince at some of the things I was submitting at first.
My photo-resolutions:
1) Like you, db, get more right in the camera and rely as little as possible on post-processing.
2) Get a really decent scanner and start digitizing my best trannies from Africa, the Arctic, and elsewhere.
3) Learn how to manage a web site, and set on up.
4) Be really, really, really critical of my work and chuck out anything that isn't top-notch.
That's enough for now. Happy New Year everyone.
Pages: 1 ... 23 24 25 26 27 [28] 29 30 31 32 33 ... 35
|
Sponsors
Microstock Poll Results
Sponsors
|