MicrostockGroup Sponsors
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
Messages - wordplanet
Pages: 1 ... 24 25 26 27 28 [29] 30 31 32 33 34 ... 46
701
« on: November 23, 2014, 16:03 »
DT is beating out SS for me this month but both are way behind last November - I've barely added anything new, but out of the handful I have, some are selling and when I look at the RPI for new images, it's actually much better than I thought. Well ahead of last year's earning despite not adding a whole lot of new work, so I can't really complain.
702
« on: November 23, 2014, 15:32 »
Slower for me there this year than last, just a handful of sales lately, but mostly nice big ones. Most recent was for $495 (buyer's total) earlier this month - 95% of my sales there are to strangers - no clue how they've found me most of the time, though I do send the occasional person who contacts me via my Photoshelter site asking for framed prints there, so I don't have to worry about packing breakable artwork. I do some twitter and G+ and also some of the groups. I seem to have more sales there when I'm active on the site and doing some promoting, than when I'm not.
My photos that have sold there range widely from travel to more artsy black & white. For $30 a year it has always more than paid for itself with the first sale of the year since I joined in 2010, so I figure it's worth sticking it out. (My account renews in December). Having more sales (volume-wise) on redbubble lately where I haven't added anything new in ages and do no promoting, but one sale from FAA generally earns me way more than several from there.
I like that FAA pays you within 30-45 days of your sale no matter the amount, and after all the work of uploading there, plan to keep my account.
I do wish that my images that have sold multiple times there would show up higher in searches. Not sure how they pick the images they feature (FAA, that is - I have many featured in groups there). I wish I knew if the promoting made a difference since it's time-consuming.
Anyone else notice an uptick in sales when they're promoting vs. when they're not?
703
« on: November 09, 2014, 05:28 »
Having your work come up in searches is an all or nothing thing by portfolio - but curation is by image. At least that's my understanding.
I thought "curated" meant that you'd appear in searches. If not, what does it mean? That you're featured somehow?
But if their acceptance process hasn't changed - in other words, if they still have no comprehensible process - then it doesn't matter because I'm not wasting any more time with them. I wasted quite a bit before I realized that the Search box on my page turned up only featured contributors, not me.
There are three levels, you can join crated and may not end up in searches, if your gallery is "promoted" when you get accepted, then all your images will show up in searches. If an image is "Curated" then it is featured on the homepage and moves from the top to the bottom as new images are "curated," but it will come up in searches and be featured if a potential buyer looks for curated images. So, a "promoted" gallery is what you need to show up in searches and "curated" images get an extra boost. I have some friends who've sold through crated, no sales for me yet - but I only have 17 promoted images, one curated. Will have to give it some time.
704
« on: November 08, 2014, 19:30 »
Just went into my account info and I'm already opted out by default. But appreciate the head's up.
705
« on: November 08, 2014, 19:26 »
Thanks for the info - I thought that Lattice was a sharing service where you opted IN the images you wanted to share but hadn't had a chance to investigate it yet. Will opt out til I figure out how it actually works.
706
« on: November 08, 2014, 19:18 »
Paulie-
Photoshelter only takes a commission on the sales you make directly via the site's paypal interface. Someone clicks, buys, and it's done without your involvement. I think it's worth the 10% if I don't have to do anything at all in terms of making a sale. I'm not sure how well that aspect of the site works, as I've mentioned some portrait clients seemed to have trouble with the interface, but it's not a big part of my business.
I checked with PS the first time a potential client contacted me via the PS "contact me" interface and then negotiated specific usage and pricing with me, asking me to email the photo and invoice to them directly. They paid me via paypal but not via the site. I was told that in such circumstances, even though they contacted me through the site to license a stock photo, I did not owe PS any commission. The commission only comes in when someone goes on the site directly and downloads and pays there. Regular clients can also download files I've sent them via lightbox and send me a check after I invoice them, and again, that doesn't require a commission.
I think it all comes down to what you're looking for. For me, a site that lets me put the same photo in different galleries without having duplicates, gives me over 1 TB of online backup, markets itself to the kinds of clients I'm seeking and also lets me share galleries targeted to potential clients on a site that looks very professional, works.
Apparently a lot of events photographers are happy with them but my experience in that realm is limited. I've had a lot on my plate this past year and haven't marketed my site much at all but it still gets me inquiries from assignment, fine art and stock clients - I'd love to be able to offer framed artwork through the site too and need to check on the new printers they've added to see about offering canvas and metal prints directly. Right now I send those inquiries to FAA but it would be nice to offer prints from my site. I know a few photographers who offer prints directly from their Photoshelter sites and they have a growing number of printers around the world with whom they are affiliated.
When you're finished testing all three sites the comparison would be interesting to hear.
707
« on: November 08, 2014, 15:35 »
@Wordplanet Your homepage is quite effective.
Thanks Ann It looks like you use a Beam template. If yes, it would be great if you'd answer any of these: --Do you have option of watermarking your homepage photos? With the particular template I've chosen, I don't think so - they're really just large thumbnails and I think that watermarks would be very distracting so it hasn't been a concern for me. Once someone clicks on them, the watermark will show up and you can still watermark the full size photos and turn the watermark on and off in Beam like you can with the traditional templates. Just like with the classic templates, you can use the default watermark or a png you design yourself. You can also customize the watermark's location - much more consistently than with the traditional site. You can also set the maximum size of the large photos so they look good on today's larger screens. Full size on my 27" iMac they look really good. And sharing my work via a projector from the site they look amazing. I like this particular template because it lets views page through my photos randomly to see the full breadth of my work of via gallery to look at just what they want. And like the classic templates, they can also search my hidden (i.e. "unlisted") galleries. There are other template choices that don't have the same cover page layout and they may have different watermarking options. --How do you populate homepage with photos - random? handpick all/some of them? The Template I've chosen is called "Shuffle" so yes, it's random. But there are many others to choose from. Since I shoot a lot of different types of work I like the randomness. I can move around the galleries to change the order but can't control which photo shows up where (hence the name shuffle, although if you have any html skills this might be possible since the templates are customizable -My html skills are rudimentary at best but all the templates can be customized to some extent even without any of those skills. I love the way the site looks and I did it all myself straight from the template. There are other templates that give you more control about which photos are featured within the design of the template itself - e.g. some give you a large photo across the page from each listed gallery you choose to feature (more along the lines of what you're used to before Beam but with a lot more options and a nicer look IMHO) - there are templates with page splits and other options too. They also just added 4 new templates, so there are many to choose from. The switch to Beam was easy. If you only want to feature a handful of galleries and keep the rest on the back end searchable, that's possible too. The back end still works the way it always has, and there's a new LR plugin now - which I haven't tried yet - which lets you update on LR and replace the photo on PS automatically. I find the Beam templates much easier to navigate than the templates I've tried out with my blog via Wordpress - I can never seem to get my blog layout to look anything like the template I'm using and am wishing I'd stuck with blogger. Just my personal experience, I know the OP has skills I don't. The Beam layouts look professional and you can do it yourself quickly and easily with no html skills whatsoever. --Are you, clients happy with your site's navigation, especially when viewed in iPad and similar? (I use one of their traditional templates.) The Beam templates were designed to be smartphone and tablet friendly and in my experience with the template I've chosen, it seems easy to navigate. You can just click on one photo and then slide to the next on your phone or click on a gallery name and slide through the photos. Even older relatives who wanted to check out my work on their smartphones seemed to have no trouble. It resizes to fit the device. The only issue any of my clients (the handful purchasing portraits) have mentioned have been when they've tried to order prints (this goes back to pre-beam days but also since then). They seem to have difficulty using paypal via the system so I've ended up using Miller's - my favorite lab for portraits - and having the work drop shipped when I get a check from them or delivering to them in person. I don't do a lot of portrait work. The magazine, book and editorial website clients I've dealt as well as a few museums and galleries have all contacted me directly via the inquiry form on the site, then negotiated with me via phone or email. I send out terms -RM or RF - in my invoice. I think that the personal contacts I've made via the site have been great and I can keep these clients abreast of what I'm doing which has led to more work. Beam is just like the traditional site in that I can set up a lightbox to share with clients so they can download comps and send them links to private galleries that they can share in making choices about which photos they want. I don't think I've taken advantage of half of what they have to offer but have used it with all kinds of clients. The editor of a local magazine I've shot for over the years just found one of my stock photos on my site and it's going to be next month's cover. The editor knew about my site since I use it to send her lightboxes and galleries, and the last time I did a shoot for her remarked on the new look (thanks to Beam) so she went on and did a search just in my gallery and found all sorts of RAW photos I had uploaded and ignored, hidden in my archives (but searchable), and now one is going to be a cover photo. I did notice an uptick in visits after I was a featured photographer and am eager to explore Lattice their new photo-sharing endeavor (those photos aren't watermarked) - but with PS6 and CC's content aware fill I'm considering whether it's even worth keeping the watermark on my large photos. Thanks! - Ann Hope this was helpful. I have my site on Photoshelter too. Great for storage and for sharing assignment work with clients and impressing potential clients when they take a look.
My first two sales to publications this year covered the cost of my website for the year (I have the full pro account) and have had many buyers approach me to license my work who were specifically searching on Photoshelter's site since their search engine lets you search through just one portfolio or through everyone's. They have a great client base - lots of amazing photographers and lots of top-notch publications who search there and license directly from the photographer. I shoot a lot of local news/features type work and travel, so it's a great fit for me.
They ran a stock site themselves for a short time around 2008, but then switched to this model. They have lots of templates to choose from, and a back end archive you can use to organize and backup your work. Someone searching the site can find stuff in your "unlisted" galleries as long as you make it searchable, as well as the work you have visible in your front page galleries.
The staff is really helpful, they run a lot of webinars, and they actually answer their phones! Feel free to PM me if you have any questions.
[/quote]
708
« on: November 07, 2014, 22:20 »
I have my site on Photoshelter too. Great for storage and for sharing assignment work with clients and impressing potential clients when they take a look.
My first two sales to publications this year covered the cost of my website for the year (I have the full pro account) and have had many buyers approach me to license my work who were specifically searching on Photoshelter's site since their search engine lets you search through just one portfolio or through everyone's. They have a great client base - lots of amazing photographers and lots of top-notch publications who search there and license directly from the photographer. I shoot a lot of local news/features type work and travel, so it's a great fit for me.
They ran a stock site themselves for a short time around 2008, but then switched to this model. They have lots of templates to choose from, and a back end archive you can use to organize and backup your work. Someone searching the site can find stuff in your "unlisted" galleries as long as you make it searchable, as well as the work you have visible in your front page galleries.
The staff is really helpful, they run a lot of webinars, and they actually answer their phones! Feel free to PM me if you have any questions.
709
« on: November 07, 2014, 21:58 »
Maybe they bought a license to use the same clip art or photograph as a source image commercially?
I feel like I've seen that same palm tree a lot but I'm not a designer so really don't have a clue. How did you even notice they were so alike? Good eye!
710
« on: November 07, 2014, 21:49 »
Lovely abstract!
Now that their system reads ITPC data the upload process is really fast so I'm hoping to grow my portfolio there. I only have 17 images on Crated, including the 3 I just uploaded, so I don't anticipate seeing sales right away. I'm happy that they're promoting one of my photos for me today but I don't expect sales to come flooding in. Was just curious how others were faring and glad you've shared your experiences.
Sold a 3' x 3' acrylic on FAA last week but it's harder and harder to get your stuff seen there. Still sticking with them but I'd hate to see the POD market become the province of just one or two sites. We've seen how well that's worked out for photographers in the stock photo industry. I'm rooting for Crated to give the other POD sites some competition. That works to our advantage as photographers. Since we get to set our own prices we're not undercutting our own work by selling it on more venues, but hopefully having it seen by more potential buyers instead.
711
« on: November 07, 2014, 15:55 »
Having your work come up in searches is an all or nothing thing by portfolio - but curation is by image. At least that's my understanding.
712
« on: November 07, 2014, 13:41 »
Just have to say how impressed I am at Stocksy's organization and quick response. Since I'm finally starting to get a little better after 6 weeks of vertigo, I decided to try to apply again and figure out what they meant when they rejected my work but said "we'd be happy to look at your portfolio again in a few months." Well, it meant I could have re-applied in 3 months if their Call to Artists was still open - it's not, which is disappointing, but they answered my question within hours of my asking, and were very nice about the whole thing.
I like their style and will try again next October. I was accepted by Spaces over the summer and plan to concentrate on shooting interiors for them now that it's turning colder here in the US which I"m very excited about. Had fun with lens flare and the washed out vintage look I was working on for Stocksy (after they rejected my first application early on) so hoping I'll have a better shot next year there. Hopefully that look will still be in - I'm guessing it'll last a couple of years. Congrats to all of you who made the cut this time! They said the response to the recent Call to Artists was much greater than anticipated so if you're still waiting I'd be optimistic that you're certainly in the running! Kudos to all of you!
Congrats Sketchyt - How do you apply to Offset or is it still "Invitation Only?"
713
« on: November 07, 2014, 13:31 »
Just uploaded a couple of new pieces and got an email within minutes that one was "Curated" It's currently the first one on the Discover Curated Art page here http://crated.com/search/curated?ref=fp_rb_secondary_copyAlso found out they only charge $14 for shipping within the US even on several framed prints. Just had a fine art gallery opening last night and wish I'd realized their wholesale prices and great shipping deal on framed prints!  Went from BMY to WMY on SS from Sept to Oct, so nice to be posting some good news! Seem to be selling more fine art these days so maybe that's where I should channel my energy for a while.
714
« on: November 01, 2014, 14:52 »
More than half of my stock is travel and I license a lot of it directly - some through my Photoshelter site and some via queries to publishers, some through Alamy and some smaller trad sites, and also sell some on FAA and redbubble, but I also license a lot through Shutterstock and some through the other micros too.
I wouldn't put all my travel on the micros but it's not been a bad investment there. For example, I've got a handful of images of New England tourist places (landscapes with landmarks mostly) that have been "done to death" that are on the first or second page of ss and have been licensed hundreds of times - with many ELs. Different photos from those trips have been in numerous calendars and also do okay on Alamy and through my Photoshelter website.
They are all tourist destinations and destinations in rural areas that won't change, unlike a city skyline, so even those from 2009 still get downloaded weekly on ss.
It's not going to make me rich but I do plan it out and treat it as work, but it's work that includes meeting locals, seeing places I've never been or returning to places I love, and the value of the travel itself is an intangible benefit that can't be measured in terms of money but is worth more to me than a paycheck. After all, as that guy in the blog said, how many of us work our whole lives so we can afford to travel in retirement?
715
« on: October 27, 2014, 23:31 »
Perry - Your comment reminded me of seeing The Alamo - it's even more surrounded by urban sprawl than when I first saw it about 25 years ago - but my favorite was the Great Wall of China - thanks for sharing!
716
« on: October 27, 2014, 23:30 »
Put in the name of the place. I shoot a lot of travel photography and often travel solely to shoot stock. There's a difference between a well planned shot and a snapshot, but without seeing the OP's work there's no way to know if it's worth uploading - but he might as well take a chance and see how it goes. Landscape and travel photography are often one and the same. I can think of several photos that I've licensed to travel magazines, websites, calendar companies, and travel books (i.e. the same photo to all of them) that could be seen as "landscapes" or "seascapes" but, like the lovely photo that Mantis posted, these scenics included iconic architecture - like that amazing tower built into the rock, that can't be found anywhere but that location. To me, that means keywords like travel, landscape, seascape, and the actual location all apply. In fact, a photo of a Saguaro cactus, while not a travel photo per se, could easily be used in a travel guide because they are only found naturally in the Sonoran Desert and nowhere else in the world. Just like a photo of a Koala. It's "wildlife," but "travel" too. Then again, shutterstock once licensed a most unusual image of mine that has appeared in several Fodor's Travel Guides to Disneyland - I blogged about it here: http://www.travelstockblog.com/uncategorized/is-this-travel-photography/(Please note, I just switched over my blog from blogger to wordpress and the auto feature has erased some of the links and messed up the formatting - didn't realize how badly til I tested this link - another project for tomorrow)
717
« on: October 27, 2014, 22:58 »
It's a complete train wreck.
718
« on: October 27, 2014, 22:40 »
I have some great hometown images but they are all editorial - too bad. Sounds like a fun contest.
719
« on: October 08, 2014, 01:49 »
DT lets you make some of your files exclusive without being overall exclusive. You might want to try that first and see how that works for you before putting all your eggs in one basket. I have some assignment files and some others that I made exclusive on DT and they get more views and often more sales than some of my other files there, but I make more on SS and also with RF files I license elsewhere, so I'd never go totally exclusive there. Not exactly what you were asking but hope this gives you an idea something you can try before you make a final decision. Good luck whatever you decide.
720
« on: October 08, 2014, 01:35 »
I've always thought that RPI was the best indicator since tracking your own RPI and seeing how you stack up against the average contributor are both helpful metrics. Looking at your RPI from year to year, which includes those top sellers as well as the duds that never sell, indeed gives you a good feel for how your "average photo"* should do over time and helps you project just how many photos you need online to meet your microstock income goals. RPI also helps you compare how you're doing vis-a-vis others since it gives you a sense of whether or not your average image earns more or less than the average image on SS, regardless of portfolio size. I'm not surprised that most of us are above the 28 cent RPI/month average. I'd guess most people on here take their work seriously and that their work reflects it. I'd like to see this poll be posted each month. +1 for the OP  "Average photo" is really a misnomer, but RPI takes into consideration that out of say every 25 images you upload, x will be winners, y will be duds, and a bunch will fall somewhere in between, giving you a sense of how much more you can expect to earn as you increase your portfolio. As some people have said, once images hit a certain age they may sell less frequently, and new images are more likely than ever to get lost in the plethora of new work uploaded daily, but it's still the best metric to help you project how much you need to increase your portfolio to meet your goals.
721
« on: October 03, 2014, 18:58 »
SS: +265% over Sept 2013 (2nd BME there, BMY) DT: Same as Sept 2013 nearly to the dollar. iS: -50% (using last month's PP, otherwise, even worse) Alamy & my own site: OK sales on both with additional zooms and inquiries which I hope mean October has some promise. Trying to stay positive.
722
« on: October 03, 2014, 18:27 »
September ended up being my second BME on SS and so far strong DL numbers this week for October so things seem to be improving. (DT and Alamy did okay in September too).
723
« on: September 25, 2014, 23:22 »
I tried uploading a single image today - tried 5 times with no luck - then switched from Firefox to Safari and had no problem.
724
« on: September 24, 2014, 23:24 »
Looks like an excellent program. Wish I had more time to check out the trial version. Thanks for the info.
725
« on: September 24, 2014, 17:02 »
BMY for me so far - got a third EL yesterday which certainly helped. I had some page one photos that lost their spot for a while but they seem to be back and selling pretty well again. Thinking I may upload some new photos there again.
Pages: 1 ... 24 25 26 27 28 [29] 30 31 32 33 34 ... 46
|
Sponsors
Microstock Poll Results
Sponsors
|